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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AB144 it is the complementary color #D54EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AB144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AB144 shade: #2FB13F, #40C352, #51D565, #62E778 and #73F98B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AB144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AB144 shade: #2AB144, #199F31, #088D1E, #007B0B and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AB144 shade: #2AB244, #34B22A, #59B22A, #7DB22A and #A2B22A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AB144 shade: #2AB244, #2AB269, #2AB28D, #2AB1B2 and #2A8DB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AB144 shade matches the following richer shades: #2AB244, #18C339 and #06D52E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AB144 shade: #2AB244, #3BA04F, #4D8E5A, #5F7C65 and #716B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AB144 shade: #59B22A, #35B22A, #2AB243, #2AB267 and #2AB28B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AB144 shade: #1A6F2A, #229037, #2AB244, #35D053 and #56D76F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AB144 shade: #2AB144, #2A7EB2 and #B22A47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AB144 shade: #2AB144, #432AB2 and #B2432A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AB144 shade: #2AB144, #2A7EB2, #B22A99 and #B25E2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AB144 shade: #2AB144, #2A55B2, #B22A99 and #B2872A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 62 / 31

HEX #2AB144

RGB 42 177 68

HSL 131.56, 0.62%, 0.43%

LAB 63.63, -57.61, 44.78

 

Complementary color

CMYK 0 / 63 / 12 / 16

HEX #D54EBB

RGB 213 78 187

HSL 311.56, 0.62%, 0.57%

LAB 55.26, 64.82, -30.85

 

CMYK 73 / 0 / 64 / 31

HEX #2FB13F

RGB 47 177 63

HSL 127.38, 0.58%, 0.44%

LAB 63.68, -57.42, 47.08

 

CMYK 67 / 0 / 58 / 24

HEX #40C352

RGB 64 195 82

HSL 128.24, 0.52%, 0.51%

LAB 69.99, -58.36, 45.83

 

CMYK 62 / 0 / 53 / 16

HEX #51D565

RGB 81 213 101

HSL 129.09, 0.61%, 0.58%

LAB 76.24, -58.91, 44.48

 

CMYK 58 / 0 / 48 / 9

HEX #62E778

RGB 98 231 120

HSL 129.92, 0.73%, 0.65%

LAB 82.43, -59.2, 43.12

 

CMYK 54 / 0 / 44 / 2

HEX #73F98B

RGB 115 249 139

HSL 130.75, 0.92%, 0.71%

LAB 88.57, -59.3, 41.79

 

CMYK 76 / 0 / 62 / 31

HEX #2AB144

RGB 42 177 68

HSL 131.56, 0.62%, 0.43%

LAB 63.63, -57.61, 44.78

 

CMYK 84 / 0 / 69 / 38

HEX #199F31

RGB 25 159 49

HSL 130.75, 0.73%, 0.36%

LAB 57.29, -55.99, 45.98

 

CMYK 94 / 0 / 79 / 45

HEX #088D1E

RGB 8 141 30

HSL 129.92, 0.89%, 0.29%

LAB 50.91, -53.49, 46.67

 

CMYK 100 / 0 / 91 / 52

HEX #007B0B

RGB 0 123 11

HSL 125.37, 1%, 0.24%

LAB 44.5, -49.79, 46.15

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 76 / 0 / 62 / 30

HEX #2AB244

RGB 42 178 68

HSL 131.47, 0.62%, 0.43%

LAB 63.96, -57.95, 45.15

 

CMYK 71 / 0 / 76 / 30

HEX #34B22A

RGB 52 178 42

HSL 115.59, 0.62%, 0.43%

LAB 63.95, -58.78, 55.59

 

CMYK 50 / 0 / 76 / 30

HEX #59B22A

RGB 89 178 42

HSL 99.26, 0.62%, 0.43%

LAB 65.07, -49.78, 57.06

 

