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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8012 it is the complementary color #D57FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8012 shade: #2F800D, #409220, #51A433, #62B646 and #73C859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8012 shade: #2A8012, #196E00, #085C00, #004A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8012 shade: #2B8112, #498112, #678112, #817E12 and #816012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8012 shade: #2B8112, #128118, #128136, #128154 and #128172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8012 shade matches the following richer shades: #2B8112 and #248D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8012 shade: #2B8112, #31751E, #38692A, #3F5E36 and #465242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8012 shade: #688112, #4A8112, #2C8112, #128116 and #128134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8012 shade: #133908, #1F5D0D, #2B8112, #37A618 and #43CA1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8012 shade: #2A8012, #12817E and #811259

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8012 shade: #2A8012, #122C81 and #81122C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8012 shade: #2A8012, #12817E, #681281 and #811216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8012 shade: #2A8012, #126481, #681281 and #813012

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 86 / 50

HEX #2A8012

RGB 42 128 18

HSL 106.91, 0.75%, 0.29%

LAB 46.94, -45.24, 46.85

 

Complementary color

CMYK 10 / 46 / 0 / 7

HEX #D57FED

RGB 213 127 237

HSL 286.91, 0.75%, 0.71%

LAB 66.09, 50.64, -42.12

 

CMYK 63 / 0 / 90 / 50

HEX #2F800D

RGB 47 128 13

HSL 102.26, 0.82%, 0.28%

LAB 47.07, -44.25, 48.26

 

CMYK 56 / 0 / 78 / 43

HEX #409220

RGB 64 146 32

HSL 103.16, 0.64%, 0.35%

LAB 53.76, -45.39, 49.15

 

CMYK 51 / 0 / 69 / 36

HEX #51A433

RGB 81 164 51

HSL 104.07, 0.53%, 0.42%

LAB 60.37, -46.02, 48.86

 

CMYK 46 / 0 / 62 / 29

HEX #62B646

RGB 98 182 70

HSL 105, 0.44%, 0.49%

LAB 66.9, -46.32, 48.02

 

CMYK 43 / 0 / 56 / 22

HEX #73C859

RGB 115 200 89

HSL 105.95, 0.5%, 0.57%

LAB 73.33, -46.42, 46.94

 

CMYK 67 / 0 / 86 / 50

HEX #2A8012

RGB 42 128 18

HSL 106.91, 0.75%, 0.29%

LAB 46.94, -45.24, 46.85

 

CMYK 77 / 0 / 100 / 57

HEX #196E00

RGB 25 110 0

HSL 106.36, 1%, 0.22%

LAB 40.18, -43.32, 45.19

 

CMYK 91 / 0 / 100 / 64

HEX #085C00

RGB 8 92 0

HSL 114.78, 1%, 0.18%

LAB 33.36, -39.91, 39.63

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 67 / 0 / 86 / 49

HEX #2B8112

RGB 43 129 18

HSL 106.49, 0.76%, 0.29%

LAB 47.31, -45.37, 47.19

 

CMYK 43 / 0 / 86 / 49

HEX #498112

RGB 73 129 18

HSL 90.27, 0.76%, 0.29%

LAB 48.46, -36.37, 48.66

 

CMYK 20 / 0 / 86 / 49

HEX #678112

RGB 103 129 18

HSL 74.05, 0.76%, 0.29%

LAB 50.25, -24.34, 50.91

 

CMYK 0 / 2 / 86 / 49

HEX #817E12

RGB 129 126 18

HSL 58.38, 0.76%, 0.29%

LAB 51.42, -10.98, 52.74

 

CMYK 0 / 26 / 86 / 49

HEX #816012

RGB 129 96 18

HSL 42.16, 0.76%, 0.29%

LAB 42.88, 6.09, 45.49

 

CMYK 67 / 0 / 86 / 49

HEX #2B8112

RGB 43 129 18

HSL 106.49, 0.76%, 0.29%

LAB 47.31, -45.37, 47.19

 

CMYK 86 / 0 / 81 / 49

HEX #128118

RGB 18 129 24

HSL 123.24, 0.76%, 0.29%

LAB 46.84, -49.33, 44.77

 

CMYK 86 / 0 / 58 / 49

HEX #128136

RGB 18 129 54

HSL 139.46, 0.76%, 0.29%

LAB 47.1, -46.08, 32.12

 

CMYK 86 / 0 / 35 / 49

HEX #128154

RGB 18 129 84

HSL 155.68, 0.76%, 0.29%

LAB 47.58, -40.41, 16.32

 

CMYK 86 / 0 / 12 / 49

HEX #128172

RGB 18 129 114

HSL 171.89, 0.76%, 0.29%

LAB 48.32, -32.55, -0.13

 

CMYK 67 / 0 / 86 / 49

HEX #2B8112

RGB 43 129 18

HSL 106.49, 0.76%, 0.29%

LAB 47.31, -45.37, 47.19

 

CMYK 74 / 0 / 95 / 45

HEX #248D07

RGB 36 141 7

HSL 107.01, 0.91%, 0.29%

LAB 51.2, -51.34, 52.81

 

CMYK 67 / 0 / 86 / 49

HEX #2B8112

RGB 43 129 18

HSL 106.49, 0.76%, 0.29%

LAB 47.31, -45.37, 47.19

 

CMYK 58 / 0 / 74 / 54

HEX #31751E

RGB 49 117 30

HSL 106.9, 0.59%, 0.29%

LAB 43.46, -38.44, 39.46

 

