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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8261 it is the complementary color #D57D9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8261. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8261 shade: #2F825C, #40946F, #51A682, #62B895 and #73CAA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8261. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8261 shade: #2A8261, #19704E, #085E3B, #004C28 and #003A15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8261 shade: #2A8362, #2A834A, #2A8332, #3B832A and #53832A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8261 shade: #2A8362, #2A837A, #2A7483, #2A5D83 and #2A4583

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8261 shade matches the following richer shades: #2A8362, #1C9165, #0E9F69 and #00AD6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8261 shade: #2A8362, #39755E, #47675B, #555957 and #634B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8261 shade: #2A8332, #2A8349, #2A8361, #2A8379 and #2A7683

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8261 shade: #164533, #20644A, #2A8362, #35A279 and #3FC190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8261 shade: #2A8261, #2A3B83 and #833E2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8261 shade: #2A8261, #612A83 and #83612A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8261 shade: #2A8261, #2A3B83, #832A4C and #83732A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8261 shade: #2A8261, #352A83, #832A4C and #79832A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 25 / 49

HEX #2A8261

RGB 42 130 97

HSL 157.5, 0.51%, 0.34%

LAB 48.66, -34.35, 10.38

 

Complementary color

CMYK 0 / 41 / 26 / 16

HEX #D57D9E

RGB 213 125 158

HSL 337.5, 0.51%, 0.66%

LAB 62.74, 38.21, -2.82

 

CMYK 64 / 0 / 29 / 49

HEX #2F825C

RGB 47 130 92

HSL 152.53, 0.47%, 0.35%

LAB 48.69, -34.53, 13.33

 

CMYK 57 / 0 / 25 / 42

HEX #40946F

RGB 64 148 111

HSL 153.57, 0.4%, 0.42%

LAB 55.5, -34.59, 12.03

 

CMYK 51 / 0 / 22 / 35

HEX #51A682

RGB 81 166 130

HSL 154.59, 0.34%, 0.48%

LAB 62.2, -34.5, 10.87

 

CMYK 47 / 0 / 19 / 28

HEX #62B895

RGB 98 184 149

HSL 155.58, 0.38%, 0.55%

LAB 68.79, -34.35, 9.81

 

CMYK 43 / 0 / 17 / 21

HEX #73CAA8

RGB 115 202 168

HSL 156.55, 0.45%, 0.62%

LAB 75.27, -34.15, 8.84

 

CMYK 68 / 0 / 25 / 49

HEX #2A8261

RGB 42 130 97

HSL 157.5, 0.51%, 0.34%

LAB 48.66, -34.35, 10.38

 

CMYK 78 / 0 / 30 / 56

HEX #19704E

RGB 25 112 78

HSL 156.55, 0.64%, 0.27%

LAB 41.76, -33.84, 11.85

 

CMYK 91 / 0 / 37 / 63

HEX #085E3B

RGB 8 94 59

HSL 155.58, 0.84%, 0.2%

LAB 34.75, -32.75, 13.58

 

CMYK 100 / 0 / 47 / 70

HEX #004C28

RGB 0 76 40

HSL 151.58, 1%, 0.15%

LAB 27.63, -30.63, 15.65

 

CMYK 100 / 0 / 64 / 77

HEX #003A15

RGB 0 58 21

HSL 141.72, 1%, 0.11%

LAB 20.36, -27.31, 17.98

 

CMYK 68 / 0 / 25 / 49

HEX #2A8362

RGB 42 131 98

HSL 157.75, 0.51%, 0.34%

LAB 49.02, -34.56, 10.29

 

CMYK 68 / 0 / 44 / 49

HEX #2A834A

RGB 42 131 74

HSL 141.57, 0.51%, 0.34%

LAB 48.54, -39.73, 23.32

 

CMYK 68 / 0 / 62 / 49

HEX #2A8332

RGB 42 131 50

HSL 125.39, 0.51%, 0.34%

LAB 48.2, -43.51, 35.52

 

