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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ABFBD it is the complementary color #D54042. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ABFBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ABFBD shade: #2FBFB8, #40D1CB, #51E3DE, #62F5F1 and #73FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ABFBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ABFBD shade: #2ABFBD, #19ADAA, #089B97, #008984 and #007771

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ABFBD shade: #2AC0BE, #2AC096, #2AC06D, #2AC045 and #38C02A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ABFBD shade: #2AC0BE, #2A9AC0, #2A71C0, #2A49C0 and #2A2AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ABFBD shade matches the following richer shades: #2AC0BE, #17D3D1 and #04E6E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ABFBD shade: #2AC0BE, #3DADAC, #509A99, #638787 and #767474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ABFBD shade: #2AC06E, #2AC096, #2AC0BE, #2A9BC0 and #2A73C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ABFBD shade: #1B7D7B, #239F9D, #2AC0BE, #3FD5D3 and #61DCDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ABFBD shade: #2ABFBD, #462AC0 and #C0822A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ABFBD shade: #2ABFBD, #BE2AC0 and #C0BE2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ABFBD shade: #2ABFBD, #462AC0, #C02A2D and #A5C02A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ABFBD shade: #2ABFBD, #732AC0, #C02A2D and #78C02A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 1 / 25

HEX #2ABFBD

RGB 42 191 189

HSL 179.19, 0.64%, 0.46%

LAB 70.47, -37.02, -9.82

 

Complementary color

CMYK 0 / 70 / 69 / 16

HEX #D54042

RGB 213 64 66

HSL 359.19, 0.64%, 0.54%

LAB 49.75, 58.02, 32.95

 

CMYK 75 / 0 / 4 / 25

HEX #2FBFB8

RGB 47 191 184

HSL 177.08, 0.61%, 0.47%

LAB 70.4, -37.95, -7.18

 

CMYK 69 / 0 / 3 / 18

HEX #40D1CB

RGB 64 209 203

HSL 177.52, 0.61%, 0.54%

LAB 76.68, -38.75, -8.14

 

CMYK 64 / 0 / 2 / 11

HEX #51E3DE

RGB 81 227 222

HSL 177.95, 0.72%, 0.6%

LAB 82.89, -39.33, -9.02

 

CMYK 60 / 0 / 2 / 4

HEX #62F5F1

RGB 98 245 241

HSL 178.37, 0.88%, 0.67%

LAB 89.04, -39.76, -9.82

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 78 / 0 / 1 / 25

HEX #2ABFBD

RGB 42 191 189

HSL 179.19, 0.64%, 0.46%

LAB 70.47, -37.02, -9.82

 

CMYK 86 / 0 / 2 / 32

HEX #19ADAA

RGB 25 173 170

HSL 178.78, 0.75%, 0.39%

LAB 64.16, -35.75, -8.77

 

CMYK 95 / 0 / 3 / 39

HEX #089B97

RGB 8 155 151

HSL 178.37, 0.9%, 0.32%

LAB 57.78, -34.07, -7.58

 

CMYK 100 / 0 / 4 / 46

HEX #008984

RGB 0 137 132

HSL 177.81, 1%, 0.27%

LAB 51.33, -31.88, -6.24

 

CMYK 100 / 0 / 5 / 53

HEX #007771

RGB 0 119 113

HSL 176.97, 1%, 0.23%

LAB 44.78, -29.32, -4.76

 

CMYK 78 / 0 / 1 / 25

HEX #2AC0BE

RGB 42 192 190

HSL 179.2, 0.64%, 0.46%

LAB 70.81, -37.18, -9.87

 

CMYK 78 / 0 / 22 / 25

HEX #2AC096

RGB 42 192 150

HSL 163.2, 0.64%, 0.46%

LAB 69.75, -47.93, 10.43

 

CMYK 78 / 0 / 43 / 25

HEX #2AC06D

RGB 42 192 109

HSL 146.8, 0.64%, 0.46%

LAB 68.96, -56.63, 31.19

 

