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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A9644 it is the complementary color #D569BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A9644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A9644 shade: #2F963F, #40A852, #51BA65, #62CC78 and #73DE8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A9644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A9644 shade: #2A9644, #198431, #08721E, #00600B and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A9644 shade: #2B9745, #2E972B, #4B972B, #68972B and #86972B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A9644 shade: #2B9745, #2B9762, #2B977F, #2B9297 and #2B7597

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A9644 shade matches the following richer shades: #2B9745, #1BA73D and #0BB734

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A9644 shade: #2B9745, #3A874D, #4A7855, #5A685D and #695865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A9644 shade: #4B972B, #2E972B, #2B9744, #2B9761 and #2B977E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A9644 shade: #185727, #227736, #2B9745, #34B753 and #49CC68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A9644 shade: #2A9644, #2B6897 and #972B3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A9644 shade: #2A9644, #442B97 and #97442B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A9644 shade: #2A9644, #2B6897, #972B7E and #975A2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A9644 shade: #2A9644, #2B4897, #972B7E and #977A2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 55 / 41

HEX #2A9644

RGB 42 150 68

HSL 134.44, 0.56%, 0.38%

LAB 54.79, -48.12, 34.36

 

Complementary color

CMYK 0 / 51 / 12 / 16

HEX #D569BB

RGB 213 105 187

HSL 314.44, 0.56%, 0.62%

LAB 59.74, 52.73, -23.92

 

CMYK 69 / 0 / 58 / 41

HEX #2F963F

RGB 47 150 63

HSL 129.32, 0.52%, 0.39%

LAB 54.84, -47.89, 36.95

 

CMYK 62 / 0 / 51 / 34

HEX #40A852

RGB 64 168 82

HSL 130.38, 0.45%, 0.45%

LAB 61.4, -48.41, 35.51

 

CMYK 56 / 0 / 46 / 27

HEX #51BA65

RGB 81 186 101

HSL 131.43, 0.43%, 0.52%

LAB 67.88, -48.61, 34.08

 

CMYK 52 / 0 / 41 / 20

HEX #62CC78

RGB 98 204 120

HSL 132.45, 0.51%, 0.59%

LAB 74.28, -48.62, 32.72

 

CMYK 48 / 0 / 37 / 13

HEX #73DE8B

RGB 115 222 139

HSL 133.46, 0.62%, 0.66%

LAB 80.6, -48.52, 31.43

 

CMYK 72 / 0 / 55 / 41

HEX #2A9644

RGB 42 150 68

HSL 134.44, 0.56%, 0.38%

LAB 54.79, -48.12, 34.36

 

CMYK 81 / 0 / 63 / 48

HEX #198431

RGB 25 132 49

HSL 133.46, 0.68%, 0.31%

LAB 48.17, -46.98, 35.88

 

CMYK 93 / 0 / 74 / 55

HEX #08721E

RGB 8 114 30

HSL 132.45, 0.87%, 0.24%

LAB 41.5, -44.94, 37.13

 

CMYK 100 / 0 / 89 / 62

HEX #00600B

RGB 0 96 11

HSL 126.88, 1%, 0.19%

LAB 34.78, -41.51, 37.45

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 72 / 0 / 54 / 41

HEX #2B9745

RGB 43 151 69

HSL 134.44, 0.56%, 0.38%

LAB 55.15, -48.17, 34.31

 

CMYK 70 / 0 / 72 / 41

HEX #2E972B

RGB 46 151 43

HSL 118.33, 0.56%, 0.38%

LAB 54.96, -50.71, 46.07

 

CMYK 50 / 0 / 72 / 41

HEX #4B972B

RGB 75 151 43

HSL 102.22, 0.56%, 0.38%

LAB 55.89, -43.3, 47.33

 

CMYK 31 / 0 / 72 / 41

HEX #68972B

RGB 104 151 43

HSL 86.11, 0.56%, 0.38%

LAB 57.32, -33.15, 49.25

 

CMYK 11 / 0 / 72 / 41

HEX #86972B

RGB 134 151 43

HSL 69.44, 0.56%, 0.38%

LAB 59.32, -20.79, 51.92

 

CMYK 72 / 0 / 54 / 41

HEX #2B9745

RGB 43 151 69

HSL 134.44, 0.56%, 0.38%

LAB 55.15, -48.17, 34.31

 

CMYK 72 / 0 / 35 / 41

HEX #2B9762

RGB 43 151 98

HSL 150.56, 0.56%, 0.38%

LAB 55.61, -42.95, 19.39

 

CMYK 72 / 0 / 16 / 41

HEX #2B977F

RGB 43 151 127

HSL 166.67, 0.56%, 0.38%

LAB 56.27, -36.03, 3.94

 

CMYK 72 / 3 / 0 / 41

HEX #2B9297

RGB 43 146 151

HSL 182.78, 0.56%, 0.38%

LAB 55.39, -26.75, -11.11

 

CMYK 72 / 23 / 0 / 41

HEX #2B7597

RGB 43 117 151

HSL 198.89, 0.56%, 0.38%

LAB 46.27, -11.17, -25.02

 

CMYK 72 / 0 / 54 / 41

HEX #2B9745

RGB 43 151 69

HSL 134.44, 0.56%, 0.38%

LAB 55.15, -48.17, 34.31

 

CMYK 84 / 0 / 63 / 35

HEX #1BA73D

RGB 27 167 61

HSL 134.57, 0.72%, 0.38%

LAB 60.08, -57.03, 43.84

 

CMYK 94 / 0 / 72 / 28

HEX #0BB734

RGB 11 183 52

HSL 134.3, 0.89%, 0.38%

LAB 65.11, -64.13, 53

 

