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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB95B it is the complementary color #D546A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB95B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB95B shade: #2FB956, #40CB69, #51DD7C, #62EF8F and #73FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB95B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB95B shade: #2AB95B, #19A748, #089535, #008322 and #00710F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB95B shade: #2ABB5C, #2ABB35, #47BB2A, #6EBB2A and #95BB2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB95B shade: #2ABB5C, #2ABB83, #2ABBAA, #2AA5BB and #2A7EBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB95B shade matches the following richer shades: #2ABB5C, #18CE56 and #05E050

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB95B shade: #2ABB5C, #3DA862, #509668, #62836E and #757173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB95B shade: #47BB2A, #2ABB34, #2ABB5B, #2ABB81 and #2ABBA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB95B shade: #1B783B, #23994B, #2ABB5C, #3CD370 and #5EDA88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB95B shade: #2AB95B, #2A6EBB and #BB2A34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB95B shade: #2AB95B, #5B2ABB and #BB5B2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB95B shade: #2AB95B, #2A6EBB, #BB2A8B and #BB782A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB95B shade: #2AB95B, #2A43BB, #BB2A8B and #BBA32A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 51 / 27

HEX #2AB95B

RGB 42 185 91

HSL 140.56, 0.63%, 0.45%

LAB 66.48, -57.17, 37.17

 

Complementary color

CMYK 0 / 67 / 23 / 16

HEX #D546A4

RGB 213 70 164

HSL 320.56, 0.63%, 0.55%

LAB 53.18, 64.7, -20.67

 

CMYK 75 / 0 / 54 / 27

HEX #2FB956

RGB 47 185 86

HSL 136.96, 0.59%, 0.45%

LAB 66.5, -57.22, 39.68

 

CMYK 68 / 0 / 48 / 20

HEX #40CB69

RGB 64 203 105

HSL 137.7, 0.57%, 0.52%

LAB 72.77, -57.99, 38.16

 

CMYK 63 / 0 / 44 / 13

HEX #51DD7C

RGB 81 221 124

HSL 138.43, 0.67%, 0.59%

LAB 78.99, -58.43, 36.7

 

CMYK 59 / 0 / 40 / 6

HEX #62EF8F

RGB 98 239 143

HSL 139.15, 0.82%, 0.66%

LAB 85.16, -58.65, 35.3

 

CMYK 55 / 0 / 36 / 0

HEX #73FFA2

RGB 115 255 162

HSL 140.14, 1%, 0.73%

LAB 90.68, -57.94, 33.21

 

CMYK 77 / 0 / 51 / 27

HEX #2AB95B

RGB 42 185 91

HSL 140.56, 0.63%, 0.45%

LAB 66.48, -57.17, 37.17

 

CMYK 85 / 0 / 57 / 35

HEX #19A748

RGB 25 167 72

HSL 139.86, 0.74%, 0.38%

LAB 60.17, -55.8, 38.79

 

CMYK 95 / 0 / 64 / 42

HEX #089535

RGB 8 149 53

HSL 139.15, 0.9%, 0.31%

LAB 53.82, -53.71, 40.37

 

CMYK 100 / 0 / 74 / 49

HEX #008322

RGB 0 131 34

HSL 135.57, 1%, 0.26%

LAB 47.43, -50.64, 41.64

 

CMYK 100 / 0 / 87 / 56

HEX #00710F

RGB 0 113 15

HSL 127.96, 1%, 0.22%

LAB 40.97, -46.56, 41.97

 

CMYK 78 / 0 / 51 / 27

HEX #2ABB5C

RGB 42 187 92

HSL 140.69, 0.63%, 0.45%

LAB 67.13, -57.71, 37.48

 

CMYK 78 / 0 / 72 / 27

HEX #2ABB35

RGB 42 187 53

HSL 124.55, 0.63%, 0.45%

LAB 66.74, -62.41, 54.41

 

CMYK 62 / 0 / 78 / 27

HEX #47BB2A

RGB 71 187 42

HSL 108, 0.63%, 0.45%

LAB 67.31, -57.86, 59.03

 

