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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ABDE53F it is the complementary color #D5421A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ABDE53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ABDE53F shade: #2FBDE03F, #40CFF33F, #51E1FF3F, #62F3FF3F and #73FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ABDE53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ABDE53F shade: #2ABDE53F, #19ABD23F, #0899BF3F, #0087AC3F and #0075993F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ABDE53F shade: #2ABDE5, #2A8AE5, #2A58E5, #2E2AE5 and #602AE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ABDE53F shade: #2ABDE5, #2A8AE5, #2A58E5 and #2A2AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ABDE53F shade matches the following richer shades: #2ABDE5 and #16C8F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ABDE53F shade: #2ABDE5, #3DB2D1, #50A6BE, #649BAA and #779097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ABDE53F shade: #2AE5A6, #2AE5D8, #2ABFE5, #2A8DE5 and #2A5CE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ABDE53F shade: #1588A7, #19A6CC, #2ABDE5, #4EC8E9 and #73D3EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ABDE53F shade: #2ABDE5, #742AE5 and #E5BF2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ABDE53F shade: #2ABDE5, #E52ABF and #BFE52A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ABDE53F shade: #2ABDE5, #742AE5, #E54F2A and #9AE52A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ABDE53F shade: #2ABDE5, #AD2AE5, #E54F2A and #62E52A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 4 / 0 / 3

HEX #2ABDE53F

RGBA 42 189 229 0.25

HSLA 192.83, 0.78%, 0.53%, 0.25

LABA 71.24, -23.59, -30.49, 0.25

 

Complementary color

CMYK 0 / 17 / 22 / 4

HEX #D5421A3F

RGBA 213 66 26 0.25

HSLA 12.83, 0.78%, 0.47%, 0.25

LABA 49.64, 55.9, 53.34, 0.25

 

CMYK 20 / 4 / 0 / 3

HEX #2FBDE03F

RGBA 47 189 224 0.25

HSLA 191.86, 0.74%, 0.53%, 0.25

LABA 71.13, -24.78, -27.93, 0.25

 

CMYK 18 / 4 / 0 / 1

HEX #40CFF33F

RGBA 64 207 243 0.25

HSLA 192.07, 0.88%, 0.6%, 0.25

LABA 77.39, -25.98, -28.55, 0.25

 

CMYK 17 / 3 / 0 / 0

HEX #51E1FF3F

RGBA 81 225 255 0.25

HSLA 190.34, 1%, 0.66%, 0.25

LABA 83.35, -29.03, -25.79, 0.25

 

CMYK 15 / 1 / 0 / 0

HEX #62F3FF3F

RGBA 98 243 255 0.25

HSLA 184.59, 1%, 0.69%, 0.25

LABA 88.88, -35.08, -17.37, 0.25

 

CMYK 14 / 0 / 0 / 0

HEX #73FFFF3F

RGBA 115 255 255 0.25

HSLA 180, 1%, 0.73%, 0.25

LABA 92.74, -37.72, -11.54, 0.25

 

CMYK 20 / 4 / 0 / 3

HEX #2ABDE53F

RGBA 42 189 229 0.25

HSLA 192.83, 0.78%, 0.53%, 0.25

LABA 71.24, -23.59, -30.49, 0.25

 

CMYK 22 / 5 / 0 / 4

HEX #19ABD23F

RGBA 25 171 210 0.25

HSLA 192.65, 0.79%, 0.46%, 0.25

LABA 64.95, -21.89, -29.8, 0.25

 

CMYK 24 / 5 / 0 / 6

HEX #0899BF3F

RGBA 8 153 191 0.25

HSLA 192.46, 0.92%, 0.39%, 0.25

LABA 58.6, -19.78, -29.03, 0.25

 

CMYK 25 / 5 / 0 / 8

HEX #0087AC3F

RGBA 0 135 172 0.25

HSLA 192.91, 1%, 0.34%, 0.25

LABA 52.18, -17.18, -28.15, 0.25

 

CMYK 25 / 6 / 0 / 10

HEX #0075993F

RGBA 0 117 153 0.25

HSLA 194.12, 1%, 0.3%, 0.25

LABA 45.66, -14.19, -27.2, 0.25

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 82 / 40 / 0 / 10

HEX #2A8AE5

RGB 42 138 229

HSL 209.2, 0.78%, 0.53%

LAB 56.41, 4.72, -53.76

 

CMYK 82 / 62 / 0 / 10

HEX #2A58E5

RGB 42 88 229

HSL 225.24, 0.78%, 0.53%

LAB 42.96, 36.1, -75.51

 

CMYK 80 / 82 / 0 / 10

HEX #2E2AE5

RGB 46 42 229

HSL 241.28, 0.78%, 0.53%

LAB 33.76, 62.15, -90.68

 

CMYK 58 / 82 / 0 / 10

HEX #602AE5

RGB 96 42 229

HSL 257.33, 0.78%, 0.53%

LAB 37.48, 65.85, -84.4

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 82 / 40 / 0 / 10

HEX #2A8AE5

RGB 42 138 229

HSL 209.2, 0.78%, 0.53%

LAB 56.41, 4.72, -53.76

 

CMYK 82 / 62 / 0 / 10

HEX #2A58E5

RGB 42 88 229

HSL 225.24, 0.78%, 0.53%

LAB 42.96, 36.1, -75.51

 

