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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ACCC7 it is the complementary color #D53338. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ACCC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ACCC7 shade: #2FCCC2, #40DED5, #51F0E8, #62FFFB and #73FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ACCC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ACCC7 shade: #2ACCC7, #19BAB4, #08A8A1, #00968E and #00847B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ACCC7 shade: #2ACBC6, #2ACB9B, #2ACB6F, #2ACB43 and #3BCB2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ACCC7 shade: #2ACBC6, #2AA5CB, #2A79CB, #2A4DCB and #2A2ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ACCC7 shade matches the following richer shades: #2ACBC6, #16DFD9 and #02F3EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ACCC7 shade: #2ACBC6, #3DB7B4, #51A4A1, #65908E and #797C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ACCC7 shade: #2ACB70, #2ACB9B, #2ACBC6, #2AA5CB and #2A7ACB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ACCC7 shade: #1C8783, #23A9A5, #2ACBC6, #45D9D4 and #67E0DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ACCC7 shade: #2ACCC7, #452ACB and #CB852A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ACCC7 shade: #2ACCC7, #C62ACB and #CBC62A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ACCC7 shade: #2ACCC7, #452ACB, #CB2A2F and #B0CB2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ACCC7 shade: #2ACCC7, #752ACB, #CB2A2F and #80CB2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 2 / 20

HEX #2ACCC7

RGB 42 204 199

HSL 178.15, 0.66%, 0.48%

LAB 74.7, -40.03, -8.97

 

Complementary color

CMYK 0 / 76 / 74 / 16

HEX #D53338

RGB 213 51 56

HSL 358.15, 0.66%, 0.52%

LAB 48.01, 62.02, 36.7

 

CMYK 77 / 0 / 5 / 20

HEX #2FCCC2

RGB 47 204 194

HSL 176.18, 0.63%, 0.49%

LAB 74.63, -40.98, -6.37

 

CMYK 71 / 0 / 4 / 13

HEX #40DED5

RGB 64 222 213

HSL 176.58, 0.71%, 0.56%

LAB 80.81, -41.84, -7.36

 

CMYK 66 / 0 / 3 / 6

HEX #51F0E8

RGB 81 240 232

HSL 176.98, 0.84%, 0.63%

LAB 86.95, -42.49, -8.27

 

CMYK 62 / 0 / 2 / 0

HEX #62FFFB

RGB 98 255 251

HSL 178.47, 1%, 0.69%

LAB 92.17, -41.63, -10.37

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 79 / 0 / 2 / 20

HEX #2ACCC7

RGB 42 204 199

HSL 178.15, 0.66%, 0.48%

LAB 74.7, -40.03, -8.97

 

CMYK 87 / 0 / 3 / 27

HEX #19BAB4

RGB 25 186 180

HSL 177.76, 0.76%, 0.41%

LAB 68.47, -38.72, -7.88

 

CMYK 95 / 0 / 4 / 34

HEX #08A8A1

RGB 8 168 161

HSL 177.38, 0.91%, 0.35%

LAB 62.19, -37.02, -6.67

 

CMYK 100 / 0 / 5 / 41

HEX #00968E

RGB 0 150 142

HSL 176.8, 1%, 0.29%

LAB 55.85, -34.85, -5.31

 

CMYK 100 / 0 / 7 / 48

HEX #00847B

RGB 0 132 123

HSL 175.91, 1%, 0.26%

LAB 49.41, -32.34, -3.82

 

CMYK 79 / 0 / 2 / 20

HEX #2ACBC6

RGB 42 203 198

HSL 178.14, 0.66%, 0.48%

LAB 74.37, -39.87, -8.92

 

CMYK 79 / 0 / 24 / 20

HEX #2ACB9B

RGB 42 203 155

HSL 162.11, 0.66%, 0.48%

LAB 73.27, -51.18, 12.7

 

CMYK 79 / 0 / 45 / 20

HEX #2ACB6F

RGB 42 203 111

HSL 145.71, 0.66%, 0.48%

LAB 72.46, -60.18, 34.68

 

