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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB476 it is the complementary color #D54B89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB476 shade: #2FB471, #40C684, #51D897, #62EAAA and #73FCBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB476 shade: #2AB476, #19A263, #089050, #007E3D and #006C2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB476 shade: #2BB677, #2BB652, #2BB62C, #4FB62B and #74B62B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB476 shade: #2BB677, #2BB69D, #2BA9B6, #2B84B6 and #2B5EB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB476 shade matches the following richer shades: #2BB677, #18C879 and #06DA7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB476 shade: #2BB677, #3DA475, #4F9174, #617F72 and #736D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB476 shade: #2BB62D, #2BB652, #2BB677, #2BB69C and #2BAAB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB476 shade: #1B734B, #239461, #2BB677, #39D18D and #5BD8A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB476 shade: #2AB476, #2B4DB6 and #B6402B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB476 shade: #2AB476, #772BB6 and #B6772B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB476 shade: #2AB476, #2B4DB6, #B62B69 and #B6932B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB476 shade: #2AB476, #322BB6, #B62B69 and #AFB62B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 34 / 29

HEX #2AB476

RGB 42 180 118

HSL 153.04, 0.62%, 0.44%

LAB 65.31, -50.41, 21.59

 

Complementary color

CMYK 0 / 65 / 36 / 16

HEX #D54B89

RGB 213 75 137

HSL 333.04, 0.62%, 0.56%

LAB 52.93, 59.45, -5.07

 

CMYK 74 / 0 / 37 / 29

HEX #2FB471

RGB 47 180 113

HSL 149.77, 0.59%, 0.45%

LAB 65.31, -50.75, 24.29

 

CMYK 68 / 0 / 33 / 22

HEX #40C684

RGB 64 198 132

HSL 150.45, 0.54%, 0.51%

LAB 71.65, -51.28, 22.8

 

CMYK 63 / 0 / 30 / 15

HEX #51D897

RGB 81 216 151

HSL 151.11, 0.63%, 0.58%

LAB 77.93, -51.57, 21.44

 

CMYK 58 / 0 / 27 / 8

HEX #62EAAA

RGB 98 234 170

HSL 151.76, 0.76%, 0.65%

LAB 84.14, -51.68, 20.18

 

CMYK 54 / 0 / 25 / 1

HEX #73FCBD

RGB 115 252 189

HSL 152.41, 0.96%, 0.72%

LAB 90.29, -51.69, 19.02

 

CMYK 77 / 0 / 34 / 29

HEX #2AB476

RGB 42 180 118

HSL 153.04, 0.62%, 0.44%

LAB 65.31, -50.41, 21.59

 

CMYK 85 / 0 / 39 / 36

HEX #19A263

RGB 25 162 99

HSL 152.41, 0.73%, 0.37%

LAB 58.93, -49.36, 23.24

 

CMYK 94 / 0 / 44 / 44

HEX #089050

RGB 8 144 80

HSL 151.76, 0.89%, 0.3%

LAB 52.48, -47.74, 25.06

 

CMYK 100 / 0 / 52 / 51

HEX #007E3D

RGB 0 126 61

HSL 149.05, 1%, 0.25%

LAB 45.99, -45.33, 27.05

 

CMYK 100 / 0 / 61 / 58

HEX #006C2A

RGB 0 108 42

HSL 143.33, 1%, 0.21%

LAB 39.4, -42.16, 29.09

 

CMYK 76 / 0 / 35 / 29

HEX #2BB677

RGB 43 182 119

HSL 152.81, 0.62%, 0.44%

LAB 65.98, -50.84, 21.97

 

CMYK 76 / 0 / 55 / 29

HEX #2BB652

RGB 43 182 82

HSL 136.83, 0.62%, 0.44%

LAB 65.42, -57.33, 40.3

 

CMYK 76 / 0 / 76 / 29

HEX #2BB62C

RGB 43 182 44

HSL 120.43, 0.62%, 0.44%

LAB 65.08, -61.41, 55.97

 