CMYK 72 / 0 / 54 / 41

HEX #2B9745

RGB 43 151 69

HSL 134.44, 0.56%, 0.38%

LAB 55.15, -48.17, 34.31

 

CMYK 57 / 0 / 43 / 47

HEX #3A874D

RGB 58 135 77

HSL 134.81, 0.4%, 0.38%

LAB 50.41, -37.18, 24.19

 

CMYK 38 / 0 / 29 / 53

HEX #4A7855

RGB 74 120 85

HSL 134.35, 0.24%, 0.38%

LAB 46.37, -23.86, 14.37

 

CMYK 13 / 0 / 11 / 59

HEX #5A685D

RGB 90 104 93

HSL 132.86, 0.07%, 0.38%

LAB 42.56, -7.7, 4.41

 

CMYK 0 / 16 / 4 / 59

HEX #695865

RGB 105 88 101

HSL 314.12, 0.09%, 0.38%

LAB 39.45, 9.47, -4.87

 

CMYK 50 / 0 / 72 / 41

HEX #4B972B

RGB 75 151 43

HSL 102.22, 0.56%, 0.38%

LAB 55.89, -43.3, 47.33

 

CMYK 70 / 0 / 72 / 41

HEX #2E972B

RGB 46 151 43

HSL 118.33, 0.56%, 0.38%

LAB 54.96, -50.71, 46.07

 

CMYK 72 / 0 / 55 / 41

HEX #2B9744

RGB 43 151 68

HSL 133.89, 0.56%, 0.38%

LAB 55.14, -48.32, 34.8

 

CMYK 72 / 0 / 36 / 41

HEX #2B9761

RGB 43 151 97

HSL 150, 0.56%, 0.38%

LAB 55.59, -43.16, 19.92

 

CMYK 72 / 0 / 17 / 41

HEX #2B977E

RGB 43 151 126

HSL 166.11, 0.56%, 0.38%

LAB 56.24, -36.29, 4.47

 

CMYK 72 / 0 / 55 / 66

HEX #185727

RGB 24 87 39

HSL 134.29, 0.57%, 0.22%

LAB 32.16, -31.51, 22.08

 

CMYK 71 / 0 / 55 / 53

HEX #227736

RGB 34 119 54

HSL 134.12, 0.56%, 0.3%

LAB 43.94, -39.97, 28.38

 

CMYK 72 / 0 / 54 / 41

HEX #2B9745

RGB 43 151 69

HSL 134.44, 0.56%, 0.38%

LAB 55.15, -48.17, 34.31

 

CMYK 72 / 0 / 55 / 28

HEX #34B753

RGB 52 183 83

HSL 134.2, 0.56%, 0.46%

LAB 65.92, -56.15, 40.46

 

CMYK 64 / 0 / 49 / 20

HEX #49CC68

RGB 73 204 104

HSL 134.2, 0.56%, 0.54%

LAB 73.29, -56.82, 39.34

 

CMYK 72 / 0 / 55 / 41

HEX #2A9644

RGB 42 150 68

HSL 134.44, 0.56%, 0.38%

LAB 54.79, -48.12, 34.36

 

CMYK 72 / 31 / 0 / 41

HEX #2B6897

RGB 43 104 151

HSL 206.11, 0.56%, 0.38%

LAB 42.23, -3.45, -31.34

 

CMYK 0 / 72 / 60 / 41

HEX #972B3D

RGB 151 43 61

HSL 350, 0.56%, 0.38%

LAB 35.29, 45.9, 15.31

 

CMYK 72 / 0 / 55 / 41

HEX #2A9644

RGB 42 150 68

HSL 134.44, 0.56%, 0.38%

LAB 54.79, -48.12, 34.36

 

CMYK 55 / 72 / 0 / 41

HEX #442B97

RGB 68 43 151

HSL 253.89, 0.56%, 0.38%

LAB 27.27, 39.97, -55.27

 

CMYK 0 / 55 / 72 / 41

HEX #97442B

RGB 151 68 43

HSL 13.89, 0.56%, 0.38%

LAB 39.39, 33.03, 31.41

 

CMYK 72 / 0 / 55 / 41

HEX #2A9644

RGB 42 150 68

HSL 134.44, 0.56%, 0.38%

LAB 54.79, -48.12, 34.36

 

CMYK 72 / 31 / 0 / 41

HEX #2B6897

RGB 43 104 151

HSL 206.11, 0.56%, 0.38%

LAB 42.23, -3.45, -31.34

 

CMYK 0 / 72 / 17 / 41

HEX #972B7E

RGB 151 43 126

HSL 313.89, 0.56%, 0.38%

LAB 37.51, 53.24, -22.78

 

CMYK 0 / 40 / 72 / 41

HEX #975A2B

RGB 151 90 43

HSL 26.11, 0.56%, 0.38%

LAB 44.33, 20.88, 36.91

 

CMYK 72 / 0 / 55 / 41

HEX #2A9644

RGB 42 150 68

HSL 134.44, 0.56%, 0.38%

LAB 54.79, -48.12, 34.36

 

CMYK 72 / 52 / 0 / 41

HEX #2B4897

RGB 43 72 151

HSL 223.89, 0.56%, 0.38%

LAB 32.66, 17.29, -46.58

 

CMYK 0 / 72 / 17 / 41

HEX #972B7E

RGB 151 43 126

HSL 313.89, 0.56%, 0.38%

LAB 37.51, 53.24, -22.78

 

CMYK 0 / 19 / 72 / 41

HEX #977A2B

RGB 151 122 43

HSL 43.89, 0.56%, 0.38%

LAB 52.59, 2.53, 45.63

 

Description

Color code: HEX #2A9644 | qconv.com Color code: HEX #2A9644 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 150 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 150 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 55 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 55% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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