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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB467 it is the complementary color #D54B98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB467. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB467 shade: #2FB462, #40C675, #51D888, #62EA9B and #73FCAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB467. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB467 shade: #2AB467, #19A254, #089041, #007E2E and #006C1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB467 shade: #2BB668, #2BB643, #38B62B, #5EB62B and #83B62B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB467 shade: #2BB668, #2BB68E, #2BB6B3, #2B93B6 and #2B6DB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB467 shade matches the following richer shades: #2BB668, #18C866 and #06DA64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB467 shade: #2BB668, #3DA46A, #4F916C, #617F6E and #736D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB467 shade: #39B62B, #2BB642, #2BB667, #2BB68C and #2BB6B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB467 shade: #1B7342, #239455, #2BB668, #39D17C and #5BD892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB467 shade: #2AB467, #2B5EB6 and #B62F2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB467 shade: #2AB467, #672BB6 and #B6672B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB467 shade: #2AB467, #2B5EB6, #B62B79 and #B6832B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB467 shade: #2AB467, #2B34B6, #B62B79 and #B6AC2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 43 / 29

HEX #2AB467

RGB 42 180 103

HSL 146.52, 0.62%, 0.44%

LAB 65.05, -53.34, 29.22

 

Complementary color

CMYK 0 / 65 / 29 / 16

HEX #D54B98

RGB 213 75 152

HSL 326.52, 0.62%, 0.56%

LAB 53.43, 61.22, -13.21

 

CMYK 74 / 0 / 46 / 29

HEX #2FB462

RGB 47 180 98

HSL 143.01, 0.59%, 0.45%

LAB 65.06, -53.52, 31.85

 

CMYK 68 / 0 / 41 / 22

HEX #40C675

RGB 64 198 117

HSL 143.73, 0.54%, 0.51%

LAB 71.39, -54.13, 30.31

 

CMYK 63 / 0 / 37 / 15

HEX #51D888

RGB 81 216 136

HSL 144.44, 0.63%, 0.58%

LAB 77.66, -54.46, 28.87

 

CMYK 58 / 0 / 34 / 8

HEX #62EA9B

RGB 98 234 155

HSL 145.15, 0.76%, 0.65%

LAB 83.87, -54.59, 27.53

 

CMYK 54 / 0 / 31 / 1

HEX #73FCAE

RGB 115 252 174

HSL 145.84, 0.96%, 0.72%

LAB 90.01, -54.6, 26.28

 

CMYK 77 / 0 / 43 / 29

HEX #2AB467

RGB 42 180 103

HSL 146.52, 0.62%, 0.44%

LAB 65.05, -53.34, 29.22

 

CMYK 85 / 0 / 48 / 36

HEX #19A254

RGB 25 162 84

HSL 145.84, 0.73%, 0.37%

LAB 58.68, -52.18, 30.91

 

CMYK 94 / 0 / 55 / 44

HEX #089041

RGB 8 144 65

HSL 145.15, 0.89%, 0.3%

LAB 52.26, -50.38, 32.71

 

CMYK 100 / 0 / 63 / 51

HEX #007E2E

RGB 0 126 46

HSL 141.9, 1%, 0.25%

LAB 45.8, -47.66, 34.53

 

CMYK 100 / 0 / 75 / 58

HEX #006C1B

RGB 0 108 27

HSL 135, 1%, 0.21%

LAB 39.25, -44.04, 36.02

 

CMYK 76 / 0 / 43 / 29

HEX #2BB668

RGB 43 182 104

HSL 146.33, 0.62%, 0.44%

LAB 65.72, -53.76, 29.57

 

CMYK 76 / 0 / 63 / 29

HEX #2BB643

RGB 43 182 67

HSL 130.36, 0.62%, 0.44%

LAB 65.26, -59.25, 47.07

 

CMYK 69 / 0 / 76 / 29

HEX #38B62B

RGB 56 182 43

HSL 114.39, 0.62%, 0.44%

LAB 65.33, -59.28, 56.65

 

