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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AA86C it is the complementary color #D55793. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AA86C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AA86C shade: #2FA867, #40BA7A, #51CC8D, #62DEA0 and #73F0B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AA86C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AA86C shade: #2AA86C, #199659, #088446, #007233 and #006020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AA86C shade: #2AA76C, #2AA74A, #2CA72A, #4EA72A and #6FA72A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AA86C shade: #2AA76C, #2AA78D, #2A9FA7, #2A7EA7 and #2A5CA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AA86C shade matches the following richer shades: #2AA76C, #19B86C and #08C96D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AA86C shade: #2AA76C, #3B966B, #4C856A, #5D7569 and #6D6468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AA86C shade: #2CA72A, #2AA749, #2AA76B, #2AA78C and #2AA1A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AA86C shade: #196541, #228656, #2AA76C, #32C881 and #50D395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AA86C shade: #2AA86C, #2A4DA7 and #A7382A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AA86C shade: #2AA86C, #6B2AA7 and #A76B2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AA86C shade: #2AA86C, #2A4DA7, #A72A66 and #A7842A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AA86C shade: #2AA86C, #2C2AA7, #A72A66 and #A5A72A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 36 / 34

HEX #2AA86C

RGB 42 168 108

HSL 151.43, 0.6%, 0.41%

LAB 61.29, -47.81, 21.56

 

Complementary color

CMYK 0 / 59 / 31 / 16

HEX #D55793

RGB 213 87 147

HSL 331.43, 0.6%, 0.59%

LAB 55.14, 55.5, -7.7

 

CMYK 72 / 0 / 39 / 34

HEX #2FA867

RGB 47 168 103

HSL 147.77, 0.56%, 0.42%

LAB 61.3, -48.07, 24.3

 

CMYK 66 / 0 / 34 / 27

HEX #40BA7A

RGB 64 186 122

HSL 148.52, 0.49%, 0.49%

LAB 67.73, -48.51, 22.81

 

CMYK 60 / 0 / 31 / 20

HEX #51CC8D

RGB 81 204 141

HSL 149.27, 0.55%, 0.56%

LAB 74.1, -48.71, 21.44

 

CMYK 56 / 0 / 28 / 13

HEX #62DEA0

RGB 98 222 160

HSL 150, 0.65%, 0.63%

LAB 80.39, -48.75, 20.19

 

CMYK 52 / 0 / 25 / 6

HEX #73F0B3

RGB 115 240 179

HSL 150.72, 0.81%, 0.7%

LAB 86.61, -48.69, 19.04

 

CMYK 75 / 0 / 36 / 34

HEX #2AA86C

RGB 42 168 108

HSL 151.43, 0.6%, 0.41%

LAB 61.29, -47.81, 21.56

 

CMYK 83 / 0 / 41 / 41

HEX #199659

RGB 25 150 89

HSL 150.72, 0.71%, 0.34%

LAB 54.8, -46.85, 23.22

 

CMYK 94 / 0 / 47 / 48

HEX #088446

RGB 8 132 70

HSL 150, 0.89%, 0.27%

LAB 48.26, -45.27, 25.05

 

CMYK 100 / 0 / 55 / 55

HEX #007233

RGB 0 114 51

HSL 146.84, 1%, 0.22%

LAB 41.65, -42.82, 27.05

 

CMYK 100 / 0 / 67 / 62

HEX #006020

RGB 0 96 32

HSL 140, 1%, 0.19%

LAB 34.94, -39.46, 29.03

 

CMYK 75 / 0 / 35 / 35

HEX #2AA76C

RGB 42 167 108

HSL 151.68, 0.6%, 0.41%

LAB 60.97, -47.42, 21.13

 

CMYK 75 / 0 / 56 / 35

HEX #2AA74A

RGB 42 167 74

HSL 135.36, 0.6%, 0.41%

LAB 60.45, -53.39, 38.21

 

