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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AAA36 it is the complementary color #D555C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AAA36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AAA36 shade: #2FAA31, #40BC44, #51CE57, #62E06A and #73F27D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AAA36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AAA36 shade: #2AAA36, #199823, #088610, #007400 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AAA36 shade: #2BAB37, #41AB2B, #64AB2B, #87AB2B and #A9AB2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AAA36 shade: #2BAB37, #2BAB5A, #2BAB7C, #2BAB9F and #2B95AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AAA36 shade matches the following richer shades: #2BAB37, #1ABD29 and #08CE1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AAA36 shade: #2BAB37, #3C9A45, #4D8953, #5F7761 and #70666F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AAA36 shade: #65AB2B, #42AB2B, #2BAB36, #2BAB58 and #2BAB7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AAA36 shade: #1A6922, #238A2C, #2BAB37, #33CC42 and #54D460

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AAA36 shade: #2AAA36, #2B87AB and #AB2B54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AAA36 shade: #2AAA36, #362BAB and #AB362B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AAA36 shade: #2AAA36, #2B87AB, #AB2BA1 and #AB4F2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AAA36 shade: #2AAA36, #2B60AB, #AB2BA1 and #AB762B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 68 / 33

HEX #2AAA36

RGB 42 170 54

HSL 125.63, 0.6%, 0.42%

LAB 61.23, -56.83, 48.2

 

Complementary color

CMYK 0 / 60 / 6 / 16

HEX #D555C9

RGB 213 85 201

HSL 305.63, 0.6%, 0.58%

LAB 56.94, 64.11, -36.26

 

CMYK 72 / 0 / 71 / 33

HEX #2FAA31

RGB 47 170 49

HSL 120.98, 0.57%, 0.43%

LAB 61.29, -56.47, 50.31

 

CMYK 66 / 0 / 64 / 26

HEX #40BC44

RGB 64 188 68

HSL 121.94, 0.49%, 0.49%

LAB 67.63, -57.53, 49.41

 

CMYK 61 / 0 / 58 / 19

HEX #51CE57

RGB 81 206 87

HSL 122.88, 0.56%, 0.56%

LAB 73.92, -58.16, 48.25

 

CMYK 56 / 0 / 53 / 12

HEX #62E06A

RGB 98 224 106

HSL 123.81, 0.67%, 0.63%

LAB 80.15, -58.49, 46.98

 

CMYK 52 / 0 / 48 / 5

HEX #73F27D

RGB 115 242 125

HSL 124.72, 0.83%, 0.7%

LAB 86.32, -58.62, 45.69

 

CMYK 75 / 0 / 68 / 33

HEX #2AAA36

RGB 42 170 54

HSL 125.63, 0.6%, 0.42%

LAB 61.23, -56.83, 48.2

 

CMYK 84 / 0 / 77 / 40

HEX #199823

RGB 25 152 35

HSL 124.72, 0.72%, 0.35%

LAB 54.85, -55.02, 48.86

 

CMYK 94 / 0 / 88 / 47

HEX #088610

RGB 8 134 16

HSL 123.81, 0.89%, 0.28%

LAB 48.43, -52.24, 48.49

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 75 / 0 / 68 / 33

HEX #2BAB37

RGB 43 171 55

HSL 125.63, 0.6%, 0.42%

LAB 61.58, -56.9, 48.18

 

CMYK 62 / 0 / 75 / 33

HEX #41AB2B

RGB 65 171 43

HSL 109.69, 0.6%, 0.42%

LAB 62.02, -53.59, 53.44

 

CMYK 42 / 0 / 75 / 33

HEX #64AB2B

RGB 100 171 43

HSL 93.28, 0.6%, 0.42%

LAB 63.35, -43.38, 55.21

 

CMYK 21 / 0 / 75 / 33

HEX #87AB2B

RGB 135 171 43

HSL 76.88, 0.6%, 0.42%

LAB 65.32, -30.19, 57.79

 

CMYK 1 / 0 / 75 / 33

HEX #A9AB2B

RGB 169 171 43

HSL 60.94, 0.6%, 0.42%

LAB 67.83, -15.81, 61.05

 

CMYK 75 / 0 / 68 / 33

HEX #2BAB37

RGB 43 171 55

HSL 125.63, 0.6%, 0.42%

LAB 61.58, -56.9, 48.18

 

CMYK 75 / 0 / 47 / 33

HEX #2BAB5A

RGB 43 171 90

HSL 142.03, 0.6%, 0.42%

LAB 61.98, -52.18, 32.03

 

CMYK 75 / 0 / 27 / 33

HEX #2BAB7C

RGB 43 171 124

HSL 157.97, 0.6%, 0.42%

LAB 62.59, -45.38, 14.58

 

CMYK 75 / 0 / 7 / 33

HEX #2BAB9F

RGB 43 171 159

HSL 174.38, 0.6%, 0.42%

LAB 63.46, -36.36, -3.63

 

CMYK 75 / 13 / 0 / 33

HEX #2B95AB

RGB 43 149 171

HSL 190.31, 0.6%, 0.42%

LAB 57.03, -21.93, -20.07

 

CMYK 75 / 0 / 68 / 33

HEX #2BAB37

RGB 43 171 55

HSL 125.63, 0.6%, 0.42%

LAB 61.58, -56.9, 48.18

 

CMYK 86 / 0 / 78 / 26

HEX #1ABD29

RGB 26 189 41

HSL 125.52, 0.76%, 0.42%

LAB 67.11, -65.75, 58.85

 

CMYK 96 / 0 / 87 / 19

HEX #08CE1B

RGB 8 206 27

HSL 125.76, 0.93%, 0.42%

LAB 72.41, -72.38, 67.28

 

