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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ACB24 it is the complementary color #D534DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ACB24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ACB24 shade: #2FCB1F, #40DD32, #51EF45, #62FF58 and #73FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ACB24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ACB24 shade: #2ACB24, #19B911, #08A700, #009500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ACB24 shade: #2ACC24, #57CC24, #84CC24, #B2CC24 and #CCB924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ACB24 shade: #2ACC24, #24CC4B, #24CC78, #24CCA6 and #24C5CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ACB24 shade matches the following richer shades: #2ACC24 and #18DF11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ACB24 shade: #2ACC24, #3CB837, #4EA54B, #60925E and #727E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ACB24 shade: #86CC24, #59CC24, #2CCC24, #24CC48 and #24CC75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ACB24 shade: #1C8618, #23A91E, #2ACC24, #42DD3C and #64E35F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ACB24 shade: #2ACB24, #24B3CC and #CC246F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ACB24 shade: #2ACB24, #242CCC and #CC242C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ACB24 shade: #2ACB24, #24B3CC, #C324CC and #CC3D24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ACB24 shade: #2ACB24, #2480CC, #C324CC and #CC6F24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 82 / 20

HEX #2ACB24

RGB 42 203 36

HSL 117.84, 0.7%, 0.47%

LAB 71.78, -68.47, 64.74

 

Complementary color

CMYK 3 / 76 / 0 / 14

HEX #D534DB

RGB 213 52 219

HSL 297.84, 0.7%, 0.53%

LAB 53.73, 78.64, -51.59

 

CMYK 77 / 0 / 85 / 20

HEX #2FCB1F

RGB 47 203 31

HSL 114.42, 0.74%, 0.46%

LAB 71.84, -68.04, 66.04

 

CMYK 71 / 0 / 77 / 13

HEX #40DD32

RGB 64 221 50

HSL 115.09, 0.72%, 0.53%

LAB 77.89, -69.87, 66.67

 

CMYK 66 / 0 / 71 / 6

HEX #51EF45

RGB 81 239 69

HSL 115.76, 0.84%, 0.6%

LAB 83.92, -71.17, 66.51

 

CMYK 62 / 0 / 65 / 0

HEX #62FF58

RGB 98 255 88

HSL 116.41, 1%, 0.67%

LAB 89.31, -71.4, 65.23

 

CMYK 55 / 0 / 58 / 0

HEX #73FF6B

RGB 115 255 107

HSL 116.76, 1%, 0.71%

LAB 89.96, -65.65, 58.26

 

CMYK 79 / 0 / 82 / 20

HEX #2ACB24

RGB 42 203 36

HSL 117.84, 0.7%, 0.47%

LAB 71.78, -68.47, 64.74

 

CMYK 86 / 0 / 91 / 27

HEX #19B911

RGB 25 185 17

HSL 117.14, 0.83%, 0.4%

LAB 65.71, -65.84, 63.38

 

CMYK 95 / 0 / 100 / 35

HEX #08A700

RGB 8 167 0

HSL 117.13, 1%, 0.33%

LAB 59.61, -62.34, 60.64

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 79 / 0 / 82 / 20

HEX #2ACC24

RGB 42 204 36

HSL 117.86, 0.7%, 0.47%

LAB 72.1, -68.76, 65.03

 

CMYK 57 / 0 / 82 / 20

HEX #57CC24

RGB 87 204 36

HSL 101.79, 0.7%, 0.47%

LAB 73.11, -60.2, 66.34

 

CMYK 35 / 0 / 82 / 20

HEX #84CC24

RGB 132 204 36

HSL 85.71, 0.7%, 0.47%

LAB 74.96, -46.33, 68.69

 

CMYK 13 / 0 / 82 / 20

HEX #B2CC24

RGB 178 204 36

HSL 69.29, 0.7%, 0.47%

LAB 77.74, -28.53, 72.2

 

CMYK 0 / 9 / 82 / 20

HEX #CCB924

RGB 204 185 36

HSL 53.21, 0.7%, 0.47%

LAB 74.61, -8.02, 70.33

 

CMYK 79 / 0 / 82 / 20

HEX #2ACC24

RGB 42 204 36

HSL 117.86, 0.7%, 0.47%

LAB 72.1, -68.76, 65.03

 

CMYK 82 / 0 / 63 / 20

HEX #24CC4B

RGB 36 204 75

HSL 133.93, 0.7%, 0.47%

LAB 72.27, -66.27, 51.45

 

CMYK 82 / 0 / 41 / 20

HEX #24CC78

RGB 36 204 120

HSL 150, 0.7%, 0.47%

LAB 72.84, -59.55, 30.56

 

CMYK 82 / 0 / 19 / 20

HEX #24CCA6

RGB 36 204 166

HSL 166.43, 0.7%, 0.47%

LAB 73.75, -49.46, 7.46

 

CMYK 82 / 3 / 0 / 20

HEX #24C5CC

RGB 36 197 204

HSL 182.5, 0.7%, 0.47%

LAB 72.67, -35.85, -14.72

 

CMYK 79 / 0 / 82 / 20

HEX #2ACC24

RGB 42 204 36

HSL 117.86, 0.7%, 0.47%

LAB 72.1, -68.76, 65.03

 

CMYK 89 / 0 / 92 / 13

HEX #18DF11

RGB 24 223 17

HSL 117.96, 0.86%, 0.47%

LAB 77.88, -76.52, 73.64

 

CMYK 79 / 0 / 82 / 20

HEX #2ACC24

RGB 42 204 36

HSL 117.86, 0.7%, 0.47%

LAB 72.1, -68.76, 65.03

 

