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Color name
HEX #2AA552

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AA552 it is the complementary color #D55AAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AA552. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AA552 shade: #2FA54D, #40B760, #51C973, #62DB86 and #73ED99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AA552. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AA552 shade: #2AA552, #19933F, #08812C, #006F19 and #005D06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AA552 shade: #2BA653, #2BA632, #45A62B, #67A62B and #88A62B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AA552 shade: #2BA653, #2BA674, #2BA696, #2B96A6 and #2B74A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AA552 shade matches the following richer shades: #2BA653, #1AB74D and #09C847

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AA552 shade: #2BA653, #3C9559, #4D845F, #5E7365 and #6F636B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AA552 shade: #46A62B, #2BA631, #2BA652, #2BA673 and #2BA694

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AA552 shade: #1A6532, #228543, #2BA653, #33C763 and #51D27B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AA552 shade: #2AA552, #2B66A6 and #A62B35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AA552 shade: #2AA552, #522BA6 and #A6522B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AA552 shade: #2AA552, #2B66A6, #A62B7F and #A66B2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AA552 shade: #2AA552, #2B41A6, #A62B7F and #A6902B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 50 / 35

HEX #2AA552

RGB 42 165 82

HSL 139.51, 0.59%, 0.41%

LAB 59.9, -51.46, 33.53

 

Complementary color

CMYK 0 / 58 / 19 / 16

HEX #D55AAD

RGB 213 90 173

HSL 319.51, 0.59%, 0.59%

LAB 56.56, 57.64, -20.74

 

CMYK 72 / 0 / 53 / 35

HEX #2FA54D

RGB 47 165 77

HSL 135.25, 0.56%, 0.42%

LAB 59.93, -51.42, 36.13

 

CMYK 65 / 0 / 48 / 28

HEX #40B760

RGB 64 183 96

HSL 136.13, 0.48%, 0.48%

LAB 66.37, -52, 34.61

 

CMYK 60 / 0 / 43 / 21

HEX #51C973

RGB 81 201 115

HSL 137, 0.53%, 0.55%

LAB 72.73, -52.28, 33.16

 

CMYK 55 / 0 / 39 / 14

HEX #62DB86

RGB 98 219 134

HSL 137.85, 0.63%, 0.62%

LAB 79.03, -52.36, 31.79

 

CMYK 51 / 0 / 35 / 7

HEX #73ED99

RGB 115 237 153

HSL 138.69, 0.77%, 0.69%

LAB 85.26, -52.31, 30.51

 

CMYK 75 / 0 / 50 / 35

HEX #2AA552

RGB 42 165 82

HSL 139.51, 0.59%, 0.41%

LAB 59.9, -51.46, 33.53

 

CMYK 83 / 0 / 57 / 42

HEX #19933F

RGB 25 147 63

HSL 138.69, 0.71%, 0.34%

LAB 53.42, -50.27, 35.16

 

CMYK 94 / 0 / 66 / 49

HEX #08812C

RGB 8 129 44

HSL 137.85, 0.88%, 0.27%

LAB 46.89, -48.31, 36.73

 

CMYK 100 / 0 / 77 / 56

HEX #006F19

RGB 0 111 25

HSL 133.51, 1%, 0.22%

LAB 40.31, -45.19, 37.92

 

CMYK 100 / 0 / 94 / 64

HEX #005D06

RGB 0 93 6

HSL 123.87, 1%, 0.18%

LAB 33.65, -40.86, 37.9

 

CMYK 74 / 0 / 50 / 35

HEX #2BA653

RGB 43 166 83

HSL 139.51, 0.59%, 0.41%

LAB 60.26, -51.51, 33.47

 

CMYK 74 / 0 / 70 / 35

HEX #2BA632

RGB 43 166 50

HSL 123.41, 0.59%, 0.41%

LAB 59.9, -55.72, 48.44

 

