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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AC330 it is the complementary color #D53CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AC330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AC330 shade: #2FC32B, #40D53E, #51E751, #62F964 and #73FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AC330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AC330 shade: #2AC330, #19B11D, #089F0A, #008D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AC330 shade: #29C22F, #4CC229, #75C229, #9EC229 and #C2BC29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AC330 shade: #29C22F, #29C258, #29C281, #29C2AA and #29B0C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AC330 shade matches the following richer shades: #29C22F, #16D51E and #03E80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AC330 shade: #29C22F, #3CAF41, #4F9C52, #628964 and #757675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AC330 shade: #75C229, #4DC229, #29C22E, #29C257 and #29C27F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AC330 shade: #1B7D1E, #22A027, #29C22F, #3ED644 and #60DD65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AC330 shade: #2AC330, #299EC2 and #C22961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AC330 shade: #2AC330, #2E29C2 and #C22E29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AC330 shade: #2AC330, #299EC2, #C229BC and #C24D29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AC330 shade: #2AC330, #2970C2, #C229BC and #C27A29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 75 / 24

HEX #2AC330

RGB 42 195 48

HSL 122.35, 0.65%, 0.46%

LAB 69.28, -65.3, 58.77

 

Complementary color

CMYK 0 / 72 / 3 / 16

HEX #D53CCF

RGB 213 60 207

HSL 302.35, 0.65%, 0.54%

LAB 53.9, 74.38, -44.47

 

CMYK 76 / 0 / 78 / 24

HEX #2FC32B

RGB 47 195 43

HSL 118.42, 0.64%, 0.47%

LAB 69.33, -64.95, 60.47

 

CMYK 70 / 0 / 71 / 16

HEX #40D53E

RGB 64 213 62

HSL 119.21, 0.64%, 0.54%

LAB 75.47, -66.48, 60.22

 

CMYK 65 / 0 / 65 / 9

HEX #51E751

RGB 81 231 81

HSL 120, 0.76%, 0.61%

LAB 81.56, -67.5, 59.46

 

CMYK 61 / 0 / 60 / 2

HEX #62F964

RGB 98 249 100

HSL 120.79, 0.93%, 0.68%

LAB 87.62, -68.17, 58.44

 

CMYK 55 / 0 / 53 / 0

HEX #73FF77

RGB 115 255 119

HSL 121.71, 1%, 0.73%

LAB 90.09, -64.26, 53.08

 

CMYK 78 / 0 / 75 / 24

HEX #2AC330

RGB 42 195 48

HSL 122.35, 0.65%, 0.46%

LAB 69.28, -65.3, 58.77

 

CMYK 86 / 0 / 84 / 31

HEX #19B11D

RGB 25 177 29

HSL 121.58, 0.75%, 0.4%

LAB 63.13, -63.02, 58.55

 

CMYK 95 / 0 / 94 / 38

HEX #089F0A

RGB 8 159 10

HSL 120.79, 0.9%, 0.33%

LAB 56.95, -59.8, 57.01

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 79 / 0 / 76 / 24

HEX #29C22F

RGB 41 194 47

HSL 122.35, 0.65%, 0.46%

LAB 68.94, -65.2, 58.76

 

CMYK 61 / 0 / 79 / 24

HEX #4CC229

RGB 76 194 41

HSL 106.27, 0.65%, 0.46%

LAB 69.67, -59.17, 61.64

 

CMYK 40 / 0 / 79 / 24

HEX #75C229

RGB 117 194 41

HSL 90.2, 0.65%, 0.46%

LAB 71.23, -47.2, 63.66

 

CMYK 19 / 0 / 79 / 24

HEX #9EC229

RGB 158 194 41

HSL 74.12, 0.65%, 0.46%

LAB 73.55, -31.8, 66.65

 

CMYK 0 / 3 / 79 / 24

HEX #C2BC29

RGB 194 188 41

HSL 57.65, 0.65%, 0.46%

LAB 74.57, -13.73, 68.57

 

CMYK 79 / 0 / 76 / 24

HEX #29C22F

RGB 41 194 47

HSL 122.35, 0.65%, 0.46%

LAB 68.94, -65.2, 58.76

 

CMYK 79 / 0 / 55 / 24

HEX #29C258

RGB 41 194 88

HSL 138.43, 0.65%, 0.46%

LAB 69.3, -60.82, 42.08

 

CMYK 79 / 0 / 34 / 24

HEX #29C281

RGB 41 194 129

HSL 154.51, 0.65%, 0.46%

LAB 69.92, -53.59, 21.97

 

CMYK 79 / 0 / 12 / 24

HEX #29C2AA

RGB 41 194 170

HSL 170.59, 0.65%, 0.46%

LAB 70.84, -43.77, 1.1

 

CMYK 79 / 9 / 0 / 24

HEX #29B0C2

RGB 41 176 194

HSL 187.06, 0.65%, 0.46%

LAB 66.07, -28.45, -19.21

 

CMYK 79 / 0 / 76 / 24

HEX #29C22F

RGB 41 194 47

HSL 122.35, 0.65%, 0.46%

LAB 68.94, -65.2, 58.76

 

CMYK 90 / 0 / 86 / 16

HEX #16D51E

RGB 22 213 30

HSL 122.51, 0.81%, 0.46%

LAB 74.73, -73.49, 68.73

 

CMYK 99 / 0 / 95 / 9

HEX #03E80C

RGB 3 232 12

HSL 122.36, 0.97%, 0.46%

LAB 80.6, -79.95, 76.41

 

CMYK 79 / 0 / 76 / 24

HEX #29C22F

RGB 41 194 47

HSL 122.35, 0.65%, 0.46%

LAB 68.94, -65.2, 58.76

 

