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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ACB69 it is the complementary color #D53496. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ACB69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ACB69 shade: #2FCB64, #40DD77, #51EF8A, #62FF9D and #73FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ACB69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ACB69 shade: #2ACB69, #19B956, #08A743, #009530 and #00831D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ACB69 shade: #2ACB69, #2ACB3D, #42CB2A, #6DCB2A and #99CB2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ACB69 shade: #2ACB69, #2ACB94, #2ACBC0, #2AABCB and #2A7FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ACB69 shade matches the following richer shades: #2ACB69, #16DF65 and #02F360

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ACB69 shade: #2ACB69, #3DB76D, #51A471, #659076 and #797C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ACB69 shade: #42CB2A, #2ACB3C, #2ACB68, #2ACB93 and #2ACBBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ACB69 shade: #1C8746, #23A957, #2ACB69, #45D97F and #67E097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ACB69 shade: #2ACB69, #2A6DCB and #CB2A2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ACB69 shade: #2ACB69, #682ACB and #CB682A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ACB69 shade: #2ACB69, #2A6DCB, #CB2A8D and #CB882A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ACB69 shade: #2ACB69, #2A3CCB, #CB2A8D and #CBB82A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

Complementary color

CMYK 0 / 76 / 30 / 16

HEX #D53496

RGB 213 52 150

HSL 323.48, 0.66%, 0.52%

LAB 50.46, 69.09, -16.54

 

CMYK 77 / 0 / 51 / 20

HEX #2FCB64

RGB 47 203 100

HSL 140.38, 0.62%, 0.49%

LAB 72.39, -61.35, 40.07

 

CMYK 71 / 0 / 46 / 13

HEX #40DD77

RGB 64 221 119

HSL 141.02, 0.7%, 0.56%

LAB 78.54, -62.22, 38.52

 

CMYK 66 / 0 / 42 / 6

HEX #51EF8A

RGB 81 239 138

HSL 141.65, 0.83%, 0.63%

LAB 84.65, -62.76, 37.04

 

CMYK 62 / 0 / 38 / 0

HEX #62FF9D

RGB 98 255 157

HSL 142.55, 1%, 0.69%

LAB 90.11, -62.33, 34.87

 

CMYK 55 / 0 / 31 / 0

HEX #73FFB0

RGB 115 255 176

HSL 146.14, 1%, 0.73%

LAB 90.92, -55.43, 26.5

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 86 / 0 / 54 / 27

HEX #19B956

RGB 25 185 86

HSL 142.88, 0.76%, 0.41%

LAB 66.2, -59.75, 39.24

 

CMYK 95 / 0 / 60 / 35

HEX #08A743

RGB 8 167 67

HSL 142.26, 0.91%, 0.34%

LAB 59.97, -57.68, 40.92

 

CMYK 100 / 0 / 68 / 42

HEX #009530

RGB 0 149 48

HSL 139.33, 1%, 0.29%

LAB 53.72, -54.78, 42.47

 

CMYK 100 / 0 / 78 / 49

HEX #00831D

RGB 0 131 29

HSL 133.28, 1%, 0.26%

LAB 47.39, -51.08, 43.52

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 79 / 0 / 70 / 20

HEX #2ACB3D

RGB 42 203 61

HSL 127.08, 0.66%, 0.48%

LAB 71.92, -66.7, 56.78

 

CMYK 67 / 0 / 79 / 20

HEX #42CB2A

RGB 66 203 42

HSL 111.06, 0.66%, 0.48%

LAB 72.25, -64.28, 63.69

 

CMYK 46 / 0 / 79 / 20

HEX #6DCB2A

RGB 109 203 42

HSL 95.03, 0.66%, 0.48%

LAB 73.63, -53.32, 65.47

 

CMYK 25 / 0 / 79 / 20

HEX #99CB2A

RGB 153 203 42

HSL 78.63, 0.66%, 0.48%

LAB 75.85, -37.85, 68.33

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 79 / 0 / 27 / 20

HEX #2ACB94

RGB 42 203 148

HSL 159.5, 0.66%, 0.48%

LAB 73.12, -52.8, 16.24

 

CMYK 79 / 0 / 5 / 20

HEX #2ACBC0

RGB 42 203 192

HSL 175.9, 0.66%, 0.48%

LAB 74.2, -41.58, -5.93

 

CMYK 79 / 16 / 0 / 20

HEX #2AABCB

RGB 42 171 203

HSL 191.93, 0.66%, 0.48%

LAB 64.91, -22.93, -25.98

 

CMYK 79 / 37 / 0 / 20

HEX #2A7FCB

RGB 42 127 203

HSL 208.32, 0.66%, 0.48%

LAB 51.82, 1.69, -46.44

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 90 / 0 / 55 / 13

HEX #16DF65

RGB 22 223 101

HSL 143.58, 0.82%, 0.48%

LAB 78.39, -70.01, 46.87

 

