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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB271 it is the complementary color #D54D8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB271 shade: #2FB26C, #40C47F, #51D692, #62E8A5 and #73FAB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB271 shade: #2AB271, #19A05E, #088E4B, #007C38 and #006A25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB271 shade: #2AB271, #2AB24C, #2CB22A, #51B22A and #75B22A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB271 shade: #2AB271, #2AB295, #2AA9B2, #2A85B2 and #2A60B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB271 shade matches the following richer shades: #2AB271, #18C371 and #06D572

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB271 shade: #2AB271, #3BA070, #4D8E6F, #5F7C6E and #716B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB271 shade: #2CB22A, #2AB24C, #2AB270, #2AB294 and #2AABB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB271 shade: #1A6F46, #22905B, #2AB271, #35D086 and #56D79A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB271 shade: #2AB271, #2A50B2 and #B23A2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB271 shade: #2AB271, #702AB2 and #B2702A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB271 shade: #2AB271, #2A50B2, #B22A6B and #B28B2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB271 shade: #2AB271, #2C2AB2, #B22A6B and #AFB22A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

Complementary color

CMYK 0 / 64 / 33 / 16

HEX #D54D8E

RGB 213 77 142

HSL 331.32, 0.62%, 0.57%

LAB 53.39, 59.2, -7.36

 

CMYK 74 / 0 / 39 / 30

HEX #2FB26C

RGB 47 178 108

HSL 147.94, 0.58%, 0.44%

LAB 64.59, -50.96, 25.99

 

CMYK 67 / 0 / 35 / 23

HEX #40C47F

RGB 64 196 127

HSL 148.64, 0.53%, 0.51%

LAB 70.94, -51.49, 24.48

 

CMYK 62 / 0 / 32 / 16

HEX #51D692

RGB 81 214 146

HSL 149.32, 0.62%, 0.58%

LAB 77.23, -51.76, 23.1

 

CMYK 58 / 0 / 29 / 9

HEX #62E8A5

RGB 98 232 165

HSL 150, 0.74%, 0.65%

LAB 83.46, -51.87, 21.82

 

CMYK 54 / 0 / 26 / 2

HEX #73FAB8

RGB 115 250 184

HSL 150.67, 0.93%, 0.72%

LAB 89.62, -51.86, 20.64

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 84 / 0 / 41 / 37

HEX #19A05E

RGB 25 160 94

HSL 150.67, 0.73%, 0.36%

LAB 58.19, -49.61, 24.96

 

CMYK 94 / 0 / 47 / 44

HEX #088E4B

RGB 8 142 75

HSL 150, 0.89%, 0.29%

LAB 51.73, -47.96, 26.79

 

CMYK 100 / 0 / 55 / 51

HEX #007C38

RGB 0 124 56

HSL 147.1, 1%, 0.24%

LAB 45.22, -45.48, 28.77

 

CMYK 100 / 0 / 65 / 58

HEX #006A25

RGB 0 106 37

HSL 140.94, 1%, 0.21%

LAB 38.62, -42.19, 30.73

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 76 / 0 / 57 / 30

HEX #2AB24C

RGB 42 178 76

HSL 135, 0.62%, 0.43%

LAB 64.04, -56.93, 41.53

 

CMYK 75 / 0 / 76 / 30

HEX #2CB22A

RGB 44 178 42

HSL 119.12, 0.62%, 0.43%

LAB 63.79, -60.14, 55.38

 

CMYK 54 / 0 / 76 / 30

HEX #51B22A

RGB 81 178 42

HSL 102.79, 0.62%, 0.43%

LAB 64.77, -52.09, 56.67

 

CMYK 34 / 0 / 76 / 30

HEX #75B22A

RGB 117 178 42

HSL 86.91, 0.62%, 0.43%

LAB 66.36, -40.4, 58.76

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 76 / 0 / 16 / 30

HEX #2AB295

RGB 42 178 149

HSL 167.21, 0.62%, 0.43%

LAB 65.36, -42.3, 4.7

 

CMYK 76 / 5 / 0 / 30

HEX #2AA9B2

RGB 42 169 178

HSL 183.97, 0.62%, 0.43%

LAB 63.41, -29.91, -14.33

 

CMYK 76 / 25 / 0 / 30

HEX #2A85B2

RGB 42 133 178

HSL 199.85, 0.62%, 0.43%

LAB 52.38, -10.94, -31.26

 

CMYK 76 / 46 / 0 / 30

HEX #2A60B2

RGB 42 96 178

HSL 216.18, 0.62%, 0.43%

LAB 41.33, 11.64, -48.74

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 88 / 0 / 42 / 24

HEX #18C371

RGB 24 195 113

HSL 151.23, 0.78%, 0.43%

LAB 69.77, -58.68, 30.12

 