CMYK 74 / 0 / 75 / 35

HEX #2CA72A

RGB 44 167 42

HSL 119.04, 0.6%, 0.41%

LAB 60.19, -56.58, 51.8

 

CMYK 53 / 0 / 75 / 35

HEX #4EA72A

RGB 78 167 42

HSL 102.72, 0.6%, 0.41%

LAB 61.15, -48.77, 53.08

 

CMYK 34 / 0 / 75 / 35

HEX #6FA72A

RGB 111 167 42

HSL 86.88, 0.6%, 0.41%

LAB 62.66, -37.79, 55.07

 

CMYK 75 / 0 / 35 / 35

HEX #2AA76C

RGB 42 167 108

HSL 151.68, 0.6%, 0.41%

LAB 60.97, -47.42, 21.13

 

CMYK 75 / 0 / 16 / 35

HEX #2AA78D

RGB 42 167 141

HSL 167.52, 0.6%, 0.41%

LAB 61.7, -39.61, 3.87

 

CMYK 75 / 5 / 0 / 35

HEX #2A9FA7

RGB 42 159 167

HSL 183.84, 0.6%, 0.41%

LAB 59.96, -28.4, -13.35

 

CMYK 75 / 25 / 0 / 35

HEX #2A7EA7

RGB 42 126 167

HSL 199.68, 0.6%, 0.41%

LAB 49.74, -10.85, -29

 

CMYK 75 / 45 / 0 / 35

HEX #2A5CA7

RGB 42 92 167

HSL 216, 0.6%, 0.41%

LAB 39.47, 10.02, -45.23

 

CMYK 75 / 0 / 35 / 35

HEX #2AA76C

RGB 42 167 108

HSL 151.68, 0.6%, 0.41%

LAB 60.97, -47.42, 21.13

 

CMYK 86 / 0 / 41 / 28

HEX #19B86C

RGB 25 184 108

HSL 151.32, 0.76%, 0.41%

LAB 66.19, -55.65, 28.04

 

CMYK 96 / 0 / 46 / 21

HEX #08C96D

RGB 8 201 109

HSL 151.4, 0.92%, 0.41%

LAB 71.51, -62.27, 34.41

 

CMYK 75 / 0 / 35 / 35

HEX #2AA76C

RGB 42 167 108

HSL 151.68, 0.6%, 0.41%

LAB 60.97, -47.42, 21.13

 

CMYK 61 / 0 / 29 / 41

HEX #3B966B

RGB 59 150 107

HSL 151.65, 0.44%, 0.41%

LAB 55.89, -37.51, 14.81

 

CMYK 43 / 0 / 20 / 48

HEX #4C856A

RGB 76 133 106

HSL 151.58, 0.27%, 0.41%

LAB 51.1, -25.34, 8.77

 

CMYK 21 / 0 / 10 / 54

HEX #5D7569

RGB 93 117 105

HSL 150, 0.11%, 0.41%

LAB 47.07, -11.44, 3.73

 

CMYK 0 / 8 / 5 / 57

HEX #6D6468

RGB 109 100 104

HSL 333.33, 0.04%, 0.41%

LAB 43.31, 4.35, -0.97

 

CMYK 74 / 0 / 75 / 35

HEX #2CA72A

RGB 44 167 42

HSL 119.04, 0.6%, 0.41%

LAB 60.19, -56.58, 51.8

 

CMYK 75 / 0 / 56 / 35

HEX #2AA749

RGB 42 167 73

HSL 134.88, 0.6%, 0.41%

LAB 60.44, -53.53, 38.68

 

CMYK 75 / 0 / 36 / 35

HEX #2AA76B

RGB 42 167 107

HSL 151.2, 0.6%, 0.41%

LAB 60.95, -47.63, 21.65

 

CMYK 75 / 0 / 16 / 35

HEX #2AA78C

RGB 42 167 140

HSL 167.04, 0.6%, 0.41%

LAB 61.67, -39.87, 4.39

 

CMYK 75 / 4 / 0 / 35

HEX #2AA1A7

RGB 42 161 167

HSL 182.88, 0.6%, 0.41%

LAB 60.58, -29.38, -12.42

 

