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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A74EF it is the complementary color #D58B10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A74EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A74EF shade: #2F74EA, #4086FD, #5198FF, #62AAFF and #73BCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A74EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A74EF shade: #2A74EF, #1962DC, #0850C9, #003EB6 and #002CA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A74EF shade: #2A74EF, #2A3EEF, #4A2AEF, #7F2AEF and #B42AEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A74EF shade: #2A74EF, #2A3EEF and #2A2AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A74EF shade matches the following richer shades: #2A74EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A74EF shade: #2A74EF, #3C78DC, #4F7DCA, #6182B7 and #7486A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A74EF shade: #2ADEEF, #2AAAEF, #2A75EF, #2A41EF and #472AEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A74EF shade: #0E4EB8, #115EDE, #2A74EF, #508DF2 and #76A6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A74EF shade: #2A74EF, #CB2AEF and #C4EF2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A74EF shade: #2A74EF, #EF2A75 and #75EF2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A74EF shade: #2A74EF, #CB2AEF, #EFA32A and #4EEF2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A74EF shade: #2A74EF, #EF2AD8, #EFA32A and #2AEF41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

Complementary color

CMYK 0 / 35 / 92 / 16

HEX #D58B10

RGB 213 139 16

HSL 37.46, 0.86%, 0.45%

LAB 63.88, 20.02, 66.8

 

CMYK 80 / 50 / 0 / 8

HEX #2F74EA

RGB 47 116 234

HSL 217.86, 0.82%, 0.55%

LAB 50.73, 20.62, -65.68

 

CMYK 75 / 47 / 0 / 1

HEX #4086FD

RGB 64 134 253

HSL 217.78, 0.98%, 0.62%

LAB 57.3, 18.2, -65.6

 

CMYK 68 / 40 / 0 / 0

HEX #5198FF

RGB 81 152 255

HSL 215.52, 1%, 0.66%

LAB 62.87, 10.31, -57.75

 

CMYK 62 / 33 / 0 / 0

HEX #62AAFF

RGB 98 170 255

HSL 212.48, 1%, 0.69%

LAB 68.44, 2.65, -48.88

 

CMYK 55 / 26 / 0 / 0

HEX #73BCFF

RGB 115 188 255

HSL 208.71, 1%, 0.73%

LAB 74.08, -4.14, -39.98

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 89 / 55 / 0 / 14

HEX #1962DC

RGB 25 98 220

HSL 217.54, 0.8%, 0.48%

LAB 44.39, 25.16, -68.08

 

CMYK 96 / 60 / 0 / 21

HEX #0850C9

RGB 8 80 201

HSL 217.62, 0.92%, 0.41%

LAB 37.85, 28.82, -67.84

 

CMYK 100 / 66 / 0 / 29

HEX #003EB6

RGB 0 62 182

HSL 219.56, 1%, 0.36%

LAB 31.4, 33.03, -67.29

 

CMYK 100 / 73 / 0 / 36

HEX #002CA3

RGB 0 44 163

HSL 223.8, 1%, 0.32%

LAB 25.09, 37.44, -66.3

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 82 / 74 / 0 / 6

HEX #2A3EEF

RGB 42 62 239

HSL 233.91, 0.86%, 0.55%

LAB 38.14, 55.11, -89.1

 

CMYK 69 / 82 / 0 / 6

HEX #4A2AEF

RGB 74 42 239

HSL 249.75, 0.86%, 0.55%

LAB 36.64, 66.65, -91.54

 

CMYK 47 / 82 / 0 / 6

HEX #7F2AEF

RGB 127 42 239

HSL 265.89, 0.86%, 0.55%

LAB 41.84, 71.71, -82.77

 

CMYK 25 / 82 / 0 / 6

HEX #B42AEF

RGB 180 42 239

HSL 282.03, 0.86%, 0.55%

LAB 49, 79.01, -70.78

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 82 / 74 / 0 / 6

HEX #2A3EEF

RGB 42 62 239

HSL 233.91, 0.86%, 0.55%

LAB 38.14, 55.11, -89.1

 

CMYK 82 / 82 / 0 / 6

HEX #2A2AEF

RGB 42 42 239

HSL 240, 0.86%, 0.55%

LAB 34.76, 64.9, -94.71

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 73 / 45 / 0 / 14

HEX #3C78DC

RGB 60 120 220

HSL 217.5, 0.7%, 0.55%

LAB 51.34, 14.4, -56.8

 

CMYK 61 / 38 / 0 / 21

HEX #4F7DCA

RGB 79 125 202

HSL 217.56, 0.54%, 0.55%

LAB 52.5, 8.05, -44.7

 

