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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8F2B it is the complementary color #D570D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8F2B shade: #2F8F26, #40A139, #51B34C, #62C55F and #73D772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8F2B shade: #2A8F2B, #197D18, #086B05, #005900 and #004700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8F2B shade: #298E2A, #448E29, #5F8E29, #7A8E29 and #8E8729

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8F2B shade: #298E2A, #298E46, #298E61, #298E7C and #29858E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8F2B shade matches the following richer shades: #298E2A, #1A9D1C and #0CAC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8F2B shade: #298E2A, #387F39, #477147, #566256 and #655365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8F2B shade: #5F8E29, #448E29, #298E29, #298E44 and #298E5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8F2B shade: #174E17, #206E21, #298E2A, #33AE34 and #42C843

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8F2B shade: #2A8F2B, #297A8E and #8E2952

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8F2B shade: #2A8F2B, #29298E and #8E2929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8F2B shade: #2A8F2B, #297A8E, #8E298E and #8E3E29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8F2B shade: #2A8F2B, #295C8E, #8E298E and #8E5C29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 70 / 44

HEX #2A8F2B

RGB 42 143 43

HSL 120.59, 0.55%, 0.36%

LAB 52.19, -48.68, 43.12

 

Complementary color

CMYK 0 / 47 / 0 / 16

HEX #D570D4

RGB 213 112 212

HSL 300.59, 0.55%, 0.64%

LAB 62.07, 53.52, -34.48

 

CMYK 67 / 0 / 73 / 44

HEX #2F8F26

RGB 47 143 38

HSL 114.86, 0.58%, 0.35%

LAB 52.27, -48.11, 45.29

 

CMYK 60 / 0 / 65 / 37

HEX #40A139

RGB 64 161 57

HSL 115.96, 0.48%, 0.43%

LAB 58.86, -48.92, 44.48

 

CMYK 55 / 0 / 58 / 30

HEX #51B34C

RGB 81 179 76

HSL 117.09, 0.4%, 0.5%

LAB 65.37, -49.32, 43.34

 

CMYK 50 / 0 / 52 / 23

HEX #62C55F

RGB 98 197 95

HSL 118.24, 0.47%, 0.57%

LAB 71.8, -49.47, 42.08

 

CMYK 47 / 0 / 47 / 16

HEX #73D772

RGB 115 215 114

HSL 119.41, 0.56%, 0.65%

LAB 78.15, -49.45, 40.8

 

CMYK 71 / 0 / 70 / 44

HEX #2A8F2B

RGB 42 143 43

HSL 120.59, 0.55%, 0.36%

LAB 52.19, -48.68, 43.12

 

CMYK 80 / 0 / 81 / 51

HEX #197D18

RGB 25 125 24

HSL 119.41, 0.68%, 0.29%

LAB 45.55, -47.11, 43.57

 

CMYK 93 / 0 / 95 / 58

HEX #086B05

RGB 8 107 5

HSL 118.24, 0.91%, 0.22%

LAB 38.86, -44.43, 42.7

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 71 / 0 / 70 / 44

HEX #298E2A

RGB 41 142 42

HSL 120.59, 0.55%, 0.36%

LAB 51.82, -48.62, 43.14

 

CMYK 52 / 0 / 71 / 44

HEX #448E29

RGB 68 142 41

HSL 103.96, 0.55%, 0.36%

LAB 52.66, -41.96, 44.7

 

CMYK 33 / 0 / 71 / 44

HEX #5F8E29

RGB 95 142 41

HSL 87.92, 0.55%, 0.36%

LAB 53.96, -32.61, 46.46

 

CMYK 14 / 0 / 71 / 44

HEX #7A8E29

RGB 122 142 41

HSL 71.88, 0.55%, 0.36%

LAB 55.73, -21.52, 48.82

 

CMYK 0 / 5 / 71 / 44

HEX #8E8729

RGB 142 135 41

HSL 55.84, 0.55%, 0.36%

LAB 55.32, -8.92, 48.95

 

CMYK 71 / 0 / 70 / 44

HEX #298E2A

RGB 41 142 42

HSL 120.59, 0.55%, 0.36%

LAB 51.82, -48.62, 43.14

 

CMYK 71 / 0 / 51 / 44

HEX #298E46

RGB 41 142 70

HSL 137.23, 0.55%, 0.36%

LAB 52.13, -44.99, 30.06

 

CMYK 71 / 0 / 32 / 44

HEX #298E61

RGB 41 142 97

HSL 153.27, 0.55%, 0.36%

LAB 52.6, -39.76, 15.84

 

CMYK 71 / 0 / 13 / 44

HEX #298E7C

RGB 41 142 124

HSL 169.31, 0.55%, 0.36%

LAB 53.25, -33.01, 1.28

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 71 / 0 / 70 / 44

HEX #298E2A

RGB 41 142 42

HSL 120.59, 0.55%, 0.36%

LAB 51.82, -48.62, 43.14

 

CMYK 83 / 0 / 82 / 38

HEX #1A9D1C

RGB 26 157 28

HSL 120.92, 0.72%, 0.36%

LAB 56.5, -56.95, 52.71

 

CMYK 93 / 0 / 92 / 33

HEX #0CAC0D

RGB 12 172 13

HSL 120.38, 0.87%, 0.36%

LAB 61.32, -63.21, 60.25

 

CMYK 71 / 0 / 70 / 44

HEX #298E2A

RGB 41 142 42

HSL 120.59, 0.55%, 0.36%

LAB 51.82, -48.62, 43.14

 

