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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A96B1 it is the complementary color #D5694E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A96B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A96B1 shade: #2F96AC, #40A8BF, #51BAD2, #62CCE5 and #73DEF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A96B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A96B1 shade: #2A96B1, #19849E, #08728B, #006078 and #004E65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A96B1 shade: #2A96B2, #2A72B2, #2A4DB2, #2B2AB2 and #502AB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A96B1 shade: #2A96B2, #2A72B2, #2A4DB2 and #2A2AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A96B1 shade matches the following richer shades: #2A96B2, #18A1C3 and #06ACD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A96B1 shade: #2A96B2, #3B8CA0, #4D818E, #5F777C and #716C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A96B1 shade: #2AB284, #2AB2A9, #2A96B2, #2A72B2 and #2A4EB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A96B1 shade: #1A5E6F, #227A90, #2A96B2, #35B1D0 and #56BED7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A96B1 shade: #2A96B1, #602AB2 and #B2962A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A96B1 shade: #2A96B1, #B22A96 and #96B22A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A96B1 shade: #2A96B1, #602AB2, #B2452A and #7BB22A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A96B1 shade: #2A96B1, #892AB2, #B2452A and #52B22A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 15 / 0 / 31

HEX #2A96B1

RGB 42 150 177

HSL 192, 0.62%, 0.43%

LAB 57.54, -20.59, -22.7

 

Complementary color

CMYK 0 / 51 / 63 / 16

HEX #D5694E

RGB 213 105 78

HSL 12, 0.62%, 0.57%

LAB 56.88, 40.34, 34.79

 

CMYK 73 / 13 / 0 / 33

HEX #2F96AC

RGB 47 150 172

HSL 190.56, 0.57%, 0.43%

LAB 57.46, -21.61, -19.97

 

CMYK 66 / 12 / 0 / 25

HEX #40A8BF

RGB 64 168 191

HSL 190.87, 0.5%, 0.5%

LAB 64.04, -22.45, -20.58

 

CMYK 61 / 11 / 0 / 18

HEX #51BAD2

RGB 81 186 210

HSL 191.16, 0.59%, 0.57%

LAB 70.54, -23.07, -21.13

 

CMYK 57 / 11 / 0 / 10

HEX #62CCE5

RGB 98 204 229

HSL 191.45, 0.72%, 0.64%

LAB 76.94, -23.53, -21.65

 

CMYK 54 / 10 / 0 / 3

HEX #73DEF8

RGB 115 222 248

HSL 191.73, 0.9%, 0.71%

LAB 83.27, -23.88, -22.12

 

CMYK 76 / 15 / 0 / 31

HEX #2A96B1

RGB 42 150 177

HSL 192, 0.62%, 0.43%

LAB 57.54, -20.59, -22.7

 

CMYK 84 / 16 / 0 / 38

HEX #19849E

RGB 25 132 158

HSL 191.73, 0.73%, 0.36%

LAB 50.89, -19.2, -22.02

 

CMYK 94 / 18 / 0 / 45

HEX #08728B

RGB 8 114 139

HSL 191.45, 0.89%, 0.29%

LAB 44.16, -17.31, -21.22

 

CMYK 100 / 20 / 0 / 53

HEX #006078

RGB 0 96 120

HSL 192, 1%, 0.24%

LAB 37.34, -14.75, -20.28

 

CMYK 100 / 23 / 0 / 60

HEX #004E65

RGB 0 78 101

HSL 193.66, 1%, 0.2%

LAB 30.37, -11.62, -19.23

 

CMYK 76 / 16 / 0 / 30

HEX #2A96B2

RGB 42 150 178

HSL 192.35, 0.62%, 0.43%

LAB 57.58, -20.26, -23.21

 

CMYK 76 / 36 / 0 / 30

HEX #2A72B2

RGB 42 114 178

HSL 208.24, 0.62%, 0.43%

LAB 46.63, 0.28, -40.29

 