CMYK 47 / 0 / 60 / 59

HEX #38692A

RGB 56 105 42

HSL 106.67, 0.43%, 0.29%

LAB 39.77, -29.79, 29.88

 

CMYK 33 / 0 / 43 / 63

HEX #3F5E36

RGB 63 94 54

HSL 106.5, 0.27%, 0.29%

LAB 36.61, -20.03, 19.39

 

CMYK 15 / 0 / 20 / 68

HEX #465242

RGB 70 82 66

HSL 105, 0.11%, 0.29%

LAB 33.41, -8.25, 7.83

 

CMYK 19 / 0 / 86 / 49

HEX #688112

RGB 104 129 18

HSL 73.51, 0.76%, 0.29%

LAB 50.32, -23.9, 51

 

CMYK 43 / 0 / 86 / 49

HEX #4A8112

RGB 74 129 18

HSL 89.73, 0.76%, 0.29%

LAB 48.51, -36.01, 48.72

 

CMYK 66 / 0 / 86 / 49

HEX #2C8112

RGB 44 129 18

HSL 105.95, 0.76%, 0.29%

LAB 47.34, -45.13, 47.23

 

CMYK 86 / 0 / 83 / 49

HEX #128116

RGB 18 129 22

HSL 122.16, 0.76%, 0.29%

LAB 46.83, -49.47, 45.4

 

CMYK 86 / 0 / 60 / 49

HEX #128134

RGB 18 129 52

HSL 138.38, 0.76%, 0.29%

LAB 47.08, -46.37, 33.1

 

CMYK 67 / 0 / 86 / 78

HEX #133908

RGB 19 57 8

HSL 106.53, 0.75%, 0.13%

LAB 20.37, -24.1, 24.66

 

CMYK 67 / 0 / 86 / 64

HEX #1F5D0D

RGB 31 93 13

HSL 106.5, 0.75%, 0.21%

LAB 34.29, -35.2, 36.59

 

CMYK 67 / 0 / 86 / 49

HEX #2B8112

RGB 43 129 18

HSL 106.49, 0.76%, 0.29%

LAB 47.31, -45.37, 47.19

 

CMYK 67 / 0 / 86 / 35

HEX #37A618

RGB 55 166 24

HSL 106.9, 0.75%, 0.37%

LAB 60.02, -55.25, 57.2

 

CMYK 67 / 0 / 86 / 21

HEX #43CA1D

RGB 67 202 29

HSL 106.82, 0.75%, 0.45%

LAB 71.91, -64.4, 66.71

 

CMYK 67 / 0 / 86 / 50

HEX #2A8012

RGB 42 128 18

HSL 106.91, 0.75%, 0.29%

LAB 46.94, -45.24, 46.85

 

CMYK 86 / 0 / 2 / 49

HEX #12817E

RGB 18 129 126

HSL 178.38, 0.76%, 0.29%

LAB 48.68, -28.9, -6.65

 

CMYK 0 / 86 / 31 / 49

HEX #811259

RGB 129 18 89

HSL 321.62, 0.76%, 0.29%

LAB 28.96, 50.42, -12.7

 

CMYK 67 / 0 / 86 / 50

HEX #2A8012

RGB 42 128 18

HSL 106.91, 0.75%, 0.29%

LAB 46.94, -45.24, 46.85

 

CMYK 86 / 66 / 0 / 49

HEX #122C81

RGB 18 44 129

HSL 225.95, 0.76%, 0.29%

LAB 22, 24.96, -50.36

 

CMYK 0 / 86 / 66 / 49

HEX #81122C

RGB 129 18 44

HSL 345.95, 0.76%, 0.29%

LAB 27.52, 46.26, 15.38

 

CMYK 67 / 0 / 86 / 50

HEX #2A8012

RGB 42 128 18

HSL 106.91, 0.75%, 0.29%

LAB 46.94, -45.24, 46.85

 

CMYK 86 / 0 / 2 / 49

HEX #12817E

RGB 18 129 126

HSL 178.38, 0.76%, 0.29%

LAB 48.68, -28.9, -6.65

 

CMYK 19 / 86 / 0 / 49

HEX #681281

RGB 104 18 129

HSL 286.49, 0.76%, 0.29%

LAB 26.62, 51.44, -42.44

 

CMYK 0 / 86 / 83 / 49

HEX #811216

RGB 129 18 22

HSL 357.84, 0.76%, 0.29%

LAB 27.18, 45.22, 29.23

 

CMYK 67 / 0 / 86 / 50

HEX #2A8012

RGB 42 128 18

HSL 106.91, 0.75%, 0.29%

LAB 46.94, -45.24, 46.85

 

CMYK 86 / 22 / 0 / 49

HEX #126481

RGB 18 100 129

HSL 195.68, 0.76%, 0.29%

LAB 39.29, -12.38, -22.73

 

CMYK 19 / 86 / 0 / 49

HEX #681281

RGB 104 18 129

HSL 286.49, 0.76%, 0.29%

LAB 26.62, 51.44, -42.44

 

CMYK 0 / 63 / 86 / 49

HEX #813012

RGB 129 48 18

HSL 16.22, 0.76%, 0.29%

LAB 31.4, 33.43, 35.43

 

Description

Color code: HEX #2A8012 | qconv.com Color code: HEX #2A8012 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 128 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 128 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 86 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 86% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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