CMYK 30 / 0 / 76 / 30

HEX #7DB22A

RGB 125 178 42

HSL 83.38, 0.62%, 0.43%

LAB 66.8, -37.41, 59.33

 

CMYK 9 / 0 / 76 / 30

HEX #A2B22A

RGB 162 178 42

HSL 67.06, 0.62%, 0.43%

LAB 69.25, -22.39, 62.5

 

CMYK 76 / 0 / 62 / 30

HEX #2AB244

RGB 42 178 68

HSL 131.47, 0.62%, 0.43%

LAB 63.96, -57.95, 45.15

 

CMYK 76 / 0 / 41 / 30

HEX #2AB269

RGB 42 178 105

HSL 147.79, 0.62%, 0.43%

LAB 64.45, -52.23, 27.37

 

CMYK 76 / 0 / 21 / 30

HEX #2AB28D

RGB 42 178 141

HSL 163.68, 0.62%, 0.43%

LAB 65.17, -44.34, 8.84

 

CMYK 76 / 1 / 0 / 30

HEX #2AB1B2

RGB 42 177 178

HSL 180.44, 0.62%, 0.43%

LAB 65.87, -33.74, -10.64

 

CMYK 76 / 21 / 0 / 30

HEX #2A8DB2

RGB 42 141 178

HSL 196.32, 0.62%, 0.43%

LAB 54.82, -15.41, -27.46

 

CMYK 76 / 0 / 62 / 30

HEX #2AB244

RGB 42 178 68

HSL 131.47, 0.62%, 0.43%

LAB 63.96, -57.95, 45.15

 

CMYK 88 / 0 / 71 / 24

HEX #18C339

RGB 24 195 57

HSL 131.58, 0.78%, 0.43%

LAB 69.13, -66.44, 55.31

 

CMYK 97 / 0 / 78 / 16

HEX #06D52E

RGB 6 213 46

HSL 131.59, 0.95%, 0.43%

LAB 74.71, -73.4, 64.6

 

CMYK 76 / 0 / 62 / 30

HEX #2AB244

RGB 42 178 68

HSL 131.47, 0.62%, 0.43%

LAB 63.96, -57.95, 45.15

 

CMYK 63 / 0 / 51 / 37

HEX #3BA04F

RGB 59 160 79

HSL 131.88, 0.46%, 0.43%

LAB 58.64, -46.87, 33.58

 

CMYK 46 / 0 / 37 / 44

HEX #4D8E5A

RGB 77 142 90

HSL 132, 0.3%, 0.43%

LAB 53.67, -32.64, 21.42

 

CMYK 23 / 0 / 19 / 51

HEX #5F7C65

RGB 95 124 101

HSL 132.41, 0.13%, 0.43%

LAB 49.24, -15.42, 9.2

 

CMYK 0 / 5 / 2 / 56

HEX #716B6F

RGB 113 107 111

HSL 320, 0.03%, 0.43%

LAB 45.87, 3.14, -1.4

 

CMYK 50 / 0 / 76 / 30

HEX #59B22A

RGB 89 178 42

HSL 99.26, 0.62%, 0.43%

LAB 65.07, -49.78, 57.06

 

CMYK 70 / 0 / 76 / 30

HEX #35B22A

RGB 53 178 42

HSL 115.15, 0.62%, 0.43%

LAB 63.97, -58.6, 55.62

 

CMYK 76 / 0 / 62 / 30

HEX #2AB243

RGB 42 178 67

HSL 131.03, 0.62%, 0.43%

LAB 63.95, -58.07, 45.59

 

CMYK 76 / 0 / 42 / 30

HEX #2AB267

RGB 42 178 103

HSL 146.91, 0.62%, 0.43%

LAB 64.41, -52.6, 28.38

 

CMYK 76 / 0 / 22 / 30

HEX #2AB28B

RGB 42 178 139

HSL 162.79, 0.62%, 0.43%

LAB 65.12, -44.83, 9.87

 