CMYK 97 / 0 / 46 / 16

HEX #06D572

RGB 6 213 114

HSL 151.3, 0.95%, 0.43%

LAB 75.35, -65.46, 36.81

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 63 / 0 / 30 / 37

HEX #3BA070

RGB 59 160 112

HSL 151.49, 0.46%, 0.43%

LAB 59.2, -40.77, 16.58

 

CMYK 46 / 0 / 22 / 44

HEX #4D8E6F

RGB 77 142 111

HSL 151.38, 0.3%, 0.43%

LAB 54.1, -28.39, 10.14

 

CMYK 23 / 0 / 11 / 51

HEX #5F7C6E

RGB 95 124 110

HSL 151.03, 0.13%, 0.43%

LAB 49.46, -13.53, 4.25

 

CMYK 0 / 5 / 3 / 56

HEX #716B6E

RGB 113 107 110

HSL 330, 0.03%, 0.43%

LAB 45.84, 2.93, -0.84

 

CMYK 75 / 0 / 76 / 30

HEX #2CB22A

RGB 44 178 42

HSL 119.12, 0.62%, 0.43%

LAB 63.79, -60.14, 55.38

 

CMYK 76 / 0 / 57 / 30

HEX #2AB24C

RGB 42 178 76

HSL 135, 0.62%, 0.43%

LAB 64.04, -56.93, 41.53

 

CMYK 76 / 0 / 37 / 30

HEX #2AB270

RGB 42 178 112

HSL 150.88, 0.62%, 0.43%

LAB 64.57, -50.87, 23.81

 

CMYK 76 / 0 / 17 / 30

HEX #2AB294

RGB 42 178 148

HSL 166.76, 0.62%, 0.43%

LAB 65.33, -42.56, 5.22

 

CMYK 76 / 4 / 0 / 30

HEX #2AABB2

RGB 42 171 178

HSL 183.09, 0.62%, 0.43%

LAB 64.02, -30.88, -13.41

 

CMYK 77 / 0 / 37 / 56

HEX #1A6F46

RGB 26 111 70

HSL 151.06, 0.62%, 0.27%

LAB 41.26, -35.11, 15.9

 

CMYK 76 / 0 / 37 / 44

HEX #22905B

RGB 34 144 91

HSL 151.09, 0.62%, 0.35%

LAB 53, -42.98, 19.73

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 75 / 0 / 36 / 18

HEX #35D086

RGB 53 208 134

HSL 151.35, 0.62%, 0.51%

LAB 74.57, -56.39, 25.65

 

CMYK 60 / 0 / 28 / 16

HEX #56D79A

RGB 86 215 154

HSL 151.63, 0.62%, 0.59%

LAB 77.82, -49.58, 19.73

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 76 / 55 / 0 / 30

HEX #2A50B2

RGB 42 80 178

HSL 223.24, 0.62%, 0.43%

LAB 36.83, 22.15, -56.02

 

CMYK 0 / 67 / 76 / 30

HEX #B23A2A

RGB 178 58 42

HSL 7.06, 0.62%, 0.43%

LAB 42.24, 47.78, 36.44

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 37 / 76 / 0 / 30

HEX #702AB2

RGB 112 42 178

HSL 270.88, 0.62%, 0.43%

LAB 34.63, 55.21, -59.33

 

CMYK 0 / 37 / 76 / 30

HEX #B2702A

RGB 178 112 42

HSL 30.88, 0.62%, 0.43%

LAB 53.19, 20.29, 47.71

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 76 / 55 / 0 / 30

HEX #2A50B2

RGB 42 80 178

HSL 223.24, 0.62%, 0.43%

LAB 36.83, 22.15, -56.02

 

CMYK 0 / 76 / 40 / 30

HEX #B22A6B

RGB 178 42 107

HSL 331.32, 0.62%, 0.43%

LAB 41.5, 58.39, -4.4

 

CMYK 0 / 22 / 76 / 30

HEX #B28B2A

RGB 178 139 42

HSL 42.79, 0.62%, 0.43%

LAB 59.98, 5.25, 54.31

 

CMYK 76 / 0 / 37 / 30

HEX #2AB271

RGB 42 178 113

HSL 151.32, 0.62%, 0.43%

LAB 64.58, -50.67, 23.3

 

CMYK 75 / 76 / 0 / 30

HEX #2C2AB2

RGB 44 42 178

HSL 240.88, 0.62%, 0.43%

LAB 27.86, 46.22, -70.7

 

CMYK 0 / 76 / 40 / 30

HEX #B22A6B

RGB 178 42 107

HSL 331.32, 0.62%, 0.43%

LAB 41.5, 58.39, -4.4

 

CMYK 2 / 0 / 76 / 30

HEX #AFB22A

RGB 175 178 42

HSL 61.32, 0.62%, 0.43%

LAB 70.26, -16.82, 63.81

 

Description

Color code: HEX #2AB271 | qconv.com Color code: HEX #2AB271 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 178 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 178 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 37 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 37% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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