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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AC08D it is the complementary color #D53F72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AC08D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AC08D shade: #2FC088, #40D29B, #51E4AE, #62F6C1 and #73FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AC08D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AC08D shade: #2AC08D, #19AE7A, #089C67, #008A54 and #007841

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AC08D shade: #2AC08D, #2AC065, #2AC03C, #41C02A and #69C02A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AC08D shade: #2AC08D, #2AC0B6, #2AA2C0, #2A7AC0 and #2A51C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AC08D shade matches the following richer shades: #2AC08D, #17D393 and #04E699

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AC08D shade: #2AC08D, #3DAD87, #509A81, #63877B and #767475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AC08D shade: #2AC03C, #2AC064, #2AC08C, #2AC0B4 and #2AA5C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AC08D shade: #1B7D5C, #239F74, #2AC08D, #3FD5A2 and #61DCB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AC08D shade: #2AC08D, #2A41C0 and #C0502A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AC08D shade: #2AC08D, #8C2AC0 and #C08C2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AC08D shade: #2AC08D, #2A41C0, #C02A5F and #C0AA2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AC08D shade: #2AC08D, #412AC0, #C02A5F and #AAC02A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

Complementary color

CMYK 0 / 70 / 46 / 16

HEX #D53F72

RGB 213 63 114

HSL 339.6, 0.64%, 0.54%

LAB 50.59, 61.74, 5.31

 

CMYK 76 / 0 / 29 / 25

HEX #2FC088

RGB 47 192 136

HSL 156.83, 0.61%, 0.47%

LAB 69.53, -50.59, 17.7

 

CMYK 70 / 0 / 26 / 18

HEX #40D29B

RGB 64 210 155

HSL 157.4, 0.62%, 0.54%

LAB 75.79, -51.2, 16.3

 

CMYK 64 / 0 / 24 / 11

HEX #51E4AE

RGB 81 228 174

HSL 157.96, 0.73%, 0.61%

LAB 82, -51.56, 15.03

 

CMYK 60 / 0 / 22 / 4

HEX #62F6C1

RGB 98 246 193

HSL 158.51, 0.89%, 0.67%

LAB 88.14, -51.77, 13.86

 

CMYK 55 / 0 / 17 / 0

HEX #73FFD4

RGB 115 255 212

HSL 161.57, 1%, 0.73%

LAB 91.65, -48.07, 9.1

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 86 / 0 / 30 / 32

HEX #19AE7A

RGB 25 174 122

HSL 159.06, 0.75%, 0.39%

LAB 63.25, -48.97, 16.56

 

CMYK 95 / 0 / 34 / 39

HEX #089C67

RGB 8 156 103

HSL 158.51, 0.9%, 0.32%

LAB 56.89, -47.39, 18.27

 

CMYK 100 / 0 / 39 / 46

HEX #008A54

RGB 0 138 84

HSL 156.52, 1%, 0.27%

LAB 50.47, -45.18, 20.19

 

CMYK 100 / 0 / 46 / 53

HEX #007841

RGB 0 120 65

HSL 152.5, 1%, 0.24%

LAB 43.97, -42.4, 22.28

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 78 / 0 / 47 / 25

HEX #2AC065

RGB 42 192 101

HSL 143.6, 0.64%, 0.46%

LAB 68.85, -58.01, 35.12

 

CMYK 78 / 0 / 69 / 25

HEX #2AC03C

RGB 42 192 60

HSL 127.2, 0.64%, 0.46%

LAB 68.4, -63.36, 53.45

 

CMYK 66 / 0 / 78 / 25

HEX #41C02A

RGB 65 192 42

HSL 110.8, 0.64%, 0.46%

LAB 68.74, -60.87, 60.35

 

CMYK 45 / 0 / 78 / 25

HEX #69C02A

RGB 105 192 42

HSL 94.8, 0.64%, 0.46%

LAB 70.08, -50.3, 62.09

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 78 / 0 / 5 / 25

HEX #2AC0B6

RGB 42 192 182

HSL 176, 0.64%, 0.46%

LAB 70.57, -39.49, -5.85

 

CMYK 78 / 16 / 0 / 25

HEX #2AA2C0

RGB 42 162 192

HSL 192, 0.64%, 0.46%

LAB 61.77, -21.9, -24.66

 

CMYK 78 / 36 / 0 / 25

HEX #2A7AC0

RGB 42 122 192

HSL 208, 0.64%, 0.46%

LAB 49.76, 0.62, -43.42

 

CMYK 78 / 58 / 0 / 25

HEX #2A51C0

RGB 42 81 192

HSL 224.4, 0.64%, 0.46%

LAB 38.17, 26.82, -62.06

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 89 / 0 / 30 / 17

HEX #17D393

RGB 23 211 147

HSL 159.57, 0.8%, 0.46%

LAB 75.37, -57.58, 19.87

 

