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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB614 it is the complementary color #D549EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB614. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB614 shade: #2FB60F, #40C822, #51DA35, #62EC48 and #73FE5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB614. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB614 shade: #2AB614, #19A401, #089200, #008000 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB614 shade: #2BB814, #57B814, #83B814, #AFB814 and #B89514

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB614 shade: #2BB814, #14B82A, #14B856, #14B882 and #14B8AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB614 shade matches the following richer shades: #2BB814 and #1FC804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB614 shade: #2BB814, #37A725, #439735, #4F8646 and #5B7656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB614 shade: #84B814, #58B814, #2DB814, #14B827 and #14B853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB614 shade: #196D0C, #229210, #2BB814, #33DD19 and #4EE936

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB614 shade: #2AB614, #14AFB8 and #B8146E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB614 shade: #2AB614, #142DB8 and #B8142D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB614 shade: #2AB614, #14AFB8, #9F14B8 and #B81D14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB614 shade: #2AB614, #147EB8, #9F14B8 and #B84E14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 89 / 29

HEX #2AB614

RGB 42 182 20

HSL 111.85, 0.8%, 0.4%

LAB 64.96, -62.86, 62.29

 

Complementary color

CMYK 9 / 69 / 0 / 8

HEX #D549EB

RGB 213 73 235

HSL 291.85, 0.8%, 0.6%

LAB 56.99, 74.57, -55.41

 

CMYK 74 / 0 / 92 / 29

HEX #2FB60F

RGB 47 182 15

HSL 108.5, 0.85%, 0.39%

LAB 65.04, -62.24, 63.26

 

CMYK 68 / 0 / 83 / 22

HEX #40C822

RGB 64 200 34

HSL 109.16, 0.71%, 0.46%

LAB 71.22, -64.13, 64.9

 

CMYK 63 / 0 / 76 / 15

HEX #51DA35

RGB 81 218 53

HSL 109.82, 0.69%, 0.53%

LAB 77.37, -65.43, 65.36

 

CMYK 58 / 0 / 69 / 7

HEX #62EC48

RGB 98 236 72

HSL 110.49, 0.81%, 0.6%

LAB 83.47, -66.32, 65.1

 

CMYK 55 / 0 / 64 / 0

HEX #73FE5B

RGB 115 254 91

HSL 111.17, 0.99%, 0.68%

LAB 89.53, -66.89, 64.42

 

CMYK 77 / 0 / 89 / 29

HEX #2AB614

RGB 42 182 20

HSL 111.85, 0.8%, 0.4%

LAB 64.96, -62.86, 62.29

 

CMYK 85 / 0 / 99 / 36

HEX #19A401

RGB 25 164 1

HSL 111.17, 0.99%, 0.32%

LAB 58.75, -60.16, 59.87

 

CMYK 95 / 0 / 100 / 43

HEX #089200

RGB 8 146 0

HSL 116.71, 1%, 0.29%

LAB 52.52, -56.35, 54.97

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 77 / 0 / 89 / 28

HEX #2BB814

RGB 43 184 20

HSL 111.59, 0.8%, 0.4%

LAB 65.63, -63.32, 62.87

 

CMYK 53 / 0 / 89 / 28

HEX #57B814

RGB 87 184 20

HSL 95.49, 0.8%, 0.4%

LAB 66.79, -53.65, 64.33

 

CMYK 29 / 0 / 89 / 28

HEX #83B814

RGB 131 184 20

HSL 79.39, 0.8%, 0.4%

LAB 68.86, -38.63, 66.9

 

CMYK 5 / 0 / 89 / 28

HEX #AFB814

RGB 175 184 20

HSL 63.29, 0.8%, 0.4%

LAB 71.86, -20.49, 70.58

 

CMYK 0 / 19 / 89 / 28

HEX #B89514

RGB 184 149 20

HSL 47.2, 0.8%, 0.4%

LAB 63.12, 1.79, 63.99

 

CMYK 77 / 0 / 89 / 28

HEX #2BB814

RGB 43 184 20

HSL 111.59, 0.8%, 0.4%

LAB 65.63, -63.32, 62.87

 

CMYK 89 / 0 / 77 / 28

HEX #14B82A

RGB 20 184 42

HSL 128.05, 0.8%, 0.4%

LAB 65.43, -64.69, 56.89

 

CMYK 89 / 0 / 53 / 28

HEX #14B856

RGB 20 184 86

HSL 144.15, 0.8%, 0.4%

LAB 65.83, -59.8, 38.78

 

CMYK 89 / 0 / 29 / 28

HEX #14B882

RGB 20 184 130

HSL 160.24, 0.8%, 0.4%

LAB 66.55, -51.37, 16.77

 

CMYK 89 / 0 / 5 / 28

HEX #14B8AE

RGB 20 184 174

HSL 176.34, 0.8%, 0.4%

LAB 67.64, -39.86, -5.82

 

CMYK 77 / 0 / 89 / 28

HEX #2BB814

RGB 43 184 20

HSL 111.59, 0.8%, 0.4%

LAB 65.63, -63.32, 62.87

 

CMYK 85 / 0 / 98 / 22

HEX #1FC804

RGB 31 200 4

HSL 111.73, 0.96%, 0.4%

LAB 70.6, -69.85, 69.09

 

CMYK 77 / 0 / 89 / 28

HEX #2BB814

RGB 43 184 20

HSL 111.59, 0.8%, 0.4%

LAB 65.63, -63.32, 62.87

 

