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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A7FB1 it is the complementary color #D5804E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A7FB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A7FB1 shade: #2F7FAC, #4091BF, #51A3D2, #62B5E5 and #73C7F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A7FB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A7FB1 shade: #2A7FB1, #196D9E, #085B8B, #004978 and #003765

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A7FB1 shade: #2A7FB2, #2A5BB2, #2A36B2, #422AB2 and #672AB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A7FB1 shade: #2A7FB2, #2A5BB2, #2A36B2 and #2A2AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A7FB1 shade matches the following richer shades: #2A7FB2, #1884C3 and #0688D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A7FB1 shade: #2A7FB2, #3B7BA0, #4D768E, #5F717C and #716D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A7FB1 shade: #2AB29B, #2AA4B2, #2A80B2, #2A5CB2 and #2A37B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A7FB1 shade: #1A4F6F, #226790, #2A7FB2, #3596D0 and #56A8D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A7FB1 shade: #2A7FB1, #772AB2 and #B2AD2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A7FB1 shade: #2A7FB1, #B22A80 and #80B22A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A7FB1 shade: #2A7FB1, #772AB2, #B25C2A and #65B22A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A7FB1 shade: #2A7FB1, #A02AB2, #B25C2A and #3CB22A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 28 / 0 / 31

HEX #2A7FB1

RGB 42 127 177

HSL 202.22, 0.62%, 0.43%

LAB 50.51, -7.85, -33.6

 

Complementary color

CMYK 0 / 40 / 63 / 16

HEX #D5804E

RGB 213 128 78

HSL 22.22, 0.62%, 0.57%

LAB 61.77, 28.33, 40.66

 

CMYK 73 / 26 / 0 / 33

HEX #2F7FAC

RGB 47 127 172

HSL 201.6, 0.57%, 0.43%

LAB 50.41, -8.97, -30.86

 

CMYK 66 / 24 / 0 / 25

HEX #4091BF

RGB 64 145 191

HSL 201.73, 0.5%, 0.5%

LAB 57.18, -10.08, -31.16

 

CMYK 61 / 22 / 0 / 18

HEX #51A3D2

RGB 81 163 210

HSL 201.86, 0.59%, 0.57%

LAB 63.83, -10.93, -31.43

 

CMYK 57 / 21 / 0 / 10

HEX #62B5E5

RGB 98 181 229

HSL 201.98, 0.72%, 0.64%

LAB 70.39, -11.59, -31.69

HEX #62B5E5

CMYK 54 / 20 / 0 / 3

HEX #73C7F8

RGB 115 199 248

HSL 202.11, 0.9%, 0.71%

LAB 76.84, -12.11, -31.95

HEX #73C7F8

CMYK 76 / 28 / 0 / 31

HEX #2A7FB1

RGB 42 127 177

HSL 202.22, 0.62%, 0.43%

LAB 50.51, -7.85, -33.6

 

CMYK 84 / 31 / 0 / 38

HEX #196D9E

RGB 25 109 158

HSL 202.11, 0.73%, 0.36%

LAB 43.67, -6.09, -33.26

 

CMYK 94 / 35 / 0 / 45

HEX #085B8B

RGB 8 91 139

HSL 201.98, 0.89%, 0.29%

LAB 36.74, -3.72, -32.82

 

CMYK 100 / 39 / 0 / 53

HEX #004978

RGB 0 73 120

HSL 203.5, 1%, 0.24%

LAB 29.72, -0.51, -32.24

 

CMYK 100 / 46 / 0 / 60

HEX #003765

RGB 0 55 101

HSL 207.33, 1%, 0.2%

LAB 22.56, 3.5, -31.56

 

CMYK 76 / 29 / 0 / 30

HEX #2A7FB2

RGB 42 127 178

HSL 202.5, 0.62%, 0.43%

LAB 50.55, -7.49, -34.11

 

CMYK 76 / 49 / 0 / 30

HEX #2A5BB2

RGB 42 91 178

HSL 218.38, 0.62%, 0.43%

LAB 39.9, 14.9, -51.05

 

