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Color name
HEX #2AAD8F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AAD8F it is the complementary color #D55270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AAD8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AAD8F shade: #2FAD8A, #40BF9D, #51D1B0, #62E3C3 and #73F5D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AAD8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AAD8F shade: #2AAD8F, #199B7C, #088969, #007756 and #006543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AAD8F shade: #2AAC8F, #2AAC6B, #2AAC48, #2FAC2A and #52AC2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AAD8F shade: #2AAC8F, #2AA7AC, #2A84AC, #2A61AC and #2A3DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AAD8F shade matches the following richer shades: #2AAC8F, #18BE98 and #07CFA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AAD8F shade: #2AAC8F, #3B9B85, #4C8A7C, #5E7872 and #6F6769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AAD8F shade: #2AAC48, #2AAC6B, #2AAC8E, #2AA8AC and #2A85AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AAD8F shade: #1A6A58, #228B73, #2AAC8F, #32CDAA and #53D5B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AAD8F shade: #2AAD8F, #2A2EAC and #AC5A2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AAD8F shade: #2AAD8F, #8E2AAC and #AC8E2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AAD8F shade: #2AAD8F, #2A2EAC, #AC2A48 and #ACA82A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AAD8F shade: #2AAD8F, #4D2AAC, #AC2A48 and #8AAC2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 17 / 32

HEX #2AAD8F

RGB 42 173 143

HSL 166.26, 0.61%, 0.42%

LAB 63.64, -41.7, 5.55

 

Complementary color

CMYK 0 / 62 / 47 / 16

HEX #D55270

RGB 213 82 112

HSL 346.26, 0.61%, 0.58%

LAB 53.33, 53.93, 10.4

 

CMYK 73 / 0 / 20 / 32

HEX #2FAD8A

RGB 47 173 138

HSL 163.33, 0.57%, 0.43%

LAB 63.61, -42.31, 8.3

 

CMYK 66 / 0 / 18 / 25

HEX #40BF9D

RGB 64 191 157

HSL 163.94, 0.5%, 0.5%

LAB 70.03, -42.8, 7.07

 

CMYK 61 / 0 / 16 / 18

HEX #51D1B0

RGB 81 209 176

HSL 164.53, 0.58%, 0.57%

LAB 76.37, -43.09, 5.96

 

CMYK 57 / 0 / 14 / 11

HEX #62E3C3

RGB 98 227 195

HSL 165.12, 0.7%, 0.64%

LAB 82.63, -43.23, 4.95

 

CMYK 53 / 0 / 13 / 4

HEX #73F5D6

RGB 115 245 214

HSL 165.69, 0.87%, 0.71%

LAB 88.83, -43.28, 4.01

 

CMYK 76 / 0 / 17 / 32

HEX #2AAD8F

RGB 42 173 143

HSL 166.26, 0.61%, 0.42%

LAB 63.64, -41.7, 5.55

 

CMYK 84 / 0 / 20 / 39

HEX #199B7C

RGB 25 155 124

HSL 165.69, 0.72%, 0.35%

LAB 57.18, -40.73, 6.91

 

CMYK 94 / 0 / 23 / 46

HEX #088969

RGB 8 137 105

HSL 165.12, 0.89%, 0.28%

LAB 50.64, -39.27, 8.46

 

CMYK 100 / 0 / 28 / 53

HEX #007756

RGB 0 119 86

HSL 163.36, 1%, 0.23%

LAB 44.04, -37.17, 10.24

 

CMYK 100 / 0 / 34 / 60

HEX #006543

RGB 0 101 67

HSL 159.8, 1%, 0.2%

LAB 37.32, -34.5, 12.25

 

CMYK 76 / 0 / 17 / 33

HEX #2AAC8F

RGB 42 172 143

HSL 166.62, 0.61%, 0.42%

LAB 63.33, -41.27, 5.1

 

CMYK 76 / 0 / 38 / 33

HEX #2AAC6B

RGB 42 172 107

HSL 150, 0.61%, 0.42%

LAB 62.56, -49.57, 23.8

 

