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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A755F it is the complementary color #D58AA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A755F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A755F shade: #2F755A, #40876D, #519980, #62AB93 and #73BDA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A755F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A755F shade: #2A755F, #19634C, #085139, #003F26 and #002D13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A755F shade: #2A745E, #2A744A, #2A7436, #32742A and #46742A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A755F shade: #2A745E, #2A7472, #2A6274, #2A4E74 and #2A3A74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A755F shade matches the following richer shades: #2A745E, #1D8164, #108E69 and #049B6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A755F shade: #2A745E, #376759, #435B54, #504E4F and #5D4149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A755F shade: #2A7436, #2A744A, #2A745E, #2A7472 and #2A6374

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A755F shade: #14382D, #1F5646, #2A745E, #359377 and #40B190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A755F shade: #2A755F, #2A3174 and #74402A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A755F shade: #2A755F, #5E2A74 and #745E2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A755F shade: #2A755F, #2A3174, #742A40 and #746D2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A755F shade: #2A755F, #392A74, #742A40 and #65742A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 19 / 54

HEX #2A755F

RGB 42 117 95

HSL 162.4, 0.47%, 0.31%

LAB 44.29, -28.8, 5.36

 

Complementary color

CMYK 0 / 35 / 25 / 16

HEX #D58AA0

RGB 213 138 160

HSL 342.4, 0.47%, 0.69%

LAB 65.64, 31.56, 0.29

 

CMYK 60 / 0 / 23 / 54

HEX #2F755A

RGB 47 117 90

HSL 156.86, 0.43%, 0.32%

LAB 44.33, -28.97, 8.41

 

CMYK 53 / 0 / 19 / 47

HEX #40876D

RGB 64 135 109

HSL 158.03, 0.36%, 0.39%

LAB 51.29, -28.93, 7.23

 

CMYK 47 / 0 / 16 / 40

HEX #519980

RGB 81 153 128

HSL 159.17, 0.31%, 0.46%

LAB 58.12, -28.79, 6.2

 

CMYK 43 / 0 / 14 / 33

HEX #62AB93

RGB 98 171 147

HSL 160.27, 0.3%, 0.53%

LAB 64.83, -28.6, 5.25

 

CMYK 39 / 0 / 12 / 26

HEX #73BDA6

RGB 115 189 166

HSL 161.35, 0.36%, 0.6%

LAB 71.41, -28.41, 4.39

 

CMYK 64 / 0 / 19 / 54

HEX #2A755F

RGB 42 117 95

HSL 162.4, 0.47%, 0.31%

LAB 44.29, -28.8, 5.36

 

CMYK 75 / 0 / 23 / 61

HEX #19634C

RGB 25 99 76

HSL 161.35, 0.6%, 0.24%

LAB 37.21, -28.44, 6.69

 

CMYK 90 / 0 / 30 / 68

HEX #085139

RGB 8 81 57

HSL 160.27, 0.82%, 0.17%

LAB 29.99, -27.55, 8.28

 

CMYK 100 / 0 / 40 / 75

HEX #003F26

RGB 0 63 38

HSL 156.19, 1%, 0.12%

LAB 22.64, -25.63, 10.27

 

CMYK 100 / 0 / 58 / 82

HEX #002D13

RGB 0 45 19

HSL 145.33, 1%, 0.09%

LAB 15.08, -22.41, 12.68

 

CMYK 64 / 0 / 19 / 55

HEX #2A745E

RGB 42 116 94

HSL 162.16, 0.47%, 0.31%

LAB 43.93, -28.58, 5.44

 

CMYK 64 / 0 / 36 / 55

HEX #2A744A

RGB 42 116 74

HSL 145.95, 0.47%, 0.31%

LAB 43.47, -33.32, 16.61

 

CMYK 64 / 0 / 53 / 55

HEX #2A7436

RGB 42 116 54

HSL 129.73, 0.47%, 0.31%

LAB 43.14, -37.01, 27.44

 