CMYK 82 / 82 / 0 / 10

HEX #2A2AE5

RGB 42 42 229

HSL 240, 0.78%, 0.53%

LAB 33.57, 61.97, -91

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 91 / 19 / 0 / 3

HEX #16C8F8

RGB 22 200 248

HSL 192.74, 0.94%, 0.53%

LAB 74.99, -24.07, -34.99

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 71 / 15 / 0 / 18

HEX #3DB2D1

RGB 61 178 209

HSL 192.57, 0.62%, 0.53%

LAB 67.6, -22.39, -25.12

 

CMYK 58 / 13 / 0 / 25

HEX #50A6BE

RGB 80 166 190

HSL 193.09, 0.46%, 0.53%

LAB 63.91, -18.89, -20.18

 

CMYK 41 / 9 / 0 / 33

HEX #649BAA

RGB 100 155 170

HSL 192.86, 0.29%, 0.53%

LAB 60.83, -14.11, -13.54

 

CMYK 21 / 5 / 0 / 41

HEX #779097

RGB 119 144 151

HSL 193.13, 0.13%, 0.53%

LAB 58.13, -7.22, -6.65

 

CMYK 82 / 0 / 28 / 10

HEX #2AE5A6

RGB 42 229 166

HSL 159.79, 0.78%, 0.53%

LAB 81.45, -58.75, 18.35

 

CMYK 82 / 0 / 6 / 10

HEX #2AE5D8

RGB 42 229 216

HSL 175.83, 0.78%, 0.53%

LAB 82.64, -46.26, -6.29

 

CMYK 82 / 17 / 0 / 10

HEX #2ABFE5

RGB 42 191 229

HSL 192.19, 0.78%, 0.53%

LAB 71.83, -24.6, -29.58

 

CMYK 82 / 38 / 0 / 10

HEX #2A8DE5

RGB 42 141 229

HSL 208.24, 0.78%, 0.53%

LAB 57.27, 2.92, -52.39

 

CMYK 82 / 60 / 0 / 10

HEX #2A5CE5

RGB 42 92 229

HSL 223.96, 0.78%, 0.53%

LAB 43.95, 33.56, -73.89

 

CMYK 87 / 19 / 0 / 35

HEX #1588A7

RGB 21 136 167

HSL 192.74, 0.78%, 0.37%

LAB 52.46, -18.51, -24.82

 

CMYK 88 / 19 / 0 / 20

HEX #19A6CC

RGB 25 166 204

HSL 192.74, 0.78%, 0.45%

LAB 63.21, -21.33, -29.17

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 67 / 14 / 0 / 9

HEX #4EC8E9

RGB 78 200 233

HSL 192.77, 0.78%, 0.61%

LAB 75.33, -23.72, -26.31

 

CMYK 52 / 11 / 0 / 7

HEX #73D3EE

RGB 115 211 238

HSL 193.17, 0.78%, 0.69%

LAB 79.84, -21.14, -22

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 49 / 82 / 0 / 10

HEX #742AE5

RGB 116 42 229

HSL 263.74, 0.78%, 0.53%

LAB 39.62, 68.04, -80.79

 

CMYK 0 / 17 / 82 / 10

HEX #E5BF2A

RGB 229 191 42

HSL 47.81, 0.78%, 0.53%

LAB 78.51, -0.12, 72.95

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 0 / 82 / 17 / 10

HEX #E52ABF

RGB 229 42 191

HSL 312.19, 0.78%, 0.53%

LAB 54.11, 80.29, -34.76

 

CMYK 17 / 0 / 82 / 10

HEX #BFE52A

RGB 191 229 42

HSL 72.19, 0.78%, 0.53%

LAB 85.65, -34.71, 77.93

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 49 / 82 / 0 / 10

HEX #742AE5

RGB 116 42 229

HSL 263.74, 0.78%, 0.53%

LAB 39.62, 68.04, -80.79

 

CMYK 0 / 66 / 82 / 10

HEX #E54F2A

RGB 229 79 42

HSL 11.87, 0.78%, 0.53%

LAB 54.47, 56.44, 51.61

 

CMYK 33 / 0 / 82 / 10

HEX #9AE52A

RGB 154 229 42

HSL 84.06, 0.78%, 0.53%

LAB 83.48, -48.68, 75.2

 

CMYK 82 / 17 / 0 / 10

HEX #2ABDE5

RGB 42 189 229

HSL 192.83, 0.78%, 0.53%

LAB 71.24, -23.59, -30.49

 

CMYK 24 / 82 / 0 / 10

HEX #AD2AE5

RGB 173 42 229

HSL 282.03, 0.78%, 0.53%

LAB 47.23, 76.02, -68.05

 

CMYK 0 / 66 / 82 / 10

HEX #E54F2A

RGB 229 79 42

HSL 11.87, 0.78%, 0.53%

LAB 54.47, 56.44, 51.61

 

CMYK 57 / 0 / 82 / 10

HEX #62E52A

RGB 98 229 42

HSL 102.03, 0.78%, 0.53%

LAB 81.18, -65.79, 72.27

 

Description

Color code: HEX #2ABDE53F | qconv.com Color code: HEX #2ABDE53F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 189 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 189 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 4 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 4% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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