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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AC2BA it is the complementary color #D53D45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AC2BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AC2BA shade: #2FC2B5, #40D4C8, #51E6DB, #62F8EE and #73FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AC2BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AC2BA shade: #2AC2BA, #19B0A7, #089E94, #008C81 and #007A6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AC2BA shade: #2AC0B8, #2AC090, #2AC067, #2AC03F and #3EC02A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AC2BA shade: #2AC0B8, #2AA0C0, #2A77C0, #2A4FC0 and #2A2AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AC2BA shade matches the following richer shades: #2AC0B8, #17D3C9 and #04E6DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AC2BA shade: #2AC0B8, #3DADA7, #509A97, #638786 and #767475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AC2BA shade: #2AC066, #2AC08E, #2AC0B6, #2AA2C0 and #2A7AC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AC2BA shade: #1B7D78, #239F98, #2AC0B8, #3FD5CD and #61DCD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AC2BA shade: #2AC2BA, #3E2AC0 and #C07A2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AC2BA shade: #2AC2BA, #B62AC0 and #C0B62A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AC2BA shade: #2AC2BA, #3E2AC0, #C02A34 and #ACC02A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AC2BA shade: #2AC2BA, #6B2AC0, #C02A34 and #7FC02A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 4 / 24

HEX #2AC2BA

RGB 42 194 186

HSL 176.84, 0.64%, 0.46%

LAB 71.3, -39.25, -6.96

 

Complementary color

CMYK 0 / 71 / 68 / 16

HEX #D53D45

RGB 213 61 69

HSL 356.84, 0.64%, 0.54%

LAB 49.39, 59.27, 30.77

 

CMYK 76 / 0 / 7 / 24

HEX #2FC2B5

RGB 47 194 181

HSL 174.69, 0.61%, 0.47%

LAB 71.23, -40.15, -4.32

 

CMYK 70 / 0 / 6 / 17

HEX #40D4C8

RGB 64 212 200

HSL 175.14, 0.63%, 0.54%

LAB 77.49, -40.92, -5.33

 

CMYK 65 / 0 / 5 / 10

HEX #51E6DB

RGB 81 230 219

HSL 175.57, 0.75%, 0.61%

LAB 83.68, -41.49, -6.26

 

CMYK 60 / 0 / 4 / 3

HEX #62F8EE

RGB 98 248 238

HSL 176, 0.91%, 0.68%

LAB 89.81, -41.89, -7.11

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 78 / 0 / 4 / 24

HEX #2AC2BA

RGB 42 194 186

HSL 176.84, 0.64%, 0.46%

LAB 71.3, -39.25, -6.96

 

CMYK 86 / 0 / 5 / 31

HEX #19B0A7

RGB 25 176 167

HSL 176.42, 0.75%, 0.39%

LAB 65, -38.01, -5.84

 

CMYK 95 / 0 / 6 / 38

HEX #089E94

RGB 8 158 148

HSL 176, 0.9%, 0.33%

LAB 58.64, -36.36, -4.59

 

CMYK 100 / 0 / 8 / 45

HEX #008C81

RGB 0 140 129

HSL 175.29, 1%, 0.27%

LAB 52.22, -34.21, -3.18

 

CMYK 100 / 0 / 10 / 52

HEX #007A6E

RGB 0 122 110

HSL 174.1, 1%, 0.24%

LAB 45.7, -31.68, -1.62

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B8

RGB 42 192 184

HSL 176.8, 0.64%, 0.46%

LAB 70.63, -38.92, -6.85

 

CMYK 78 / 0 / 25 / 25

HEX #2AC090

RGB 42 192 144

HSL 160.8, 0.64%, 0.46%

LAB 69.62, -49.36, 13.49

 

CMYK 78 / 0 / 46 / 25

HEX #2AC067

RGB 42 192 103

HSL 144.4, 0.64%, 0.46%

LAB 68.87, -57.67, 34.14

 

CMYK 78 / 0 / 67 / 25

HEX #2AC03F

RGB 42 192 63

HSL 128.4, 0.64%, 0.46%

LAB 68.42, -63.06, 52.26

 

CMYK 68 / 0 / 78 / 25

HEX #3EC02A

RGB 62 192 42

HSL 112, 0.64%, 0.46%

LAB 68.67, -61.48, 60.25

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B8

RGB 42 192 184

HSL 176.8, 0.64%, 0.46%

LAB 70.63, -38.92, -6.85

 

CMYK 78 / 17 / 0 / 25

HEX #2AA0C0

RGB 42 160 192

HSL 192.8, 0.64%, 0.46%

LAB 61.17, -20.86, -25.59

 

CMYK 78 / 38 / 0 / 25

HEX #2A77C0

RGB 42 119 192

HSL 209.2, 0.64%, 0.46%

LAB 48.87, 2.45, -44.83

 

CMYK 78 / 59 / 0 / 25

HEX #2A4FC0

RGB 42 79 192

HSL 225.2, 0.64%, 0.46%

LAB 37.64, 28.13, -62.91

 

CMYK 78 / 78 / 0 / 25

HEX #2A2AC0

RGB 42 42 192

HSL 240, 0.64%, 0.46%

LAB 29.3, 50.6, -76.64

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B8

RGB 42 192 184

HSL 176.8, 0.64%, 0.46%

LAB 70.63, -38.92, -6.85

 

CMYK 89 / 0 / 5 / 17

HEX #17D3C9

RGB 23 211 201

HSL 176.81, 0.8%, 0.46%

LAB 76.67, -43.85, -7.14

 