CMYK 55 / 0 / 68 / 49

HEX #3B832A

RGB 59 131 42

HSL 108.54, 0.51%, 0.34%

LAB 48.67, -40.09, 39.93

 

CMYK 37 / 0 / 68 / 49

HEX #53832A

RGB 83 131 42

HSL 92.36, 0.51%, 0.34%

LAB 49.78, -32.02, 41.45

 

CMYK 68 / 0 / 25 / 49

HEX #2A8362

RGB 42 131 98

HSL 157.75, 0.51%, 0.34%

LAB 49.02, -34.56, 10.29

 

CMYK 68 / 0 / 7 / 49

HEX #2A837A

RGB 42 131 122

HSL 173.93, 0.51%, 0.34%

LAB 49.65, -28.15, -2.81

 

CMYK 68 / 11 / 0 / 49

HEX #2A7483

RGB 42 116 131

HSL 190.11, 0.51%, 0.34%

LAB 45.11, -17.58, -14.94

 

CMYK 68 / 29 / 0 / 49

HEX #2A5D83

RGB 42 93 131

HSL 205.62, 0.51%, 0.34%

LAB 37.77, -4.16, -26.27

 

CMYK 68 / 47 / 0 / 49

HEX #2A4583

RGB 42 69 131

HSL 221.8, 0.51%, 0.34%

LAB 30.37, 11.5, -37.99

 

CMYK 68 / 0 / 25 / 49

HEX #2A8362

RGB 42 131 98

HSL 157.75, 0.51%, 0.34%

LAB 49.02, -34.56, 10.29

 

CMYK 81 / 0 / 30 / 43

HEX #1C9165

RGB 28 145 101

HSL 157.44, 0.68%, 0.34%

LAB 53.42, -41.94, 14.67

 

CMYK 91 / 0 / 34 / 38

HEX #0E9F69

RGB 14 159 105

HSL 157.66, 0.84%, 0.34%

LAB 57.95, -47.78, 18.62

 

CMYK 100 / 0 / 38 / 32

HEX #00AD6C

RGB 0 173 108

HSL 157.46, 1%, 0.34%

LAB 62.48, -53.02, 23.09

 

CMYK 68 / 0 / 25 / 49

HEX #2A8362

RGB 42 131 98

HSL 157.75, 0.51%, 0.34%

LAB 49.02, -34.56, 10.29

 

CMYK 51 / 0 / 20 / 54

HEX #39755E

RGB 57 117 94

HSL 157, 0.34%, 0.34%

LAB 44.8, -25.49, 6.76

 

CMYK 31 / 0 / 12 / 60

HEX #47675B

RGB 71 103 91

HSL 157.5, 0.18%, 0.34%

LAB 40.89, -14.5, 3.05

 

CMYK 4 / 0 / 2 / 65

HEX #555957

RGB 85 89 87

HSL 150, 0.02%, 0.34%

LAB 37.42, -2.02, 0.6

 

CMYK 0 / 24 / 15 / 61

HEX #634B54

RGB 99 75 84

HSL 337.5, 0.14%, 0.34%

LAB 34.65, 11.76, -1.4

 

CMYK 68 / 0 / 62 / 49

HEX #2A8332

RGB 42 131 50

HSL 125.39, 0.51%, 0.34%

LAB 48.2, -43.51, 35.52

 

CMYK 68 / 0 / 44 / 49

HEX #2A8349

RGB 42 131 73

HSL 140.9, 0.51%, 0.34%

LAB 48.52, -39.92, 23.85

 

CMYK 68 / 0 / 26 / 49

HEX #2A8361

RGB 42 131 97

HSL 157.08, 0.51%, 0.34%

LAB 48.99, -34.8, 10.84

 

CMYK 68 / 0 / 8 / 49

HEX #2A8379

RGB 42 131 121

HSL 173.26, 0.51%, 0.34%

LAB 49.62, -28.44, -2.27

 