CMYK 76 / 0 / 58 / 33

HEX #2AAC48

RGB 42 172 72

HSL 133.85, 0.61%, 0.42%

LAB 62.05, -55.41, 41.08

 

CMYK 73 / 0 / 76 / 33

HEX #2FAC2A

RGB 47 172 42

HSL 117.69, 0.61%, 0.42%

LAB 61.89, -57.71, 53.52

 

CMYK 52 / 0 / 76 / 33

HEX #52AC2A

RGB 82 172 42

HSL 101.54, 0.61%, 0.42%

LAB 62.9, -49.53, 54.85

 

CMYK 76 / 0 / 17 / 33

HEX #2AAC8F

RGB 42 172 143

HSL 166.62, 0.61%, 0.42%

LAB 63.33, -41.27, 5.1

 

CMYK 76 / 3 / 0 / 33

HEX #2AA7AC

RGB 42 167 172

HSL 182.31, 0.61%, 0.42%

LAB 62.6, -30.77, -12.19

 

CMYK 76 / 23 / 0 / 33

HEX #2A84AC

RGB 42 132 172

HSL 198.46, 0.61%, 0.42%

LAB 51.81, -12.49, -28.69

 

CMYK 76 / 44 / 0 / 33

HEX #2A61AC

RGB 42 97 172

HSL 214.62, 0.61%, 0.42%

LAB 41.25, 8.7, -45.35

 

CMYK 76 / 65 / 0 / 33

HEX #2A3DAC

RGB 42 61 172

HSL 231.23, 0.61%, 0.42%

LAB 31.37, 32.43, -61.35

 

CMYK 76 / 0 / 17 / 33

HEX #2AAC8F

RGB 42 172 143

HSL 166.62, 0.61%, 0.42%

LAB 63.33, -41.27, 5.1

 

CMYK 87 / 0 / 20 / 25

HEX #18BE98

RGB 24 190 152

HSL 166.27, 0.78%, 0.42%

LAB 68.96, -48.18, 8.19

 

CMYK 97 / 0 / 22 / 19

HEX #07CFA1

RGB 7 207 161

HSL 166.2, 0.93%, 0.42%

LAB 74.35, -53.46, 10.97

 

CMYK 76 / 0 / 17 / 33

HEX #2AAC8F

RGB 42 172 143

HSL 166.62, 0.61%, 0.42%

LAB 63.33, -41.27, 5.1

 

CMYK 62 / 0 / 14 / 39

HEX #3B9B85

RGB 59 155 133

HSL 166.25, 0.45%, 0.42%

LAB 58.1, -33.55, 3.23

 

CMYK 45 / 0 / 10 / 46

HEX #4C8A7C

RGB 76 138 124

HSL 166.45, 0.29%, 0.42%

LAB 53.13, -23.61, 1.26

 

CMYK 22 / 0 / 5 / 53

HEX #5E7872

RGB 94 120 114

HSL 166.15, 0.12%, 0.42%

LAB 48.29, -10.77, 0.18

 

CMYK 0 / 7 / 5 / 56

HEX #6F6769

RGB 111 103 105

HSL 345, 0.04%, 0.42%

LAB 44.38, 3.54, 0

 

CMYK 76 / 0 / 58 / 33

HEX #2AAC48

RGB 42 172 72

HSL 133.85, 0.61%, 0.42%

LAB 62.05, -55.41, 41.08

 

CMYK 76 / 0 / 38 / 33

HEX #2AAC6B

RGB 42 172 107

HSL 150, 0.61%, 0.42%

LAB 62.56, -49.57, 23.8

 

CMYK 76 / 0 / 17 / 33

HEX #2AAC8E

RGB 42 172 142

HSL 166.15, 0.61%, 0.42%

LAB 63.3, -41.53, 5.62

 

CMYK 76 / 2 / 0 / 33

HEX #2AA8AC

RGB 42 168 172

HSL 181.85, 0.61%, 0.42%

LAB 62.91, -31.26, -11.73

 