CMYK 99 / 0 / 60 / 5

HEX #02F360

RGB 2 243 96

HSL 143.4, 0.98%, 0.48%

LAB 84.46, -77.44, 56.2

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 67 / 0 / 40 / 28

HEX #3DB76D

RGB 61 183 109

HSL 143.61, 0.5%, 0.48%

LAB 66.49, -50.36, 28.03

 

CMYK 51 / 0 / 31 / 36

HEX #51A471

RGB 81 164 113

HSL 143.13, 0.34%, 0.48%

LAB 61.21, -37.17, 18.91

 

CMYK 30 / 0 / 18 / 44

HEX #659076

RGB 101 144 118

HSL 143.72, 0.18%, 0.48%

LAB 56.11, -20.47, 9.15

 

CMYK 2 / 0 / 2 / 51

HEX #797C7A

RGB 121 124 122

HSL 140, 0.01%, 0.48%

LAB 51.71, -1.53, 0.69

 

CMYK 67 / 0 / 79 / 20

HEX #42CB2A

RGB 66 203 42

HSL 111.06, 0.66%, 0.48%

LAB 72.25, -64.28, 63.69

 

CMYK 79 / 0 / 70 / 20

HEX #2ACB3C

RGB 42 203 60

HSL 126.71, 0.66%, 0.48%

LAB 71.91, -66.79, 57.15

 

CMYK 79 / 0 / 49 / 20

HEX #2ACB68

RGB 42 203 104

HSL 143.11, 0.66%, 0.48%

LAB 72.36, -61.34, 38.06

 

CMYK 79 / 0 / 28 / 20

HEX #2ACB93

RGB 42 203 147

HSL 159.13, 0.66%, 0.48%

LAB 73.1, -53.02, 16.75

 

CMYK 79 / 0 / 6 / 20

HEX #2ACBBE

RGB 42 203 190

HSL 175.16, 0.66%, 0.48%

LAB 74.14, -42.13, -4.93

 

CMYK 79 / 0 / 48 / 47

HEX #1C8746

RGB 28 135 70

HSL 143.55, 0.66%, 0.32%

LAB 49.52, -44.42, 26.71

 

CMYK 79 / 0 / 49 / 34

HEX #23A957

RGB 35 169 87

HSL 143.28, 0.66%, 0.4%

LAB 61.15, -53.06, 32.51

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 68 / 0 / 41 / 15

HEX #45D97F

RGB 69 217 127

HSL 143.51, 0.66%, 0.56%

LAB 77.53, -58.62, 33.24

 

CMYK 54 / 0 / 33 / 12

HEX #67E097

RGB 103 224 151

HSL 143.8, 0.66%, 0.64%

LAB 80.98, -50.19, 25.7

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 79 / 46 / 0 / 20

HEX #2A6DCB

RGB 42 109 203

HSL 215.03, 0.66%, 0.48%

LAB 46.63, 12.86, -54.72

 

CMYK 0 / 79 / 78 / 20

HEX #CB2A2C

RGB 203 42 44

HSL 359.25, 0.66%, 0.48%

LAB 44.99, 61.32, 39.67

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 49 / 79 / 0 / 20

HEX #682ACB

RGB 104 42 203

HSL 263.11, 0.66%, 0.48%

LAB 35.81, 60.12, -72.15

 

CMYK 0 / 49 / 79 / 20

HEX #CB682A

RGB 203 104 42

HSL 23.11, 0.66%, 0.48%

LAB 54.83, 35.12, 50.48

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 79 / 46 / 0 / 20

HEX #2A6DCB

RGB 42 109 203

HSL 215.03, 0.66%, 0.48%

LAB 46.63, 12.86, -54.72

 

CMYK 0 / 79 / 31 / 20

HEX #CB2A8D

RGB 203 42 141

HSL 323.11, 0.66%, 0.48%

LAB 47.33, 68.44, -16.06

 

CMYK 0 / 33 / 79 / 20

HEX #CB882A

RGB 203 136 42

HSL 35.03, 0.66%, 0.48%

LAB 62.06, 17.95, 57.28

 

CMYK 79 / 0 / 48 / 20

HEX #2ACB69

RGB 42 203 105

HSL 143.48, 0.66%, 0.48%

LAB 72.38, -61.18, 37.58

 

CMYK 79 / 70 / 0 / 20

HEX #2A3CCB

RGB 42 60 203

HSL 233.29, 0.66%, 0.48%

LAB 34.06, 44.14, -75.21

 

CMYK 0 / 79 / 31 / 20

HEX #CB2A8D

RGB 203 42 141

HSL 323.11, 0.66%, 0.48%

LAB 47.33, 68.44, -16.06

 

CMYK 0 / 9 / 79 / 20

HEX #CBB82A

RGB 203 184 42

HSL 52.92, 0.66%, 0.48%

LAB 74.28, -7.75, 68.32

 

Description

Color code: HEX #2ACB69 | qconv.com Color code: HEX #2ACB69 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 203 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 203 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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