CMYK 41 / 0 / 78 / 27

HEX #6EBB2A

RGB 110 187 42

HSL 91.86, 0.63%, 0.45%

LAB 68.77, -46.66, 60.93

 

CMYK 20 / 0 / 78 / 27

HEX #95BB2A

RGB 149 187 42

HSL 75.72, 0.63%, 0.45%

LAB 70.94, -32.11, 63.74

 

CMYK 78 / 0 / 51 / 27

HEX #2ABB5C

RGB 42 187 92

HSL 140.69, 0.63%, 0.45%

LAB 67.13, -57.71, 37.48

 

CMYK 78 / 0 / 30 / 27

HEX #2ABB83

RGB 42 187 131

HSL 156.83, 0.63%, 0.45%

LAB 67.78, -50.34, 17.96

 

CMYK 78 / 0 / 9 / 27

HEX #2ABBAA

RGB 42 187 170

HSL 172.97, 0.63%, 0.45%

LAB 68.7, -40.61, -2.02

 

CMYK 78 / 12 / 0 / 27

HEX #2AA5BB

RGB 42 165 187

HSL 189.1, 0.63%, 0.45%

LAB 62.5, -25.08, -20.75

 

CMYK 78 / 33 / 0 / 27

HEX #2A7EBB

RGB 42 126 187

HSL 205.24, 0.63%, 0.45%

LAB 50.69, -3.63, -39.08

 

CMYK 78 / 0 / 51 / 27

HEX #2ABB5C

RGB 42 187 92

HSL 140.69, 0.63%, 0.45%

LAB 67.13, -57.71, 37.48

 

CMYK 88 / 0 / 58 / 19

HEX #18CE56

RGB 24 206 86

HSL 140.44, 0.79%, 0.45%

LAB 72.9, -66.59, 47.25

 

CMYK 98 / 0 / 64 / 12

HEX #05E050

RGB 5 224 80

HSL 140.55, 0.96%, 0.45%

LAB 78.42, -73.62, 56.13

 

CMYK 78 / 0 / 51 / 27

HEX #2ABB5C

RGB 42 187 92

HSL 140.69, 0.63%, 0.45%

LAB 67.13, -57.71, 37.48

 

CMYK 64 / 0 / 42 / 34

HEX #3DA862

RGB 61 168 98

HSL 140.75, 0.47%, 0.45%

LAB 61.55, -46.44, 27.37

 

CMYK 47 / 0 / 31 / 41

HEX #509668

RGB 80 150 104

HSL 140.57, 0.3%, 0.45%

LAB 56.6, -32.82, 17.59

 

CMYK 25 / 0 / 16 / 49

HEX #62836E

RGB 98 131 110

HSL 141.82, 0.14%, 0.45%

LAB 51.79, -16.29, 7.59

 

CMYK 0 / 3 / 2 / 54

HEX #757173

RGB 117 113 115

HSL 330, 0.02%, 0.45%

LAB 48.05, 1.94, -0.56

 

CMYK 62 / 0 / 78 / 27

HEX #47BB2A

RGB 71 187 42

HSL 108, 0.63%, 0.45%

LAB 67.31, -57.86, 59.03

 

CMYK 78 / 0 / 72 / 27

HEX #2ABB34

RGB 42 187 52

HSL 124.14, 0.63%, 0.45%

LAB 66.73, -62.5, 54.78

 

CMYK 78 / 0 / 51 / 27

HEX #2ABB5B

RGB 42 187 91

HSL 140.28, 0.63%, 0.45%

LAB 67.12, -57.86, 37.96

 

CMYK 78 / 0 / 31 / 27

HEX #2ABB81

RGB 42 187 129

HSL 156, 0.63%, 0.45%

LAB 67.74, -50.78, 18.98

 

CMYK 78 / 0 / 10 / 27

HEX #2ABBA8

RGB 42 187 168

HSL 172.14, 0.63%, 0.45%

LAB 68.65, -41.16, -1

 