CMYK 77 / 0 / 62 / 56

HEX #1A6F2A

RGB 26 111 42

HSL 131.29, 0.62%, 0.27%

LAB 40.83, -40.17, 30.85

 

CMYK 76 / 0 / 62 / 44

HEX #229037

RGB 34 144 55

HSL 131.45, 0.62%, 0.35%

LAB 52.47, -49.1, 37.98

 

CMYK 76 / 0 / 62 / 30

HEX #2AB244

RGB 42 178 68

HSL 131.47, 0.62%, 0.43%

LAB 63.96, -57.95, 45.15

 

CMYK 75 / 0 / 60 / 18

HEX #35D053

RGB 53 208 83

HSL 131.61, 0.62%, 0.51%

LAB 73.86, -64.51, 49.82

 

CMYK 60 / 0 / 48 / 16

HEX #56D76F

RGB 86 215 111

HSL 131.63, 0.62%, 0.59%

LAB 77.12, -57.17, 40.77

 

CMYK 76 / 0 / 62 / 31

HEX #2AB144

RGB 42 177 68

HSL 131.56, 0.62%, 0.43%

LAB 63.63, -57.61, 44.78

 

CMYK 76 / 29 / 0 / 30

HEX #2A7EB2

RGB 42 126 178

HSL 202.94, 0.62%, 0.43%

LAB 50.25, -6.91, -34.58

 

CMYK 0 / 76 / 60 / 30

HEX #B22A47

RGB 178 42 71

HSL 347.21, 0.62%, 0.43%

LAB 40.53, 55.32, 16.88

 

CMYK 76 / 0 / 62 / 31

HEX #2AB144

RGB 42 177 68

HSL 131.56, 0.62%, 0.43%

LAB 63.63, -57.61, 44.78

 

CMYK 62 / 76 / 0 / 30

HEX #432AB2

RGB 67 42 178

HSL 251.03, 0.62%, 0.43%

LAB 29.57, 48.54, -67.82

 

CMYK 0 / 62 / 76 / 30

HEX #B2432A

RGB 178 67 42

HSL 11.03, 0.62%, 0.43%

LAB 43.72, 43.82, 38.02

 

CMYK 76 / 0 / 62 / 31

HEX #2AB144

RGB 42 177 68

HSL 131.56, 0.62%, 0.43%

LAB 63.63, -57.61, 44.78

 

CMYK 76 / 29 / 0 / 30

HEX #2A7EB2

RGB 42 126 178

HSL 202.94, 0.62%, 0.43%

LAB 50.25, -6.91, -34.58

 

CMYK 0 / 76 / 14 / 30

HEX #B22A99

RGB 178 42 153

HSL 311.03, 0.62%, 0.43%

LAB 43.39, 64.1, -29.76

 

CMYK 0 / 47 / 76 / 30

HEX #B25E2A

RGB 178 94 42

HSL 22.94, 0.62%, 0.43%

LAB 49.05, 30.18, 43.56

 

CMYK 76 / 0 / 62 / 31

HEX #2AB144

RGB 42 177 68

HSL 131.56, 0.62%, 0.43%

LAB 63.63, -57.61, 44.78

 

CMYK 76 / 52 / 0 / 30

HEX #2A55B2

RGB 42 85 178

HSL 221.03, 0.62%, 0.43%

LAB 38.21, 18.84, -53.78

 

CMYK 0 / 76 / 14 / 30

HEX #B22A99

RGB 178 42 153

HSL 311.03, 0.62%, 0.43%

LAB 43.39, 64.1, -29.76

 

CMYK 0 / 24 / 76 / 30

HEX #B2872A

RGB 178 135 42

HSL 41.03, 0.62%, 0.43%

LAB 58.94, 7.46, 53.32

 

Description

Color code: HEX #2AB144 | qconv.com Color code: HEX #2AB144 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 177 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 177 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 62 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 62% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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