CMYK 98 / 0 / 5 / 10

HEX #04E6DA

RGB 4 230 218

HSL 176.81, 0.97%, 0.46%

LAB 82.74, -47.82, -7.22

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B8

RGB 42 192 184

HSL 176.8, 0.64%, 0.46%

LAB 70.63, -38.92, -6.85

 

CMYK 65 / 0 / 3 / 32

HEX #3DADA7

RGB 61 173 167

HSL 176.79, 0.48%, 0.46%

LAB 64.7, -32.5, -6.22

 

CMYK 48 / 0 / 2 / 40

HEX #509A97

RGB 80 154 151

HSL 177.57, 0.32%, 0.46%

LAB 59.02, -23.76, -5.57

 

CMYK 27 / 0 / 1 / 47

HEX #638786

RGB 99 135 134

HSL 178.33, 0.15%, 0.46%

LAB 53.71, -12.74, -3.55

 

CMYK 0 / 2 / 1 / 54

HEX #767475

RGB 118 116 117

HSL 330, 0.01%, 0.46%

LAB 49.04, 0.97, -0.29

 

CMYK 78 / 0 / 47 / 25

HEX #2AC066

RGB 42 192 102

HSL 144, 0.64%, 0.46%

LAB 68.86, -57.84, 34.63

 

CMYK 78 / 0 / 26 / 25

HEX #2AC08E

RGB 42 192 142

HSL 160, 0.64%, 0.46%

LAB 69.57, -49.83, 14.51

 

CMYK 78 / 0 / 5 / 25

HEX #2AC0B6

RGB 42 192 182

HSL 176, 0.64%, 0.46%

LAB 70.57, -39.49, -5.85

 

CMYK 78 / 16 / 0 / 25

HEX #2AA2C0

RGB 42 162 192

HSL 192, 0.64%, 0.46%

LAB 61.77, -21.9, -24.66

 

CMYK 78 / 36 / 0 / 25

HEX #2A7AC0

RGB 42 122 192

HSL 208, 0.64%, 0.46%

LAB 49.76, 0.62, -43.42

 

CMYK 78 / 0 / 4 / 51

HEX #1B7D78

RGB 27 125 120

HSL 176.94, 0.64%, 0.3%

LAB 47.31, -27.93, -5.14

 

CMYK 78 / 0 / 4 / 38

HEX #239F98

RGB 35 159 152

HSL 176.61, 0.64%, 0.38%

LAB 59.36, -33.72, -5.77

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B8

RGB 42 192 184

HSL 176.8, 0.64%, 0.46%

LAB 70.63, -38.92, -6.85

 

CMYK 70 / 0 / 4 / 16

HEX #3FD5CD

RGB 63 213 205

HSL 176.8, 0.64%, 0.54%

LAB 77.91, -40.14, -7.4

 

CMYK 56 / 0 / 3 / 14

HEX #61DCD6

RGB 97 220 214

HSL 177.07, 0.64%, 0.62%

LAB 81.06, -35.55, -7.44

 

CMYK 78 / 0 / 4 / 24

HEX #2AC2BA

RGB 42 194 186

HSL 176.84, 0.64%, 0.46%

LAB 71.3, -39.25, -6.96

 

CMYK 68 / 78 / 0 / 25

HEX #3E2AC0

RGB 62 42 192

HSL 248, 0.64%, 0.46%

LAB 30.61, 52.21, -74.43

 

CMYK 0 / 36 / 78 / 25

HEX #C07A2A

RGB 192 122 42

HSL 32, 0.64%, 0.46%

LAB 57.36, 20.85, 52.38

 

CMYK 78 / 0 / 4 / 24

HEX #2AC2BA

RGB 42 194 186

HSL 176.84, 0.64%, 0.46%

LAB 71.3, -39.25, -6.96

 

CMYK 5 / 78 / 0 / 25

HEX #B62AC0

RGB 182 42 192

HSL 296, 0.64%, 0.46%

LAB 46.19, 71, -48.39

 

CMYK 0 / 5 / 78 / 25

HEX #C0B62A

RGB 192 182 42

HSL 56, 0.64%, 0.46%

LAB 72.78, -11.49, 66.62

 

CMYK 78 / 0 / 4 / 24

HEX #2AC2BA

RGB 42 194 186

HSL 176.84, 0.64%, 0.46%

LAB 71.3, -39.25, -6.96

 

CMYK 68 / 78 / 0 / 25

HEX #3E2AC0

RGB 62 42 192

HSL 248, 0.64%, 0.46%

LAB 30.61, 52.21, -74.43

 

CMYK 0 / 78 / 73 / 25

HEX #C02A34

RGB 192 42 52

HSL 356, 0.64%, 0.46%

LAB 42.93, 58.41, 32.16

 

CMYK 10 / 0 / 78 / 25

HEX #ACC02A

RGB 172 192 42

HSL 68, 0.64%, 0.46%

LAB 73.96, -25.04, 67.08

 

CMYK 78 / 0 / 4 / 24

HEX #2AC2BA

RGB 42 194 186

HSL 176.84, 0.64%, 0.46%

LAB 71.3, -39.25, -6.96

 

CMYK 44 / 78 / 0 / 25

HEX #6B2AC0

RGB 107 42 192

HSL 266, 0.64%, 0.46%

LAB 35.18, 57.8, -66.74

 

CMYK 0 / 78 / 73 / 25

HEX #C02A34

RGB 192 42 52

HSL 356, 0.64%, 0.46%

LAB 42.93, 58.41, 32.16

 

CMYK 34 / 0 / 78 / 25

HEX #7FC02A

RGB 127 192 42

HSL 86, 0.64%, 0.46%

LAB 71.13, -42.79, 63.45

 

Description

Color code: HEX #2AC2BA | qconv.com Color code: HEX #2AC2BA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 194 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 194 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 4 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 4% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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