CMYK 68 / 10 / 0 / 49

HEX #2A7683

RGB 42 118 131

HSL 188.76, 0.51%, 0.34%

LAB 45.75, -18.67, -13.97

 

CMYK 68 / 0 / 26 / 73

HEX #164533

RGB 22 69 51

HSL 157.02, 0.52%, 0.18%

LAB 25.76, -21, 6.24

 

CMYK 68 / 0 / 26 / 61

HEX #20644A

RGB 32 100 74

HSL 157.06, 0.52%, 0.26%

LAB 37.69, -28.13, 8.61

 

CMYK 68 / 0 / 25 / 49

HEX #2A8362

RGB 42 131 98

HSL 157.75, 0.51%, 0.34%

LAB 49.02, -34.56, 10.29

 

CMYK 67 / 0 / 25 / 36

HEX #35A279

RGB 53 162 121

HSL 157.43, 0.51%, 0.42%

LAB 59.87, -40.74, 12.48

 

CMYK 67 / 0 / 25 / 24

HEX #3FC190

RGB 63 193 144

HSL 157.38, 0.51%, 0.5%

LAB 70.32, -46.87, 14.54

 

CMYK 68 / 0 / 25 / 49

HEX #2A8261

RGB 42 130 97

HSL 157.5, 0.51%, 0.34%

LAB 48.66, -34.35, 10.38

 

CMYK 68 / 55 / 0 / 49

HEX #2A3B83

RGB 42 59 131

HSL 228.54, 0.51%, 0.34%

LAB 27.46, 18.35, -42.68

 

CMYK 0 / 53 / 68 / 49

HEX #833E2A

RGB 131 62 42

HSL 13.48, 0.51%, 0.34%

LAB 34.88, 28, 25.92

 

CMYK 68 / 0 / 25 / 49

HEX #2A8261

RGB 42 130 97

HSL 157.5, 0.51%, 0.34%

LAB 48.66, -34.35, 10.38

 

CMYK 26 / 68 / 0 / 49

HEX #612A83

RGB 97 42 131

HSL 277.08, 0.51%, 0.34%

LAB 28.99, 40.95, -39.92

 

CMYK 0 / 26 / 68 / 49

HEX #83612A

RGB 131 97 42

HSL 37.08, 0.51%, 0.34%

LAB 43.57, 7.63, 35.87

 

CMYK 68 / 0 / 25 / 49

HEX #2A8261

RGB 42 130 97

HSL 157.5, 0.51%, 0.34%

LAB 48.66, -34.35, 10.38

 

CMYK 68 / 55 / 0 / 49

HEX #2A3B83

RGB 42 59 131

HSL 228.54, 0.51%, 0.34%

LAB 27.46, 18.35, -42.68

 

CMYK 0 / 68 / 42 / 49

HEX #832A4C

RGB 131 42 76

HSL 337.08, 0.51%, 0.34%

LAB 31.81, 41.15, 0.15

 

CMYK 0 / 12 / 68 / 49

HEX #83732A

RGB 131 115 42

HSL 49.21, 0.51%, 0.34%

LAB 48.58, -2.8, 41.27

 

CMYK 68 / 0 / 25 / 49

HEX #2A8261

RGB 42 130 97

HSL 157.5, 0.51%, 0.34%

LAB 48.66, -34.35, 10.38

 

CMYK 60 / 68 / 0 / 49

HEX #352A83

RGB 53 42 131

HSL 247.42, 0.51%, 0.34%

LAB 23.84, 31.61, -48.52

 

CMYK 0 / 68 / 42 / 49

HEX #832A4C

RGB 131 42 76

HSL 337.08, 0.51%, 0.34%

LAB 31.81, 41.15, 0.15

 

CMYK 8 / 0 / 68 / 49

HEX #79832A

RGB 121 131 42

HSL 66.74, 0.51%, 0.34%

LAB 52.36, -16.18, 44.95

 

Description

Color code: HEX #2A8261 | qconv.com Color code: HEX #2A8261 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 130 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 130 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 25 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 25% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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