CMYK 98 / 0 / 33 / 10

HEX #04E699

RGB 4 230 153

HSL 159.56, 0.97%, 0.46%

LAB 81.25, -63.9, 24.77

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 65 / 0 / 22 / 32

HEX #3DAD87

RGB 61 173 135

HSL 159.64, 0.48%, 0.46%

LAB 63.86, -40.8, 10.35

 

CMYK 48 / 0 / 16 / 40

HEX #509A81

RGB 80 154 129

HSL 159.73, 0.32%, 0.46%

LAB 58.42, -29.3, 6.04

 

CMYK 27 / 0 / 9 / 47

HEX #63877B

RGB 99 135 123

HSL 160, 0.15%, 0.46%

LAB 53.4, -15.3, 2.37

 

CMYK 0 / 2 / 1 / 54

HEX #767475

RGB 118 116 117

HSL 330, 0.01%, 0.46%

LAB 49.04, 0.97, -0.29

 

CMYK 78 / 0 / 69 / 25

HEX #2AC03C

RGB 42 192 60

HSL 127.2, 0.64%, 0.46%

LAB 68.4, -63.36, 53.45

 

CMYK 78 / 0 / 48 / 25

HEX #2AC064

RGB 42 192 100

HSL 143.2, 0.64%, 0.46%

LAB 68.83, -58.17, 35.61

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08C

RGB 42 192 140

HSL 159.2, 0.64%, 0.46%

LAB 69.53, -50.29, 15.53

 

CMYK 78 / 0 / 6 / 25

HEX #2AC0B4

RGB 42 192 180

HSL 175.2, 0.64%, 0.46%

LAB 70.52, -40.05, -4.84

 

CMYK 78 / 14 / 0 / 25

HEX #2AA5C0

RGB 42 165 192

HSL 190.8, 0.64%, 0.46%

LAB 62.68, -23.45, -23.26

 

CMYK 78 / 0 / 26 / 51

HEX #1B7D5C

RGB 27 125 92

HSL 159.8, 0.64%, 0.3%

LAB 46.54, -35.78, 10.27

 

CMYK 78 / 0 / 27 / 38

HEX #239F74

RGB 35 159 116

HSL 159.19, 0.64%, 0.38%

LAB 58.43, -43.34, 13.2

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 70 / 0 / 24 / 16

HEX #3FD5A2

RGB 63 213 162

HSL 159.6, 0.64%, 0.54%

LAB 76.83, -50.98, 14.04

 

CMYK 56 / 0 / 19 / 14

HEX #61DCB2

RGB 97 220 178

HSL 159.51, 0.64%, 0.62%

LAB 80.15, -44.29, 10.37

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 78 / 66 / 0 / 25

HEX #2A41C0

RGB 42 65 192

HSL 230.8, 0.64%, 0.46%

LAB 34.15, 37.17, -68.64

 

CMYK 0 / 58 / 78 / 25

HEX #C0502A

RGB 192 80 42

HSL 15.2, 0.64%, 0.46%

LAB 48.4, 42.88, 43.6

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 27 / 78 / 0 / 25

HEX #8C2AC0

RGB 140 42 192

HSL 279.2, 0.64%, 0.46%

LAB 39.64, 63.19, -59.27

 

CMYK 0 / 27 / 78 / 25

HEX #C08C2A

RGB 192 140 42

HSL 39.2, 0.64%, 0.46%

LAB 61.77, 10.94, 56.54

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 78 / 66 / 0 / 25

HEX #2A41C0

RGB 42 65 192

HSL 230.8, 0.64%, 0.46%

LAB 34.15, 37.17, -68.64

 

CMYK 0 / 78 / 51 / 25

HEX #C02A5F

RGB 192 42 95

HSL 338.8, 0.64%, 0.46%

LAB 43.78, 61.09, 6.73

 

CMYK 0 / 11 / 78 / 25

HEX #C0AA2A

RGB 192 170 42

HSL 51.2, 0.64%, 0.46%

LAB 69.56, -5.25, 63.71

 

CMYK 78 / 0 / 27 / 25

HEX #2AC08D

RGB 42 192 141

HSL 159.6, 0.64%, 0.46%

LAB 69.55, -50.06, 15.02

 

CMYK 66 / 78 / 0 / 25

HEX #412AC0

RGB 65 42 192

HSL 249.2, 0.64%, 0.46%

LAB 30.84, 52.51, -74.03

 

CMYK 0 / 78 / 51 / 25

HEX #C02A5F

RGB 192 42 95

HSL 338.8, 0.64%, 0.46%

LAB 43.78, 61.09, 6.73

 

CMYK 11 / 0 / 78 / 25

HEX #AAC02A

RGB 170 192 42

HSL 68.8, 0.64%, 0.46%

LAB 73.81, -25.88, 66.9

 

Description

Color code: HEX #2AC08D | qconv.com Color code: HEX #2AC08D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 192 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 192 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 27 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 27% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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