CMYK 79 / 0 / 67 / 20

HEX #2ACB43

RGB 42 203 67

HSL 129.32, 0.66%, 0.48%

LAB 71.97, -66.13, 54.47

 

CMYK 71 / 0 / 79 / 20

HEX #3BCB2A

RGB 59 203 42

HSL 113.66, 0.66%, 0.48%

LAB 72.1, -65.58, 63.49

 

CMYK 79 / 0 / 2 / 20

HEX #2ACBC6

RGB 42 203 198

HSL 178.14, 0.66%, 0.48%

LAB 74.37, -39.87, -8.92

 

CMYK 79 / 19 / 0 / 20

HEX #2AA5CB

RGB 42 165 203

HSL 194.16, 0.66%, 0.48%

LAB 63.11, -19.81, -28.75

 

CMYK 79 / 40 / 0 / 20

HEX #2A79CB

RGB 42 121 203

HSL 210.56, 0.66%, 0.48%

LAB 50.07, 5.35, -49.22

 

CMYK 79 / 62 / 0 / 20

HEX #2A4DCB

RGB 42 77 203

HSL 226.96, 0.66%, 0.48%

LAB 38.04, 33.54, -68.66

 

CMYK 79 / 79 / 0 / 20

HEX #2A2ACB

RGB 42 42 203

HSL 240, 0.66%, 0.48%

LAB 30.54, 54.07, -81.02

 

CMYK 79 / 0 / 2 / 20

HEX #2ACBC6

RGB 42 203 198

HSL 178.14, 0.66%, 0.48%

LAB 74.37, -39.87, -8.92

 

CMYK 90 / 0 / 3 / 13

HEX #16DFD9

RGB 22 223 217

HSL 178.21, 0.82%, 0.48%

LAB 80.71, -44.56, -9.7

 

CMYK 99 / 0 / 3 / 5

HEX #02F3EB

RGB 2 243 235

HSL 178.01, 0.98%, 0.48%

LAB 87.05, -48.6, -9.78

 

CMYK 79 / 0 / 2 / 20

HEX #2ACBC6

RGB 42 203 198

HSL 178.14, 0.66%, 0.48%

LAB 74.37, -39.87, -8.92

 

CMYK 67 / 0 / 2 / 28

HEX #3DB7B4

RGB 61 183 180

HSL 178.52, 0.5%, 0.48%

LAB 68.13, -33.57, -8.33

 

CMYK 51 / 0 / 2 / 36

HEX #51A4A1

RGB 81 164 161

HSL 177.83, 0.34%, 0.48%

LAB 62.4, -25.9, -6.2

 

CMYK 30 / 0 / 1 / 44

HEX #65908E

RGB 101 144 142

HSL 177.21, 0.18%, 0.48%

LAB 56.75, -15.08, -3.67

 

CMYK 2 / 0 / 0 / 51

HEX #797C7C

RGB 121 124 124

HSL 180, 0.01%, 0.48%

LAB 51.76, -1.12, -0.4

 

CMYK 79 / 0 / 45 / 20

HEX #2ACB70

RGB 42 203 112

HSL 146.09, 0.66%, 0.48%

LAB 72.48, -60.01, 34.19

 

CMYK 79 / 0 / 24 / 20

HEX #2ACB9B

RGB 42 203 155

HSL 162.11, 0.66%, 0.48%

LAB 73.27, -51.18, 12.7

 

CMYK 79 / 0 / 2 / 20

HEX #2ACBC6

RGB 42 203 198

HSL 178.14, 0.66%, 0.48%

LAB 74.37, -39.87, -8.92

 

CMYK 79 / 19 / 0 / 20

HEX #2AA5CB

RGB 42 165 203

HSL 194.16, 0.66%, 0.48%

LAB 63.11, -19.81, -28.75

 

CMYK 79 / 40 / 0 / 20

HEX #2A7ACB

RGB 42 122 203

HSL 210.19, 0.66%, 0.48%

LAB 50.36, 4.73, -48.75

 