CMYK 78 / 0 / 64 / 25

HEX #2AC045

RGB 42 192 69

HSL 130.8, 0.64%, 0.46%

LAB 68.48, -62.43, 49.8

 

CMYK 71 / 0 / 78 / 25

HEX #38C02A

RGB 56 192 42

HSL 114.4, 0.64%, 0.46%

LAB 68.54, -62.61, 60.08

 

CMYK 78 / 0 / 1 / 25

HEX #2AC0BE

RGB 42 192 190

HSL 179.2, 0.64%, 0.46%

LAB 70.81, -37.18, -9.87

 

CMYK 78 / 20 / 0 / 25

HEX #2A9AC0

RGB 42 154 192

HSL 195.2, 0.64%, 0.46%

LAB 59.35, -17.68, -28.39

 

CMYK 78 / 41 / 0 / 25

HEX #2A71C0

RGB 42 113 192

HSL 211.6, 0.64%, 0.46%

LAB 47.12, 6.16, -47.63

 

CMYK 78 / 62 / 0 / 25

HEX #2A49C0

RGB 42 73 192

HSL 227.6, 0.64%, 0.46%

LAB 36.11, 32.04, -65.43

 

CMYK 78 / 78 / 0 / 25

HEX #2A2AC0

RGB 42 42 192

HSL 240, 0.64%, 0.46%

LAB 29.3, 50.6, -76.64

 

CMYK 78 / 0 / 1 / 25

HEX #2AC0BE

RGB 42 192 190

HSL 179.2, 0.64%, 0.46%

LAB 70.81, -37.18, -9.87

 

CMYK 89 / 0 / 1 / 17

HEX #17D3D1

RGB 23 211 209

HSL 179.36, 0.8%, 0.46%

LAB 76.91, -41.54, -11.09

 

CMYK 98 / 0 / 1 / 10

HEX #04E6E3

RGB 4 230 227

HSL 179.2, 0.97%, 0.46%

LAB 83, -45.25, -11.6

 

CMYK 78 / 0 / 1 / 25

HEX #2AC0BE

RGB 42 192 190

HSL 179.2, 0.64%, 0.46%

LAB 70.81, -37.18, -9.87

 

CMYK 65 / 0 / 1 / 32

HEX #3DADAC

RGB 61 173 172

HSL 179.46, 0.48%, 0.46%

LAB 64.85, -31.09, -8.78

 

CMYK 48 / 0 / 1 / 40

HEX #509A99

RGB 80 154 153

HSL 179.19, 0.32%, 0.46%

LAB 59.08, -23.22, -6.61

 

CMYK 27 / 0 / 0 / 47

HEX #638787

RGB 99 135 135

HSL 180, 0.15%, 0.46%

LAB 53.74, -12.5, -4.09

 

CMYK 0 / 2 / 2 / 54

HEX #767474

RGB 118 116 116

HSL 0, 0.01%, 0.46%

LAB 49.01, 0.77, 0.26

 

CMYK 78 / 0 / 43 / 25

HEX #2AC06E

RGB 42 192 110

HSL 147.2, 0.64%, 0.46%

LAB 68.98, -56.45, 30.69

 

CMYK 78 / 0 / 22 / 25

HEX #2AC096

RGB 42 192 150

HSL 163.2, 0.64%, 0.46%

LAB 69.75, -47.93, 10.43

 

CMYK 78 / 0 / 1 / 25

HEX #2AC0BE

RGB 42 192 190

HSL 179.2, 0.64%, 0.46%

LAB 70.81, -37.18, -9.87

 

CMYK 78 / 19 / 0 / 25

HEX #2A9BC0

RGB 42 155 192

HSL 194.8, 0.64%, 0.46%

LAB 59.65, -18.21, -27.93

 

CMYK 78 / 40 / 0 / 25

HEX #2A73C0

RGB 42 115 192

HSL 210.8, 0.64%, 0.46%

LAB 47.7, 4.92, -46.69

 

