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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB623 it is the complementary color #D549DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB623 shade: #2FB61E, #40C831, #51DA44, #62EC57 and #73FE6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB623 shade: #2AB623, #19A410, #089200, #008000 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB623 shade: #2AB823, #52B823, #7BB823, #A3B823 and #B8A523

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB623 shade: #2AB823, #23B844, #23B86C, #23B895 and #23B4B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB623 shade matches the following richer shades: #2AB823 and #1ACA11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB623 shade: #2AB823, #3AA635, #4A9547, #5A8358 and #6A716A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB623 shade: #7AB823, #52B823, #2BB823, #23B843 and #23B86B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB623 shade: #1A7316, #22961C, #2AB823, #36D72D and #57DE50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB623 shade: #2AB623, #23A2B8 and #B82366

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB623 shade: #2AB623, #232BB8 and #B8232B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB623 shade: #2AB623, #23A2B8, #B123B8 and #B83923

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB623 shade: #2AB623, #2375B8, #B123B8 and #B86623

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 81 / 29

HEX #2AB623

RGB 42 182 35

HSL 117.14, 0.68%, 0.43%

LAB 65.02, -62.16, 58.74

 

Complementary color

CMYK 3 / 67 / 0 / 14

HEX #D549DC

RGB 213 73 220

HSL 297.14, 0.68%, 0.57%

LAB 56.17, 72, -48.28

 

CMYK 74 / 0 / 84 / 29

HEX #2FB61E

RGB 47 182 30

HSL 113.29, 0.72%, 0.42%

LAB 65.08, -61.66, 60.2

 

CMYK 68 / 0 / 76 / 22

HEX #40C831

RGB 64 200 49

HSL 114.04, 0.61%, 0.49%

LAB 71.3, -63.25, 60.57

 

CMYK 63 / 0 / 69 / 15

HEX #51DA44

RGB 81 218 68

HSL 114.8, 0.67%, 0.56%

LAB 77.47, -64.31, 60.18

 

CMYK 58 / 0 / 63 / 7

HEX #62EC57

RGB 98 236 87

HSL 115.57, 0.8%, 0.63%

LAB 83.59, -64.99, 59.37

 

CMYK 55 / 0 / 58 / 0

HEX #73FE6A

RGB 115 254 106

HSL 116.35, 0.99%, 0.71%

LAB 89.66, -65.4, 58.34

 

CMYK 77 / 0 / 81 / 29

HEX #2AB623

RGB 42 182 35

HSL 117.14, 0.68%, 0.43%

LAB 65.02, -62.16, 58.74

 

CMYK 85 / 0 / 90 / 36

HEX #19A410

RGB 25 164 16

HSL 116.35, 0.82%, 0.35%

LAB 58.78, -59.74, 57.62

 

CMYK 95 / 0 / 100 / 43

HEX #089200

RGB 8 146 0

HSL 116.71, 1%, 0.29%

LAB 52.52, -56.35, 54.97

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 77 / 0 / 81 / 28

HEX #2AB823

RGB 42 184 35

HSL 117.18, 0.68%, 0.43%

LAB 65.67, -62.77, 59.35

 

CMYK 55 / 0 / 81 / 28

HEX #52B823

RGB 82 184 35

HSL 101.07, 0.68%, 0.43%

LAB 66.67, -54.43, 60.64

 

CMYK 33 / 0 / 81 / 28

HEX #7BB823

RGB 123 184 35

HSL 84.56, 0.68%, 0.43%

LAB 68.47, -41.14, 62.96

 

CMYK 11 / 0 / 81 / 28

HEX #A3B823

RGB 163 184 35

HSL 68.46, 0.68%, 0.43%

LAB 71, -25.19, 66.17

 

CMYK 0 / 10 / 81 / 28

HEX #B8A523

RGB 184 165 35

HSL 52.35, 0.68%, 0.43%

LAB 67.44, -6.39, 63.72

 

CMYK 77 / 0 / 81 / 28

HEX #2AB823

RGB 42 184 35

HSL 117.18, 0.68%, 0.43%

LAB 65.67, -62.77, 59.35

 

CMYK 81 / 0 / 63 / 28

HEX #23B844

RGB 35 184 68

HSL 133.29, 0.68%, 0.43%

LAB 65.79, -60.83, 47.2

 

CMYK 81 / 0 / 41 / 28

HEX #23B86C

RGB 35 184 108

HSL 149.4, 0.68%, 0.43%

LAB 66.31, -54.72, 28.22

 

CMYK 81 / 0 / 19 / 28

HEX #23B895

RGB 35 184 149

HSL 165.91, 0.68%, 0.43%

LAB 67.13, -45.59, 7.23

 

CMYK 81 / 2 / 0 / 28

HEX #23B4B8

RGB 35 180 184

HSL 181.61, 0.68%, 0.43%

LAB 66.87, -34.02, -12.48

 

CMYK 77 / 0 / 81 / 28

HEX #2AB823

RGB 42 184 35

HSL 117.18, 0.68%, 0.43%

LAB 65.67, -62.77, 59.35

 

CMYK 87 / 0 / 92 / 21

HEX #1ACA11

RGB 26 202 17

HSL 117.08, 0.84%, 0.43%

LAB 71.22, -70.58, 68.05

 

CMYK 77 / 0 / 81 / 28

HEX #2AB823

RGB 42 184 35

HSL 117.18, 0.68%, 0.43%

LAB 65.67, -62.77, 59.35

 

