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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8F66 it is the complementary color #D57099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8F66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8F66 shade: #2F8F61, #40A174, #51B387, #62C59A and #73D7AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8F66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8F66 shade: #2A8F66, #197D53, #086B40, #00592D and #00471A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8F66 shade: #298E65, #298E4A, #298E2F, #3F8E29 and #5A8E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8F66 shade: #298E65, #298E81, #29818E, #29668E and #294A8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8F66 shade matches the following richer shades: #298E65, #1A9D68 and #0CAC6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8F66 shade: #298E65, #387F62, #477160, #56625D and #65535A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8F66 shade: #298E2E, #298E49, #298E64, #298E7F and #29838E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8F66 shade: #174E38, #206E4F, #298E65, #33AE7C and #42C892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8F66 shade: #2A8F66, #293F8E and #8E3C29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8F66 shade: #2A8F66, #64298E and #8E6429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8F66 shade: #2A8F66, #293F8E, #8E2953 and #8E7829

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8F66 shade: #2A8F66, #32298E, #8E2953 and #868E29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 29 / 44

HEX #2A8F66

RGB 42 143 102

HSL 155.64, 0.55%, 0.36%

LAB 53.05, -38.88, 13.63

 

Complementary color

CMYK 0 / 47 / 28 / 16

HEX #D57099

RGB 213 112 153

HSL 335.64, 0.55%, 0.64%

LAB 59.92, 44.26, -4.11

 

CMYK 67 / 0 / 32 / 44

HEX #2F8F61

RGB 47 143 97

HSL 151.25, 0.51%, 0.37%

LAB 53.07, -39.11, 16.51

 

CMYK 60 / 0 / 28 / 37

HEX #40A174

RGB 64 161 116

HSL 152.16, 0.43%, 0.44%

LAB 59.74, -39.29, 15.14

 

CMYK 55 / 0 / 25 / 30

HEX #51B387

RGB 81 179 135

HSL 153.06, 0.39%, 0.51%

LAB 66.32, -39.3, 13.9

 

CMYK 50 / 0 / 22 / 23

HEX #62C59A

RGB 98 197 154

HSL 153.94, 0.46%, 0.58%

LAB 72.8, -39.2, 12.78

 

CMYK 47 / 0 / 20 / 16

HEX #73D7AD

RGB 115 215 173

HSL 154.8, 0.56%, 0.65%

LAB 79.19, -39.04, 11.75

 

CMYK 71 / 0 / 29 / 44

HEX #2A8F66

RGB 42 143 102

HSL 155.64, 0.55%, 0.36%

LAB 53.05, -38.88, 13.63

 

CMYK 80 / 0 / 34 / 51

HEX #197D53

RGB 25 125 83

HSL 154.8, 0.67%, 0.29%

LAB 46.31, -38.21, 15.18

 

CMYK 93 / 0 / 40 / 58

HEX #086B40

RGB 8 107 64

HSL 153.94, 0.86%, 0.23%

LAB 39.47, -36.94, 16.96

 

CMYK 100 / 0 / 49 / 65

HEX #00592D

RGB 0 89 45

HSL 150.34, 1%, 0.17%

LAB 32.56, -34.71, 19.02

 

CMYK 100 / 0 / 63 / 72

HEX #00471A

RGB 0 71 26

HSL 141.97, 1%, 0.14%

LAB 25.51, -31.41, 21.25

 

CMYK 71 / 0 / 29 / 44

HEX #298E65

RGB 41 142 101

HSL 155.64, 0.55%, 0.36%

LAB 52.68, -38.85, 13.68

 

CMYK 71 / 0 / 48 / 44

HEX #298E4A

RGB 41 142 74

HSL 139.6, 0.55%, 0.36%

LAB 52.19, -44.32, 28.01

 

CMYK 71 / 0 / 67 / 44

HEX #298E2F

RGB 41 142 47

HSL 123.56, 0.55%, 0.36%

LAB 51.86, -48.11, 41.03

 