CMYK 76 / 70 / 0 / 30

HEX #2A36B2

RGB 42 54 178

HSL 234.71, 0.62%, 0.43%

LAB 30.27, 39.03, -66.74

 

CMYK 63 / 76 / 0 / 30

HEX #422AB2

RGB 66 42 178

HSL 250.59, 0.62%, 0.43%

LAB 29.48, 48.42, -67.97

 

CMYK 42 / 76 / 0 / 30

HEX #672AB2

RGB 103 42 178

HSL 266.91, 0.62%, 0.43%

LAB 33.46, 53.69, -61.28

 

CMYK 76 / 29 / 0 / 30

HEX #2A7FB2

RGB 42 127 178

HSL 202.5, 0.62%, 0.43%

LAB 50.55, -7.49, -34.11

 

CMYK 76 / 49 / 0 / 30

HEX #2A5BB2

RGB 42 91 178

HSL 218.38, 0.62%, 0.43%

LAB 39.9, 14.9, -51.05

 

CMYK 76 / 70 / 0 / 30

HEX #2A36B2

RGB 42 54 178

HSL 234.71, 0.62%, 0.43%

LAB 30.27, 39.03, -66.74

 

CMYK 76 / 76 / 0 / 30

HEX #2A2AB2

RGB 42 42 178

HSL 240, 0.62%, 0.43%

LAB 27.74, 46.06, -70.9

 

CMYK 76 / 29 / 0 / 30

HEX #2A7FB2

RGB 42 127 178

HSL 202.5, 0.62%, 0.43%

LAB 50.55, -7.49, -34.11

 

CMYK 88 / 32 / 0 / 24

HEX #1884C3

RGB 24 132 195

HSL 202.11, 0.78%, 0.43%

LAB 52.55, -5.82, -40.74

 

CMYK 97 / 36 / 0 / 16

HEX #0688D5

RGB 6 136 213

HSL 202.32, 0.95%, 0.43%

LAB 54.5, -2.15, -47.86

 

CMYK 76 / 29 / 0 / 30

HEX #2A7FB2

RGB 42 127 178

HSL 202.5, 0.62%, 0.43%

LAB 50.55, -7.49, -34.11

 

CMYK 63 / 23 / 0 / 37

HEX #3B7BA0

RGB 59 123 160

HSL 201.98, 0.46%, 0.43%

LAB 49.05, -8.8, -25.96

 

CMYK 46 / 17 / 0 / 44

HEX #4D768E

RGB 77 118 142

HSL 202.15, 0.3%, 0.43%

LAB 47.61, -7.49, -17.53

 

CMYK 23 / 9 / 0 / 51

HEX #5F717C

RGB 95 113 124

HSL 202.76, 0.13%, 0.43%

LAB 46.58, -4.03, -8.3

 

CMYK 0 / 4 / 5 / 56

HEX #716D6B

RGB 113 109 107

HSL 20, 0.03%, 0.43%

LAB 46.32, 1.16, 1.66

 

CMYK 76 / 0 / 13 / 30

HEX #2AB29B

RGB 42 178 155

HSL 169.85, 0.62%, 0.43%

LAB 65.51, -40.72, 1.6

 

CMYK 76 / 8 / 0 / 30

HEX #2AA4B2

RGB 42 164 178

HSL 186.18, 0.62%, 0.43%

LAB 61.88, -27.44, -16.65

 

CMYK 76 / 28 / 0 / 30

HEX #2A80B2

RGB 42 128 178

HSL 202.06, 0.62%, 0.43%

LAB 50.86, -8.07, -33.63

 

CMYK 76 / 48 / 0 / 30

HEX #2A5CB2

RGB 42 92 178

HSL 217.94, 0.62%, 0.43%

LAB 40.18, 14.24, -50.59

 

CMYK 76 / 69 / 0 / 30

HEX #2A37B2

RGB 42 55 178

HSL 234.26, 0.62%, 0.43%

LAB 30.49, 38.41, -66.36

 