CMYK 65 / 0 / 68 / 35

HEX #3AA635

RGB 58 166 53

HSL 117.35, 0.52%, 0.43%

LAB 60.27, -52.56, 47.7

 

CMYK 50 / 0 / 52 / 42

HEX #4A9547

RGB 74 149 71

HSL 117.69, 0.35%, 0.43%

LAB 55.49, -39.7, 33.92

 

CMYK 31 / 0 / 33 / 49

HEX #5A8358

RGB 90 131 88

HSL 117.21, 0.2%, 0.43%

LAB 50.82, -23.35, 18.84

 

CMYK 6 / 0 / 6 / 56

HEX #6A716A

RGB 106 113 106

HSL 120, 0.03%, 0.43%

LAB 46.86, -4.1, 2.96

 

CMYK 34 / 0 / 81 / 28

HEX #7AB823

RGB 122 184 35

HSL 84.97, 0.68%, 0.43%

LAB 68.42, -41.51, 62.89

 

CMYK 55 / 0 / 81 / 28

HEX #52B823

RGB 82 184 35

HSL 101.07, 0.68%, 0.43%

LAB 66.67, -54.43, 60.64

 

CMYK 77 / 0 / 81 / 28

HEX #2BB823

RGB 43 184 35

HSL 116.78, 0.68%, 0.43%

LAB 65.68, -62.63, 59.37

 

CMYK 81 / 0 / 64 / 28

HEX #23B843

RGB 35 184 67

HSL 132.89, 0.68%, 0.43%

LAB 65.78, -60.95, 47.63

 

CMYK 81 / 0 / 42 / 28

HEX #23B86B

RGB 35 184 107

HSL 148.99, 0.68%, 0.43%

LAB 66.29, -54.91, 28.72

 

CMYK 77 / 0 / 81 / 55

HEX #1A7316

RGB 26 115 22

HSL 117.42, 0.68%, 0.27%

LAB 42.06, -43.7, 40.89

 

CMYK 77 / 0 / 81 / 41

HEX #22961C

RGB 34 150 28

HSL 117.05, 0.69%, 0.35%

LAB 54.28, -53.66, 50.66

 

CMYK 77 / 0 / 81 / 28

HEX #2AB823

RGB 42 184 35

HSL 117.18, 0.68%, 0.43%

LAB 65.67, -62.77, 59.35

 

CMYK 75 / 0 / 79 / 16

HEX #36D72D

RGB 54 215 45

HSL 116.82, 0.68%, 0.51%

LAB 75.81, -69.92, 66.09

 

CMYK 61 / 0 / 64 / 13

HEX #57DE50

RGB 87 222 80

HSL 117.04, 0.68%, 0.59%

LAB 78.95, -63.27, 57.05

 

CMYK 77 / 0 / 81 / 29

HEX #2AB623

RGB 42 182 35

HSL 117.14, 0.68%, 0.43%

LAB 65.02, -62.16, 58.74

 

CMYK 81 / 12 / 0 / 28

HEX #23A2B8

RGB 35 162 184

HSL 188.86, 0.68%, 0.43%

LAB 61.36, -25.22, -20.82

 

CMYK 0 / 81 / 45 / 28

HEX #B82366

RGB 184 35 102

HSL 333.02, 0.68%, 0.43%

LAB 41.77, 61.51, -0.75

 

CMYK 77 / 0 / 81 / 29

HEX #2AB623

RGB 42 182 35

HSL 117.14, 0.68%, 0.43%

LAB 65.02, -62.16, 58.74

 

CMYK 81 / 77 / 0 / 28

HEX #232BB8

RGB 35 43 184

HSL 236.78, 0.68%, 0.43%

LAB 28.24, 47, -73.67

 

CMYK 0 / 81 / 77 / 28

HEX #B8232B

RGB 184 35 43

HSL 356.78, 0.68%, 0.43%

LAB 40.52, 57.71, 34.33

 

CMYK 77 / 0 / 81 / 29

HEX #2AB623

RGB 42 182 35

HSL 117.14, 0.68%, 0.43%

LAB 65.02, -62.16, 58.74

 

CMYK 81 / 12 / 0 / 28

HEX #23A2B8

RGB 35 162 184

HSL 188.86, 0.68%, 0.43%

LAB 61.36, -25.22, -20.82

 

CMYK 4 / 81 / 0 / 28

HEX #B123B8

RGB 177 35 184

HSL 297.18, 0.68%, 0.43%

LAB 44.25, 70.55, -46.86

 

CMYK 0 / 69 / 81 / 28

HEX #B83923

RGB 184 57 35

HSL 8.86, 0.68%, 0.43%

LAB 43.12, 49.98, 41.45

 

CMYK 77 / 0 / 81 / 29

HEX #2AB623

RGB 42 182 35

HSL 117.14, 0.68%, 0.43%

LAB 65.02, -62.16, 58.74

 

CMYK 81 / 36 / 0 / 28

HEX #2375B8

RGB 35 117 184

HSL 206.98, 0.68%, 0.43%

LAB 47.68, -0.09, -42.12

 

CMYK 4 / 81 / 0 / 28

HEX #B123B8

RGB 177 35 184

HSL 297.18, 0.68%, 0.43%

LAB 44.25, 70.55, -46.86

 

CMYK 0 / 45 / 81 / 28

HEX #B86623

RGB 184 102 35

HSL 26.98, 0.68%, 0.43%

LAB 51.63, 28.1, 49.53

 

Description

Color code: HEX #2AB623 | qconv.com Color code: HEX #2AB623 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 182 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 182 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 81 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 81% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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