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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ACCEE it is the complementary color #D53311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ACCEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ACCEE shade: #2FCCE9, #40DEFC, #51F0FF, #62FFFF and #73FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ACCEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ACCEE shade: #2ACCEE, #19BADB, #08A8C8, #0096B5 and #0084A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ACCEE shade: #2BCCEE, #2B97EE, #2B63EE, #2B2EEE and #5C2BEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ACCEE shade: #2BCCEE, #2B97EE, #2B63EE, #2B2EEE and #2B2BEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ACCEE shade matches the following richer shades: #2BCCEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ACCEE shade: #2BCCEE, #3DC0DB, #50B4C9, #62A8B6 and #759BA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ACCEE shade: #2BEEA6, #2BEEDA, #2BCDEE, #2B99EE and #2B65EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ACCEE shade: #0F9AB7, #12BADD, #2BCCEE, #51D5F1 and #77DEF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ACCEE shade: #2ACCEE, #722BEE and #EEC02B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ACCEE shade: #2ACCEE, #EE2BCD and #CDEE2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ACCEE shade: #2ACCEE, #722BEE, #EE4B2B and #A6EE2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ACCEE shade: #2ACCEE, #AD2BEE, #EE4B2B and #6CEE2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 14 / 0 / 7

HEX #2ACCEE

RGB 42 204 238

HSL 190.41, 0.85%, 0.55%

LAB 75.98, -28.18, -28.07

 

Complementary color

CMYK 0 / 76 / 92 / 16

HEX #D53311

RGB 213 51 17

HSL 10.41, 0.85%, 0.45%

LAB 47.69, 61, 55.25

 

CMYK 80 / 12 / 0 / 9

HEX #2FCCE9

RGB 47 204 233

HSL 189.35, 0.81%, 0.55%

LAB 75.87, -29.35, -25.55

 

CMYK 75 / 12 / 0 / 1

HEX #40DEFC

RGB 64 222 252

HSL 189.57, 0.97%, 0.62%

LAB 82.03, -30.55, -26.24

 

CMYK 68 / 6 / 0 / 0

HEX #51F0FF

RGB 81 240 255

HSL 185.17, 1%, 0.66%

LAB 87.63, -36.15, -19.3

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 82 / 14 / 0 / 7

HEX #2ACCEE

RGB 42 204 238

HSL 190.41, 0.85%, 0.55%

LAB 75.98, -28.18, -28.07

 

CMYK 89 / 15 / 0 / 14

HEX #19BADB

RGB 25 186 219

HSL 190.21, 0.8%, 0.48%

LAB 69.78, -26.51, -27.31

 

CMYK 96 / 16 / 0 / 22

HEX #08A8C8

RGB 8 168 200

HSL 190, 0.92%, 0.41%

LAB 63.53, -24.47, -26.46

 

CMYK 100 / 17 / 0 / 29

HEX #0096B5

RGB 0 150 181

HSL 190.28, 1%, 0.35%

LAB 57.22, -21.99, -25.5

 

CMYK 100 / 19 / 0 / 36

HEX #0084A2

RGB 0 132 162

HSL 191.11, 1%, 0.32%

LAB 50.82, -19.17, -24.48

 

CMYK 82 / 14 / 0 / 7

HEX #2BCCEE

RGB 43 204 238

HSL 190.46, 0.85%, 0.55%

LAB 75.99, -28.1, -28.05

 

CMYK 82 / 37 / 0 / 7

HEX #2B97EE

RGB 43 151 238

HSL 206.77, 0.85%, 0.55%

LAB 60.62, 0.41, -52.05

 

CMYK 82 / 58 / 0 / 7

HEX #2B63EE

RGB 43 99 238

HSL 222.77, 0.85%, 0.55%

LAB 46.46, 32.53, -74.86

 

CMYK 82 / 81 / 0 / 7

HEX #2B2EEE

RGB 43 46 238

HSL 239.08, 0.85%, 0.55%

LAB 35.28, 62.89, -93.28

 

CMYK 61 / 82 / 0 / 7

HEX #5C2BEE

RGB 92 43 238

HSL 255.08, 0.85%, 0.55%

LAB 38.16, 67.44, -88.41

 

CMYK 82 / 14 / 0 / 7

HEX #2BCCEE

RGB 43 204 238

HSL 190.46, 0.85%, 0.55%

LAB 75.99, -28.1, -28.05

 

CMYK 82 / 37 / 0 / 7

HEX #2B97EE

RGB 43 151 238

HSL 206.77, 0.85%, 0.55%

LAB 60.62, 0.41, -52.05

 

CMYK 82 / 58 / 0 / 7

HEX #2B63EE

RGB 43 99 238

HSL 222.77, 0.85%, 0.55%

LAB 46.46, 32.53, -74.86

 

CMYK 82 / 81 / 0 / 7

HEX #2B2EEE

RGB 43 46 238

HSL 239.08, 0.85%, 0.55%

LAB 35.28, 62.89, -93.28

 

CMYK 82 / 82 / 0 / 7

HEX #2B2BEE

RGB 43 43 238

HSL 240, 0.85%, 0.55%

LAB 34.83, 64.22, -94.03

 

CMYK 82 / 14 / 0 / 7

HEX #2BCCEE

RGB 43 204 238

HSL 190.46, 0.85%, 0.55%

LAB 75.99, -28.1, -28.05

 

CMYK 82 / 14 / 0 / 7

HEX #2BCCEE

RGB 43 204 238

HSL 190.46, 0.85%, 0.55%

LAB 75.99, -28.1, -28.05

 