CMYK 66 / 0 / 63 / 31

HEX #3CAF41

RGB 60 175 65

HSL 122.61, 0.49%, 0.46%

LAB 63.34, -54.09, 45.9

 

CMYK 49 / 0 / 47 / 39

HEX #4F9C52

RGB 79 156 82

HSL 122.34, 0.33%, 0.46%

LAB 58.08, -39.64, 31.49

 

CMYK 28 / 0 / 27 / 46

HEX #628964

RGB 98 137 100

HSL 123.08, 0.17%, 0.46%

LAB 53.39, -21.41, 15.6

 

CMYK 1 / 0 / 1 / 54

HEX #757675

RGB 117 118 117

HSL 120, 0%, 0.46%

LAB 49.52, -0.58, 0.41

 

CMYK 40 / 0 / 79 / 24

HEX #75C229

RGB 117 194 41

HSL 90.2, 0.65%, 0.46%

LAB 71.23, -47.2, 63.66

 

CMYK 60 / 0 / 79 / 24

HEX #4DC229

RGB 77 194 41

HSL 105.88, 0.65%, 0.46%

LAB 69.7, -58.93, 61.67

 

CMYK 79 / 0 / 76 / 24

HEX #29C22E

RGB 41 194 46

HSL 121.96, 0.65%, 0.46%

LAB 68.93, -65.27, 59.09

 

CMYK 79 / 0 / 55 / 24

HEX #29C257

RGB 41 194 87

HSL 138.04, 0.65%, 0.46%

LAB 69.29, -60.96, 42.54

 

CMYK 79 / 0 / 35 / 24

HEX #29C27F

RGB 41 194 127

HSL 153.73, 0.65%, 0.46%

LAB 69.89, -54.01, 22.98

 

CMYK 78 / 0 / 76 / 51

HEX #1B7D1E

RGB 27 125 30

HSL 121.84, 0.64%, 0.3%

LAB 45.63, -46.32, 41.47

 

CMYK 79 / 0 / 76 / 37

HEX #22A027

RGB 34 160 39

HSL 122.38, 0.65%, 0.38%

LAB 57.68, -56.1, 50.3

 

CMYK 79 / 0 / 76 / 24

HEX #29C22F

RGB 41 194 47

HSL 122.35, 0.65%, 0.46%

LAB 68.94, -65.2, 58.76

 

CMYK 71 / 0 / 68 / 16

HEX #3ED644

RGB 62 214 68

HSL 122.37, 0.65%, 0.54%

LAB 75.78, -66.62, 58.26

 

CMYK 57 / 0 / 54 / 13

HEX #60DD65

RGB 96 221 101

HSL 122.4, 0.65%, 0.62%

LAB 79.12, -58.48, 48.06

 

CMYK 78 / 0 / 75 / 24

HEX #2AC330

RGB 42 195 48

HSL 122.35, 0.65%, 0.46%

LAB 69.28, -65.3, 58.77

 

CMYK 79 / 19 / 0 / 24

HEX #299EC2

RGB 41 158 194

HSL 194.12, 0.65%, 0.46%

LAB 60.62, -19.24, -27.55

 

CMYK 0 / 79 / 50 / 24

HEX #C22961

RGB 194 41 97

HSL 338.04, 0.65%, 0.46%

LAB 44.12, 62.09, 6.01

 

CMYK 78 / 0 / 75 / 24

HEX #2AC330

RGB 42 195 48

HSL 122.35, 0.65%, 0.46%

LAB 69.28, -65.3, 58.77

 

CMYK 76 / 79 / 0 / 24

HEX #2E29C2

RGB 46 41 194

HSL 241.96, 0.65%, 0.46%

LAB 29.57, 52.01, -77.36

 

CMYK 0 / 76 / 79 / 24

HEX #C22E29

RGB 194 46 41

HSL 1.96, 0.65%, 0.46%

LAB 43.63, 57.35, 39.37

 

CMYK 78 / 0 / 75 / 24

HEX #2AC330

RGB 42 195 48

HSL 122.35, 0.65%, 0.46%

LAB 69.28, -65.3, 58.77

 

CMYK 79 / 19 / 0 / 24

HEX #299EC2

RGB 41 158 194

HSL 194.12, 0.65%, 0.46%

LAB 60.62, -19.24, -27.55

 

CMYK 0 / 79 / 3 / 24

HEX #C229BC

RGB 194 41 188

HSL 302.35, 0.65%, 0.46%

LAB 47.86, 73, -43.27

 

CMYK 0 / 60 / 79 / 24

HEX #C24D29

RGB 194 77 41

HSL 14.12, 0.65%, 0.46%

LAB 48.18, 45, 43.99

 

CMYK 78 / 0 / 75 / 24

HEX #2AC330

RGB 42 195 48

HSL 122.35, 0.65%, 0.46%

LAB 69.28, -65.3, 58.77

 

CMYK 79 / 42 / 0 / 24

HEX #2970C2

RGB 41 112 194

HSL 212.16, 0.65%, 0.46%

LAB 46.92, 7.43, -49.1

 

CMYK 0 / 79 / 3 / 24

HEX #C229BC

RGB 194 41 188

HSL 302.35, 0.65%, 0.46%

LAB 47.86, 73, -43.27

 

CMYK 0 / 37 / 79 / 24

HEX #C27A29

RGB 194 122 41

HSL 31.76, 0.65%, 0.46%

LAB 57.61, 21.68, 53.12

 

Description

Color code: HEX #2AC330 | qconv.com Color code: HEX #2AC330 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 195 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 195 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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