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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A944C it is the complementary color #D56BB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A944C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A944C shade: #2F9447, #40A65A, #51B86D, #62CA80 and #73DC93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A944C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A944C shade: #2A944C, #198239, #087026, #005E13 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A944C shade: #2A934B, #2A932F, #41932A, #5D932A and #7A932A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A944C shade: #2A934B, #2A9368, #2A9384, #2A8593 and #2A6993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A944C shade matches the following richer shades: #2A934B, #1AA246 and #0BB240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A944C shade: #2A934B, #398451, #487556, #57655C and #675661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A944C shade: #40932A, #2A932F, #2A934B, #2A9367 and #2A9383

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A944C shade: #17532A, #20733B, #2A934B, #33B35C and #45CA70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A944C shade: #2A944C, #2A5D93 and #932A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A944C shade: #2A944C, #4B2A93 and #934B2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A944C shade: #2A944C, #2A5D93, #932A72 and #93602A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A944C shade: #2A944C, #2A3D93, #932A72 and #93802A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 49 / 42

HEX #2A944C

RGB 42 148 76

HSL 139.25, 0.56%, 0.37%

LAB 54.23, -46.11, 29.54

 

Complementary color

CMYK 0 / 50 / 16 / 16

HEX #D56BB3

RGB 213 107 179

HSL 319.25, 0.56%, 0.63%

LAB 59.81, 50.5, -19.23

 

CMYK 68 / 0 / 52 / 42

HEX #2F9447

RGB 47 148 71

HSL 134.26, 0.52%, 0.38%

LAB 54.28, -45.98, 32.24

 

CMYK 61 / 0 / 46 / 35

HEX #40A65A

RGB 64 166 90

HSL 135.29, 0.44%, 0.45%

LAB 60.87, -46.37, 30.73

 

CMYK 56 / 0 / 41 / 28

HEX #51B86D

RGB 81 184 109

HSL 136.31, 0.42%, 0.52%

LAB 67.38, -46.49, 29.3

 

CMYK 51 / 0 / 37 / 21

HEX #62CA80

RGB 98 202 128

HSL 137.31, 0.5%, 0.59%

LAB 73.8, -46.44, 27.96

 

CMYK 48 / 0 / 33 / 14

HEX #73DC93

RGB 115 220 147

HSL 138.29, 0.6%, 0.66%

LAB 80.14, -46.3, 26.71

 

CMYK 72 / 0 / 49 / 42

HEX #2A944C

RGB 42 148 76

HSL 139.25, 0.56%, 0.37%

LAB 54.23, -46.11, 29.54

 

CMYK 81 / 0 / 56 / 49

HEX #198239

RGB 25 130 57

HSL 138.29, 0.68%, 0.3%

LAB 47.58, -45.14, 31.18

 

CMYK 93 / 0 / 66 / 56

HEX #087026

RGB 8 112 38

HSL 137.31, 0.87%, 0.24%

LAB 40.86, -43.35, 32.81

 

CMYK 100 / 0 / 80 / 63

HEX #005E13

RGB 0 94 19

HSL 132.13, 1%, 0.18%

LAB 34.09, -40.27, 34.01

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 71 / 0 / 49 / 42

HEX #2A934B

RGB 42 147 75

HSL 138.86, 0.56%, 0.37%

LAB 53.89, -45.89, 29.63

 

CMYK 71 / 0 / 68 / 42

HEX #2A932F

RGB 42 147 47

HSL 122.86, 0.56%, 0.37%

LAB 53.56, -49.69, 42.89

 

CMYK 56 / 0 / 71 / 42

HEX #41932A

RGB 65 147 42

HSL 106.86, 0.56%, 0.37%

LAB 54.19, -44.74, 45.86

 

CMYK 37 / 0 / 71 / 42

HEX #5D932A

RGB 93 147 42

HSL 90.86, 0.56%, 0.37%

LAB 55.44, -35.56, 47.54

 

CMYK 17 / 0 / 71 / 42

HEX #7A932A

RGB 122 147 42

HSL 74.29, 0.56%, 0.37%

LAB 57.24, -23.98, 49.94

 

CMYK 71 / 0 / 49 / 42

HEX #2A934B

RGB 42 147 75

HSL 138.86, 0.56%, 0.37%

LAB 53.89, -45.89, 29.63

 

CMYK 71 / 0 / 29 / 42

HEX #2A9368

RGB 42 147 104

HSL 155.43, 0.56%, 0.37%

LAB 54.41, -40.13, 14.37

 

CMYK 71 / 0 / 10 / 42

HEX #2A9384

RGB 42 147 132

HSL 171.43, 0.56%, 0.37%

LAB 55.1, -32.98, -0.62

 

CMYK 71 / 10 / 0 / 42

HEX #2A8593

RGB 42 133 147

HSL 188, 0.56%, 0.37%

LAB 51.12, -21.49, -15.24

 

CMYK 71 / 29 / 0 / 42

HEX #2A6993

RGB 42 105 147

HSL 204, 0.56%, 0.37%

LAB 42.31, -5.68, -28.82

 

CMYK 71 / 0 / 49 / 42

HEX #2A934B

RGB 42 147 75

HSL 138.86, 0.56%, 0.37%

LAB 53.89, -45.89, 29.63

 

CMYK 84 / 0 / 57 / 36

HEX #1AA246

RGB 26 162 70

HSL 139.41, 0.72%, 0.37%

LAB 58.51, -54.3, 37.79

 

CMYK 94 / 0 / 64 / 30

HEX #0BB240

RGB 11 178 64

HSL 139.04, 0.88%, 0.37%

LAB 63.58, -61.37, 46.41

 

