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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A987C it is the complementary color #D56783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A987C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A987C shade: #2F9877, #40AA8A, #51BC9D, #62CEB0 and #73E0C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A987C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A987C shade: #2A987C, #198669, #087456, #006243 and #005030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A987C shade: #2A987C, #2A985E, #2A9840, #31982A and #4E982A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A987C shade: #2A987C, #2A9698, #2A7998, #2A5B98 and #2A3D98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A987C shade matches the following richer shades: #2A987C, #1AA884 and #0AB78B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A987C shade: #2A987C, #398874, #49796D, #596965 and #68595D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A987C shade: #2A9840, #2A985D, #2A987B, #2A9898 and #2A7B98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A987C shade: #185747, #217862, #2A987C, #33B996 and #48CDAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A987C shade: #2A987C, #2A3198 and #984E2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A987C shade: #2A987C, #7B2A98 and #987B2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A987C shade: #2A987C, #2A3198, #982A47 and #98912A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A987C shade: #2A987C, #432A98, #982A47 and #7E982A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

Complementary color

CMYK 0 / 52 / 38 / 16

HEX #D56783

RGB 213 103 131

HSL 344.73, 0.57%, 0.62%

LAB 57.55, 46.05, 5.2

 

CMYK 69 / 0 / 22 / 40

HEX #2F9877

RGB 47 152 119

HSL 161.14, 0.53%, 0.39%

LAB 56.48, -37.89, 8.8

 

CMYK 62 / 0 / 19 / 33

HEX #40AA8A

RGB 64 170 138

HSL 161.89, 0.45%, 0.46%

LAB 63.07, -38.19, 7.58

 

CMYK 57 / 0 / 16 / 26

HEX #51BC9D

RGB 81 188 157

HSL 162.62, 0.44%, 0.53%

LAB 69.58, -38.31, 6.49

 

CMYK 52 / 0 / 15 / 19

HEX #62CEB0

RGB 98 206 176

HSL 163.33, 0.52%, 0.6%

LAB 75.99, -38.32, 5.49

 

CMYK 49 / 0 / 13 / 12

HEX #73E0C3

RGB 115 224 195

HSL 164.04, 0.64%, 0.66%

LAB 82.32, -38.26, 4.57

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 81 / 0 / 22 / 47

HEX #198669

RGB 25 134 105

HSL 164.04, 0.69%, 0.31%

LAB 49.83, -36.62, 7.33

 

CMYK 93 / 0 / 26 / 55

HEX #087456

RGB 8 116 86

HSL 163.33, 0.87%, 0.24%

LAB 43.08, -35.32, 8.91

 

CMYK 100 / 0 / 32 / 62

HEX #006243

RGB 0 98 67

HSL 161.02, 1%, 0.19%

LAB 36.25, -33.24, 10.78

 

CMYK 100 / 0 / 40 / 69

HEX #005030

RGB 0 80 48

HSL 156, 1%, 0.16%

LAB 29.29, -30.42, 12.92

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 72 / 0 / 38 / 40

HEX #2A985E

RGB 42 152 94

HSL 148.36, 0.57%, 0.38%

LAB 55.84, -44.34, 21.91

 

CMYK 72 / 0 / 58 / 40

HEX #2A9840

RGB 42 152 64

HSL 132, 0.57%, 0.38%

LAB 55.4, -49.43, 37.09

 

CMYK 68 / 0 / 72 / 40

HEX #31982A

RGB 49 152 42

HSL 116.18, 0.57%, 0.38%

LAB 55.36, -50.53, 46.91

 

CMYK 49 / 0 / 72 / 40

HEX #4E982A

RGB 78 152 42

HSL 100.36, 0.57%, 0.38%

LAB 56.33, -42.85, 48.22

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 72 / 1 / 0 / 40

HEX #2A9698

RGB 42 150 152

HSL 181.09, 0.57%, 0.38%

LAB 56.66, -28.57, -9.78

 

CMYK 72 / 20 / 0 / 40

HEX #2A7998

RGB 42 121 152

HSL 196.91, 0.57%, 0.38%

LAB 47.54, -13.26, -23.66

 

CMYK 72 / 40 / 0 / 40

HEX #2A5B98

RGB 42 91 152

HSL 213.27, 0.57%, 0.38%

LAB 38.27, 4.94, -38.19

 

CMYK 72 / 60 / 0 / 40

HEX #2A3D98

RGB 42 61 152

HSL 229.64, 0.57%, 0.38%

LAB 29.66, 24.96, -52.07

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 85 / 0 / 21 / 34

HEX #1AA884

RGB 26 168 132

HSL 164.79, 0.73%, 0.38%

LAB 61.56, -44.06, 8.67

 

