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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A5470 it is the complementary color #D5AB8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A5470. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A5470 shade: #2F546B, #40667E, #517891, #628AA4 and #739CB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A5470. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A5470 shade: #2A5470, #19425D, #08304A, #001E37 and #000C24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A5470 shade: #2A536F, #2A416F, #2A2E6F, #382A6F and #4B2A6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A5470 shade: #2A536F, #2A416F, #2A2E6F and #2A2A6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A5470 shade matches the following richer shades: #2A536F, #1E567B, #115888 and #055B94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A5470 shade: #2A536F, #365163, #434E56, #4F4C4A and #5C493D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A5470 shade: #2A6F66, #2A666F, #2A536F, #2A416F and #2A2F6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A5470 shade: #132633, #1F3D51, #2A536F, #356A8D and #4180AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A5470 shade: #2A5470, #532A6F and #6F6F2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A5470 shade: #2A5470, #6F2A53 and #536F2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A5470 shade: #2A5470, #532A6F, #6F462A and #466F2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A5470 shade: #2A5470, #682A6F, #6F462A and #316F2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 25 / 0 / 56

HEX #2A5470

RGB 42 84 112

HSL 204, 0.45%, 0.3%

LAB 33.99, -5.39, -20.45

 

Complementary color

CMYK 0 / 20 / 33 / 16

HEX #D5AB8F

RGB 213 171 143

HSL 24, 0.45%, 0.7%

LAB 73.06, 11.4, 20.24

 

CMYK 56 / 21 / 0 / 58

HEX #2F546B

RGB 47 84 107

HSL 203, 0.39%, 0.3%

LAB 34, -5.95, -17.29

 

CMYK 49 / 19 / 0 / 51

HEX #40667E

RGB 64 102 126

HSL 203.23, 0.33%, 0.37%

LAB 41.37, -6.39, -17.57

 

CMYK 44 / 17 / 0 / 43

HEX #517891

RGB 81 120 145

HSL 203.44, 0.28%, 0.44%

LAB 48.54, -6.69, -17.85

 

CMYK 40 / 16 / 0 / 36

HEX #628AA4

RGB 98 138 164

HSL 203.64, 0.27%, 0.51%

LAB 55.54, -6.91, -18.15

 

CMYK 37 / 15 / 0 / 28

HEX #739CB7

RGB 115 156 183

HSL 203.82, 0.32%, 0.58%

LAB 62.37, -7.09, -18.45

 

CMYK 63 / 25 / 0 / 56

HEX #2A5470

RGB 42 84 112

HSL 204, 0.45%, 0.3%

LAB 33.99, -5.39, -20.45

 

CMYK 73 / 29 / 0 / 64

HEX #19425D

RGB 25 66 93

HSL 203.82, 0.58%, 0.23%

LAB 26.43, -4.38, -20.2

 

CMYK 89 / 35 / 0 / 71

HEX #08304A

RGB 8 48 74

HSL 203.64, 0.8%, 0.16%

LAB 18.63, -2.71, -19.9

 

CMYK 100 / 45 / 0 / 78

HEX #001E37

RGB 0 30 55

HSL 207.27, 1%, 0.11%

LAB 10.59, 0.3, -19.43

 

CMYK 100 / 67 / 0 / 86

HEX #000C24

RGB 0 12 36

HSL 220, 1%, 0.07%

LAB 3.53, 3.23, -16.52

 

CMYK 62 / 25 / 0 / 56

HEX #2A536F

RGB 42 83 111

HSL 204.35, 0.45%, 0.3%

LAB 33.62, -5.12, -20.4

 

CMYK 62 / 41 / 0 / 56

HEX #2A416F

RGB 42 65 111

HSL 220, 0.45%, 0.3%

LAB 27.9, 6.65, -29.37

 

CMYK 62 / 59 / 0 / 56

HEX #2A2E6F

RGB 42 46 111

HSL 236.52, 0.45%, 0.3%

LAB 22.28, 19.83, -38.38

 