CMYK 48 / 0 / 76 / 29

HEX #5EB62B

RGB 94 182 43

HSL 97.99, 0.62%, 0.44%

LAB 66.53, -49.75, 58.22

 

CMYK 28 / 0 / 76 / 29

HEX #83B62B

RGB 131 182 43

HSL 82.01, 0.62%, 0.44%

LAB 68.36, -36.86, 60.6

 

CMYK 76 / 0 / 43 / 29

HEX #2BB668

RGB 43 182 104

HSL 146.33, 0.62%, 0.44%

LAB 65.72, -53.76, 29.57

 

CMYK 76 / 0 / 22 / 29

HEX #2BB68E

RGB 43 182 142

HSL 162.73, 0.62%, 0.44%

LAB 66.46, -45.64, 10.13

 

CMYK 76 / 0 / 2 / 29

HEX #2BB6B3

RGB 43 182 179

HSL 178.71, 0.62%, 0.44%

LAB 67.44, -35.68, -8.84

 

CMYK 76 / 19 / 0 / 29

HEX #2B93B6

RGB 43 147 182

HSL 195.11, 0.62%, 0.44%

LAB 56.84, -17.2, -26.62

 

CMYK 76 / 40 / 0 / 29

HEX #2B6DB6

RGB 43 109 182

HSL 211.51, 0.62%, 0.44%

LAB 45.4, 5, -44.57

 

CMYK 76 / 0 / 43 / 29

HEX #2BB668

RGB 43 182 104

HSL 146.33, 0.62%, 0.44%

LAB 65.72, -53.76, 29.57

 

CMYK 88 / 0 / 49 / 22

HEX #18C866

RGB 24 200 102

HSL 146.59, 0.79%, 0.44%

LAB 71.19, -62.31, 37.53

 

CMYK 97 / 0 / 54 / 15

HEX #06DA64

RGB 6 218 100

HSL 146.6, 0.95%, 0.44%

LAB 76.74, -69.26, 45.32

 

CMYK 76 / 0 / 43 / 29

HEX #2BB668

RGB 43 182 104

HSL 146.33, 0.62%, 0.44%

LAB 65.72, -53.76, 29.57

 

CMYK 63 / 0 / 35 / 36

HEX #3DA46A

RGB 61 164 106

HSL 146.21, 0.46%, 0.44%

LAB 60.41, -43.29, 21.55

 

CMYK 46 / 0 / 26 / 43

HEX #4F916C

RGB 79 145 108

HSL 146.36, 0.29%, 0.44%

LAB 55.07, -29.93, 13.21

 

CMYK 24 / 0 / 13 / 50

HEX #617F6E

RGB 97 127 110

HSL 146, 0.13%, 0.44%

LAB 50.51, -14.48, 5.76

 

CMYK 0 / 5 / 2 / 55

HEX #736D71

RGB 115 109 113

HSL 320, 0.03%, 0.44%

LAB 46.68, 3.13, -1.4

 

CMYK 69 / 0 / 76 / 29

HEX #39B62B

RGB 57 182 43

HSL 113.96, 0.62%, 0.44%

LAB 65.36, -59.09, 56.68

 

CMYK 76 / 0 / 64 / 29

HEX #2BB642

RGB 43 182 66

HSL 129.93, 0.62%, 0.44%

LAB 65.25, -59.37, 47.5

 

CMYK 76 / 0 / 43 / 29

HEX #2BB667

RGB 43 182 103

HSL 145.9, 0.62%, 0.44%

LAB 65.71, -53.95, 30.08

 

CMYK 76 / 0 / 23 / 29

HEX #2BB68C

RGB 43 182 140

HSL 161.87, 0.62%, 0.44%

LAB 66.42, -46.13, 11.16

 

CMYK 76 / 0 / 3 / 29

HEX #2BB6B1

RGB 43 182 177

HSL 177.84, 0.62%, 0.44%

LAB 67.38, -36.26, -7.82

 

