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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ABF1F it is the complementary color #D540E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ABF1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ABF1F shade: #2FBF1A, #40D12D, #51E340, #62F553 and #73FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ABF1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ABF1F shade: #2ABF1F, #19AD0C, #089B00, #008900 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ABF1F shade: #2BC11F, #56C11F, #82C11F, #ADC11F and #C1A91F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ABF1F shade: #2BC11F, #1FC140, #1FC16B, #1FC197 and #1FBFC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ABF1F shade matches the following richer shades: #2BC11F and #1BD30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ABF1F shade: #2BC11F, #3AAF32, #4A9D44, #598B56 and #697868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ABF1F shade: #83C11F, #58C11F, #2DC11F, #1FC13D and #1FC168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ABF1F shade: #1B7A14, #239E1A, #2BC11F, #39DD2D and #5AE350

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ABF1F shade: #2ABF1F, #1FAEC1 and #C11F6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ABF1F shade: #2ABF1F, #1F2DC1 and #C11F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ABF1F shade: #2ABF1F, #1FAEC1, #B41FC1 and #C1321F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ABF1F shade: #2ABF1F, #1F7EC1, #B41FC1 and #C1631F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 84 / 25

HEX #2ABF1F

RGB 42 191 31

HSL 115.88, 0.72%, 0.44%

LAB 67.91, -65.12, 62.48

 

Complementary color

CMYK 5 / 71 / 0 / 12

HEX #D540E0

RGB 213 64 224

HSL 295.88, 0.72%, 0.56%

LAB 55.27, 75.82, -51.96

 

CMYK 75 / 0 / 86 / 25

HEX #2FBF1A

RGB 47 191 26

HSL 112.36, 0.76%, 0.43%

LAB 67.98, -64.63, 63.74

 

CMYK 69 / 0 / 78 / 18

HEX #40D12D

RGB 64 209 45

HSL 113.05, 0.65%, 0.5%

LAB 74.11, -66.41, 64.55

 

CMYK 64 / 0 / 72 / 11

HEX #51E340

RGB 81 227 64

HSL 113.74, 0.74%, 0.57%

LAB 80.21, -67.64, 64.49

 

CMYK 60 / 0 / 66 / 4

HEX #62F553

RGB 98 245 83

HSL 114.44, 0.89%, 0.64%

LAB 86.27, -68.47, 63.9

 

CMYK 55 / 0 / 60 / 0

HEX #73FF66

RGB 115 255 102

HSL 114.9, 1%, 0.7%

LAB 89.92, -66.18, 60.34

 

CMYK 78 / 0 / 84 / 25

HEX #2ABF1F

RGB 42 191 31

HSL 115.88, 0.72%, 0.44%

LAB 67.91, -65.12, 62.48

 

CMYK 86 / 0 / 93 / 32

HEX #19AD0C

RGB 25 173 12

HSL 115.16, 0.87%, 0.36%

LAB 61.76, -62.52, 60.81

 

CMYK 95 / 0 / 100 / 39

HEX #089B00

RGB 8 155 0

HSL 116.9, 1%, 0.3%

LAB 55.58, -58.94, 57.42

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 78 / 0 / 84 / 24

HEX #2BC11F

RGB 43 193 31

HSL 115.56, 0.72%, 0.44%

LAB 68.57, -65.59, 63.09

 

CMYK 55 / 0 / 84 / 24

HEX #56C11F

RGB 86 193 31

HSL 99.63, 0.72%, 0.44%

LAB 69.62, -56.79, 64.43

 

CMYK 33 / 0 / 84 / 24

HEX #82C11F

RGB 130 193 31

HSL 83.33, 0.72%, 0.44%

LAB 71.54, -42.6, 66.86

 

CMYK 10 / 0 / 84 / 24

HEX #ADC11F

RGB 173 193 31

HSL 67.41, 0.72%, 0.44%

LAB 74.27, -25.49, 70.27

 

CMYK 0 / 12 / 84 / 24

HEX #C1A91F

RGB 193 169 31

HSL 51.11, 0.72%, 0.44%

LAB 69.34, -4.64, 66.78

 

CMYK 78 / 0 / 84 / 24

HEX #2BC11F

RGB 43 193 31

HSL 115.56, 0.72%, 0.44%

LAB 68.57, -65.59, 63.09

 

CMYK 84 / 0 / 67 / 24

HEX #1FC140

RGB 31 193 64

HSL 132.22, 0.72%, 0.44%

LAB 68.61, -64.54, 52.01

 

CMYK 84 / 0 / 45 / 24

HEX #1FC16B

RGB 31 193 107

HSL 148.15, 0.72%, 0.44%

LAB 69.11, -58.51, 32.37

 

CMYK 84 / 0 / 22 / 24

HEX #1FC197

RGB 31 193 151

HSL 164.44, 0.72%, 0.44%

LAB 69.94, -49.14, 10.14

 

CMYK 84 / 1 / 0 / 24

HEX #1FBFC1

RGB 31 191 193

HSL 180.74, 0.72%, 0.44%

LAB 70.46, -36.75, -12.05

 

CMYK 78 / 0 / 84 / 24

HEX #2BC11F

RGB 43 193 31

HSL 115.56, 0.72%, 0.44%

LAB 68.57, -65.59, 63.09

 

CMYK 87 / 0 / 94 / 17

HEX #1BD30D

RGB 27 211 13

HSL 115.76, 0.88%, 0.44%

LAB 74.09, -73.1, 70.98

 

CMYK 78 / 0 / 84 / 24

HEX #2BC11F

RGB 43 193 31

HSL 115.56, 0.72%, 0.44%

LAB 68.57, -65.59, 63.09

 