CMYK 76 / 23 / 0 / 33

HEX #2A85AC

RGB 42 133 172

HSL 198, 0.61%, 0.42%

LAB 52.11, -13.05, -28.21

 

CMYK 75 / 0 / 17 / 58

HEX #1A6A58

RGB 26 106 88

HSL 166.5, 0.61%, 0.26%

LAB 39.97, -28.31, 3.31

 

CMYK 76 / 0 / 17 / 45

HEX #228B73

RGB 34 139 115

HSL 166.29, 0.61%, 0.34%

LAB 51.89, -35.08, 4.5

 

CMYK 76 / 0 / 17 / 33

HEX #2AAC8F

RGB 42 172 143

HSL 166.62, 0.61%, 0.42%

LAB 63.33, -41.27, 5.1

 

CMYK 76 / 0 / 17 / 20

HEX #32CDAA

RGB 50 205 170

HSL 166.45, 0.61%, 0.5%

LAB 74.34, -47.47, 6.19

 

CMYK 61 / 0 / 14 / 16

HEX #53D5B8

RGB 83 213 184

HSL 166.62, 0.61%, 0.58%

LAB 77.81, -42.54, 3.76

 

CMYK 76 / 0 / 17 / 32

HEX #2AAD8F

RGB 42 173 143

HSL 166.26, 0.61%, 0.42%

LAB 63.64, -41.7, 5.55

 

CMYK 76 / 73 / 0 / 33

HEX #2A2EAC

RGB 42 46 172

HSL 238.15, 0.61%, 0.42%

LAB 27.91, 41.77, -67.03

 

CMYK 0 / 48 / 76 / 33

HEX #AC5A2A

RGB 172 90 42

HSL 22.15, 0.61%, 0.42%

LAB 47.3, 29.84, 41.48

 

CMYK 76 / 0 / 17 / 32

HEX #2AAD8F

RGB 42 173 143

HSL 166.26, 0.61%, 0.42%

LAB 63.64, -41.7, 5.55

 

CMYK 17 / 76 / 0 / 33

HEX #8E2AAC

RGB 142 42 172

HSL 286.15, 0.61%, 0.42%

LAB 38.53, 59.52, -49.24

 

CMYK 0 / 17 / 76 / 33

HEX #AC8E2A

RGB 172 142 42

HSL 46.15, 0.61%, 0.42%

LAB 60.14, 0.9, 54.25

 

CMYK 76 / 0 / 17 / 32

HEX #2AAD8F

RGB 42 173 143

HSL 166.26, 0.61%, 0.42%

LAB 63.64, -41.7, 5.55

 

CMYK 76 / 73 / 0 / 33

HEX #2A2EAC

RGB 42 46 172

HSL 238.15, 0.61%, 0.42%

LAB 27.91, 41.77, -67.03

 

CMYK 0 / 76 / 58 / 33

HEX #AC2A48

RGB 172 42 72

HSL 346.15, 0.61%, 0.42%

LAB 39.4, 53.61, 14.53

 

CMYK 0 / 2 / 76 / 33

HEX #ACA82A

RGB 172 168 42

HSL 58.15, 0.61%, 0.42%

LAB 67.23, -13, 60.93

 

CMYK 76 / 0 / 17 / 32

HEX #2AAD8F

RGB 42 173 143

HSL 166.26, 0.61%, 0.42%

LAB 63.64, -41.7, 5.55

 

CMYK 55 / 76 / 0 / 33

HEX #4D2AAC

RGB 77 42 172

HSL 256.15, 0.61%, 0.42%

LAB 29.94, 48.09, -63.59

 

CMYK 0 / 76 / 58 / 33

HEX #AC2A48

RGB 172 42 72

HSL 346.15, 0.61%, 0.42%

LAB 39.4, 53.61, 14.53

 

CMYK 20 / 0 / 76 / 33

HEX #8AAC2A

RGB 138 172 42

HSL 75.69, 0.61%, 0.42%

LAB 65.81, -29.5, 58.67

 

Description

Color code: HEX #2AAD8F | qconv.com Color code: HEX #2AAD8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 173 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 173 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 17 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 17% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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