CMYK 58 / 0 / 74 / 35

HEX #45A62B

RGB 69 166 43

HSL 107.32, 0.59%, 0.41%

LAB 60.53, -50.78, 51.99

 

CMYK 38 / 0 / 74 / 35

HEX #67A62B

RGB 103 166 43

HSL 90.73, 0.59%, 0.41%

LAB 61.94, -40.21, 53.86

 

CMYK 18 / 0 / 74 / 35

HEX #88A62B

RGB 136 166 43

HSL 74.63, 0.59%, 0.41%

LAB 63.9, -27.39, 56.45

 

CMYK 74 / 0 / 50 / 35

HEX #2BA653

RGB 43 166 83

HSL 139.51, 0.59%, 0.41%

LAB 60.26, -51.51, 33.47

 

CMYK 74 / 0 / 30 / 35

HEX #2BA674

RGB 43 166 116

HSL 155.61, 0.59%, 0.41%

LAB 60.82, -45.15, 16.55

 

CMYK 74 / 0 / 10 / 35

HEX #2BA696

RGB 43 166 150

HSL 172.2, 0.59%, 0.41%

LAB 61.64, -36.6, -1.26

 

CMYK 74 / 10 / 0 / 35

HEX #2B96A6

RGB 43 150 166

HSL 187.8, 0.59%, 0.41%

LAB 57.15, -24.06, -17.03

 

CMYK 74 / 30 / 0 / 35

HEX #2B74A6

RGB 43 116 166

HSL 204.39, 0.59%, 0.41%

LAB 46.65, -5.22, -33.25

 

CMYK 74 / 0 / 50 / 35

HEX #2BA653

RGB 43 166 83

HSL 139.51, 0.59%, 0.41%

LAB 60.26, -51.51, 33.47

 

CMYK 86 / 0 / 58 / 28

HEX #1AB74D

RGB 26 183 77

HSL 139.49, 0.75%, 0.41%

LAB 65.45, -60.29, 42.67

 

CMYK 96 / 0 / 65 / 22

HEX #09C847

RGB 9 200 71

HSL 139.48, 0.91%, 0.41%

LAB 70.75, -67.36, 51.39

 

CMYK 74 / 0 / 50 / 35

HEX #2BA653

RGB 43 166 83

HSL 139.51, 0.59%, 0.41%

LAB 60.26, -51.51, 33.47

 

CMYK 60 / 0 / 40 / 42

HEX #3C9559

RGB 60 149 89

HSL 139.55, 0.43%, 0.41%

LAB 55.25, -40.49, 23.95

 

CMYK 42 / 0 / 28 / 48

HEX #4D845F

RGB 77 132 95

HSL 139.64, 0.26%, 0.41%

LAB 50.58, -26.89, 14.4

 

CMYK 18 / 0 / 12 / 55

HEX #5E7365

RGB 94 115 101

HSL 140, 0.1%, 0.41%

LAB 46.42, -10.8, 5.18

 

CMYK 0 / 11 / 4 / 56

HEX #6F636B

RGB 111 99 107

HSL 320, 0.06%, 0.41%

LAB 43.31, 6.34, -2.77

 

CMYK 58 / 0 / 74 / 35

HEX #46A62B

RGB 70 166 43

HSL 106.83, 0.59%, 0.41%

LAB 60.56, -50.52, 52.03

 

CMYK 74 / 0 / 70 / 35

HEX #2BA631

RGB 43 166 49

HSL 122.93, 0.59%, 0.41%

LAB 59.9, -55.82, 48.83

 

CMYK 74 / 0 / 51 / 35

HEX #2BA652

RGB 43 166 82

HSL 139.02, 0.59%, 0.41%

LAB 60.24, -51.67, 33.96

 

CMYK 74 / 0 / 31 / 35

HEX #2BA673

RGB 43 166 115

HSL 155.12, 0.59%, 0.41%

LAB 60.8, -45.37, 17.07

 

CMYK 74 / 0 / 11 / 35

HEX #2BA694

RGB 43 166 148

HSL 171.22, 0.59%, 0.41%

LAB 61.59, -37.15, -0.22

 