CMYK 56 / 0 / 55 / 50

HEX #387F39

RGB 56 127 57

HSL 120.85, 0.39%, 0.36%

LAB 47.38, -37.49, 31.14

 

CMYK 37 / 0 / 37 / 56

HEX #477147

RGB 71 113 71

HSL 120, 0.23%, 0.36%

LAB 43.66, -23.97, 18.82

 

CMYK 12 / 0 / 12 / 62

HEX #566256

RGB 86 98 86

HSL 120, 0.07%, 0.36%

LAB 40.22, -7.2, 5.28

 

CMYK 0 / 18 / 0 / 60

HEX #655365

RGB 101 83 101

HSL 300, 0.1%, 0.36%

LAB 37.65, 11, -7.6

 

CMYK 33 / 0 / 71 / 44

HEX #5F8E29

RGB 95 142 41

HSL 87.92, 0.55%, 0.36%

LAB 53.96, -32.61, 46.46

 

CMYK 52 / 0 / 71 / 44

HEX #448E29

RGB 68 142 41

HSL 103.96, 0.55%, 0.36%

LAB 52.66, -41.96, 44.7

 

CMYK 71 / 0 / 71 / 44

HEX #298E29

RGB 41 142 41

HSL 120, 0.55%, 0.36%

LAB 51.81, -48.72, 43.55

 

CMYK 71 / 0 / 52 / 44

HEX #298E44

RGB 41 142 68

HSL 136.04, 0.55%, 0.36%

LAB 52.1, -45.31, 31.07

 

CMYK 71 / 0 / 33 / 44

HEX #298E5F

RGB 41 142 95

HSL 152.08, 0.55%, 0.36%

LAB 52.56, -40.2, 16.91

 

CMYK 71 / 0 / 71 / 69

HEX #174E17

RGB 23 78 23

HSL 120, 0.54%, 0.2%

LAB 28.62, -30.35, 26.57

 

CMYK 71 / 0 / 70 / 57

HEX #206E21

RGB 32 110 33

HSL 120.77, 0.55%, 0.28%

LAB 40.52, -39.73, 34.89

 

CMYK 71 / 0 / 70 / 44

HEX #298E2A

RGB 41 142 42

HSL 120.59, 0.55%, 0.36%

LAB 51.82, -48.62, 43.14

 

CMYK 71 / 0 / 70 / 32

HEX #33AE34

RGB 51 174 52

HSL 120.49, 0.55%, 0.44%

LAB 62.7, -56.83, 50.63

 

CMYK 67 / 0 / 67 / 22

HEX #42C843

RGB 66 200 67

HSL 120.45, 0.55%, 0.52%

LAB 71.47, -61.37, 54.06

 

CMYK 71 / 0 / 70 / 44

HEX #2A8F2B

RGB 42 143 43

HSL 120.59, 0.55%, 0.36%

LAB 52.19, -48.68, 43.12

 

CMYK 71 / 14 / 0 / 44

HEX #297A8E

RGB 41 122 142

HSL 191.88, 0.55%, 0.36%

LAB 47.42, -17.37, -17.95

 

CMYK 0 / 71 / 42 / 44

HEX #8E2952

RGB 142 41 82

HSL 335.64, 0.55%, 0.36%

LAB 33.87, 45.74, -0.51

 

CMYK 71 / 0 / 70 / 44

HEX #2A8F2B

RGB 42 143 43

HSL 120.59, 0.55%, 0.36%

LAB 52.19, -48.68, 43.12

 

CMYK 71 / 71 / 0 / 44

HEX #29298E

RGB 41 41 142

HSL 240, 0.55%, 0.36%

LAB 23.71, 34.26, -55.65

 

CMYK 0 / 71 / 71 / 44

HEX #8E2929

RGB 142 41 41

HSL 0, 0.55%, 0.36%

LAB 32.91, 42.41, 24.64

 

CMYK 71 / 0 / 70 / 44

HEX #2A8F2B

RGB 42 143 43

HSL 120.59, 0.55%, 0.36%

LAB 52.19, -48.68, 43.12

 

CMYK 71 / 14 / 0 / 44

HEX #297A8E

RGB 41 122 142

HSL 191.88, 0.55%, 0.36%

LAB 47.42, -17.37, -17.95

 

CMYK 0 / 71 / 0 / 44

HEX #8E298E

RGB 142 41 142

HSL 300, 0.55%, 0.36%

LAB 36.54, 54.33, -34.29

 

CMYK 0 / 56 / 71 / 44

HEX #8E3E29

RGB 142 62 41

HSL 12.48, 0.55%, 0.36%

LAB 36.66, 32.45, 29.05

 

CMYK 71 / 0 / 70 / 44

HEX #2A8F2B

RGB 42 143 43

HSL 120.59, 0.55%, 0.36%

LAB 52.19, -48.68, 43.12

 

CMYK 71 / 35 / 0 / 44

HEX #295C8E

RGB 41 92 142

HSL 209.7, 0.55%, 0.36%

LAB 37.98, 0.36, -32.62

 

CMYK 0 / 71 / 0 / 44

HEX #8E298E

RGB 142 41 142

HSL 300, 0.55%, 0.36%

LAB 36.54, 54.33, -34.29

 

CMYK 0 / 35 / 71 / 44

HEX #8E5C29

RGB 142 92 41

HSL 30.3, 0.55%, 0.36%

LAB 43.6, 15.57, 36.81

 

Description

Color code: HEX #2A8F2B | qconv.com Color code: HEX #2A8F2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 143 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 143 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 70 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 70% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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