CMYK 67 / 0 / 70 / 28

HEX #3CB837

RGB 60 184 55

HSL 117.67, 0.54%, 0.47%

LAB 66.15, -58.22, 53.14

 

CMYK 53 / 0 / 55 / 35

HEX #4EA54B

RGB 78 165 75

HSL 118, 0.38%, 0.47%

LAB 60.82, -44.68, 38.4

 

CMYK 34 / 0 / 36 / 43

HEX #60925E

RGB 96 146 94

HSL 117.69, 0.22%, 0.47%

LAB 55.94, -27.69, 22.39

 

CMYK 10 / 0 / 10 / 51

HEX #727E72

RGB 114 126 114

HSL 120, 0.05%, 0.47%

LAB 51.51, -6.89, 5.02

 

CMYK 34 / 0 / 82 / 20

HEX #86CC24

RGB 134 204 36

HSL 85, 0.7%, 0.47%

LAB 75.06, -45.62, 68.82

 

CMYK 56 / 0 / 82 / 20

HEX #59CC24

RGB 89 204 36

HSL 101.07, 0.7%, 0.47%

LAB 73.18, -59.69, 66.42

 

CMYK 78 / 0 / 82 / 20

HEX #2CCC24

RGB 44 204 36

HSL 117.14, 0.7%, 0.47%

LAB 72.13, -68.51, 65.07

 

CMYK 82 / 0 / 65 / 20

HEX #24CC48

RGB 36 204 72

HSL 132.86, 0.7%, 0.47%

LAB 72.25, -66.6, 52.69

 

CMYK 82 / 0 / 43 / 20

HEX #24CC75

RGB 36 204 117

HSL 148.93, 0.7%, 0.47%

LAB 72.79, -60.1, 32.04

 

CMYK 79 / 0 / 82 / 47

HEX #1C8618

RGB 28 134 24

HSL 117.82, 0.7%, 0.31%

LAB 48.71, -49.63, 46.61

 

CMYK 79 / 0 / 82 / 34

HEX #23A91E

RGB 35 169 30

HSL 117.84, 0.7%, 0.39%

LAB 60.63, -59.4, 56.03

 

CMYK 79 / 0 / 82 / 20

HEX #2ACC24

RGB 42 204 36

HSL 117.86, 0.7%, 0.47%

LAB 72.1, -68.76, 65.03

 

CMYK 70 / 0 / 73 / 13

HEX #42DD3C

RGB 66 221 60

HSL 117.76, 0.7%, 0.55%

LAB 77.99, -68.84, 63.52

 

CMYK 56 / 0 / 58 / 11

HEX #64E35F

RGB 100 227 95

HSL 117.73, 0.7%, 0.63%

LAB 81, -60.45, 53.03

 

CMYK 79 / 0 / 82 / 20

HEX #2ACB24

RGB 42 203 36

HSL 117.84, 0.7%, 0.47%

LAB 71.78, -68.47, 64.74

 

CMYK 82 / 12 / 0 / 20

HEX #24B3CC

RGB 36 179 204

HSL 188.93, 0.7%, 0.47%

LAB 67.26, -27.18, -22.93

 

CMYK 0 / 82 / 46 / 20

HEX #CC246F

RGB 204 36 111

HSL 333.21, 0.7%, 0.47%

LAB 45.97, 67.16, 0.25

 

CMYK 79 / 0 / 82 / 20

HEX #2ACB24

RGB 42 203 36

HSL 117.84, 0.7%, 0.47%

LAB 71.78, -68.47, 64.74

 

CMYK 82 / 78 / 0 / 20

HEX #242CCC

RGB 36 44 204

HSL 237.14, 0.7%, 0.47%

LAB 30.73, 53.05, -81.31

 

CMYK 0 / 82 / 78 / 20

HEX #CC242C

RGB 204 36 44

HSL 357.14, 0.7%, 0.47%

LAB 44.63, 63.17, 39.36

 

CMYK 79 / 0 / 82 / 20

HEX #2ACB24

RGB 42 203 36

HSL 117.84, 0.7%, 0.47%

LAB 71.78, -68.47, 64.74

 

CMYK 82 / 12 / 0 / 20

HEX #24B3CC

RGB 36 179 204

HSL 188.93, 0.7%, 0.47%

LAB 67.26, -27.18, -22.93

 

CMYK 4 / 82 / 0 / 20

HEX #C324CC

RGB 195 36 204

HSL 296.79, 0.7%, 0.47%

LAB 48.54, 76.87, -51.46

 

CMYK 0 / 70 / 82 / 20

HEX #CC3D24

RGB 204 61 36

HSL 8.93, 0.7%, 0.47%

LAB 47.37, 55.09, 46.29

 

CMYK 79 / 0 / 82 / 20

HEX #2ACB24

RGB 42 203 36

HSL 117.84, 0.7%, 0.47%

LAB 71.78, -68.47, 64.74

 

CMYK 82 / 37 / 0 / 20

HEX #2480CC

RGB 36 128 204

HSL 207.14, 0.7%, 0.47%

LAB 52.03, 0.87, -46.67

 

CMYK 4 / 82 / 0 / 20

HEX #C324CC

RGB 195 36 204

HSL 296.79, 0.7%, 0.47%

LAB 48.54, 76.87, -51.46

 

CMYK 0 / 46 / 82 / 20

HEX #CC6F24

RGB 204 111 36

HSL 26.79, 0.7%, 0.47%

LAB 56.42, 31.66, 54.52

 

Description

Color code: HEX #2ACB24 | qconv.com Color code: HEX #2ACB24 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 203 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 203 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 82 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 82% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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