CMYK 78 / 0 / 2 / 51

HEX #1B7D7B

RGB 27 125 123

HSL 178.78, 0.64%, 0.3%

LAB 47.4, -27, -6.77

 

CMYK 78 / 0 / 1 / 38

HEX #239F9D

RGB 35 159 157

HSL 179.03, 0.64%, 0.38%

LAB 59.51, -32.24, -8.37

 

CMYK 78 / 0 / 1 / 25

HEX #2AC0BE

RGB 42 192 190

HSL 179.2, 0.64%, 0.46%

LAB 70.81, -37.18, -9.87

 

CMYK 70 / 0 / 1 / 16

HEX #3FD5D3

RGB 63 213 211

HSL 179.2, 0.64%, 0.54%

LAB 78.08, -38.47, -10.36

 

CMYK 56 / 0 / 0 / 14

HEX #61DCDB

RGB 97 220 219

HSL 179.51, 0.64%, 0.62%

LAB 81.2, -34.23, -9.89

 

CMYK 78 / 0 / 1 / 25

HEX #2ABFBD

RGB 42 191 189

HSL 179.19, 0.64%, 0.46%

LAB 70.47, -37.02, -9.82

 

CMYK 64 / 78 / 0 / 25

HEX #462AC0

RGB 70 42 192

HSL 251.2, 0.64%, 0.46%

LAB 31.26, 53.02, -73.32

 

CMYK 0 / 32 / 78 / 25

HEX #C0822A

RGB 192 130 42

HSL 35.2, 0.64%, 0.46%

LAB 59.29, 16.44, 54.21

 

CMYK 78 / 0 / 1 / 25

HEX #2ABFBD

RGB 42 191 189

HSL 179.19, 0.64%, 0.46%

LAB 70.47, -37.02, -9.82

 

CMYK 1 / 78 / 0 / 25

HEX #BE2AC0

RGB 190 42 192

HSL 299.2, 0.64%, 0.46%

LAB 47.51, 72.56, -46.21

 

CMYK 0 / 1 / 78 / 25

HEX #C0BE2A

RGB 192 190 42

HSL 59.2, 0.64%, 0.46%

LAB 74.95, -15.57, 68.56

 

CMYK 78 / 0 / 1 / 25

HEX #2ABFBD

RGB 42 191 189

HSL 179.19, 0.64%, 0.46%

LAB 70.47, -37.02, -9.82

 

CMYK 64 / 78 / 0 / 25

HEX #462AC0

RGB 70 42 192

HSL 251.2, 0.64%, 0.46%

LAB 31.26, 53.02, -73.32

 

CMYK 0 / 78 / 77 / 25

HEX #C02A2D

RGB 192 42 45

HSL 358.8, 0.64%, 0.46%

LAB 42.84, 58.13, 36.16

 

CMYK 14 / 0 / 78 / 25

HEX #A5C02A

RGB 165 192 42

HSL 70.8, 0.64%, 0.46%

LAB 73.46, -27.95, 66.44

 

CMYK 78 / 0 / 1 / 25

HEX #2ABFBD

RGB 42 191 189

HSL 179.19, 0.64%, 0.46%

LAB 70.47, -37.02, -9.82

 

CMYK 40 / 78 / 0 / 25

HEX #732AC0

RGB 115 42 192

HSL 269.2, 0.64%, 0.46%

LAB 36.19, 59.02, -65.05

 

CMYK 0 / 78 / 77 / 25

HEX #C02A2D

RGB 192 42 45

HSL 358.8, 0.64%, 0.46%

LAB 42.84, 58.13, 36.16

 

CMYK 38 / 0 / 78 / 25

HEX #78C02A

RGB 120 192 42

HSL 88.8, 0.64%, 0.46%

LAB 70.77, -45.29, 62.99

 

Description

Color code: HEX #2ABFBD | qconv.com Color code: HEX #2ABFBD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 191 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 191 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 1 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 1% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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