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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AC529 it is the complementary color #D53AD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AC529. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AC529 shade: #2FC524, #40D737, #51E94A, #62FB5D and #73FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AC529. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AC529 shade: #2AC529, #19B316, #08A103, #008F00 and #007D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AC529 shade: #2AC729, #54C729, #7FC729, #AAC729 and #C7BA29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AC529 shade: #2AC729, #29C752, #29C77D, #29C7A8 and #29BCC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AC529 shade matches the following richer shades: #2AC729, #17DA15 and #03EE02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AC529 shade: #2AC729, #3DB43C, #50A050, #638D63 and #767976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AC529 shade: #80C729, #56C729, #2BC729, #29C750 and #29C77A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AC529 shade: #1B821B, #23A522, #2AC729, #42D841 and #64DF63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AC529 shade: #2AC529, #29AAC7 and #C7296B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AC529 shade: #2AC529, #292BC7 and #C7292B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AC529 shade: #2AC529, #29AAC7, #C429C7 and #C74629

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AC529 shade: #2AC529, #297AC7, #C429C7 and #C77529

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 79 / 23

HEX #2AC529

RGB 42 197 41

HSL 119.62, 0.66%, 0.47%

LAB 69.88, -66.38, 61.58

 

Complementary color

CMYK 0 / 73 / 0 / 16

HEX #D53AD6

RGB 213 58 214

HSL 299.62, 0.66%, 0.53%

LAB 54.06, 76.11, -48.22

 

CMYK 76 / 0 / 82 / 23

HEX #2FC524

RGB 47 197 36

HSL 115.9, 0.69%, 0.46%

LAB 69.94, -65.98, 63.08

 

CMYK 70 / 0 / 74 / 16

HEX #40D737

RGB 64 215 55

HSL 116.63, 0.67%, 0.53%

LAB 76.05, -67.66, 63.27

 

CMYK 65 / 0 / 68 / 9

HEX #51E94A

RGB 81 233 74

HSL 117.36, 0.78%, 0.6%

LAB 82.12, -68.81, 62.8

 

CMYK 61 / 0 / 63 / 2

HEX #62FB5D

RGB 98 251 93

HSL 118.1, 0.95%, 0.67%

LAB 88.15, -69.58, 61.97

 

CMYK 55 / 0 / 56 / 0

HEX #73FF70

RGB 115 255 112

HSL 118.74, 1%, 0.72%

LAB 90.01, -65.09, 56.13

 

CMYK 79 / 0 / 79 / 23

HEX #2AC529

RGB 42 197 41

HSL 119.62, 0.66%, 0.47%

LAB 69.88, -66.38, 61.58

 

CMYK 86 / 0 / 88 / 30

HEX #19B316

RGB 25 179 22

HSL 118.85, 0.78%, 0.39%

LAB 63.76, -63.93, 60.76

 

CMYK 95 / 0 / 98 / 37

HEX #08A103

RGB 8 161 3

HSL 118.1, 0.96%, 0.32%

LAB 57.61, -60.57, 58.59

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 79 / 0 / 79 / 22

HEX #2AC729

RGB 42 199 41

HSL 119.62, 0.66%, 0.47%

LAB 70.52, -66.99, 62.19

 

CMYK 58 / 0 / 79 / 22

HEX #54C729

RGB 84 199 41

HSL 103.67, 0.66%, 0.47%

LAB 71.48, -58.95, 63.43

 

CMYK 36 / 0 / 79 / 22

HEX #7FC729

RGB 127 199 41

HSL 87.34, 0.66%, 0.47%

LAB 73.23, -45.8, 65.69

 

CMYK 15 / 0 / 79 / 22

HEX #AAC729

RGB 170 199 41

HSL 71.01, 0.66%, 0.47%

LAB 75.79, -29.27, 68.97

 

CMYK 0 / 7 / 79 / 22

HEX #C7BA29

RGB 199 186 41

HSL 55.06, 0.66%, 0.47%

LAB 74.46, -10.55, 68.64

 

CMYK 79 / 0 / 79 / 22

HEX #2AC729

RGB 42 199 41

HSL 119.62, 0.66%, 0.47%

LAB 70.52, -66.99, 62.19

 

CMYK 79 / 0 / 59 / 22

HEX #29C752

RGB 41 199 82

HSL 135.57, 0.66%, 0.47%

LAB 70.82, -63.28, 46.7

 

CMYK 79 / 0 / 37 / 22

HEX #29C77D

RGB 41 199 125

HSL 151.9, 0.66%, 0.47%

LAB 71.42, -56.27, 26.1

 

CMYK 79 / 0 / 16 / 22

HEX #29C7A8

RGB 41 199 168

HSL 168.23, 0.66%, 0.47%

LAB 72.33, -46.42, 4.34

 

CMYK 79 / 6 / 0 / 22

HEX #29BCC7

RGB 41 188 199

HSL 184.18, 0.66%, 0.47%

LAB 69.87, -32.71, -16.21

 

CMYK 79 / 0 / 79 / 22

HEX #2AC729

RGB 42 199 41

HSL 119.62, 0.66%, 0.47%

LAB 70.52, -66.99, 62.19

 

CMYK 89 / 0 / 90 / 15

HEX #17DA15

RGB 23 218 21

HSL 119.39, 0.82%, 0.47%

LAB 76.3, -75.12, 71.74

 

CMYK 99 / 0 / 99 / 7

HEX #03EE02

RGB 3 238 2

HSL 119.75, 0.98%, 0.47%

LAB 82.47, -81.67, 78.79

 

CMYK 79 / 0 / 79 / 22

HEX #2AC729

RGB 42 199 41

HSL 119.62, 0.66%, 0.47%

LAB 70.52, -66.99, 62.19

 

