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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A9062 it is the complementary color #D56F9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A9062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A9062 shade: #2F905D, #40A270, #51B483, #62C696 and #73D8A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A9062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A9062 shade: #2A9062, #197E4F, #086C3C, #005A29 and #004816

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A9062 shade: #298E61, #298E46, #298E2A, #448E29 and #5F8E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A9062 shade: #298E61, #298E7C, #29858E, #296A8E and #294F8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A9062 shade matches the following richer shades: #298E61, #1A9D62 and #0CAC64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A9062 shade: #298E61, #387F5F, #47715E, #56625C and #65535B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A9062 shade: #298E29, #298E44, #298E5F, #298E7A and #29888E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A9062 shade: #174E35, #206E4B, #298E61, #33AE76 and #42C88C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A9062 shade: #2A9062, #29448E and #8E3729

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A9062 shade: #2A9062, #5F298E and #8E5F29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A9062 shade: #2A9062, #29448E, #8E2958 and #8E7329

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A9062 shade: #2A9062, #2D298E, #8E2958 and #8B8E29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 32 / 44

HEX #2A9062

RGB 42 144 98

HSL 152.94, 0.55%, 0.36%

LAB 53.3, -40.21, 16.24

 

Complementary color

CMYK 0 / 48 / 26 / 16

HEX #D56F9D

RGB 213 111 157

HSL 332.94, 0.55%, 0.64%

LAB 59.84, 45.3, -6.53

 

CMYK 67 / 0 / 35 / 44

HEX #2F905D

RGB 47 144 93

HSL 148.45, 0.51%, 0.37%

LAB 53.32, -40.38, 19.1

 

CMYK 60 / 0 / 31 / 36

HEX #40A270

RGB 64 162 112

HSL 149.39, 0.43%, 0.44%

LAB 59.98, -40.58, 17.68

 

CMYK 55 / 0 / 27 / 29

HEX #51B483

RGB 81 180 131

HSL 150.3, 0.4%, 0.51%

LAB 66.54, -40.59, 16.4

 

CMYK 51 / 0 / 24 / 22

HEX #62C696

RGB 98 198 150

HSL 151.2, 0.47%, 0.58%

LAB 73.01, -40.49, 15.23

 

CMYK 47 / 0 / 22 / 15

HEX #73D8A9

RGB 115 216 169

HSL 152.08, 0.56%, 0.65%

LAB 79.4, -40.33, 14.16

 

CMYK 71 / 0 / 32 / 44

HEX #2A9062

RGB 42 144 98

HSL 152.94, 0.55%, 0.36%

LAB 53.3, -40.21, 16.24

 

CMYK 80 / 0 / 37 / 51

HEX #197E4F

RGB 25 126 79

HSL 152.08, 0.67%, 0.3%

LAB 46.57, -39.52, 17.83

 

CMYK 93 / 0 / 44 / 58

HEX #086C3C

RGB 8 108 60

HSL 151.2, 0.86%, 0.23%

LAB 39.75, -38.2, 19.65

 

CMYK 100 / 0 / 54 / 65

HEX #005A29

RGB 0 90 41

HSL 147.33, 1%, 0.18%

LAB 32.86, -35.87, 21.72

 

CMYK 100 / 0 / 69 / 72

HEX #004816

RGB 0 72 22

HSL 138.33, 1%, 0.14%

LAB 25.84, -32.4, 23.82

 

CMYK 71 / 0 / 32 / 44

HEX #298E61

RGB 41 142 97

HSL 153.27, 0.55%, 0.36%

LAB 52.6, -39.76, 15.84

 

CMYK 71 / 0 / 51 / 44

HEX #298E46

RGB 41 142 70

HSL 137.23, 0.55%, 0.36%

LAB 52.13, -44.99, 30.06

 

CMYK 71 / 0 / 70 / 44

HEX #298E2A

RGB 41 142 42

HSL 120.59, 0.55%, 0.36%

LAB 51.82, -48.62, 43.14

 

CMYK 52 / 0 / 71 / 44

HEX #448E29

RGB 68 142 41

HSL 103.96, 0.55%, 0.36%

LAB 52.66, -41.96, 44.7

 

CMYK 33 / 0 / 71 / 44

HEX #5F8E29

RGB 95 142 41

HSL 87.92, 0.55%, 0.36%

LAB 53.96, -32.61, 46.46

 

CMYK 71 / 0 / 32 / 44

HEX #298E61

RGB 41 142 97

HSL 153.27, 0.55%, 0.36%

LAB 52.6, -39.76, 15.84

 

CMYK 71 / 0 / 13 / 44

HEX #298E7C

RGB 41 142 124

HSL 169.31, 0.55%, 0.36%

LAB 53.25, -33.01, 1.28

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 71 / 25 / 0 / 44

HEX #296A8E

RGB 41 106 142

HSL 201.39, 0.55%, 0.36%

LAB 42.36, -8.24, -25.76

 

CMYK 71 / 44 / 0 / 44

HEX #294F8E

RGB 41 79 142

HSL 217.43, 0.55%, 0.36%

LAB 34.02, 8.82, -38.92

 

CMYK 71 / 0 / 32 / 44

HEX #298E61

RGB 41 142 97

HSL 153.27, 0.55%, 0.36%

LAB 52.6, -39.76, 15.84

 

CMYK 83 / 0 / 38 / 38

HEX #1A9D62

RGB 26 157 98

HSL 152.98, 0.72%, 0.36%

LAB 57.28, -47.57, 21.59

 

CMYK 93 / 0 / 42 / 33

HEX #0CAC64

RGB 12 172 100

HSL 153, 0.87%, 0.36%

LAB 62.09, -53.74, 26.86

 