CMYK 76 / 57 / 0 / 30

HEX #2A4DB2

RGB 42 77 178

HSL 224.56, 0.62%, 0.43%

LAB 36.01, 24.14, -57.34

 

CMYK 76 / 76 / 0 / 30

HEX #2B2AB2

RGB 43 42 178

HSL 240.44, 0.62%, 0.43%

LAB 27.8, 46.14, -70.8

 

CMYK 55 / 76 / 0 / 30

HEX #502AB2

RGB 80 42 178

HSL 256.76, 0.62%, 0.43%

LAB 30.82, 50.21, -65.72

 

CMYK 76 / 16 / 0 / 30

HEX #2A96B2

RGB 42 150 178

HSL 192.35, 0.62%, 0.43%

LAB 57.58, -20.26, -23.21

 

CMYK 76 / 36 / 0 / 30

HEX #2A72B2

RGB 42 114 178

HSL 208.24, 0.62%, 0.43%

LAB 46.63, 0.28, -40.29

 

CMYK 76 / 57 / 0 / 30

HEX #2A4DB2

RGB 42 77 178

HSL 224.56, 0.62%, 0.43%

LAB 36.01, 24.14, -57.34

 

CMYK 76 / 76 / 0 / 30

HEX #2A2AB2

RGB 42 42 178

HSL 240, 0.62%, 0.43%

LAB 27.74, 46.06, -70.9

 

CMYK 76 / 16 / 0 / 30

HEX #2A96B2

RGB 42 150 178

HSL 192.35, 0.62%, 0.43%

LAB 57.58, -20.26, -23.21

 

CMYK 88 / 17 / 0 / 24

HEX #18A1C3

RGB 24 161 195

HSL 191.93, 0.78%, 0.43%

LAB 61.33, -21.86, -27.05

 

CMYK 97 / 19 / 0 / 16

HEX #06ACD5

RGB 6 172 213

HSL 191.88, 0.95%, 0.43%

LAB 65.24, -22.14, -31.03

 

CMYK 76 / 16 / 0 / 30

HEX #2A96B2

RGB 42 150 178

HSL 192.35, 0.62%, 0.43%

LAB 57.58, -20.26, -23.21

 

CMYK 63 / 13 / 0 / 37

HEX #3B8CA0

RGB 59 140 160

HSL 191.88, 0.46%, 0.43%

LAB 54.26, -18.27, -17.95

 

CMYK 46 / 9 / 0 / 44

HEX #4D818E

RGB 77 129 142

HSL 192, 0.3%, 0.43%

LAB 50.96, -13.72, -12.45

 

CMYK 23 / 4 / 0 / 51

HEX #5F777C

RGB 95 119 124

HSL 190.34, 0.13%, 0.43%

LAB 48.36, -7.5, -5.63

 

CMYK 0 / 4 / 5 / 56

HEX #716C6B

RGB 113 108 107

HSL 10, 0.03%, 0.43%

LAB 46.04, 1.75, 1.25

 

CMYK 76 / 0 / 26 / 30

HEX #2AB284

RGB 42 178 132

HSL 159.71, 0.62%, 0.43%

LAB 64.96, -46.51, 13.5

 

CMYK 76 / 0 / 5 / 30

HEX #2AB2A9

RGB 42 178 169

HSL 176.03, 0.62%, 0.43%

LAB 65.9, -36.84, -5.6

 

CMYK 76 / 16 / 0 / 30

HEX #2A96B2

RGB 42 150 178

HSL 192.35, 0.62%, 0.43%

LAB 57.58, -20.26, -23.21

 

CMYK 76 / 36 / 0 / 30

HEX #2A72B2

RGB 42 114 178

HSL 208.24, 0.62%, 0.43%

LAB 46.63, 0.28, -40.29

 

CMYK 76 / 56 / 0 / 30

HEX #2A4EB2

RGB 42 78 178

HSL 224.12, 0.62%, 0.43%

LAB 36.28, 23.48, -56.9

 