CMYK 47 / 29 / 0 / 28

HEX #6182B7

RGB 97 130 183

HSL 216.98, 0.37%, 0.55%

LAB 53.95, 2.96, -31.51

 

CMYK 30 / 19 / 0 / 35

HEX #7486A5

RGB 116 134 165

HSL 217.96, 0.21%, 0.55%

LAB 55.56, 0.93, -18.58

 

CMYK 82 / 7 / 0 / 6

HEX #2ADEEF

RGB 42 222 239

HSL 185.18, 0.86%, 0.55%

LAB 81.27, -36.47, -20.54

 

CMYK 82 / 29 / 0 / 6

HEX #2AAAEF

RGB 42 170 239

HSL 201.02, 0.86%, 0.55%

LAB 66.12, -10.11, -43.92

 

CMYK 82 / 51 / 0 / 6

HEX #2A75EF

RGB 42 117 239

HSL 217.16, 0.86%, 0.55%

LAB 51.21, 21.43, -67.71

 

CMYK 82 / 73 / 0 / 6

HEX #2A41EF

RGB 42 65 239

HSL 232.99, 0.86%, 0.55%

LAB 38.73, 53.45, -88.12

 

CMYK 70 / 82 / 0 / 6

HEX #472AEF

RGB 71 42 239

HSL 248.83, 0.86%, 0.55%

LAB 36.42, 66.44, -91.91

 

CMYK 92 / 58 / 0 / 28

HEX #0E4EB8

RGB 14 78 184

HSL 217.41, 0.86%, 0.39%

LAB 35.99, 23.62, -60.95

 

CMYK 92 / 58 / 0 / 13

HEX #115EDE

RGB 17 94 222

HSL 217.46, 0.86%, 0.47%

LAB 43.36, 28.15, -70.91

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 67 / 42 / 0 / 5

HEX #508DF2

RGB 80 141 242

HSL 217.41, 0.86%, 0.63%

LAB 59.13, 12.24, -56.57

 

CMYK 52 / 32 / 0 / 4

HEX #76A6F5

RGB 118 166 245

HSL 217.32, 0.86%, 0.71%

LAB 67.81, 5.75, -44.36

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 15 / 82 / 0 / 6

HEX #CB2AEF

RGB 203 42 239

HSL 289.04, 0.86%, 0.55%

LAB 52.49, 82.68, -64.96

 

CMYK 18 / 0 / 82 / 6

HEX #C4EF2A

RGB 196 239 42

HSL 73.1, 0.86%, 0.55%

LAB 88.75, -37.27, 80.74

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 0 / 82 / 51 / 6

HEX #EF2A75

RGB 239 42 117

HSL 337.16, 0.86%, 0.55%

LAB 53.27, 74.99, 7.96

 

CMYK 51 / 0 / 82 / 6

HEX #75EF2A

RGB 117 239 42

HSL 97.16, 0.86%, 0.55%

LAB 84.83, -64.29, 75.79

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 15 / 82 / 0 / 6

HEX #CB2AEF

RGB 203 42 239

HSL 289.04, 0.86%, 0.55%

LAB 52.49, 82.68, -64.96

 

CMYK 0 / 32 / 82 / 6

HEX #EFA32A

RGB 239 163 42

HSL 36.85, 0.86%, 0.55%

LAB 72.7, 18.89, 68.36

 

CMYK 67 / 0 / 82 / 6

HEX #4EEF2A

RGB 78 239 42

HSL 109.04, 0.86%, 0.55%

LAB 83.72, -73.39, 74.37

 

CMYK 82 / 51 / 0 / 6

HEX #2A74EF

RGB 42 116 239

HSL 217.46, 0.86%, 0.55%

LAB 50.94, 22.06, -68.14

 

CMYK 0 / 82 / 10 / 6

HEX #EF2AD8

RGB 239 42 216

HSL 307.01, 0.86%, 0.55%

LAB 57.04, 85.59, -44.36

 

CMYK 0 / 32 / 82 / 6

HEX #EFA32A

RGB 239 163 42

HSL 36.85, 0.86%, 0.55%

LAB 72.7, 18.89, 68.36

 

CMYK 82 / 0 / 73 / 6

HEX #2AEF41

RGB 42 239 65

HSL 127.01, 0.86%, 0.55%

LAB 83.24, -77.11, 66.99

 

Description

Color code: HEX #2A74EF | qconv.com Color code: HEX #2A74EF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 116 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 116 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 51 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 51% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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