CMYK 72 / 12 / 0 / 14

HEX #3DC0DB

RGB 61 192 219

HSL 190.25, 0.69%, 0.55%

LAB 72.1, -26.34, -23.71

 

CMYK 60 / 10 / 0 / 21

HEX #50B4C9

RGB 80 180 201

HSL 190.41, 0.53%, 0.55%

LAB 68.44, -22.86, -19.4

 

CMYK 46 / 8 / 0 / 29

HEX #62A8B6

RGB 98 168 182

HSL 190, 0.37%, 0.55%

LAB 64.95, -18.27, -14.08

 

CMYK 29 / 5 / 0 / 36

HEX #759BA4

RGB 117 155 164

HSL 191.49, 0.21%, 0.55%

LAB 61.57, -10.8, -8.94

 

CMYK 82 / 0 / 30 / 7

HEX #2BEEA6

RGB 43 238 166

HSL 157.85, 0.85%, 0.55%

LAB 84.18, -62.02, 22.13

 

CMYK 82 / 0 / 8 / 7

HEX #2BEEDA

RGB 43 238 218

HSL 173.85, 0.85%, 0.55%

LAB 85.36, -49.47, -3.33

 

CMYK 82 / 14 / 0 / 7

HEX #2BCDEE

RGB 43 205 238

HSL 190.15, 0.85%, 0.55%

LAB 76.28, -28.59, -27.6

 

CMYK 82 / 36 / 0 / 7

HEX #2B99EE

RGB 43 153 238

HSL 206.15, 0.85%, 0.55%

LAB 61.19, -0.75, -51.14

 

CMYK 82 / 58 / 0 / 7

HEX #2B65EE

RGB 43 101 238

HSL 222.15, 0.85%, 0.55%

LAB 46.97, 31.26, -74.04

 

CMYK 92 / 16 / 0 / 28

HEX #0F9AB7

RGB 15 154 183

HSL 190.36, 0.85%, 0.39%

LAB 58.63, -22.81, -24.45

 

CMYK 92 / 16 / 0 / 13

HEX #12BADD

RGB 18 186 221

HSL 190.34, 0.85%, 0.47%

LAB 69.8, -26.18, -28.38

 

CMYK 82 / 14 / 0 / 7

HEX #2BCCEE

RGB 43 204 238

HSL 190.46, 0.85%, 0.55%

LAB 75.99, -28.1, -28.05

 

CMYK 66 / 12 / 0 / 5

HEX #51D5F1

RGB 81 213 241

HSL 190.5, 0.85%, 0.63%

LAB 79.44, -27.33, -24.32

 

CMYK 51 / 9 / 0 / 4

HEX #77DEF4

RGB 119 222 244

HSL 190.56, 0.85%, 0.71%

LAB 83.28, -24.16, -19.97

 

CMYK 82 / 14 / 0 / 7

HEX #2ACCEE

RGB 42 204 238

HSL 190.41, 0.85%, 0.55%

LAB 75.98, -28.18, -28.07

 

CMYK 52 / 82 / 0 / 7

HEX #722BEE

RGB 114 43 238

HSL 261.85, 0.85%, 0.55%

LAB 40.37, 69.65, -84.68

 

CMYK 0 / 19 / 82 / 7

HEX #EEC02B

RGB 238 192 43

HSL 45.85, 0.85%, 0.55%

LAB 79.64, 3.25, 73.98

 

CMYK 82 / 14 / 0 / 7

HEX #2ACCEE

RGB 42 204 238

HSL 190.41, 0.85%, 0.55%

LAB 75.98, -28.18, -28.07

 

CMYK 0 / 82 / 14 / 7

HEX #EE2BCD

RGB 238 43 205

HSL 310.15, 0.85%, 0.55%

LAB 56.4, 83.72, -39.11

 

CMYK 14 / 0 / 82 / 7

HEX #CDEE2B

RGB 205 238 43

HSL 70.15, 0.85%, 0.55%

LAB 89.07, -33.23, 81.01

 

CMYK 82 / 14 / 0 / 7

HEX #2ACCEE

RGB 42 204 238

HSL 190.41, 0.85%, 0.55%

LAB 75.98, -28.18, -28.07

 

CMYK 52 / 82 / 0 / 7

HEX #722BEE

RGB 114 43 238

HSL 261.85, 0.85%, 0.55%

LAB 40.37, 69.65, -84.68

 

CMYK 0 / 68 / 82 / 7

HEX #EE4B2B

RGB 238 75 43

HSL 9.85, 0.85%, 0.55%

LAB 55.47, 60.99, 52.64

 

CMYK 30 / 0 / 82 / 7

HEX #A6EE2B

RGB 166 238 43

HSL 82.15, 0.85%, 0.55%

LAB 86.72, -48.1, 78.05

 

CMYK 82 / 14 / 0 / 7

HEX #2ACCEE

RGB 42 204 238

HSL 190.41, 0.85%, 0.55%

LAB 75.98, -28.18, -28.07

 

CMYK 27 / 82 / 0 / 7

HEX #AD2BEE

RGB 173 43 238

HSL 280, 0.85%, 0.55%

LAB 47.99, 77.48, -71.91

 

CMYK 0 / 68 / 82 / 7

HEX #EE4B2B

RGB 238 75 43

HSL 9.85, 0.85%, 0.55%

LAB 55.47, 60.99, 52.64

 

CMYK 55 / 0 / 82 / 7

HEX #6CEE2B

RGB 108 238 43

HSL 100, 0.85%, 0.55%

LAB 84.23, -66.31, 74.9

 

Description

Color code: HEX #2ACCEE | qconv.com Color code: HEX #2ACCEE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 204 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 204 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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