CMYK 78 / 0 / 51 / 53

HEX #1B783B

RGB 27 120 59

HSL 140.65, 0.63%, 0.29%

LAB 44.21, -40.77, 25.97

 

CMYK 77 / 0 / 51 / 40

HEX #23994B

RGB 35 153 75

HSL 140.34, 0.63%, 0.37%

LAB 55.73, -49.26, 31.91

 

CMYK 78 / 0 / 51 / 27

HEX #2ABB5C

RGB 42 187 92

HSL 140.69, 0.63%, 0.45%

LAB 67.13, -57.71, 37.48

 

CMYK 72 / 0 / 47 / 17

HEX #3CD370

RGB 60 211 112

HSL 140.66, 0.63%, 0.53%

LAB 75.28, -60.41, 37.83

 

CMYK 57 / 0 / 38 / 15

HEX #5EDA88

RGB 94 218 136

HSL 140.32, 0.63%, 0.61%

LAB 78.64, -52.52, 30.23

 

CMYK 77 / 0 / 51 / 27

HEX #2AB95B

RGB 42 185 91

HSL 140.56, 0.63%, 0.45%

LAB 66.48, -57.17, 37.17

 

CMYK 78 / 41 / 0 / 27

HEX #2A6EBB

RGB 42 110 187

HSL 211.86, 0.63%, 0.45%

LAB 45.95, 6.15, -46.6

 

CMYK 0 / 78 / 72 / 27

HEX #BB2A34

RGB 187 42 52

HSL 355.86, 0.63%, 0.45%

LAB 41.95, 56.93, 30.77

 

CMYK 77 / 0 / 51 / 27

HEX #2AB95B

RGB 42 185 91

HSL 140.56, 0.63%, 0.45%

LAB 66.48, -57.17, 37.17

 

CMYK 51 / 78 / 0 / 27

HEX #5B2ABB

RGB 91 42 187

HSL 260.28, 0.63%, 0.45%

LAB 32.85, 54.2, -67.69

 

CMYK 0 / 51 / 78 / 27

HEX #BB5B2A

RGB 187 91 42

HSL 20.28, 0.63%, 0.45%

LAB 49.75, 35.44, 44.7

 

CMYK 77 / 0 / 51 / 27

HEX #2AB95B

RGB 42 185 91

HSL 140.56, 0.63%, 0.45%

LAB 66.48, -57.17, 37.17

 

CMYK 78 / 41 / 0 / 27

HEX #2A6EBB

RGB 42 110 187

HSL 211.86, 0.63%, 0.45%

LAB 45.95, 6.15, -46.6

 

CMYK 0 / 78 / 26 / 27

HEX #BB2A8B

RGB 187 42 139

HSL 319.86, 0.63%, 0.45%

LAB 44.35, 64.35, -19.66

 

CMYK 0 / 36 / 78 / 27

HEX #BB782A

RGB 187 120 42

HSL 32.28, 0.63%, 0.45%

LAB 56.25, 19.78, 51.1

 

CMYK 77 / 0 / 51 / 27

HEX #2AB95B

RGB 42 185 91

HSL 140.56, 0.63%, 0.45%

LAB 66.48, -57.17, 37.17

 

CMYK 78 / 64 / 0 / 27

HEX #2A43BB

RGB 42 67 187

HSL 229.66, 0.63%, 0.45%

LAB 34.18, 34.07, -65.64

 

CMYK 0 / 78 / 26 / 27

HEX #BB2A8B

RGB 187 42 139

HSL 319.86, 0.63%, 0.45%

LAB 44.35, 64.35, -19.66

 

CMYK 0 / 13 / 78 / 27

HEX #BBA32A

RGB 187 163 42

HSL 50.07, 0.63%, 0.45%

LAB 67.22, -3.75, 61.41

 

Description

Color code: HEX #2AB95B | qconv.com Color code: HEX #2AB95B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 185 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 185 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 51 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 51% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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