CMYK 67 / 0 / 71 / 31

HEX #3AAF32

RGB 58 175 50

HSL 116.16, 0.56%, 0.44%

LAB 63.17, -55.98, 51.96

 

CMYK 53 / 0 / 57 / 38

HEX #4A9D44

RGB 74 157 68

HSL 115.96, 0.4%, 0.44%

LAB 58.02, -43.43, 38.47

 

CMYK 36 / 0 / 38 / 45

HEX #598B56

RGB 89 139 86

HSL 116.6, 0.24%, 0.44%

LAB 53.23, -28.03, 23.17

 

CMYK 13 / 0 / 13 / 53

HEX #697868

RGB 105 120 104

HSL 116.25, 0.07%, 0.44%

LAB 48.8, -8.88, 6.92

 

CMYK 32 / 0 / 84 / 24

HEX #83C11F

RGB 131 193 31

HSL 82.96, 0.72%, 0.44%

LAB 71.6, -42.23, 66.93

 

CMYK 54 / 0 / 84 / 24

HEX #58C11F

RGB 88 193 31

HSL 98.89, 0.72%, 0.44%

LAB 69.69, -56.25, 64.51

 

CMYK 77 / 0 / 84 / 24

HEX #2DC11F

RGB 45 193 31

HSL 114.81, 0.72%, 0.44%

LAB 68.6, -65.31, 63.13

 

CMYK 84 / 0 / 68 / 24

HEX #1FC13D

RGB 31 193 61

HSL 131.11, 0.72%, 0.44%

LAB 68.58, -64.84, 53.2

 

CMYK 84 / 0 / 46 / 24

HEX #1FC168

RGB 31 193 104

HSL 147.04, 0.72%, 0.44%

LAB 69.06, -59.03, 33.85

 

CMYK 78 / 0 / 84 / 52

HEX #1B7A14

RGB 27 122 20

HSL 115.88, 0.72%, 0.28%

LAB 44.52, -46.05, 43.9

 

CMYK 78 / 0 / 84 / 38

HEX #239E1A

RGB 35 158 26

HSL 115.91, 0.72%, 0.36%

LAB 56.96, -56.18, 53.75

 

CMYK 78 / 0 / 84 / 24

HEX #2BC11F

RGB 43 193 31

HSL 115.56, 0.72%, 0.44%

LAB 68.57, -65.59, 63.09

 

CMYK 74 / 0 / 80 / 13

HEX #39DD2D

RGB 57 221 45

HSL 115.91, 0.72%, 0.52%

LAB 77.74, -71.29, 67.93

 

CMYK 60 / 0 / 65 / 11

HEX #5AE350

RGB 90 227 80

HSL 115.92, 0.72%, 0.6%

LAB 80.57, -64.34, 58.85

 

CMYK 78 / 0 / 84 / 25

HEX #2ABF1F

RGB 42 191 31

HSL 115.88, 0.72%, 0.44%

LAB 67.91, -65.12, 62.48

 

CMYK 84 / 10 / 0 / 24

HEX #1FAEC1

RGB 31 174 193

HSL 187.04, 0.72%, 0.44%

LAB 65.29, -28.64, -19.86

 

CMYK 0 / 84 / 43 / 24

HEX #C11F6E

RGB 193 31 110

HSL 330.74, 0.72%, 0.44%

LAB 43.42, 65.49, -3.11

 

CMYK 78 / 0 / 84 / 25

HEX #2ABF1F

RGB 42 191 31

HSL 115.88, 0.72%, 0.44%

LAB 67.91, -65.12, 62.48

 

CMYK 84 / 77 / 0 / 24

HEX #1F2DC1

RGB 31 45 193

HSL 234.81, 0.72%, 0.44%

LAB 29.46, 48.67, -76.97

 

CMYK 0 / 84 / 77 / 24

HEX #C11F2D

RGB 193 31 45

HSL 354.81, 0.72%, 0.44%

LAB 42.01, 61.33, 35.32

 

CMYK 78 / 0 / 84 / 25

HEX #2ABF1F

RGB 42 191 31

HSL 115.88, 0.72%, 0.44%

LAB 67.91, -65.12, 62.48

 

CMYK 84 / 10 / 0 / 24

HEX #1FAEC1

RGB 31 174 193

HSL 187.04, 0.72%, 0.44%

LAB 65.29, -28.64, -19.86

 

CMYK 7 / 84 / 0 / 24

HEX #B41FC1

RGB 180 31 193

HSL 295.19, 0.72%, 0.44%

LAB 44.99, 73.49, -50.91

 

CMYK 0 / 74 / 84 / 24

HEX #C1321F

RGB 193 50 31

HSL 7.04, 0.72%, 0.44%

LAB 43.83, 55.42, 44.74

 

CMYK 78 / 0 / 84 / 25

HEX #2ABF1F

RGB 42 191 31

HSL 115.88, 0.72%, 0.44%

LAB 67.91, -65.12, 62.48

 

CMYK 84 / 35 / 0 / 24

HEX #1F7EC1

RGB 31 126 193

HSL 204.81, 0.72%, 0.44%

LAB 50.76, -2.5, -42.42

 

CMYK 7 / 84 / 0 / 24

HEX #B41FC1

RGB 180 31 193

HSL 295.19, 0.72%, 0.44%

LAB 44.99, 73.49, -50.91

 

CMYK 0 / 49 / 84 / 24

HEX #C1631F

RGB 193 99 31

HSL 25.19, 0.72%, 0.44%

LAB 52.24, 33.32, 52.19

 

Description

Color code: HEX #2ABF1F | qconv.com Color code: HEX #2ABF1F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 191 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 191 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 84 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 84% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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