CMYK 74 / 0 / 50 / 60

HEX #1A6532

RGB 26 101 50

HSL 139.2, 0.59%, 0.25%

LAB 37.4, -34.99, 22.4

 

CMYK 74 / 0 / 50 / 48

HEX #228543

RGB 34 133 67

HSL 140, 0.59%, 0.33%

LAB 48.91, -43.26, 27.58

 

CMYK 74 / 0 / 50 / 35

HEX #2BA653

RGB 43 166 83

HSL 139.51, 0.59%, 0.41%

LAB 60.26, -51.51, 33.47

 

CMYK 74 / 0 / 50 / 22

HEX #33C763

RGB 51 199 99

HSL 139.46, 0.59%, 0.49%

LAB 71.18, -59.57, 39.08

 

CMYK 61 / 0 / 41 / 18

HEX #51D27B

RGB 81 210 123

HSL 139.53, 0.59%, 0.57%

LAB 75.62, -54.43, 32.83

 

CMYK 75 / 0 / 50 / 35

HEX #2AA552

RGB 42 165 82

HSL 139.51, 0.59%, 0.41%

LAB 59.9, -51.46, 33.53

 

CMYK 74 / 39 / 0 / 35

HEX #2B66A6

RGB 43 102 166

HSL 211.22, 0.59%, 0.41%

LAB 42.41, 3.37, -39.94

 

CMYK 0 / 74 / 68 / 35

HEX #A62B35

RGB 166 43 53

HSL 355.12, 0.59%, 0.41%

LAB 38.01, 50.2, 24.44

 

CMYK 75 / 0 / 50 / 35

HEX #2AA552

RGB 42 165 82

HSL 139.51, 0.59%, 0.41%

LAB 59.9, -51.46, 33.53

 

CMYK 51 / 74 / 0 / 35

HEX #522BA6

RGB 82 43 166

HSL 259.02, 0.59%, 0.41%

LAB 30.1, 46.64, -59.71

 

CMYK 0 / 51 / 74 / 35

HEX #A6522B

RGB 166 82 43

HSL 19.02, 0.59%, 0.41%

LAB 44.68, 31.71, 37.93

 

CMYK 75 / 0 / 50 / 35

HEX #2AA552

RGB 42 165 82

HSL 139.51, 0.59%, 0.41%

LAB 59.9, -51.46, 33.53

 

CMYK 74 / 39 / 0 / 35

HEX #2B66A6

RGB 43 102 166

HSL 211.22, 0.59%, 0.41%

LAB 42.41, 3.37, -39.94

 

CMYK 0 / 74 / 23 / 35

HEX #A62B7F

RGB 166 43 127

HSL 319.02, 0.59%, 0.41%

LAB 40.19, 57.26, -19.03

 

CMYK 0 / 36 / 74 / 35

HEX #A66B2B

RGB 166 107 43

HSL 31.22, 0.59%, 0.41%

LAB 50.45, 17.85, 43.99

 

CMYK 75 / 0 / 50 / 35

HEX #2AA552

RGB 42 165 82

HSL 139.51, 0.59%, 0.41%

LAB 59.9, -51.46, 33.53

 

CMYK 74 / 61 / 0 / 35

HEX #2B41A6

RGB 43 65 166

HSL 229.27, 0.59%, 0.41%

LAB 31.91, 27.69, -56.86

 

CMYK 0 / 74 / 23 / 35

HEX #A62B7F

RGB 166 43 127

HSL 319.02, 0.59%, 0.41%

LAB 40.19, 57.26, -19.03

 

CMYK 0 / 13 / 74 / 35

HEX #A6902B

RGB 166 144 43

HSL 49.27, 0.59%, 0.41%

LAB 60.09, -2.86, 53.61

 

Description

Color code: HEX #2AA552 | qconv.com Color code: HEX #2AA552 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 165 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 165 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 50 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 50% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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