CMYK 57 / 0 / 76 / 29

HEX #4FB62B

RGB 79 182 43

HSL 104.46, 0.62%, 0.44%

LAB 65.98, -54.04, 57.49

 

CMYK 36 / 0 / 76 / 29

HEX #74B62B

RGB 116 182 43

HSL 88.49, 0.62%, 0.44%

LAB 67.53, -42.43, 59.53

 

CMYK 76 / 0 / 35 / 29

HEX #2BB677

RGB 43 182 119

HSL 152.81, 0.62%, 0.44%

LAB 65.98, -50.84, 21.97

 

CMYK 76 / 0 / 14 / 29

HEX #2BB69D

RGB 43 182 157

HSL 169.21, 0.62%, 0.44%

LAB 66.83, -41.82, 2.4

 

CMYK 76 / 7 / 0 / 29

HEX #2BA9B6

RGB 43 169 182

HSL 185.61, 0.62%, 0.44%

LAB 63.56, -28.56, -16.34

 

CMYK 76 / 27 / 0 / 29

HEX #2B84B6

RGB 43 132 182

HSL 201.58, 0.62%, 0.44%

LAB 52.28, -8.83, -33.71

 

CMYK 76 / 48 / 0 / 29

HEX #2B5EB6

RGB 43 94 182

HSL 217.99, 0.62%, 0.44%

LAB 41.05, 14.6, -51.54

 

CMYK 76 / 0 / 35 / 29

HEX #2BB677

RGB 43 182 119

HSL 152.81, 0.62%, 0.44%

LAB 65.98, -50.84, 21.97

 

CMYK 88 / 0 / 40 / 22

HEX #18C879

RGB 24 200 121

HSL 153.07, 0.79%, 0.44%

LAB 71.48, -58.92, 28.23

 

CMYK 97 / 0 / 44 / 15

HEX #06DA7B

RGB 6 218 123

HSL 153.11, 0.95%, 0.44%

LAB 77.05, -65.54, 34.49

 

CMYK 76 / 0 / 35 / 29

HEX #2BB677

RGB 43 182 119

HSL 152.81, 0.62%, 0.44%

LAB 65.98, -50.84, 21.97

 

CMYK 63 / 0 / 29 / 36

HEX #3DA475

RGB 61 164 117

HSL 152.62, 0.46%, 0.44%

LAB 60.63, -41, 15.79

 

CMYK 46 / 0 / 20 / 43

HEX #4F9174

RGB 79 145 116

HSL 153.64, 0.29%, 0.44%

LAB 55.25, -28.18, 8.92

 

CMYK 24 / 0 / 10 / 50

HEX #617F72

RGB 97 127 114

HSL 154, 0.13%, 0.44%

LAB 50.61, -13.62, 3.57

 

CMYK 0 / 5 / 3 / 55

HEX #736D70

RGB 115 109 112

HSL 330, 0.03%, 0.44%

LAB 46.65, 2.92, -0.84

 

CMYK 76 / 0 / 75 / 29

HEX #2BB62D

RGB 43 182 45

HSL 120.86, 0.62%, 0.44%

LAB 65.09, -61.34, 55.63

 

CMYK 76 / 0 / 55 / 29

HEX #2BB652

RGB 43 182 82

HSL 136.83, 0.62%, 0.44%

LAB 65.42, -57.33, 40.3

 

CMYK 76 / 0 / 35 / 29

HEX #2BB677

RGB 43 182 119

HSL 152.81, 0.62%, 0.44%

LAB 65.98, -50.84, 21.97

 

CMYK 76 / 0 / 14 / 29

HEX #2BB69C

RGB 43 182 156

HSL 168.78, 0.62%, 0.44%

LAB 66.8, -42.09, 2.92

 

CMYK 76 / 7 / 0 / 29

HEX #2BAAB6

RGB 43 170 182

HSL 185.18, 0.62%, 0.44%

LAB 63.87, -29.05, -15.87

 