CMYK 77 / 29 / 0 / 56

HEX #1A4F6F

RGB 26 79 111

HSL 202.59, 0.62%, 0.27%

LAB 31.71, -5.57, -23.41

 

CMYK 76 / 28 / 0 / 44

HEX #226790

RGB 34 103 144

HSL 202.36, 0.62%, 0.35%

LAB 41.3, -6.74, -28.62

 

CMYK 76 / 29 / 0 / 30

HEX #2A7FB2

RGB 42 127 178

HSL 202.5, 0.62%, 0.43%

LAB 50.55, -7.49, -34.11

 

CMYK 75 / 28 / 0 / 18

HEX #3596D0

RGB 53 150 208

HSL 202.45, 0.62%, 0.51%

LAB 59.09, -8.69, -37.77

 

CMYK 60 / 22 / 0 / 16

HEX #56A8D7

RGB 86 168 215

HSL 201.86, 0.62%, 0.59%

LAB 65.66, -11.16, -31.35

 

CMYK 76 / 28 / 0 / 31

HEX #2A7FB1

RGB 42 127 177

HSL 202.22, 0.62%, 0.43%

LAB 50.51, -7.85, -33.6

 

CMYK 33 / 76 / 0 / 30

HEX #772AB2

RGB 119 42 178

HSL 273.97, 0.62%, 0.43%

LAB 35.58, 56.43, -57.74

 

CMYK 0 / 3 / 76 / 30

HEX #B2AD2A

RGB 178 173 42

HSL 57.79, 0.62%, 0.43%

LAB 69.13, -12.96, 62.86

 

CMYK 76 / 28 / 0 / 31

HEX #2A7FB1

RGB 42 127 177

HSL 202.22, 0.62%, 0.43%

LAB 50.51, -7.85, -33.6

 

CMYK 0 / 76 / 28 / 30

HEX #B22A80

RGB 178 42 128

HSL 322.06, 0.62%, 0.43%

LAB 42.28, 60.77, -16.26

 

CMYK 28 / 0 / 76 / 30

HEX #80B22A

RGB 128 178 42

HSL 82.06, 0.62%, 0.43%

LAB 66.97, -36.26, 59.56

 

CMYK 76 / 28 / 0 / 31

HEX #2A7FB1

RGB 42 127 177

HSL 202.22, 0.62%, 0.43%

LAB 50.51, -7.85, -33.6

 

CMYK 33 / 76 / 0 / 30

HEX #772AB2

RGB 119 42 178

HSL 273.97, 0.62%, 0.43%

LAB 35.58, 56.43, -57.74

 

CMYK 0 / 48 / 76 / 30

HEX #B25C2A

RGB 178 92 42

HSL 22.06, 0.62%, 0.43%

LAB 48.62, 31.25, 43.12

 

CMYK 43 / 0 / 76 / 30

HEX #65B22A

RGB 101 178 42

HSL 93.97, 0.62%, 0.43%

LAB 65.57, -45.99, 57.73

 

CMYK 76 / 28 / 0 / 31

HEX #2A7FB1

RGB 42 127 177

HSL 202.22, 0.62%, 0.43%

LAB 50.51, -7.85, -33.6

 

CMYK 10 / 76 / 0 / 30

HEX #A02AB2

RGB 160 42 178

HSL 292.06, 0.62%, 0.43%

LAB 41.76, 64.24, -47.46

 

CMYK 0 / 48 / 76 / 30

HEX #B25C2A

RGB 178 92 42

HSL 22.06, 0.62%, 0.43%

LAB 48.62, 31.25, 43.12

 

CMYK 66 / 0 / 76 / 30

HEX #3CB22A

RGB 60 178 42

HSL 112.06, 0.62%, 0.43%

LAB 64.14, -57.21, 55.84

 

Description

Color code: HEX #2A7FB1 | qconv.com Color code: HEX #2A7FB1 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 127 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 127 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 28 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 28% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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