CMYK 56 / 0 / 71 / 44

HEX #3F8E29

RGB 63 142 41

HSL 106.93, 0.55%, 0.36%

LAB 52.47, -43.43, 44.44

 

CMYK 37 / 0 / 71 / 44

HEX #5A8E29

RGB 90 142 41

HSL 90.89, 0.55%, 0.36%

LAB 53.69, -34.5, 46.08

 

CMYK 71 / 0 / 29 / 44

HEX #298E65

RGB 41 142 101

HSL 155.64, 0.55%, 0.36%

LAB 52.68, -38.85, 13.68

 

CMYK 71 / 0 / 9 / 44

HEX #298E81

RGB 41 142 129

HSL 172.28, 0.55%, 0.36%

LAB 53.39, -31.61, -1.4

 

CMYK 71 / 9 / 0 / 44

HEX #29818E

RGB 41 129 142

HSL 187.72, 0.55%, 0.36%

LAB 49.65, -21.14, -14.56

 

CMYK 71 / 28 / 0 / 44

HEX #29668E

RGB 41 102 142

HSL 203.76, 0.55%, 0.36%

LAB 41.1, -5.84, -27.72

 

CMYK 71 / 48 / 0 / 44

HEX #294A8E

RGB 41 74 142

HSL 220.4, 0.55%, 0.36%

LAB 32.53, 12.17, -41.31

 

CMYK 71 / 0 / 29 / 44

HEX #298E65

RGB 41 142 101

HSL 155.64, 0.55%, 0.36%

LAB 52.68, -38.85, 13.68

 

CMYK 83 / 0 / 34 / 38

HEX #1A9D68

RGB 26 157 104

HSL 155.73, 0.72%, 0.36%

LAB 57.4, -46.28, 18.44

 

CMYK 93 / 0 / 38 / 33

HEX #0CAC6B

RGB 12 172 107

HSL 155.63, 0.87%, 0.36%

LAB 62.21, -52.34, 23.27

 

CMYK 71 / 0 / 29 / 44

HEX #298E65

RGB 41 142 101

HSL 155.64, 0.55%, 0.36%

LAB 52.68, -38.85, 13.68

 

CMYK 56 / 0 / 23 / 50

HEX #387F62

RGB 56 127 98

HSL 155.49, 0.39%, 0.36%

LAB 48.14, -29.69, 9.12

 

CMYK 37 / 0 / 15 / 56

HEX #477160

RGB 71 113 96

HSL 155.71, 0.23%, 0.36%

LAB 44.22, -18.8, 4.83

 

CMYK 12 / 0 / 5 / 62

HEX #56625D

RGB 86 98 93

HSL 155, 0.07%, 0.36%

LAB 40.42, -5.72, 1.28

 

CMYK 0 / 18 / 11 / 60

HEX #65535A

RGB 101 83 90

HSL 336.67, 0.1%, 0.36%

LAB 37.28, 8.76, -1.28

 

CMYK 71 / 0 / 68 / 44

HEX #298E2E

RGB 41 142 46

HSL 122.97, 0.55%, 0.36%

LAB 51.85, -48.22, 41.46

 

CMYK 71 / 0 / 49 / 44

HEX #298E49

RGB 41 142 73

HSL 139.01, 0.55%, 0.36%

LAB 52.17, -44.49, 28.52

 

CMYK 71 / 0 / 30 / 44

HEX #298E64

RGB 41 142 100

HSL 155.05, 0.55%, 0.36%

LAB 52.66, -39.08, 14.22

 

CMYK 71 / 0 / 11 / 44

HEX #298E7F

RGB 41 142 127

HSL 171.09, 0.55%, 0.36%

LAB 53.33, -32.17, -0.33

 

CMYK 71 / 8 / 0 / 44

HEX #29838E

RGB 41 131 142

HSL 186.53, 0.55%, 0.36%

LAB 50.28, -22.19, -13.59

 

