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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB30D it is the complementary color #D54CF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB30D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB30D shade: #2FB308, #40C51B, #51D72E, #62E941 and #73FB54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB30D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB30D shade: #2AB30D, #19A100, #088F00, #007D00 and #006B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB30D shade: #2BB40E, #58B40E, #85B40E, #B2B40E and #B48A0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB30D shade: #2BB40E, #0EB41D, #0EB44A, #0EB477 and #0EB4A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB30D shade matches the following richer shades: #2BB40E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB30D shade: #2BB40E, #35A51D, #3F952D, #49853D and #53764C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB30D shade: #85B40E, #59B40E, #2CB40E, #0EB41B and #0EB448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB30D shade: #196708, #228E0B, #2BB40E, #34DB10 and #49EF26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB30D shade: #2AB30D, #0EB1B4 and #B40E6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB30D shade: #2AB30D, #0E2CB4 and #B40E2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB30D shade: #2AB30D, #0EB1B4, #960EB4 and #B4100E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB30D shade: #2AB30D, #0E7FB4, #960EB4 and #B4420E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 93 / 30

HEX #2AB30D

RGB 42 179 13

HSL 109.52, 0.86%, 0.38%

LAB 63.97, -62.16, 62.62

 

Complementary color

CMYK 12 / 69 / 0 / 5

HEX #D54CF2

RGB 213 76 242

HSL 289.52, 0.86%, 0.62%

LAB 57.78, 74.71, -58.06

 

CMYK 74 / 0 / 96 / 30

HEX #2FB308

RGB 47 179 8

HSL 106.32, 0.91%, 0.37%

LAB 64.05, -61.48, 63.38

 

CMYK 68 / 0 / 86 / 23

HEX #40C51B

RGB 64 197 27

HSL 106.94, 0.76%, 0.44%

LAB 70.25, -63.47, 65.65

 

CMYK 62 / 0 / 79 / 16

HEX #51D72E

RGB 81 215 46

HSL 107.57, 0.68%, 0.51%

LAB 76.4, -64.86, 66.58

 

CMYK 58 / 0 / 72 / 9

HEX #62E941

RGB 98 233 65

HSL 108.21, 0.79%, 0.58%

LAB 82.52, -65.81, 66.62

 

CMYK 54 / 0 / 67 / 2

HEX #73FB54

RGB 115 251 84

HSL 108.86, 0.95%, 0.66%

LAB 88.58, -66.44, 66.14

 

CMYK 77 / 0 / 93 / 30

HEX #2AB30D

RGB 42 179 13

HSL 109.52, 0.86%, 0.38%

LAB 63.97, -62.16, 62.62

 

CMYK 84 / 0 / 100 / 37

HEX #19A100

RGB 25 161 0

HSL 110.68, 1%, 0.32%

LAB 57.75, -59.3, 59.22

 

CMYK 94 / 0 / 100 / 44

HEX #088F00

RGB 8 143 0

HSL 116.64, 1%, 0.28%

LAB 51.49, -55.48, 54.14

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 76 / 0 / 92 / 29

HEX #2BB40E

RGB 43 180 14

HSL 109.52, 0.86%, 0.38%

LAB 64.31, -62.29, 62.77

 

CMYK 51 / 0 / 92 / 29

HEX #58B40E

RGB 88 180 14

HSL 93.25, 0.86%, 0.38%

LAB 65.55, -52.03, 64.31

 

CMYK 26 / 0 / 92 / 29

HEX #85B40E

RGB 133 180 14

HSL 76.99, 0.86%, 0.38%

LAB 67.77, -36.2, 67.03

 

CMYK 1 / 0 / 92 / 29

HEX #B2B40E

RGB 178 180 14

HSL 60.72, 0.86%, 0.38%

LAB 70.97, -17.29, 70.92

 

CMYK 0 / 23 / 92 / 29

HEX #B48A0E

RGB 180 138 14

HSL 44.82, 0.86%, 0.38%

LAB 59.81, 5.89, 62.45

 

CMYK 76 / 0 / 92 / 29

HEX #2BB40E

RGB 43 180 14

HSL 109.52, 0.86%, 0.38%

LAB 64.31, -62.29, 62.77

 

CMYK 92 / 0 / 84 / 29

HEX #0EB41D

RGB 14 180 29

HSL 125.42, 0.86%, 0.38%

LAB 64.02, -64.73, 59.33

 

CMYK 92 / 0 / 59 / 29

HEX #0EB44A

RGB 14 180 74

HSL 141.69, 0.86%, 0.38%

LAB 64.35, -60.59, 42.75

 

CMYK 92 / 0 / 34 / 29

HEX #0EB477

RGB 14 180 119

HSL 157.95, 0.86%, 0.38%

LAB 65.02, -52.65, 20.6

 

CMYK 92 / 0 / 9 / 29

HEX #0EB4A4

RGB 14 180 164

HSL 174.22, 0.86%, 0.38%

LAB 66.07, -41.26, -2.61

 

CMYK 76 / 0 / 92 / 29

HEX #2BB40E

RGB 43 180 14

HSL 109.52, 0.86%, 0.38%

LAB 64.31, -62.29, 62.77

 

CMYK 76 / 0 / 92 / 29

HEX #2BB40E

RGB 43 180 14

HSL 109.52, 0.86%, 0.38%

LAB 64.31, -62.29, 62.77

 

CMYK 68 / 0 / 82 / 35

HEX #35A51D

RGB 53 165 29

HSL 109.41, 0.7%, 0.38%

LAB 59.67, -55.08, 55.55

 