CMYK 77 / 0 / 35 / 55

HEX #1B734B

RGB 27 115 75

HSL 152.73, 0.62%, 0.28%

LAB 42.77, -35.54, 15.01

 

CMYK 76 / 0 / 34 / 42

HEX #239461

RGB 35 148 97

HSL 152.92, 0.62%, 0.36%

LAB 54.45, -43.17, 18.34

 

CMYK 76 / 0 / 35 / 29

HEX #2BB677

RGB 43 182 119

HSL 152.81, 0.62%, 0.44%

LAB 65.98, -50.84, 21.97

 

CMYK 73 / 0 / 33 / 18

HEX #39D18D

RGB 57 209 141

HSL 153.16, 0.62%, 0.52%

LAB 75.07, -54.81, 22.68

 

CMYK 58 / 0 / 26 / 15

HEX #5BD8A0

RGB 91 216 160

HSL 153.12, 0.62%, 0.6%

LAB 78.39, -47.73, 17.38

 

CMYK 77 / 0 / 34 / 29

HEX #2AB476

RGB 42 180 118

HSL 153.04, 0.62%, 0.44%

LAB 65.31, -50.41, 21.59

 

CMYK 76 / 58 / 0 / 29

HEX #2B4DB6

RGB 43 77 182

HSL 225.32, 0.62%, 0.44%

LAB 36.36, 25.78, -59.13

 

CMYK 0 / 65 / 76 / 29

HEX #B6402B

RGB 182 64 43

HSL 9.06, 0.62%, 0.44%

LAB 43.92, 46.64, 37.9

 

CMYK 77 / 0 / 34 / 29

HEX #2AB476

RGB 42 180 118

HSL 153.04, 0.62%, 0.44%

LAB 65.31, -50.41, 21.59

 

CMYK 35 / 76 / 0 / 29

HEX #772BB6

RGB 119 43 182

HSL 272.81, 0.62%, 0.44%

LAB 36.04, 56.95, -59.38

 

CMYK 0 / 35 / 76 / 29

HEX #B6772B

RGB 182 119 43

HSL 32.81, 0.62%, 0.44%

LAB 55.39, 18.19, 49.62

 

CMYK 77 / 0 / 34 / 29

HEX #2AB476

RGB 42 180 118

HSL 153.04, 0.62%, 0.44%

LAB 65.31, -50.41, 21.59

 

CMYK 76 / 58 / 0 / 29

HEX #2B4DB6

RGB 43 77 182

HSL 225.32, 0.62%, 0.44%

LAB 36.36, 25.78, -59.13

 

CMYK 0 / 76 / 42 / 29

HEX #B62B69

RGB 182 43 105

HSL 333.24, 0.62%, 0.44%

LAB 42.3, 58.96, -1.9

 

CMYK 0 / 19 / 76 / 29

HEX #B6932B

RGB 182 147 43

HSL 44.89, 0.62%, 0.44%

LAB 62.5, 2.69, 56.47

 

CMYK 77 / 0 / 34 / 29

HEX #2AB476

RGB 42 180 118

HSL 153.04, 0.62%, 0.44%

LAB 65.31, -50.41, 21.59

 

CMYK 73 / 76 / 0 / 29

HEX #322BB6

RGB 50 43 182

HSL 243.02, 0.62%, 0.44%

LAB 28.86, 47.49, -71.42

 

CMYK 0 / 76 / 42 / 29

HEX #B62B69

RGB 182 43 105

HSL 333.24, 0.62%, 0.44%

LAB 42.3, 58.96, -1.9

 

CMYK 4 / 0 / 76 / 29

HEX #AFB62B

RGB 175 182 43

HSL 63.02, 0.62%, 0.44%

LAB 71.38, -18.8, 64.52

 

Description

Color code: HEX #2AB476 | qconv.com Color code: HEX #2AB476 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 180 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 180 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 34 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 34% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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