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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB631 it is the complementary color #D549CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB631. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB631 shade: #2FB62C, #40C83F, #51DA52, #62EC65 and #73FE78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB631. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB631 shade: #2AB631, #19A41E, #08920B, #008000 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB631 shade: #2AB731, #49B72A, #6FB72A, #95B72A and #B7B32A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB631 shade: #2AB731, #2AB757, #2AB77D, #2AB7A3 and #2AA5B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB631 shade matches the following richer shades: #2AB731, #17C920 and #05DB10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB631 shade: #2AB731, #3CA541, #4E9351, #608062 and #726E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB631 shade: #6EB72A, #48B72A, #2AB731, #2AB756 and #2AB77C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB631 shade: #1A741F, #229528, #2AB731, #38D240 and #59D960

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB631 shade: #2AB631, #2A94B7 and #B72A5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB631 shade: #2AB631, #312AB7 and #B7312A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB631 shade: #2AB631, #2A94B7, #B72AB0 and #B74D2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB631 shade: #2AB631, #2A69B7, #B72AB0 and #B7772A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 73 / 29

HEX #2AB631

RGB 42 182 49

HSL 123, 0.63%, 0.44%

LAB 65.1, -61.17, 54.21

 

Complementary color

CMYK 0 / 66 / 3 / 16

HEX #D549CE

RGB 213 73 206

HSL 303, 0.63%, 0.56%

LAB 55.45, 69.71, -41.46

 

CMYK 74 / 0 / 76 / 29

HEX #2FB62C

RGB 47 182 44

HSL 118.7, 0.61%, 0.44%

LAB 65.15, -60.8, 56.07

 

CMYK 68 / 0 / 69 / 22

HEX #40C83F

RGB 64 200 63

HSL 119.56, 0.55%, 0.52%

LAB 71.39, -62.13, 55.57

 

CMYK 63 / 0 / 62 / 15

HEX #51DA52

RGB 81 218 82

HSL 120.44, 0.65%, 0.59%

LAB 77.58, -62.97, 54.64

 

CMYK 58 / 0 / 57 / 7

HEX #62EC65

RGB 98 236 101

HSL 121.3, 0.78%, 0.65%

LAB 83.72, -63.49, 53.51

 

CMYK 55 / 0 / 53 / 0

HEX #73FE78

RGB 115 254 120

HSL 122.16, 0.99%, 0.72%

LAB 89.81, -63.77, 52.29

 

CMYK 77 / 0 / 73 / 29

HEX #2AB631

RGB 42 182 49

HSL 123, 0.63%, 0.44%

LAB 65.1, -61.17, 54.21

 

CMYK 85 / 0 / 82 / 36

HEX #19A41E

RGB 25 164 30

HSL 122.16, 0.74%, 0.37%

LAB 58.84, -59.08, 54.31

 

CMYK 95 / 0 / 92 / 43

HEX #08920B

RGB 8 146 11

HSL 121.3, 0.9%, 0.3%

LAB 52.55, -56.01, 53.12

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 77 / 0 / 73 / 28

HEX #2AB731

RGB 42 183 49

HSL 122.98, 0.63%, 0.44%

LAB 65.42, -61.49, 54.54

 

CMYK 60 / 0 / 77 / 28

HEX #49B72A

RGB 73 183 42

HSL 106.81, 0.63%, 0.44%

LAB 66.1, -55.99, 57.87

 

CMYK 39 / 0 / 77 / 28

HEX #6FB72A

RGB 111 183 42

HSL 90.64, 0.63%, 0.44%

LAB 67.59, -44.66, 59.82

 

CMYK 19 / 0 / 77 / 28

HEX #95B72A

RGB 149 183 42

HSL 74.47, 0.63%, 0.44%

LAB 69.77, -30.23, 62.65

 

CMYK 0 / 2 / 77 / 28

HEX #B7B32A

RGB 183 179 42

HSL 58.3, 0.63%, 0.44%

LAB 71.2, -13.86, 64.9

 

CMYK 77 / 0 / 73 / 28

HEX #2AB731

RGB 42 183 49

HSL 122.98, 0.63%, 0.44%

LAB 65.42, -61.49, 54.54

 

CMYK 77 / 0 / 52 / 28

HEX #2AB757

RGB 42 183 87

HSL 139.15, 0.63%, 0.44%

LAB 65.79, -57.08, 38.3

 

CMYK 77 / 0 / 32 / 28

HEX #2AB77D

RGB 42 183 125

HSL 155.32, 0.63%, 0.44%

LAB 66.4, -50.09, 19.3

 

CMYK 77 / 0 / 11 / 28

HEX #2AB7A3

RGB 42 183 163

HSL 171.49, 0.63%, 0.44%

LAB 67.28, -40.76, -0.25

 

CMYK 77 / 10 / 0 / 28

HEX #2AA5B7

RGB 42 165 183

HSL 187.66, 0.63%, 0.44%

LAB 62.36, -26.36, -18.73

 

CMYK 77 / 0 / 73 / 28

HEX #2AB731

RGB 42 183 49

HSL 122.98, 0.63%, 0.44%

LAB 65.42, -61.49, 54.54

 

CMYK 89 / 0 / 84 / 21

HEX #17C920

RGB 23 201 32

HSL 123.03, 0.79%, 0.44%

LAB 70.91, -69.97, 64.87

 

CMYK 98 / 0 / 93 / 14

HEX #05DB10

RGB 5 219 16

HSL 123.08, 0.96%, 0.44%

LAB 76.52, -76.35, 72.59

 

CMYK 77 / 0 / 73 / 28

HEX #2AB731

RGB 42 183 49

HSL 122.98, 0.63%, 0.44%

LAB 65.42, -61.49, 54.54

 