CMYK 71 / 0 / 28 / 69

HEX #174E38

RGB 23 78 56

HSL 156, 0.54%, 0.2%

LAB 29.2, -23.99, 7.86

 

CMYK 71 / 0 / 28 / 57

HEX #206E4F

RGB 32 110 79

HSL 156.15, 0.55%, 0.28%

LAB 41.25, -31.54, 10.58

 

CMYK 71 / 0 / 29 / 44

HEX #298E65

RGB 41 142 101

HSL 155.64, 0.55%, 0.36%

LAB 52.68, -38.85, 13.68

 

CMYK 71 / 0 / 29 / 32

HEX #33AE7C

RGB 51 174 124

HSL 155.61, 0.55%, 0.44%

LAB 63.7, -45.44, 16.15

 

CMYK 67 / 0 / 27 / 22

HEX #42C892

RGB 66 200 146

HSL 155.82, 0.55%, 0.52%

LAB 72.59, -48.8, 16.64

 

CMYK 71 / 0 / 29 / 44

HEX #2A8F66

RGB 42 143 102

HSL 155.64, 0.55%, 0.36%

LAB 53.05, -38.88, 13.63

 

CMYK 71 / 56 / 0 / 44

HEX #293F8E

RGB 41 63 142

HSL 226.93, 0.55%, 0.36%

LAB 29.36, 19.65, -46.42

 

CMYK 0 / 58 / 71 / 44

HEX #8E3C29

RGB 142 60 41

HSL 11.29, 0.55%, 0.36%

LAB 36.26, 33.5, 28.58

 

CMYK 71 / 0 / 29 / 44

HEX #2A8F66

RGB 42 143 102

HSL 155.64, 0.55%, 0.36%

LAB 53.05, -38.88, 13.63

 

CMYK 30 / 71 / 0 / 44

HEX #64298E

RGB 100 41 142

HSL 275.05, 0.55%, 0.36%

LAB 30.03, 44.75, -45.07

 

CMYK 0 / 30 / 71 / 44

HEX #8E6429

RGB 142 100 41

HSL 35.05, 0.55%, 0.36%

LAB 45.67, 10.91, 39.03

 

CMYK 71 / 0 / 29 / 44

HEX #2A8F66

RGB 42 143 102

HSL 155.64, 0.55%, 0.36%

LAB 53.05, -38.88, 13.63

 

CMYK 71 / 56 / 0 / 44

HEX #293F8E

RGB 41 63 142

HSL 226.93, 0.55%, 0.36%

LAB 29.36, 19.65, -46.42

 

CMYK 0 / 71 / 42 / 44

HEX #8E2953

RGB 142 41 83

HSL 335.05, 0.55%, 0.36%

LAB 33.9, 45.84, -1.11

 

CMYK 0 / 15 / 71 / 44

HEX #8E7829

RGB 142 120 41

HSL 46.93, 0.55%, 0.36%

LAB 51.09, -0.6, 44.68

 

CMYK 71 / 0 / 29 / 44

HEX #2A8F66

RGB 42 143 102

HSL 155.64, 0.55%, 0.36%

LAB 53.05, -38.88, 13.63

 

CMYK 65 / 71 / 0 / 44

HEX #32298E

RGB 50 41 142

HSL 245.35, 0.55%, 0.36%

LAB 24.38, 35.46, -54.52

 

CMYK 0 / 71 / 42 / 44

HEX #8E2953

RGB 142 41 83

HSL 335.05, 0.55%, 0.36%

LAB 33.9, 45.84, -1.11

 

CMYK 6 / 0 / 71 / 44

HEX #868E29

RGB 134 142 41

HSL 64.75, 0.55%, 0.36%

LAB 56.66, -16.26, 50.06

 

Description

Color code: HEX #2A8F66 | qconv.com Color code: HEX #2A8F66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 143 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 143 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 29 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 29% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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