CMYK 66 / 0 / 67 / 29

HEX #3DB43C

RGB 61 180 60

HSL 119.5, 0.5%, 0.47%

LAB 64.93, -56.17, 49.83

 

CMYK 50 / 0 / 50 / 37

HEX #50A050

RGB 80 160 80

HSL 120, 0.33%, 0.47%

LAB 59.37, -41.35, 34.13

 

CMYK 30 / 0 / 30 / 45

HEX #638D63

RGB 99 141 99

HSL 120, 0.18%, 0.47%

LAB 54.66, -23.29, 17.91

 

CMYK 2 / 0 / 2 / 53

HEX #767976

RGB 118 121 118

HSL 120, 0.01%, 0.47%

LAB 50.49, -1.73, 1.24

 

CMYK 36 / 0 / 79 / 22

HEX #80C729

RGB 128 199 41

HSL 86.96, 0.66%, 0.47%

LAB 73.28, -45.45, 65.76

 

CMYK 57 / 0 / 79 / 22

HEX #56C729

RGB 86 199 41

HSL 102.91, 0.66%, 0.47%

LAB 71.55, -58.44, 63.51

 

CMYK 78 / 0 / 79 / 22

HEX #2BC729

RGB 43 199 41

HSL 119.24, 0.66%, 0.47%

LAB 70.54, -66.86, 62.21

 

CMYK 79 / 0 / 60 / 22

HEX #29C750

RGB 41 199 80

HSL 134.81, 0.66%, 0.47%

LAB 70.8, -63.53, 47.58

 

CMYK 79 / 0 / 39 / 22

HEX #29C77A

RGB 41 199 122

HSL 150.76, 0.66%, 0.47%

LAB 71.37, -56.86, 27.6

 

CMYK 79 / 0 / 79 / 49

HEX #1B821B

RGB 27 130 27

HSL 120, 0.66%, 0.31%

LAB 47.34, -48.25, 44.28

 

CMYK 79 / 0 / 79 / 35

HEX #23A522

RGB 35 165 34

HSL 119.54, 0.66%, 0.39%

LAB 59.33, -57.91, 53.61

 

CMYK 79 / 0 / 79 / 22

HEX #2AC729

RGB 42 199 41

HSL 119.62, 0.66%, 0.47%

LAB 70.52, -66.99, 62.19

 

CMYK 69 / 0 / 70 / 15

HEX #42D841

RGB 66 216 65

HSL 119.6, 0.66%, 0.55%

LAB 76.47, -66.84, 60.16

 

CMYK 55 / 0 / 56 / 13

HEX #64DF63

RGB 100 223 99

HSL 119.52, 0.66%, 0.63%

LAB 79.83, -58.5, 49.86

 

CMYK 79 / 0 / 79 / 23

HEX #2AC529

RGB 42 197 41

HSL 119.62, 0.66%, 0.47%

LAB 69.88, -66.38, 61.58

 

CMYK 79 / 15 / 0 / 22

HEX #29AAC7

RGB 41 170 199

HSL 191.01, 0.66%, 0.47%

LAB 64.44, -23.83, -24.48

 

CMYK 0 / 79 / 46 / 22

HEX #C7296B

RGB 199 41 107

HSL 334.94, 0.66%, 0.47%

LAB 45.34, 64.27, 1.69

 

CMYK 79 / 0 / 79 / 23

HEX #2AC529

RGB 42 197 41

HSL 119.62, 0.66%, 0.47%

LAB 69.88, -66.38, 61.58

 

CMYK 79 / 78 / 0 / 22

HEX #292BC7

RGB 41 43 199

HSL 239.24, 0.66%, 0.47%

LAB 30.21, 52.25, -79.23

 

CMYK 0 / 79 / 78 / 22

HEX #C7292B

RGB 199 41 43

HSL 359.24, 0.66%, 0.47%

LAB 44.09, 60.41, 39.05

 

CMYK 79 / 0 / 79 / 23

HEX #2AC529

RGB 42 197 41

HSL 119.62, 0.66%, 0.47%

LAB 69.88, -66.38, 61.58

 

CMYK 79 / 15 / 0 / 22

HEX #29AAC7

RGB 41 170 199

HSL 191.01, 0.66%, 0.47%

LAB 64.44, -23.83, -24.48

 

CMYK 2 / 79 / 0 / 22

HEX #C429C7

RGB 196 41 199

HSL 298.86, 0.66%, 0.47%

LAB 48.82, 75.09, -48.12

 

CMYK 0 / 65 / 79 / 22

HEX #C74629

RGB 199 70 41

HSL 11.01, 0.66%, 0.47%

LAB 47.86, 49.92, 43.95

 

CMYK 79 / 0 / 79 / 23

HEX #2AC529

RGB 42 197 41

HSL 119.62, 0.66%, 0.47%

LAB 69.88, -66.38, 61.58

 

CMYK 79 / 39 / 0 / 22

HEX #297AC7

RGB 41 122 199

HSL 209.24, 0.66%, 0.47%

LAB 50.11, 3.13, -46.87

 

CMYK 2 / 79 / 0 / 22

HEX #C429C7

RGB 196 41 199

HSL 298.86, 0.66%, 0.47%

LAB 48.82, 75.09, -48.12

 

CMYK 0 / 41 / 79 / 22

HEX #C77529

RGB 199 117 41

HSL 28.86, 0.66%, 0.47%

LAB 57.1, 26.53, 52.87

 

Description

Color code: HEX #2AC529 | qconv.com Color code: HEX #2AC529 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 197 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 197 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 79 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 79% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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