CMYK 50 / 62 / 0 / 56

HEX #382A6F

RGB 56 42 111

HSL 252.17, 0.45%, 0.3%

LAB 22.46, 25.59, -38.03

 

CMYK 32 / 62 / 0 / 56

HEX #4B2A6F

RGB 75 42 111

HSL 268.7, 0.45%, 0.3%

LAB 24.64, 30.34, -34.41

 

CMYK 62 / 25 / 0 / 56

HEX #2A536F

RGB 42 83 111

HSL 204.35, 0.45%, 0.3%

LAB 33.62, -5.12, -20.4

 

CMYK 62 / 41 / 0 / 56

HEX #2A416F

RGB 42 65 111

HSL 220, 0.45%, 0.3%

LAB 27.9, 6.65, -29.37

 

CMYK 62 / 59 / 0 / 56

HEX #2A2E6F

RGB 42 46 111

HSL 236.52, 0.45%, 0.3%

LAB 22.28, 19.83, -38.38

 

CMYK 62 / 62 / 0 / 56

HEX #2A2A6F

RGB 42 42 111

HSL 240, 0.45%, 0.3%

LAB 21.19, 22.59, -40.15

 

CMYK 62 / 25 / 0 / 56

HEX #2A536F

RGB 42 83 111

HSL 204.35, 0.45%, 0.3%

LAB 33.62, -5.12, -20.4

 

CMYK 76 / 30 / 0 / 52

HEX #1E567B

RGB 30 86 123

HSL 203.87, 0.61%, 0.3%

LAB 34.73, -4.77, -26.16

 

CMYK 88 / 35 / 0 / 47

HEX #115888

RGB 17 88 136

HSL 204.2, 0.78%, 0.3%

LAB 35.74, -2.42, -32.56

 

CMYK 97 / 39 / 0 / 42

HEX #055B94

RGB 5 91 148

HSL 203.92, 0.93%, 0.3%

LAB 37.21, -0.21, -37.52

 

CMYK 62 / 25 / 0 / 56

HEX #2A536F

RGB 42 83 111

HSL 204.35, 0.45%, 0.3%

LAB 33.62, -5.12, -20.4

 

CMYK 45 / 18 / 0 / 61

HEX #365163

RGB 54 81 99

HSL 204, 0.29%, 0.3%

LAB 33.07, -4.8, -13.65

 

CMYK 22 / 9 / 0 / 66

HEX #434E56

RGB 67 78 86

HSL 205.26, 0.12%, 0.3%

LAB 32.51, -2.36, -6.18

 

CMYK 0 / 4 / 6 / 69

HEX #4F4C4A

RGB 79 76 74

HSL 24, 0.03%, 0.3%

LAB 32.54, 0.82, 1.62

 

CMYK 0 / 21 / 34 / 64

HEX #5C493D

RGB 92 73 61

HSL 23.23, 0.2%, 0.3%

LAB 32.65, 6.07, 10.24

 

CMYK 62 / 0 / 8 / 56

HEX #2A6F66

RGB 42 111 102

HSL 172.17, 0.45%, 0.3%

LAB 42.49, -23.9, -1.45

 

CMYK 62 / 8 / 0 / 56

HEX #2A666F

RGB 42 102 111

HSL 187.83, 0.45%, 0.3%

LAB 39.82, -16.35, -10.9

 

CMYK 62 / 25 / 0 / 56

HEX #2A536F

RGB 42 83 111

HSL 204.35, 0.45%, 0.3%

LAB 33.62, -5.12, -20.4

 

CMYK 62 / 41 / 0 / 56

HEX #2A416F

RGB 42 65 111

HSL 220, 0.45%, 0.3%

LAB 27.9, 6.65, -29.37

 

CMYK 62 / 58 / 0 / 56

HEX #2A2F6F

RGB 42 47 111

HSL 235.65, 0.45%, 0.3%

LAB 22.56, 19.13, -37.93

 