CMYK 75 / 0 / 68 / 33

HEX #2BAB37

RGB 43 171 55

HSL 125.63, 0.6%, 0.42%

LAB 61.58, -56.9, 48.18

 

CMYK 61 / 0 / 55 / 40

HEX #3C9A45

RGB 60 154 69

HSL 125.74, 0.44%, 0.42%

LAB 56.59, -45.75, 36.15

 

CMYK 44 / 0 / 39 / 46

HEX #4D8953

RGB 77 137 83

HSL 126, 0.28%, 0.42%

LAB 51.94, -31.55, 23.03

 

CMYK 20 / 0 / 18 / 53

HEX #5F7761

RGB 95 119 97

HSL 125, 0.11%, 0.42%

LAB 47.61, -13.47, 9.25

 

CMYK 0 / 9 / 1 / 56

HEX #70666F

RGB 112 102 111

HSL 306, 0.05%, 0.42%

LAB 44.37, 5.74, -3.62

 

CMYK 41 / 0 / 75 / 33

HEX #65AB2B

RGB 101 171 43

HSL 92.81, 0.6%, 0.42%

LAB 63.4, -43.04, 55.27

 

CMYK 61 / 0 / 75 / 33

HEX #42AB2B

RGB 66 171 43

HSL 109.22, 0.6%, 0.42%

LAB 62.05, -53.35, 53.48

 

CMYK 75 / 0 / 68 / 33

HEX #2BAB36

RGB 43 171 54

HSL 125.16, 0.6%, 0.42%

LAB 61.57, -57, 48.58

 

CMYK 75 / 0 / 49 / 33

HEX #2BAB58

RGB 43 171 88

HSL 141.09, 0.6%, 0.42%

LAB 61.95, -52.52, 33.03

 

CMYK 75 / 0 / 29 / 33

HEX #2BAB7A

RGB 43 171 122

HSL 157.03, 0.6%, 0.42%

LAB 62.55, -45.83, 15.63

 

CMYK 75 / 0 / 68 / 59

HEX #1A6922

RGB 26 105 34

HSL 126.08, 0.6%, 0.26%

LAB 38.62, -38.95, 32.29

 

CMYK 75 / 0 / 68 / 46

HEX #238A2C

RGB 35 138 44

HSL 125.24, 0.6%, 0.34%

LAB 50.35, -48.12, 40.67

 

CMYK 75 / 0 / 68 / 33

HEX #2BAB37

RGB 43 171 55

HSL 125.63, 0.6%, 0.42%

LAB 61.58, -56.9, 48.18

 

CMYK 75 / 0 / 68 / 20

HEX #33CC42

RGB 51 204 66

HSL 125.88, 0.6%, 0.5%

LAB 72.42, -65.34, 55.4

 

CMYK 60 / 0 / 55 / 17

HEX #54D460

RGB 84 212 96

HSL 125.63, 0.6%, 0.58%

LAB 75.96, -58.56, 46.52

 

CMYK 75 / 0 / 68 / 33

HEX #2AAA36

RGB 42 170 54

HSL 125.63, 0.6%, 0.42%

LAB 61.23, -56.83, 48.2

 

CMYK 75 / 21 / 0 / 33

HEX #2B87AB

RGB 43 135 171

HSL 196.88, 0.6%, 0.42%

LAB 52.71, -14.39, -26.71

 

CMYK 0 / 75 / 51 / 33

HEX #AB2B54

RGB 171 43 84

HSL 340.78, 0.6%, 0.42%

LAB 39.62, 53.92, 7.2

 

CMYK 75 / 0 / 68 / 33

HEX #2AAA36

RGB 42 170 54

HSL 125.63, 0.6%, 0.42%

LAB 61.23, -56.83, 48.2

 

CMYK 68 / 75 / 0 / 33

HEX #362BAB

RGB 54 43 171

HSL 245.16, 0.6%, 0.42%

LAB 27.99, 44.35, -66.28

 

CMYK 0 / 68 / 75 / 33

HEX #AB362B

RGB 171 54 43

HSL 5.16, 0.6%, 0.42%

LAB 40.36, 47.09, 33.45

 

CMYK 75 / 0 / 68 / 33

HEX #2AAA36

RGB 42 170 54

HSL 125.63, 0.6%, 0.42%

LAB 61.23, -56.83, 48.2

 

CMYK 75 / 21 / 0 / 33

HEX #2B87AB

RGB 43 135 171

HSL 196.88, 0.6%, 0.42%

LAB 52.71, -14.39, -26.71

 

CMYK 0 / 75 / 6 / 33

HEX #AB2BA1

RGB 171 43 161

HSL 304.69, 0.6%, 0.42%

LAB 42.7, 63.41, -35.73

 

CMYK 0 / 54 / 75 / 33

HEX #AB4F2B

RGB 171 79 43

HSL 16.88, 0.6%, 0.42%

LAB 44.84, 35.31, 38.32

 

CMYK 75 / 0 / 68 / 33

HEX #2AAA36

RGB 42 170 54

HSL 125.63, 0.6%, 0.42%

LAB 61.23, -56.83, 48.2

 

CMYK 75 / 44 / 0 / 33

HEX #2B60AB

RGB 43 96 171

HSL 215.16, 0.6%, 0.42%

LAB 40.93, 9.09, -45.27

 

CMYK 0 / 75 / 6 / 33

HEX #AB2BA1

RGB 171 43 161

HSL 304.69, 0.6%, 0.42%

LAB 42.7, 63.41, -35.73

 

CMYK 0 / 31 / 75 / 33

HEX #AB762B

RGB 171 118 43

HSL 35.16, 0.6%, 0.42%

LAB 53.8, 13.87, 47.59

 

Description

Color code: HEX #2AAA36 | qconv.com Color code: HEX #2AAA36 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 170 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 170 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 68 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 68% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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