CMYK 67 / 0 / 78 / 35

HEX #37A725

RGB 55 167 37

HSL 111.69, 0.64%, 0.4%

LAB 60.41, -54.86, 53.83

 

CMYK 56 / 0 / 65 / 41

HEX #439735

RGB 67 151 53

HSL 111.43, 0.48%, 0.4%

LAB 55.67, -44.71, 42.76

 

CMYK 41 / 0 / 48 / 47

HEX #4F8646

RGB 79 134 70

HSL 111.56, 0.31%, 0.4%

LAB 50.87, -31.57, 28.77

 

CMYK 23 / 0 / 27 / 54

HEX #5B7656

RGB 91 118 86

HSL 110.63, 0.16%, 0.4%

LAB 46.78, -16.52, 14.52

 

CMYK 28 / 0 / 89 / 28

HEX #84B814

RGB 132 184 20

HSL 79.02, 0.8%, 0.4%

LAB 68.92, -38.25, 66.98

 

CMYK 52 / 0 / 89 / 28

HEX #58B814

RGB 88 184 20

HSL 95.12, 0.8%, 0.4%

LAB 66.83, -53.36, 64.38

 

CMYK 76 / 0 / 89 / 28

HEX #2DB814

RGB 45 184 20

HSL 110.85, 0.8%, 0.4%

LAB 65.66, -63.02, 62.92

 

CMYK 89 / 0 / 79 / 28

HEX #14B827

RGB 20 184 39

HSL 126.95, 0.8%, 0.4%

LAB 65.42, -64.9, 57.83

 

CMYK 89 / 0 / 55 / 28

HEX #14B853

RGB 20 184 83

HSL 143.05, 0.8%, 0.4%

LAB 65.79, -60.24, 40.2

 

CMYK 77 / 0 / 89 / 57

HEX #196D0C

RGB 25 109 12

HSL 111.96, 0.8%, 0.24%

LAB 39.87, -42.43, 41.92

 

CMYK 77 / 0 / 89 / 43

HEX #229210

RGB 34 146 16

HSL 111.69, 0.8%, 0.32%

LAB 52.88, -52.99, 52.55

 

CMYK 77 / 0 / 89 / 28

HEX #2BB814

RGB 43 184 20

HSL 111.59, 0.8%, 0.4%

LAB 65.63, -63.32, 62.87

 

CMYK 77 / 0 / 89 / 13

HEX #33DD19

RGB 51 221 25

HSL 112.04, 0.8%, 0.48%

LAB 77.57, -73.04, 72.29

 

CMYK 67 / 0 / 77 / 9

HEX #4EE936

RGB 78 233 54

HSL 111.96, 0.8%, 0.56%

LAB 81.93, -70.87, 69.44

 

CMYK 77 / 0 / 89 / 29

HEX #2AB614

RGB 42 182 20

HSL 111.85, 0.8%, 0.4%

LAB 64.96, -62.86, 62.29

 

CMYK 89 / 5 / 0 / 28

HEX #14AFB8

RGB 20 175 184

HSL 183.29, 0.8%, 0.4%

LAB 65.18, -32.68, -15.04

 

CMYK 0 / 89 / 40 / 28

HEX #B8146E

RGB 184 20 110

HSL 327.07, 0.8%, 0.4%

LAB 40.92, 65.46, -7.02

 

CMYK 77 / 0 / 89 / 29

HEX #2AB614

RGB 42 182 20

HSL 111.85, 0.8%, 0.4%

LAB 64.96, -62.86, 62.29

 

CMYK 89 / 76 / 0 / 28

HEX #142DB8

RGB 20 45 184

HSL 230.85, 0.8%, 0.4%

LAB 28.08, 45.1, -73.95

 

CMYK 0 / 89 / 76 / 28

HEX #B8142D

RGB 184 20 45

HSL 350.85, 0.8%, 0.4%

LAB 39.38, 61.11, 31.87

 

CMYK 77 / 0 / 89 / 29

HEX #2AB614

RGB 42 182 20

HSL 111.85, 0.8%, 0.4%

LAB 64.96, -62.86, 62.29

 

CMYK 89 / 5 / 0 / 28

HEX #14AFB8

RGB 20 175 184

HSL 183.29, 0.8%, 0.4%

LAB 65.18, -32.68, -15.04

 

CMYK 14 / 89 / 0 / 28

HEX #9F14B8

RGB 159 20 184

HSL 290.85, 0.8%, 0.4%

LAB 40.13, 70.52, -53.63

 

CMYK 0 / 84 / 89 / 28

HEX #B81D14

RGB 184 29 20

HSL 3.29, 0.8%, 0.4%

LAB 39.78, 58.6, 45.83

 

CMYK 77 / 0 / 89 / 29

HEX #2AB614

RGB 42 182 20

HSL 111.85, 0.8%, 0.4%

LAB 64.96, -62.86, 62.29

 

CMYK 89 / 32 / 0 / 28

HEX #147EB8

RGB 20 126 184

HSL 201.22, 0.8%, 0.4%

LAB 50.13, -6.7, -38.25

 

CMYK 14 / 89 / 0 / 28

HEX #9F14B8

RGB 159 20 184

HSL 290.85, 0.8%, 0.4%

LAB 40.13, 70.52, -53.63

 

CMYK 0 / 58 / 89 / 28

HEX #B84E14

RGB 184 78 20

HSL 21.22, 0.8%, 0.4%

LAB 46.56, 40.17, 51.04

 

Description

Color code: HEX #2AB614 | qconv.com Color code: HEX #2AB614 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 182 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 182 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 89 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 89% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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