CMYK 58 / 0 / 70 / 42

HEX #3F952D

RGB 63 149 45

HSL 109.62, 0.54%, 0.38%

LAB 54.8, -45.8, 45.25

 

CMYK 45 / 0 / 54 / 48

HEX #49853D

RGB 73 133 61

HSL 110, 0.37%, 0.38%

LAB 50.13, -34.37, 32.55

 

CMYK 30 / 0 / 36 / 54

HEX #53764C

RGB 83 118 76

HSL 110, 0.22%, 0.38%

LAB 46.07, -21.31, 19.26

 

CMYK 26 / 0 / 92 / 29

HEX #85B40E

RGB 133 180 14

HSL 76.99, 0.86%, 0.38%

LAB 67.77, -36.2, 67.03

 

CMYK 51 / 0 / 92 / 29

HEX #59B40E

RGB 89 180 14

HSL 92.89, 0.86%, 0.38%

LAB 65.59, -51.73, 64.35

 

CMYK 76 / 0 / 92 / 29

HEX #2CB40E

RGB 44 180 14

HSL 109.16, 0.86%, 0.38%

LAB 64.33, -62.13, 62.79

 

CMYK 92 / 0 / 85 / 29

HEX #0EB41B

RGB 14 180 27

HSL 124.7, 0.86%, 0.38%

LAB 64.01, -64.83, 59.82

 

CMYK 92 / 0 / 60 / 29

HEX #0EB448

RGB 14 180 72

HSL 140.96, 0.86%, 0.38%

LAB 64.33, -60.85, 43.66

 

CMYK 76 / 0 / 92 / 60

HEX #196708

RGB 25 103 8

HSL 109.26, 0.86%, 0.22%

LAB 37.71, -40.53, 41.03

 

CMYK 76 / 0 / 92 / 44

HEX #228E0B

RGB 34 142 11

HSL 109.47, 0.86%, 0.3%

LAB 51.51, -51.89, 52.36

 

CMYK 76 / 0 / 92 / 29

HEX #2BB40E

RGB 43 180 14

HSL 109.52, 0.86%, 0.38%

LAB 64.31, -62.29, 62.77

 

CMYK 76 / 0 / 93 / 14

HEX #34DB10

RGB 52 219 16

HSL 109.36, 0.86%, 0.46%

LAB 76.94, -72.56, 73.11

 

CMYK 69 / 0 / 84 / 6

HEX #49EF26

RGB 73 239 38

HSL 109.55, 0.86%, 0.54%

LAB 83.59, -74.48, 75.14

 

CMYK 77 / 0 / 93 / 30

HEX #2AB30D

RGB 42 179 13

HSL 109.52, 0.86%, 0.38%

LAB 63.97, -62.16, 62.62

 

CMYK 92 / 2 / 0 / 29

HEX #0EB1B4

RGB 14 177 180

HSL 181.08, 0.86%, 0.38%

LAB 65.62, -35.15, -12.16

 

CMYK 0 / 92 / 38 / 29

HEX #B40E6F

RGB 180 14 111

HSL 324.94, 0.86%, 0.38%

LAB 39.86, 65.53, -9.33

 

CMYK 77 / 0 / 93 / 30

HEX #2AB30D

RGB 42 179 13

HSL 109.52, 0.86%, 0.38%

LAB 63.97, -62.16, 62.62

 

CMYK 92 / 76 / 0 / 29

HEX #0E2CB4

RGB 14 44 180

HSL 229.16, 0.86%, 0.38%

LAB 27.27, 44.06, -72.91

 

CMYK 0 / 92 / 76 / 29

HEX #B40E2C

RGB 180 14 44

HSL 349.16, 0.86%, 0.38%

LAB 38.2, 60.95, 30.92

 

CMYK 77 / 0 / 93 / 30

HEX #2AB30D

RGB 42 179 13

HSL 109.52, 0.86%, 0.38%

LAB 63.97, -62.16, 62.62

 

CMYK 92 / 2 / 0 / 29

HEX #0EB1B4

RGB 14 177 180

HSL 181.08, 0.86%, 0.38%

LAB 65.62, -35.15, -12.16

 

CMYK 17 / 92 / 0 / 29

HEX #960EB4

RGB 150 14 180

HSL 289.16, 0.86%, 0.38%

LAB 38.01, 69.34, -54.77

 

CMYK 0 / 91 / 92 / 29

HEX #B4100E

RGB 180 16 14

HSL 0.72, 0.86%, 0.38%

LAB 38.03, 59.91, 46.75

 

CMYK 77 / 0 / 93 / 30

HEX #2AB30D

RGB 42 179 13

HSL 109.52, 0.86%, 0.38%

LAB 63.97, -62.16, 62.62

 

CMYK 92 / 29 / 0 / 29

HEX #0E7FB4

RGB 14 127 180

HSL 199.16, 0.86%, 0.38%

LAB 50.18, -9.12, -35.89

 

CMYK 17 / 92 / 0 / 29

HEX #960EB4

RGB 150 14 180

HSL 289.16, 0.86%, 0.38%

LAB 38.01, 69.34, -54.77

 

CMYK 0 / 63 / 92 / 29

HEX #B4420E

RGB 180 66 14

HSL 18.8, 0.86%, 0.38%

LAB 43.7, 44.22, 50.62

 

Description

Color code: HEX #2AB30D | qconv.com Color code: HEX #2AB30D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 179 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 179 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 93 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 93% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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