CMYK 77 / 0 / 43 / 55

HEX #1B7342

RGB 27 115 66

HSL 146.59, 0.62%, 0.28%

LAB 42.59, -37.47, 19.99

 

CMYK 76 / 0 / 43 / 42

HEX #239455

RGB 35 148 85

HSL 146.55, 0.62%, 0.36%

LAB 54.23, -45.62, 24.68

 

CMYK 76 / 0 / 43 / 29

HEX #2BB668

RGB 43 182 104

HSL 146.33, 0.62%, 0.44%

LAB 65.72, -53.76, 29.57

 

CMYK 73 / 0 / 41 / 18

HEX #39D17C

RGB 57 209 124

HSL 146.45, 0.62%, 0.52%

LAB 74.78, -58.09, 31.12

 

CMYK 58 / 0 / 32 / 15

HEX #5BD892

RGB 91 216 146

HSL 146.4, 0.62%, 0.6%

LAB 78.12, -50.54, 24.35

 

CMYK 77 / 0 / 43 / 29

HEX #2AB467

RGB 42 180 103

HSL 146.52, 0.62%, 0.44%

LAB 65.05, -53.34, 29.22

 

CMYK 76 / 48 / 0 / 29

HEX #2B5EB6

RGB 43 94 182

HSL 217.99, 0.62%, 0.44%

LAB 41.05, 14.6, -51.54

 

CMYK 0 / 74 / 76 / 29

HEX #B62F2B

RGB 182 47 43

HSL 1.73, 0.62%, 0.44%

LAB 41.46, 53.38, 35.24

 

CMYK 77 / 0 / 43 / 29

HEX #2AB467

RGB 42 180 103

HSL 146.52, 0.62%, 0.44%

LAB 65.05, -53.34, 29.22

 

CMYK 43 / 76 / 0 / 29

HEX #672BB6

RGB 103 43 182

HSL 265.9, 0.62%, 0.44%

LAB 33.96, 54.26, -62.85

 

CMYK 0 / 43 / 76 / 29

HEX #B6672B

RGB 182 103 43

HSL 25.9, 0.62%, 0.44%

LAB 51.63, 27.02, 45.88

 

CMYK 77 / 0 / 43 / 29

HEX #2AB467

RGB 42 180 103

HSL 146.52, 0.62%, 0.44%

LAB 65.05, -53.34, 29.22

 

CMYK 76 / 48 / 0 / 29

HEX #2B5EB6

RGB 43 94 182

HSL 217.99, 0.62%, 0.44%

LAB 41.05, 14.6, -51.54

 

CMYK 0 / 76 / 34 / 29

HEX #B62B79

RGB 182 43 121

HSL 326.33, 0.62%, 0.44%

LAB 42.84, 60.66, -11.02

 

CMYK 0 / 28 / 76 / 29

HEX #B6832B

RGB 182 131 43

HSL 37.99, 0.62%, 0.44%

LAB 58.37, 11.51, 52.52

 

CMYK 77 / 0 / 43 / 29

HEX #2AB467

RGB 42 180 103

HSL 146.52, 0.62%, 0.44%

LAB 65.05, -53.34, 29.22

 

CMYK 76 / 71 / 0 / 29

HEX #2B34B6

RGB 43 52 182

HSL 236.12, 0.62%, 0.44%

LAB 30.27, 41.74, -69.11

 

CMYK 0 / 76 / 34 / 29

HEX #B62B79

RGB 182 43 121

HSL 326.33, 0.62%, 0.44%

LAB 42.84, 60.66, -11.02

 

CMYK 0 / 5 / 76 / 29

HEX #B6AC2B

RGB 182 172 43

HSL 55.68, 0.62%, 0.44%

LAB 69.2, -10.65, 62.73

 

Description

Color code: HEX #2AB467 | qconv.com Color code: HEX #2AB467 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 180 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 180 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 43 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 43% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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