CMYK 71 / 0 / 32 / 44

HEX #298E61

RGB 41 142 97

HSL 153.27, 0.55%, 0.36%

LAB 52.6, -39.76, 15.84

 

CMYK 56 / 0 / 25 / 50

HEX #387F5F

RGB 56 127 95

HSL 152.96, 0.39%, 0.36%

LAB 48.07, -30.39, 10.77

 

CMYK 37 / 0 / 17 / 56

HEX #47715E

RGB 71 113 94

HSL 152.86, 0.23%, 0.36%

LAB 44.17, -19.27, 5.95

 

CMYK 12 / 0 / 6 / 62

HEX #56625C

RGB 86 98 92

HSL 150, 0.07%, 0.36%

LAB 40.39, -5.93, 1.85

 

CMYK 0 / 18 / 10 / 60

HEX #65535B

RGB 101 83 91

HSL 333.33, 0.1%, 0.36%

LAB 37.31, 8.95, -1.86

 

CMYK 71 / 0 / 71 / 44

HEX #298E29

RGB 41 142 41

HSL 120, 0.55%, 0.36%

LAB 51.81, -48.72, 43.55

 

CMYK 71 / 0 / 52 / 44

HEX #298E44

RGB 41 142 68

HSL 136.04, 0.55%, 0.36%

LAB 52.1, -45.31, 31.07

 

CMYK 71 / 0 / 33 / 44

HEX #298E5F

RGB 41 142 95

HSL 152.08, 0.55%, 0.36%

LAB 52.56, -40.2, 16.91

 

CMYK 71 / 0 / 14 / 44

HEX #298E7A

RGB 41 142 122

HSL 168.12, 0.55%, 0.36%

LAB 53.19, -33.55, 2.36

 

CMYK 71 / 4 / 0 / 44

HEX #29888E

RGB 41 136 142

HSL 183.56, 0.55%, 0.36%

LAB 51.87, -24.78, -11.19

 

CMYK 71 / 0 / 32 / 69

HEX #174E35

RGB 23 78 53

HSL 152.73, 0.54%, 0.2%

LAB 29.13, -24.75, 9.65

 

CMYK 71 / 0 / 32 / 57

HEX #206E4B

RGB 32 110 75

HSL 153.08, 0.55%, 0.28%

LAB 41.16, -32.49, 12.83

 

CMYK 71 / 0 / 32 / 44

HEX #298E61

RGB 41 142 97

HSL 153.27, 0.55%, 0.36%

LAB 52.6, -39.76, 15.84

 

CMYK 71 / 0 / 32 / 32

HEX #33AE76

RGB 51 174 118

HSL 152.68, 0.55%, 0.44%

LAB 63.58, -46.75, 19.26

 

CMYK 67 / 0 / 30 / 22

HEX #42C88C

RGB 66 200 140

HSL 153.13, 0.55%, 0.52%

LAB 72.47, -50.09, 19.68

 

CMYK 71 / 0 / 32 / 44

HEX #2A9062

RGB 42 144 98

HSL 152.94, 0.55%, 0.36%

LAB 53.3, -40.21, 16.24

 

CMYK 71 / 52 / 0 / 44

HEX #29448E

RGB 41 68 142

HSL 223.96, 0.55%, 0.36%

LAB 30.78, 16.24, -44.12

 

CMYK 0 / 61 / 71 / 44

HEX #8E3729

RGB 142 55 41

HSL 8.32, 0.55%, 0.36%

LAB 35.29, 36.03, 27.46

 

CMYK 71 / 0 / 32 / 44

HEX #2A9062

RGB 42 144 98

HSL 152.94, 0.55%, 0.36%

LAB 53.3, -40.21, 16.24

 

CMYK 33 / 71 / 0 / 44

HEX #5F298E

RGB 95 41 142

HSL 272.08, 0.55%, 0.36%

LAB 29.34, 43.67, -46.22

 

CMYK 0 / 33 / 71 / 44

HEX #8E5F29

RGB 142 95 41

HSL 32.08, 0.55%, 0.36%

LAB 44.37, 13.82, 37.63

 

CMYK 71 / 0 / 32 / 44

HEX #2A9062

RGB 42 144 98

HSL 152.94, 0.55%, 0.36%

LAB 53.3, -40.21, 16.24

 

CMYK 71 / 52 / 0 / 44

HEX #29448E

RGB 41 68 142

HSL 223.96, 0.55%, 0.36%

LAB 30.78, 16.24, -44.12

 

CMYK 0 / 71 / 38 / 44

HEX #8E2958

RGB 142 41 88

HSL 332.08, 0.55%, 0.36%

LAB 34.07, 46.41, -4.1

 

CMYK 0 / 19 / 71 / 44

HEX #8E7329

RGB 142 115 41

HSL 43.96, 0.55%, 0.36%

LAB 49.7, 2.25, 43.26

 

CMYK 71 / 0 / 32 / 44

HEX #2A9062

RGB 42 144 98

HSL 152.94, 0.55%, 0.36%

LAB 53.3, -40.21, 16.24

 

CMYK 68 / 71 / 0 / 44

HEX #2D298E

RGB 45 41 142

HSL 242.38, 0.55%, 0.36%

LAB 23.99, 34.77, -55.17

 

CMYK 0 / 71 / 38 / 44

HEX #8E2958

RGB 142 41 88

HSL 332.08, 0.55%, 0.36%

LAB 34.07, 46.41, -4.1

 

CMYK 2 / 0 / 71 / 44

HEX #8B8E29

RGB 139 142 41

HSL 61.78, 0.55%, 0.36%

LAB 57.07, -14.03, 50.6

 

Description

Color code: HEX #2A9062 | qconv.com Color code: HEX #2A9062 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 144 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 144 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 32 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 32% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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