CMYK 79 / 0 / 3 / 47

HEX #1C8783

RGB 28 135 131

HSL 177.76, 0.66%, 0.32%

LAB 50.94, -29.33, -6.21

 

CMYK 79 / 0 / 2 / 34

HEX #23A9A5

RGB 35 169 165

HSL 178.21, 0.66%, 0.4%

LAB 62.89, -34.56, -7.85

 

CMYK 79 / 0 / 2 / 20

HEX #2ACBC6

RGB 42 203 198

HSL 178.14, 0.66%, 0.48%

LAB 74.37, -39.87, -8.92

 

CMYK 68 / 0 / 2 / 15

HEX #45D9D4

RGB 69 217 212

HSL 177.97, 0.66%, 0.56%

LAB 79.41, -39.23, -8.9

 

CMYK 54 / 0 / 2 / 12

HEX #67E0DC

RGB 103 224 220

HSL 178.02, 0.66%, 0.64%

LAB 82.57, -34.7, -8.37

 

CMYK 79 / 0 / 2 / 20

HEX #2ACCC7

RGB 42 204 199

HSL 178.15, 0.66%, 0.48%

LAB 74.7, -40.03, -8.97

 

CMYK 66 / 79 / 0 / 20

HEX #452ACB

RGB 69 42 203

HSL 250.06, 0.66%, 0.48%

LAB 32.33, 56.12, -78

 

CMYK 0 / 34 / 79 / 20

HEX #CB852A

RGB 203 133 42

HSL 33.91, 0.66%, 0.48%

LAB 61.34, 19.59, 56.61

 

CMYK 79 / 0 / 2 / 20

HEX #2ACCC7

RGB 42 204 199

HSL 178.15, 0.66%, 0.48%

LAB 74.7, -40.03, -8.97

 

CMYK 2 / 79 / 0 / 20

HEX #C62ACB

RGB 198 42 203

HSL 298.14, 0.66%, 0.48%

LAB 49.46, 75.86, -49.38

 

CMYK 0 / 2 / 79 / 20

HEX #CBC62A

RGB 203 198 42

HSL 58.14, 0.66%, 0.48%

LAB 78.02, -14.88, 71.62

 

CMYK 79 / 0 / 2 / 20

HEX #2ACCC7

RGB 42 204 199

HSL 178.15, 0.66%, 0.48%

LAB 74.7, -40.03, -8.97

 

CMYK 66 / 79 / 0 / 20

HEX #452ACB

RGB 69 42 203

HSL 250.06, 0.66%, 0.48%

LAB 32.33, 56.12, -78

 

CMYK 0 / 79 / 77 / 20

HEX #CB2A2F

RGB 203 42 47

HSL 358.14, 0.66%, 0.48%

LAB 45.02, 61.42, 38.01

 

CMYK 13 / 0 / 79 / 20

HEX #B0CB2A

RGB 176 203 42

HSL 70.06, 0.66%, 0.48%

LAB 77.35, -28.67, 70.24

 

CMYK 79 / 0 / 2 / 20

HEX #2ACCC7

RGB 42 204 199

HSL 178.15, 0.66%, 0.48%

LAB 74.7, -40.03, -8.97

 

CMYK 42 / 79 / 0 / 20

HEX #752ACB

RGB 117 42 203

HSL 267.95, 0.66%, 0.48%

LAB 37.39, 61.94, -69.5

 

CMYK 0 / 79 / 77 / 20

HEX #CB2A2F

RGB 203 42 47

HSL 358.14, 0.66%, 0.48%

LAB 45.02, 61.42, 38.01

 

CMYK 37 / 0 / 79 / 20

HEX #80CB2A

RGB 128 203 42

HSL 87.95, 0.66%, 0.48%

LAB 74.49, -47.07, 66.58

 

Description

Color code: HEX #2ACCC7 | qconv.com Color code: HEX #2ACCC7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 204 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 204 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 2 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 2% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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