CMYK 95 / 0 / 24 / 28

HEX #0AB78B

RGB 10 183 139

HSL 164.74, 0.9%, 0.38%

LAB 66.36, -49.33, 11.59

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 58 / 0 / 15 / 47

HEX #398874

RGB 57 136 116

HSL 164.81, 0.41%, 0.38%

LAB 51.54, -29.32, 3.5

 

CMYK 40 / 0 / 10 / 53

HEX #49796D

RGB 73 121 109

HSL 165, 0.25%, 0.38%

LAB 47.23, -19.33, 1.44

 

CMYK 15 / 0 / 4 / 59

HEX #596965

RGB 89 105 101

HSL 165, 0.08%, 0.38%

LAB 43.01, -6.92, 0.21

 

CMYK 0 / 14 / 11 / 59

HEX #68595D

RGB 104 89 93

HSL 344, 0.08%, 0.38%

LAB 39.37, 6.86, -0.05

 

CMYK 72 / 0 / 58 / 40

HEX #2A9840

RGB 42 152 64

HSL 132, 0.57%, 0.38%

LAB 55.4, -49.43, 37.09

 

CMYK 72 / 0 / 39 / 40

HEX #2A985D

RGB 42 152 93

HSL 147.82, 0.57%, 0.38%

LAB 55.83, -44.54, 22.43

 

CMYK 72 / 0 / 19 / 40

HEX #2A987B

RGB 42 152 123

HSL 164.18, 0.57%, 0.38%

LAB 56.47, -37.67, 6.5

 

CMYK 72 / 0 / 0 / 40

HEX #2A9898

RGB 42 152 152

HSL 180, 0.57%, 0.38%

LAB 57.28, -29.55, -8.84

 

CMYK 72 / 19 / 0 / 40

HEX #2A7B98

RGB 42 123 152

HSL 195.82, 0.57%, 0.38%

LAB 48.17, -14.38, -22.69

 

CMYK 72 / 0 / 18 / 66

HEX #185747

RGB 24 87 71

HSL 164.76, 0.57%, 0.22%

LAB 32.84, -24.16, 3.55

 

CMYK 73 / 0 / 18 / 53

HEX #217862

RGB 33 120 98

HSL 164.83, 0.57%, 0.3%

LAB 45.13, -31.08, 4.75

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 72 / 0 / 19 / 27

HEX #33B996

RGB 51 185 150

HSL 164.33, 0.57%, 0.46%

LAB 67.73, -43.91, 7.57

 

CMYK 65 / 0 / 17 / 20

HEX #48CDAB

RGB 72 205 171

HSL 164.66, 0.57%, 0.54%

LAB 74.81, -44.13, 6.38

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 72 / 68 / 0 / 40

HEX #2A3198

RGB 42 49 152

HSL 236.18, 0.57%, 0.38%

LAB 26.61, 32.88, -57.05

 

CMYK 0 / 49 / 72 / 40

HEX #984E2A

RGB 152 78 42

HSL 19.64, 0.57%, 0.38%

LAB 41.68, 28, 34.57

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 19 / 72 / 0 / 40

HEX #7B2A98

RGB 123 42 152

HSL 284.18, 0.57%, 0.38%

LAB 34.26, 51.53, -44.21

 

CMYK 0 / 19 / 72 / 40

HEX #987B2A

RGB 152 123 42

HSL 44.18, 0.57%, 0.38%

LAB 52.96, 2.37, 46.48

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 72 / 68 / 0 / 40

HEX #2A3198

RGB 42 49 152

HSL 236.18, 0.57%, 0.38%

LAB 26.61, 32.88, -57.05

 

CMYK 0 / 72 / 53 / 40

HEX #982A47

RGB 152 42 71

HSL 344.18, 0.57%, 0.38%

LAB 35.57, 47.4, 9.29

 

CMYK 0 / 5 / 72 / 40

HEX #98912A

RGB 152 145 42

HSL 56.18, 0.57%, 0.38%

LAB 59.06, -9.75, 52.55

 

CMYK 72 / 0 / 18 / 40

HEX #2A987C

RGB 42 152 124

HSL 164.73, 0.57%, 0.38%

LAB 56.49, -37.41, 5.97

 

CMYK 56 / 72 / 0 / 40

HEX #432A98

RGB 67 42 152

HSL 253.64, 0.57%, 0.38%

LAB 27.06, 40.67, -56.22

 

CMYK 0 / 72 / 53 / 40

HEX #982A47

RGB 152 42 71

HSL 344.18, 0.57%, 0.38%

LAB 35.57, 47.4, 9.29

 

CMYK 17 / 0 / 72 / 40

HEX #7E982A

RGB 126 152 42

HSL 74.18, 0.57%, 0.38%

LAB 59.03, -24.77, 51.82

 

Description

Color code: HEX #2A987C | qconv.com Color code: HEX #2A987C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 152 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 152 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 18 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 18% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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