CMYK 71 / 0 / 49 / 42

HEX #2A934B

RGB 42 147 75

HSL 138.86, 0.56%, 0.37%

LAB 53.89, -45.89, 29.63

 

CMYK 57 / 0 / 39 / 48

HEX #398451

RGB 57 132 81

HSL 139.2, 0.4%, 0.37%

LAB 49.46, -35.38, 20.7

 

CMYK 38 / 0 / 26 / 54

HEX #487556

RGB 72 117 86

HSL 138.67, 0.24%, 0.37%

LAB 45.32, -22.78, 12.32

 

CMYK 14 / 0 / 9 / 60

HEX #57655C

RGB 87 101 92

HSL 141.43, 0.07%, 0.37%

LAB 41.38, -7.31, 3.3

 

CMYK 0 / 17 / 6 / 60

HEX #675661

RGB 103 86 97

HSL 321.18, 0.09%, 0.37%

LAB 38.55, 9.09, -3.74

 

CMYK 56 / 0 / 71 / 42

HEX #40932A

RGB 64 147 42

HSL 107.43, 0.56%, 0.37%

LAB 54.16, -45.02, 45.81

 

CMYK 71 / 0 / 68 / 42

HEX #2A932F

RGB 42 147 47

HSL 122.86, 0.56%, 0.37%

LAB 53.56, -49.69, 42.89

 

CMYK 71 / 0 / 49 / 42

HEX #2A934B

RGB 42 147 75

HSL 138.86, 0.56%, 0.37%

LAB 53.89, -45.89, 29.63

 

CMYK 71 / 0 / 30 / 42

HEX #2A9367

RGB 42 147 103

HSL 154.86, 0.56%, 0.37%

LAB 54.38, -40.35, 14.91

 

CMYK 71 / 0 / 11 / 42

HEX #2A9383

RGB 42 147 131

HSL 170.86, 0.56%, 0.37%

LAB 55.07, -33.25, -0.09

 

CMYK 72 / 0 / 49 / 67

HEX #17532A

RGB 23 83 42

HSL 139, 0.57%, 0.21%

LAB 30.73, -29.47, 18.53

 

CMYK 72 / 0 / 49 / 55

HEX #20733B

RGB 32 115 59

HSL 139.52, 0.56%, 0.29%

LAB 42.59, -37.93, 23.95

 

CMYK 71 / 0 / 49 / 42

HEX #2A934B

RGB 42 147 75

HSL 138.86, 0.56%, 0.37%

LAB 53.89, -45.89, 29.63

 

CMYK 72 / 0 / 49 / 30

HEX #33B35C

RGB 51 179 92

HSL 139.22, 0.56%, 0.45%

LAB 64.74, -53.53, 34.53

 

CMYK 66 / 0 / 45 / 21

HEX #45CA70

RGB 69 202 112

HSL 139.4, 0.56%, 0.53%

LAB 72.68, -55.59, 34.55

 

CMYK 72 / 0 / 49 / 42

HEX #2A944C

RGB 42 148 76

HSL 139.25, 0.56%, 0.37%

LAB 54.23, -46.11, 29.54

 

CMYK 71 / 37 / 0 / 42

HEX #2A5D93

RGB 42 93 147

HSL 210.86, 0.56%, 0.37%

LAB 38.6, 1.76, -34.66

 

CMYK 0 / 71 / 66 / 42

HEX #932A32

RGB 147 42 50

HSL 355.43, 0.56%, 0.37%

LAB 34.17, 44.22, 20.73

 

CMYK 72 / 0 / 49 / 42

HEX #2A944C

RGB 42 148 76

HSL 139.25, 0.56%, 0.37%

LAB 54.23, -46.11, 29.54

 

CMYK 49 / 71 / 0 / 42

HEX #4B2A93

RGB 75 42 147

HSL 258.86, 0.56%, 0.37%

LAB 27.46, 40.54, -52.47

 

CMYK 0 / 49 / 71 / 42

HEX #934B2A

RGB 147 75 42

HSL 18.86, 0.56%, 0.37%

LAB 40.25, 27.54, 32.78

 

CMYK 72 / 0 / 49 / 42

HEX #2A944C

RGB 42 148 76

HSL 139.25, 0.56%, 0.37%

LAB 54.23, -46.11, 29.54

 

CMYK 71 / 37 / 0 / 42

HEX #2A5D93

RGB 42 93 147

HSL 210.86, 0.56%, 0.37%

LAB 38.6, 1.76, -34.66

 

CMYK 0 / 71 / 22 / 42

HEX #932A72

RGB 147 42 114

HSL 318.86, 0.56%, 0.37%

LAB 36.13, 50.81, -17.47

 

CMYK 0 / 35 / 71 / 42

HEX #93602A

RGB 147 96 42

HSL 30.86, 0.56%, 0.37%

LAB 45.27, 15.58, 38.29

 

CMYK 72 / 0 / 49 / 42

HEX #2A944C

RGB 42 148 76

HSL 139.25, 0.56%, 0.37%

LAB 54.23, -46.11, 29.54

 

CMYK 71 / 59 / 0 / 42

HEX #2A3D93

RGB 42 61 147

HSL 229.14, 0.56%, 0.37%

LAB 29.25, 23.07, -49.67

 

CMYK 0 / 71 / 22 / 42

HEX #932A72

RGB 147 42 114

HSL 318.86, 0.56%, 0.37%

LAB 36.13, 50.81, -17.47

 

CMYK 0 / 13 / 71 / 42

HEX #93802A

RGB 147 128 42

HSL 49.14, 0.56%, 0.37%

LAB 53.82, -2.73, 47.19

 

Description

Color code: HEX #2A944C | qconv.com Color code: HEX #2A944C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 148 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 148 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 49 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 49% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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