CMYK 77 / 15 / 0 / 56

HEX #1A5E6F

RGB 26 94 111

HSL 192, 0.62%, 0.27%

LAB 36.69, -14.61, -15.7

 

CMYK 76 / 15 / 0 / 44

HEX #227A90

RGB 34 122 144

HSL 192, 0.62%, 0.35%

LAB 47.33, -17.67, -19.28

 

CMYK 76 / 16 / 0 / 30

HEX #2A96B2

RGB 42 150 178

HSL 192.35, 0.62%, 0.43%

LAB 57.58, -20.26, -23.21

 

CMYK 75 / 15 / 0 / 18

HEX #35B1D0

RGB 53 177 208

HSL 192, 0.62%, 0.51%

LAB 67.09, -23.2, -25.37

 

CMYK 60 / 12 / 0 / 16

HEX #56BED7

RGB 86 190 215

HSL 191.63, 0.62%, 0.59%

LAB 72.04, -22.74, -21.57

 

CMYK 76 / 15 / 0 / 31

HEX #2A96B1

RGB 42 150 177

HSL 192, 0.62%, 0.43%

LAB 57.54, -20.59, -22.7

 

CMYK 46 / 76 / 0 / 30

HEX #602AB2

RGB 96 42 178

HSL 263.82, 0.62%, 0.43%

LAB 32.61, 52.57, -62.72

 

CMYK 0 / 16 / 76 / 30

HEX #B2962A

RGB 178 150 42

HSL 47.65, 0.62%, 0.43%

LAB 62.88, -0.77, 57.06

 

CMYK 76 / 15 / 0 / 31

HEX #2A96B1

RGB 42 150 177

HSL 192, 0.62%, 0.43%

LAB 57.54, -20.59, -22.7

 

CMYK 0 / 76 / 16 / 30

HEX #B22A96

RGB 178 42 150

HSL 312.35, 0.62%, 0.43%

LAB 43.25, 63.67, -28.17

 

CMYK 16 / 0 / 76 / 30

HEX #96B22A

RGB 150 178 42

HSL 72.35, 0.62%, 0.43%

LAB 68.38, -27.43, 61.38

 

CMYK 76 / 15 / 0 / 31

HEX #2A96B1

RGB 42 150 177

HSL 192, 0.62%, 0.43%

LAB 57.54, -20.59, -22.7

 

CMYK 46 / 76 / 0 / 30

HEX #602AB2

RGB 96 42 178

HSL 263.82, 0.62%, 0.43%

LAB 32.61, 52.57, -62.72

 

CMYK 0 / 61 / 76 / 30

HEX #B2452A

RGB 178 69 42

HSL 11.91, 0.62%, 0.43%

LAB 44.07, 42.89, 38.39

 

CMYK 31 / 0 / 76 / 30

HEX #7BB22A

RGB 123 178 42

HSL 84.26, 0.62%, 0.43%

LAB 66.69, -38.17, 59.18

 

CMYK 76 / 15 / 0 / 31

HEX #2A96B1

RGB 42 150 177

HSL 192, 0.62%, 0.43%

LAB 57.54, -20.59, -22.7

 

CMYK 23 / 76 / 0 / 30

HEX #892AB2

RGB 137 42 178

HSL 281.91, 0.62%, 0.43%

LAB 38.18, 59.75, -53.41

 

CMYK 0 / 61 / 76 / 30

HEX #B2452A

RGB 178 69 42

HSL 11.91, 0.62%, 0.43%

LAB 44.07, 42.89, 38.39

 

CMYK 54 / 0 / 76 / 30

HEX #52B22A

RGB 82 178 42

HSL 102.35, 0.62%, 0.43%

LAB 64.8, -51.81, 56.72

 

Description

Color code: HEX #2A96B1 | qconv.com Color code: HEX #2A96B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 150 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 150 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 15 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 15% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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