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Color name
HEX #2A5799

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A5799 it is the complementary color #D5A866. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A5799. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A5799 shade: #2F5794, #4069A7, #517BBA, #628DCD and #739FE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A5799. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A5799 shade: #2A5799, #194586, #083373, #002160 and #000F4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A5799 shade: #2A5698, #2A3998, #382A98, #562A98 and #742A98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A5799 shade: #2A5698, #2A3998 and #2A2A98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A5799 shade matches the following richer shades: #2A5698, #1A53A8 and #0A51B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A5799 shade: #2A5698, #395988, #495C79, #595F69 and #686259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A5799 shade: #2A9398, #2A7598, #2A5898, #2A3A98 and #372A98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A5799 shade: #183257, #214478, #2A5698, #3369B9 and #487ECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A5799 shade: #2A5799, #802A98 and #84982A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A5799 shade: #2A5799, #982A58 and #58982A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A5799 shade: #2A5799, #802A98, #986A2A and #42982A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A5799 shade: #2A5799, #982A8F, #986A2A and #2A9833

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 43 / 0 / 40

HEX #2A5799

RGB 42 87 153

HSL 215.68, 0.57%, 0.38%

LAB 37.13, 7.92, -40.61

 

Complementary color

CMYK 0 / 21 / 52 / 16

HEX #D5A866

RGB 213 168 102

HSL 35.68, 0.57%, 0.62%

LAB 71.63, 8.61, 40.15

 

CMYK 68 / 41 / 0 / 42

HEX #2F5794

RGB 47 87 148

HSL 216.24, 0.52%, 0.38%

LAB 37.04, 6.84, -37.73

 

CMYK 62 / 37 / 0 / 35

HEX #4069A7

RGB 64 105 167

HSL 216.12, 0.45%, 0.45%

LAB 44.21, 5.42, -37.63

 

CMYK 56 / 34 / 0 / 27

HEX #517BBA

RGB 81 123 186

HSL 216, 0.43%, 0.52%

LAB 51.22, 4.34, -37.56

 

CMYK 52 / 31 / 0 / 20

HEX #628DCD

RGB 98 141 205

HSL 215.89, 0.52%, 0.59%

LAB 58.09, 3.48, -37.53

 

CMYK 49 / 29 / 0 / 12

HEX #739FE0

RGB 115 159 224

HSL 215.78, 0.64%, 0.66%

LAB 64.82, 2.78, -37.53

 

CMYK 73 / 43 / 0 / 40

HEX #2A5799

RGB 42 87 153

HSL 215.68, 0.57%, 0.38%

LAB 37.13, 7.92, -40.61

 

CMYK 81 / 49 / 0 / 47

HEX #194586

RGB 25 69 134

HSL 215.78, 0.69%, 0.31%

LAB 29.87, 10.17, -40.69

 

CMYK 93 / 56 / 0 / 55

HEX #083373

RGB 8 51 115

HSL 215.89, 0.87%, 0.24%

LAB 22.5, 13.27, -40.66

 

CMYK 100 / 66 / 0 / 62

HEX #002160

RGB 0 33 96

HSL 219.38, 1%, 0.19%

LAB 15.13, 17.54, -40.32

 

CMYK 100 / 81 / 0 / 70

HEX #000F4D

RGB 0 15 77

HSL 228.31, 1%, 0.15%

LAB 7.93, 22.58, -39.29

 

CMYK 72 / 43 / 0 / 40

HEX #2A5698

RGB 42 86 152

HSL 216, 0.57%, 0.38%

LAB 36.77, 8.19, -40.59

 

CMYK 72 / 63 / 0 / 40

HEX #2A3998

RGB 42 57 152

HSL 231.82, 0.57%, 0.38%

LAB 28.6, 27.64, -53.78

 

CMYK 63 / 72 / 0 / 40

HEX #382A98

RGB 56 42 152

HSL 247.64, 0.57%, 0.38%

LAB 26.05, 39.02, -57.92

 

CMYK 43 / 72 / 0 / 40

HEX #562A98

RGB 86 42 152

HSL 264, 0.57%, 0.38%

LAB 29.16, 43.97, -52.71

 

CMYK 24 / 72 / 0 / 40

HEX #742A98

RGB 116 42 152

HSL 280.36, 0.57%, 0.38%

LAB 33.21, 50.02, -45.95

 

CMYK 72 / 43 / 0 / 40

HEX #2A5698

RGB 42 86 152

HSL 216, 0.57%, 0.38%

LAB 36.77, 8.19, -40.59

 

CMYK 72 / 63 / 0 / 40

HEX #2A3998

RGB 42 57 152

HSL 231.82, 0.57%, 0.38%

LAB 28.6, 27.64, -53.78

 

CMYK 72 / 72 / 0 / 40

HEX #2A2A98

RGB 42 42 152

HSL 240, 0.57%, 0.38%

LAB 25, 37.26, -59.69

 

CMYK 72 / 43 / 0 / 40

HEX #2A5698

RGB 42 86 152

HSL 216, 0.57%, 0.38%

LAB 36.77, 8.19, -40.59

 

CMYK 85 / 51 / 0 / 34

HEX #1A53A8

RGB 26 83 168

HSL 215.92, 0.73%, 0.38%

LAB 36.43, 14.59, -50.75

 

CMYK 95 / 56 / 0 / 28

HEX #0A51B7

RGB 10 81 183

HSL 215.38, 0.9%, 0.38%

LAB 36.68, 21.03, -59.23

 

CMYK 72 / 43 / 0 / 40

HEX #2A5698

RGB 42 86 152

HSL 216, 0.57%, 0.38%

LAB 36.77, 8.19, -40.59

 