CMYK 57 / 0 / 64 / 55

HEX #32742A

RGB 50 116 42

HSL 113.51, 0.47%, 0.31%

LAB 43.27, -36.53, 33.84

 

CMYK 40 / 0 / 64 / 55

HEX #46742A

RGB 70 116 42

HSL 97.3, 0.47%, 0.31%

LAB 44.18, -29.9, 35.12

 

CMYK 64 / 0 / 19 / 55

HEX #2A745E

RGB 42 116 94

HSL 162.16, 0.47%, 0.31%

LAB 43.93, -28.58, 5.44

 

CMYK 64 / 0 / 2 / 55

HEX #2A7472

RGB 42 116 114

HSL 178.38, 0.47%, 0.31%

LAB 44.52, -22.95, -5.67

 

CMYK 64 / 16 / 0 / 55

HEX #2A6274

RGB 42 98 116

HSL 194.59, 0.47%, 0.31%

LAB 38.71, -12.42, -15.65

 

CMYK 64 / 33 / 0 / 55

HEX #2A4E74

RGB 42 78 116

HSL 210.81, 0.47%, 0.31%

LAB 32.26, -0.14, -25.64

 

CMYK 64 / 50 / 0 / 55

HEX #2A3A74

RGB 42 58 116

HSL 227.03, 0.47%, 0.31%

LAB 26.1, 13.34, -35.43

 

CMYK 64 / 0 / 19 / 55

HEX #2A745E

RGB 42 116 94

HSL 162.16, 0.47%, 0.31%

LAB 43.93, -28.58, 5.44

 

CMYK 78 / 0 / 22 / 49

HEX #1D8164

RGB 29 129 100

HSL 162.6, 0.63%, 0.31%

LAB 48.11, -35.24, 7.81

 

CMYK 89 / 0 / 26 / 44

HEX #108E69

RGB 16 142 105

HSL 162.38, 0.8%, 0.31%

LAB 52.37, -40.87, 10.91

 

CMYK 97 / 0 / 29 / 39

HEX #049B6E

RGB 4 155 110

HSL 162.12, 0.95%, 0.31%

LAB 56.68, -45.58, 14.08

 

CMYK 64 / 0 / 19 / 55

HEX #2A745E

RGB 42 116 94

HSL 162.16, 0.47%, 0.31%

LAB 43.93, -28.58, 5.44

 

CMYK 47 / 0 / 14 / 60

HEX #376759

RGB 55 103 89

HSL 162.5, 0.3%, 0.31%

LAB 39.97, -20.06, 2.83

 

CMYK 26 / 0 / 8 / 64

HEX #435B54

RGB 67 91 84

HSL 162.5, 0.15%, 0.31%

LAB 36.58, -10.72, 1.09

 

CMYK 0 / 2 / 1 / 69

HEX #504E4F

RGB 80 78 79

HSL 330, 0.01%, 0.31%

LAB 33.39, 1.03, -0.3

 

CMYK 0 / 30 / 22 / 64

HEX #5D4149

RGB 93 65 73

HSL 342.86, 0.18%, 0.31%

LAB 30.85, 13.53, -0

 

CMYK 64 / 0 / 53 / 55

HEX #2A7436

RGB 42 116 54

HSL 129.73, 0.47%, 0.31%

LAB 43.14, -37.01, 27.44

 

CMYK 64 / 0 / 36 / 55

HEX #2A744A

RGB 42 116 74

HSL 145.95, 0.47%, 0.31%

LAB 43.47, -33.32, 16.61

 

CMYK 64 / 0 / 19 / 55

HEX #2A745E

RGB 42 116 94

HSL 162.16, 0.47%, 0.31%

LAB 43.93, -28.58, 5.44

 

CMYK 64 / 0 / 2 / 55

HEX #2A7472

RGB 42 116 114

HSL 178.38, 0.47%, 0.31%

LAB 44.52, -22.95, -5.67

 