CMYK 75 / 0 / 36 / 60

HEX #196541

RGB 25 101 65

HSL 151.58, 0.6%, 0.25%

LAB 37.65, -32.09, 13.97

 

CMYK 75 / 0 / 36 / 47

HEX #228656

RGB 34 134 86

HSL 151.2, 0.6%, 0.33%

LAB 49.57, -39.98, 17.92

 

CMYK 75 / 0 / 35 / 35

HEX #2AA76C

RGB 42 167 108

HSL 151.68, 0.6%, 0.41%

LAB 60.97, -47.42, 21.13

 

CMYK 75 / 0 / 36 / 22

HEX #32C881

RGB 50 200 129

HSL 151.6, 0.6%, 0.49%

LAB 71.94, -54.76, 24.72

 

CMYK 62 / 0 / 29 / 17

HEX #50D395

RGB 80 211 149

HSL 151.6, 0.6%, 0.57%

LAB 76.35, -50.14, 20.31

 

CMYK 75 / 0 / 36 / 34

HEX #2AA86C

RGB 42 168 108

HSL 151.43, 0.6%, 0.41%

LAB 61.29, -47.81, 21.56

 

CMYK 75 / 54 / 0 / 35

HEX #2A4DA7

RGB 42 77 167

HSL 223.2, 0.6%, 0.41%

LAB 35.18, 19.93, -52.14

 

CMYK 0 / 66 / 75 / 35

HEX #A7382A

RGB 167 56 42

HSL 6.72, 0.6%, 0.41%

LAB 39.93, 44.8, 33.35

 

CMYK 75 / 0 / 36 / 34

HEX #2AA86C

RGB 42 168 108

HSL 151.43, 0.6%, 0.41%

LAB 61.29, -47.81, 21.56

 

CMYK 36 / 75 / 0 / 35

HEX #6B2AA7

RGB 107 42 167

HSL 271.2, 0.6%, 0.41%

LAB 33.07, 51.69, -55.32

 

CMYK 0 / 36 / 75 / 35

HEX #A76B2A

RGB 167 107 42

HSL 31.2, 0.6%, 0.41%

LAB 50.57, 18.25, 44.62

 

CMYK 75 / 0 / 36 / 34

HEX #2AA86C

RGB 42 168 108

HSL 151.43, 0.6%, 0.41%

LAB 61.29, -47.81, 21.56

 

CMYK 75 / 54 / 0 / 35

HEX #2A4DA7

RGB 42 77 167

HSL 223.2, 0.6%, 0.41%

LAB 35.18, 19.93, -52.14

 

CMYK 0 / 75 / 39 / 35

HEX #A72A66

RGB 167 42 102

HSL 331.2, 0.6%, 0.41%

LAB 39.29, 54.85, -4.76

 

CMYK 0 / 21 / 75 / 35

HEX #A7842A

RGB 167 132 42

HSL 43.2, 0.6%, 0.41%

LAB 56.96, 4.17, 51

 

CMYK 75 / 0 / 36 / 34

HEX #2AA86C

RGB 42 168 108

HSL 151.43, 0.6%, 0.41%

LAB 61.29, -47.81, 21.56

 

CMYK 74 / 75 / 0 / 35

HEX #2C2AA7

RGB 44 42 167

HSL 240.96, 0.6%, 0.41%

LAB 26.68, 42.58, -66.04

 

CMYK 0 / 75 / 39 / 35

HEX #A72A66

RGB 167 42 102

HSL 331.2, 0.6%, 0.41%

LAB 39.29, 54.85, -4.76

 

CMYK 1 / 0 / 75 / 35

HEX #A5A72A

RGB 165 167 42

HSL 60.96, 0.6%, 0.41%

LAB 66.37, -15.54, 59.91

 

Description

Color code: HEX #2AA86C | qconv.com Color code: HEX #2AA86C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 168 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 168 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 36 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 36% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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