CMYK 63 / 25 / 0 / 80

HEX #132633

RGB 19 38 51

HSL 204.38, 0.46%, 0.14%

LAB 14.19, -3.1, -10.86

 

CMYK 62 / 25 / 0 / 68

HEX #1F3D51

RGB 31 61 81

HSL 204, 0.45%, 0.22%

LAB 24.39, -4.37, -15.51

 

CMYK 62 / 25 / 0 / 56

HEX #2A536F

RGB 42 83 111

HSL 204.35, 0.45%, 0.3%

LAB 33.62, -5.12, -20.4

 

CMYK 62 / 25 / 0 / 45

HEX #356A8D

RGB 53 106 141

HSL 203.86, 0.45%, 0.38%

LAB 42.75, -6.42, -24.53

 

CMYK 62 / 25 / 0 / 33

HEX #4180AB

RGB 65 128 171

HSL 204.34, 0.45%, 0.46%

LAB 51.27, -6.87, -28.89

 

CMYK 63 / 25 / 0 / 56

HEX #2A5470

RGB 42 84 112

HSL 204, 0.45%, 0.3%

LAB 33.99, -5.39, -20.45

 

CMYK 25 / 62 / 0 / 56

HEX #532A6F

RGB 83 42 111

HSL 275.65, 0.45%, 0.3%

LAB 25.69, 32.49, -32.66

 

CMYK 0 / 0 / 62 / 56

HEX #6F6F2A

RGB 111 111 42

HSL 60, 0.45%, 0.3%

LAB 45.52, -9.83, 37.42

 

CMYK 63 / 25 / 0 / 56

HEX #2A5470

RGB 42 84 112

HSL 204, 0.45%, 0.3%

LAB 33.99, -5.39, -20.45

 

CMYK 0 / 62 / 25 / 56

HEX #6F2A53

RGB 111 42 83

HSL 324.35, 0.45%, 0.3%

LAB 28.54, 35.46, -9.7

 

CMYK 25 / 0 / 62 / 56

HEX #536F2A

RGB 83 111 42

HSL 84.35, 0.45%, 0.3%

LAB 43.32, -22.29, 34.37

 

CMYK 63 / 25 / 0 / 56

HEX #2A5470

RGB 42 84 112

HSL 204, 0.45%, 0.3%

LAB 33.99, -5.39, -20.45

 

CMYK 25 / 62 / 0 / 56

HEX #532A6F

RGB 83 42 111

HSL 275.65, 0.45%, 0.3%

LAB 25.69, 32.49, -32.66

 

CMYK 0 / 37 / 62 / 56

HEX #6F462A

RGB 111 70 42

HSL 24.35, 0.45%, 0.3%

LAB 33.83, 14.48, 23.95

 

CMYK 37 / 0 / 62 / 56

HEX #466F2A

RGB 70 111 42

HSL 95.65, 0.45%, 0.3%

LAB 42.52, -27.52, 33.24

 

CMYK 63 / 25 / 0 / 56

HEX #2A5470

RGB 42 84 112

HSL 204, 0.45%, 0.3%

LAB 33.99, -5.39, -20.45

 

CMYK 6 / 62 / 0 / 56

HEX #682A6F

RGB 104 42 111

HSL 293.91, 0.45%, 0.3%

LAB 28.76, 38.33, -27.59

 

CMYK 0 / 37 / 62 / 56

HEX #6F462A

RGB 111 70 42

HSL 24.35, 0.45%, 0.3%

LAB 33.83, 14.48, 23.95

 

CMYK 56 / 0 / 62 / 56

HEX #316F2A

RGB 49 111 42

HSL 113.91, 0.45%, 0.3%

LAB 41.51, -34.71, 31.83

 

Description

Color code: HEX #2A5470 | qconv.com Color code: HEX #2A5470 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 84 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 84 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 25 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 25% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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