CMYK 64 / 15 / 0 / 55

HEX #2A6374

RGB 42 99 116

HSL 193.78, 0.47%, 0.31%

LAB 39.03, -13, -15.15

 

CMYK 64 / 0 / 20 / 78

HEX #14382D

RGB 20 56 45

HSL 161.67, 0.47%, 0.15%

LAB 20.7, -16.2, 3.01

 

CMYK 64 / 0 / 19 / 66

HEX #1F5646

RGB 31 86 70

HSL 162.55, 0.47%, 0.23%

LAB 32.68, -22.49, 3.97

 

CMYK 64 / 0 / 19 / 55

HEX #2A745E

RGB 42 116 94

HSL 162.16, 0.47%, 0.31%

LAB 43.93, -28.58, 5.44

 

CMYK 64 / 0 / 19 / 42

HEX #359377

RGB 53 147 119

HSL 162.13, 0.47%, 0.39%

LAB 55.03, -34.57, 6.76

 

CMYK 64 / 0 / 19 / 31

HEX #40B190

RGB 64 177 144

HSL 162.48, 0.47%, 0.47%

LAB 65.4, -39.85, 7.57

 

CMYK 64 / 0 / 19 / 54

HEX #2A755F

RGB 42 117 95

HSL 162.4, 0.47%, 0.31%

LAB 44.29, -28.8, 5.36

 

CMYK 64 / 58 / 0 / 55

HEX #2A3174

RGB 42 49 116

HSL 234.32, 0.47%, 0.31%

LAB 23.5, 19.6, -39.61

 

CMYK 0 / 45 / 64 / 55

HEX #74402A

RGB 116 64 42

HSL 17.84, 0.47%, 0.31%

LAB 33.02, 20.37, 23.13

 

CMYK 64 / 0 / 19 / 54

HEX #2A755F

RGB 42 117 95

HSL 162.4, 0.47%, 0.31%

LAB 44.29, -28.8, 5.36

 

CMYK 19 / 64 / 0 / 55

HEX #5E2A74

RGB 94 42 116

HSL 282.16, 0.47%, 0.31%

LAB 27.56, 36.66, -32.78

 

CMYK 0 / 19 / 64 / 55

HEX #745E2A

RGB 116 94 42

HSL 42.16, 0.47%, 0.31%

LAB 41.03, 2.34, 32.56

 

CMYK 64 / 0 / 19 / 54

HEX #2A755F

RGB 42 117 95

HSL 162.4, 0.47%, 0.31%

LAB 44.29, -28.8, 5.36

 

CMYK 64 / 58 / 0 / 55

HEX #2A3174

RGB 42 49 116

HSL 234.32, 0.47%, 0.31%

LAB 23.5, 19.6, -39.61

 

CMYK 0 / 64 / 45 / 55

HEX #742A40

RGB 116 42 64

HSL 342.16, 0.47%, 0.31%

LAB 28.74, 34.66, 3.28

 

CMYK 0 / 6 / 64 / 55

HEX #746D2A

RGB 116 109 42

HSL 54.32, 0.47%, 0.31%

LAB 45.38, -6.38, 37.41

 

CMYK 64 / 0 / 19 / 54

HEX #2A755F

RGB 42 117 95

HSL 162.4, 0.47%, 0.31%

LAB 44.29, -28.8, 5.36

 

CMYK 51 / 64 / 0 / 55

HEX #392A74

RGB 57 42 116

HSL 252.16, 0.47%, 0.31%

LAB 22.95, 27.44, -40.44

 

CMYK 0 / 64 / 45 / 55

HEX #742A40

RGB 116 42 64

HSL 342.16, 0.47%, 0.31%

LAB 28.74, 34.66, 3.28

 

CMYK 13 / 0 / 64 / 55

HEX #65742A

RGB 101 116 42

HSL 72.16, 0.47%, 0.31%

LAB 46.21, -17.11, 37.94

 

Description

Color code: HEX #2A755F | qconv.com Color code: HEX #2A755F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 117 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 117 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 19 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 19% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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