CMYK 64 / 0 / 61 / 35

HEX #3CA541

RGB 60 165 65

HSL 122.86, 0.47%, 0.44%

LAB 60.12, -50.45, 42.23

 

CMYK 47 / 0 / 45 / 42

HEX #4E9351

RGB 78 147 81

HSL 122.61, 0.31%, 0.44%

LAB 55.16, -36.14, 28.29

 

CMYK 25 / 0 / 23 / 50

HEX #608062

RGB 96 128 98

HSL 123.75, 0.14%, 0.44%

LAB 50.46, -17.79, 12.67

 

CMYK 0 / 4 / 0 / 55

HEX #726E72

RGB 114 110 114

HSL 300, 0.02%, 0.44%

LAB 46.9, 2.35, -1.68

 

CMYK 40 / 0 / 77 / 28

HEX #6EB72A

RGB 110 183 42

HSL 91.06, 0.63%, 0.44%

LAB 67.54, -45.01, 59.76

 

CMYK 61 / 0 / 77 / 28

HEX #48B72A

RGB 72 183 42

HSL 107.23, 0.63%, 0.44%

LAB 66.07, -56.23, 57.83

 

CMYK 77 / 0 / 73 / 28

HEX #2AB731

RGB 42 183 49

HSL 122.98, 0.63%, 0.44%

LAB 65.42, -61.49, 54.54

 

CMYK 77 / 0 / 53 / 28

HEX #2AB756

RGB 42 183 86

HSL 138.72, 0.63%, 0.44%

LAB 65.77, -57.23, 38.77

 

CMYK 77 / 0 / 32 / 28

HEX #2AB77C

RGB 42 183 124

HSL 154.89, 0.63%, 0.44%

LAB 66.38, -50.3, 19.81

 

CMYK 78 / 0 / 73 / 55

HEX #1A741F

RGB 26 116 31

HSL 123.33, 0.63%, 0.28%

LAB 42.47, -43.28, 37.81

 

CMYK 77 / 0 / 73 / 42

HEX #229528

RGB 34 149 40

HSL 123.13, 0.63%, 0.36%

LAB 54.01, -52.42, 46.2

 

CMYK 77 / 0 / 73 / 28

HEX #2AB731

RGB 42 183 49

HSL 122.98, 0.63%, 0.44%

LAB 65.42, -61.49, 54.54

 

CMYK 73 / 0 / 70 / 18

HEX #38D240

RGB 56 210 64

HSL 123.12, 0.63%, 0.52%

LAB 74.38, -66.67, 58.29

 

CMYK 59 / 0 / 56 / 15

HEX #59D960

RGB 89 217 96

HSL 123.28, 0.63%, 0.6%

LAB 77.63, -59.26, 48.55

 

CMYK 77 / 0 / 73 / 29

HEX #2AB631

RGB 42 182 49

HSL 123, 0.63%, 0.44%

LAB 65.1, -61.17, 54.21

 

CMYK 77 / 19 / 0 / 28

HEX #2A94B7

RGB 42 148 183

HSL 194.89, 0.63%, 0.44%

LAB 57.16, -17.51, -26.68

 

CMYK 0 / 77 / 50 / 28

HEX #B72A5B

RGB 183 42 91

HSL 339.15, 0.63%, 0.44%

LAB 41.97, 58.27, 6.42

 

CMYK 77 / 0 / 73 / 29

HEX #2AB631

RGB 42 182 49

HSL 123, 0.63%, 0.44%

LAB 65.1, -61.17, 54.21

 

CMYK 73 / 77 / 0 / 28

HEX #312AB7

RGB 49 42 183

HSL 242.98, 0.63%, 0.44%

LAB 28.72, 48.25, -72.26

 

CMYK 0 / 73 / 77 / 28

HEX #B7312A

RGB 183 49 42

HSL 2.98, 0.63%, 0.44%

LAB 41.89, 52.95, 36.34

 

CMYK 77 / 0 / 73 / 29

HEX #2AB631

RGB 42 182 49

HSL 123, 0.63%, 0.44%

LAB 65.1, -61.17, 54.21

 

CMYK 77 / 19 / 0 / 28

HEX #2A94B7

RGB 42 148 183

HSL 194.89, 0.63%, 0.44%

LAB 57.16, -17.51, -26.68

 

CMYK 0 / 77 / 4 / 28

HEX #B72AB0

RGB 183 42 176

HSL 302.98, 0.63%, 0.44%

LAB 45.44, 68.63, -40.18

 

CMYK 0 / 58 / 77 / 28

HEX #B74D2A

RGB 183 77 42

HSL 14.89, 0.63%, 0.44%

LAB 46.37, 40.93, 41.05

 

CMYK 77 / 0 / 73 / 29

HEX #2AB631

RGB 42 182 49

HSL 123, 0.63%, 0.44%

LAB 65.1, -61.17, 54.21

 

CMYK 77 / 43 / 0 / 28

HEX #2A69B7

RGB 42 105 183

HSL 213.19, 0.63%, 0.44%

LAB 44.25, 7.78, -46.98

 

CMYK 0 / 77 / 4 / 28

HEX #B72AB0

RGB 183 42 176

HSL 302.98, 0.63%, 0.44%

LAB 45.44, 68.63, -40.18

 

CMYK 0 / 35 / 77 / 28

HEX #B7772A

RGB 183 119 42

HSL 32.77, 0.63%, 0.44%

LAB 55.51, 18.58, 50.21

 

Description

Color code: HEX #2AB631 | qconv.com Color code: HEX #2AB631 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 182 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 182 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 73 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 73% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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