CMYK 58 / 35 / 0 / 47

HEX #395988

RGB 57 89 136

HSL 215.7, 0.41%, 0.38%

LAB 37.47, 3.23, -29.74

 

CMYK 40 / 24 / 0 / 53

HEX #495C79

RGB 73 92 121

HSL 216.25, 0.25%, 0.38%

LAB 38.64, 0.73, -18.68

 

CMYK 15 / 10 / 0 / 59

HEX #595F69

RGB 89 95 105

HSL 217.5, 0.08%, 0.38%

LAB 40.13, -0.04, -6.48

 

CMYK 0 / 6 / 14 / 59

HEX #686259

RGB 104 98 89

HSL 36, 0.08%, 0.38%

LAB 41.84, 0.66, 5.97

 

CMYK 72 / 3 / 0 / 40

HEX #2A9398

RGB 42 147 152

HSL 182.73, 0.57%, 0.38%

LAB 55.71, -27.08, -11.2

 

CMYK 72 / 23 / 0 / 40

HEX #2A7598

RGB 42 117 152

HSL 199.09, 0.57%, 0.38%

LAB 46.29, -10.97, -25.59

 

CMYK 72 / 42 / 0 / 40

HEX #2A5898

RGB 42 88 152

HSL 214.91, 0.57%, 0.38%

LAB 37.37, 6.88, -39.63

 

CMYK 72 / 62 / 0 / 40

HEX #2A3A98

RGB 42 58 152

HSL 231.27, 0.57%, 0.38%

LAB 28.86, 26.97, -53.36

 

CMYK 64 / 72 / 0 / 40

HEX #372A98

RGB 55 42 152

HSL 247.09, 0.57%, 0.38%

LAB 25.97, 38.88, -58.07

 

CMYK 72 / 43 / 0 / 66

HEX #183257

RGB 24 50 87

HSL 215.24, 0.57%, 0.22%

LAB 20.69, 3.95, -25.32

 

CMYK 73 / 43 / 0 / 53

HEX #214478

RGB 33 68 120

HSL 215.86, 0.57%, 0.3%

LAB 28.94, 6.32, -33.44

 

CMYK 72 / 43 / 0 / 40

HEX #2A5698

RGB 42 86 152

HSL 216, 0.57%, 0.38%

LAB 36.77, 8.19, -40.59

 

CMYK 72 / 43 / 0 / 27

HEX #3369B9

RGB 51 105 185

HSL 215.82, 0.57%, 0.46%

LAB 44.67, 9.72, -47.46

 

CMYK 65 / 39 / 0 / 20

HEX #487ECD

RGB 72 126 205

HSL 215.64, 0.57%, 0.54%

LAB 52.63, 7.19, -46.23

 

CMYK 73 / 43 / 0 / 40

HEX #2A5799

RGB 42 87 153

HSL 215.68, 0.57%, 0.38%

LAB 37.13, 7.92, -40.61

 

CMYK 16 / 72 / 0 / 40

HEX #802A98

RGB 128 42 152

HSL 286.91, 0.57%, 0.38%

LAB 35.03, 52.62, -42.94

 

CMYK 13 / 0 / 72 / 40

HEX #84982A

RGB 132 152 42

HSL 70.91, 0.57%, 0.38%

LAB 59.46, -22.22, 52.39

 

CMYK 73 / 43 / 0 / 40

HEX #2A5799

RGB 42 87 153

HSL 215.68, 0.57%, 0.38%

LAB 37.13, 7.92, -40.61

 

CMYK 0 / 72 / 42 / 40

HEX #982A58

RGB 152 42 88

HSL 334.91, 0.57%, 0.38%

LAB 36.05, 49.03, -0.96

 

CMYK 42 / 0 / 72 / 40

HEX #58982A

RGB 88 152 42

HSL 94.91, 0.57%, 0.38%

LAB 56.78, -39.54, 48.82

 

CMYK 73 / 43 / 0 / 40

HEX #2A5799

RGB 42 87 153

HSL 215.68, 0.57%, 0.38%

LAB 37.13, 7.92, -40.61

 

CMYK 16 / 72 / 0 / 40

HEX #802A98

RGB 128 42 152

HSL 286.91, 0.57%, 0.38%

LAB 35.03, 52.62, -42.94

 

CMYK 0 / 30 / 72 / 40

HEX #986A2A

RGB 152 106 42

HSL 34.91, 0.57%, 0.38%

LAB 48.45, 12.08, 41.84

 

CMYK 57 / 0 / 72 / 40

HEX #42982A

RGB 66 152 42

HSL 106.91, 0.57%, 0.38%

LAB 55.87, -46.4, 47.6

 

CMYK 73 / 43 / 0 / 40

HEX #2A5799

RGB 42 87 153

HSL 215.68, 0.57%, 0.38%

LAB 37.13, 7.92, -40.61

 

CMYK 0 / 72 / 6 / 40

HEX #982A8F

RGB 152 42 143

HSL 304.91, 0.57%, 0.38%

LAB 38.4, 56.5, -31.84

 

CMYK 0 / 30 / 72 / 40

HEX #986A2A

RGB 152 106 42

HSL 34.91, 0.57%, 0.38%

LAB 48.45, 12.08, 41.84

 

CMYK 72 / 0 / 66 / 40

HEX #2A9833

RGB 42 152 51

HSL 124.91, 0.57%, 0.38%

LAB 55.27, -51.02, 43

 

Description

Color code: HEX #2A5799 | qconv.com Color code: HEX #2A5799 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 87 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 87 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 43 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 43% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - りそなカード
Link: http://www.resonacard.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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