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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A52E7 it is the complementary color #D5AD18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A52E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A52E7 shade: #2F52E2, #4064F5, #5176FF, #6288FF and #739AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A52E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A52E7 shade: #2A52E7, #1940D4, #082EC1, #001CAE and #000A9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A52E7 shade: #2C54E8, #372CE8, #692CE8, #9C2CE8 and #CF2CE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A52E7 shade: #2C54E8 and #2C2CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A52E7 shade matches the following richer shades: #2C54E8 and #1949FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A52E7 shade: #2C54E8, #3F5FD5, #5269C2, #6574AF and #787F9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A52E7 shade: #2CB9E8, #2C87E8, #2C55E8, #352CE8 and #672CE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A52E7 shade: #1334AE, #173FD3, #2C54E8, #5172EC and #7690F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A52E7 shade: #2A52E7, #E42CE8 and #A0E82C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A52E7 shade: #2A52E7, #E82C55 and #55E82C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A52E7 shade: #2A52E7, #E42CE8, #E8BF2C and #2FE82C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A52E7 shade: #2A52E7, #E82CB2, #E8BF2C and #2CE861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 65 / 0 / 9

HEX #2A52E7

RGB 42 82 231

HSL 227.3, 0.8%, 0.54%

LAB 41.68, 40.59, -78.74

 

Complementary color

CMYK 0 / 19 / 89 / 16

HEX #D5AD18

RGB 213 173 24

HSL 47.3, 0.8%, 0.46%

LAB 72.29, 1.91, 71.61

 

CMYK 79 / 64 / 0 / 11

HEX #2F52E2

RGB 47 82 226

HSL 228.27, 0.76%, 0.54%

LAB 41.42, 39.18, -76.32

 

CMYK 74 / 59 / 0 / 4

HEX #4064F5

RGB 64 100 245

HSL 228.07, 0.9%, 0.61%

LAB 48, 36.39, -76.23

 

CMYK 68 / 54 / 0 / 0

HEX #5176FF

RGB 81 118 255

HSL 227.24, 1%, 0.66%

LAB 53.95, 30.88, -72.08

 

CMYK 62 / 47 / 0 / 0

HEX #6288FF

RGB 98 136 255

HSL 225.48, 1%, 0.69%

LAB 59.37, 22.59, -63.31

 

CMYK 55 / 40 / 0 / 0

HEX #739AFF

RGB 115 154 255

HSL 223.29, 1%, 0.73%

LAB 64.94, 15.12, -54.35

 

CMYK 82 / 65 / 0 / 9

HEX #2A52E7

RGB 42 82 231

HSL 227.3, 0.8%, 0.54%

LAB 41.68, 40.59, -78.74

 

CMYK 88 / 70 / 0 / 17

HEX #1940D4

RGB 25 64 212

HSL 227.49, 0.79%, 0.46%

LAB 35.26, 43.87, -78.47

 

CMYK 96 / 76 / 0 / 24

HEX #082EC1

RGB 8 46 193

HSL 227.68, 0.92%, 0.39%

LAB 29.05, 47.28, -77.68

 

CMYK 100 / 84 / 0 / 32

HEX #001CAE

RGB 0 28 174

HSL 230.34, 1%, 0.34%

LAB 23.29, 50.26, -75.93

 

CMYK 100 / 94 / 0 / 39

HEX #000A9B

RGB 0 10 155

HSL 236.13, 1%, 0.3%

LAB 18.29, 51.55, -72.72

 

CMYK 81 / 64 / 0 / 9

HEX #2C54E8

RGB 44 84 232

HSL 227.23, 0.8%, 0.54%

LAB 42.31, 39.85, -78.27

 

CMYK 76 / 81 / 0 / 9

HEX #372CE8

RGB 55 44 232

HSL 243.51, 0.8%, 0.54%

LAB 34.88, 62.62, -90.52

 

CMYK 55 / 81 / 0 / 9

HEX #692CE8

RGB 105 44 232

HSL 259.47, 0.8%, 0.54%

LAB 38.95, 66.81, -83.65

 

CMYK 33 / 81 / 0 / 9

HEX #9C2CE8

RGB 156 44 232

HSL 275.74, 0.8%, 0.54%

LAB 45.21, 73.43, -73.14

 

CMYK 11 / 81 / 0 / 9

HEX #CF2CE8

RGB 207 44 232

HSL 292.02, 0.8%, 0.54%

LAB 52.83, 81.71, -60.43

 

CMYK 81 / 64 / 0 / 9

HEX #2C54E8

RGB 44 84 232

HSL 227.23, 0.8%, 0.54%

LAB 42.31, 39.85, -78.27

 

CMYK 81 / 81 / 0 / 9

HEX #2C2CE8

RGB 44 44 232

HSL 240, 0.8%, 0.54%

LAB 34.32, 62.05, -91.47

 

CMYK 81 / 64 / 0 / 9

HEX #2C54E8

RGB 44 84 232

HSL 227.23, 0.8%, 0.54%

LAB 42.31, 39.85, -78.27

 

CMYK 90 / 71 / 0 / 2

HEX #1949FB

RGB 25 73 251

HSL 227.26, 0.97%, 0.54%

LAB 41.12, 52.18, -90.95

 

CMYK 81 / 64 / 0 / 9

HEX #2C54E8

RGB 44 84 232

HSL 227.23, 0.8%, 0.54%

LAB 42.31, 39.85, -78.27

 

CMYK 70 / 55 / 0 / 16

HEX #3F5FD5

RGB 63 95 213

HSL 227.2, 0.64%, 0.54%

LAB 44.3, 28.04, -64.19

 

CMYK 58 / 46 / 0 / 24

HEX #5269C2

RGB 82 105 194

HSL 227.68, 0.48%, 0.54%

LAB 46.7, 18.29, -49.35

 

CMYK 42 / 34 / 0 / 31

HEX #6574AF

RGB 101 116 175

HSL 227.84, 0.32%, 0.54%

LAB 49.92, 10, -33.17

 

CMYK 23 / 19 / 0 / 39

HEX #787F9C

RGB 120 127 156

HSL 228.33, 0.15%, 0.54%

LAB 53.57, 4, -16.39

 

CMYK 81 / 20 / 0 / 9

HEX #2CB9E8

RGB 44 185 232

HSL 195, 0.8%, 0.54%

LAB 70.22, -20.37, -33.7

 

CMYK 81 / 42 / 0 / 9

HEX #2C87E8

RGB 44 135 232

HSL 210.96, 0.8%, 0.54%

LAB 55.78, 7.82, -56.45

 

CMYK 81 / 63 / 0 / 9

HEX #2C55E8

RGB 44 85 232

HSL 226.91, 0.8%, 0.54%

LAB 42.55, 39.23, -77.88

 

CMYK 77 / 81 / 0 / 9

HEX #352CE8

RGB 53 44 232

HSL 242.87, 0.8%, 0.54%

LAB 34.77, 62.51, -90.7

 

CMYK 56 / 81 / 0 / 9

HEX #672CE8

RGB 103 44 232

HSL 258.83, 0.8%, 0.54%

LAB 38.74, 66.59, -84

 

CMYK 89 / 70 / 0 / 32

HEX #1334AE

RGB 19 52 174

HSL 227.23, 0.8%, 0.38%

LAB 28.51, 37.18, -67.27

 

CMYK 89 / 70 / 0 / 17

HEX #173FD3

RGB 23 63 211

HSL 227.23, 0.8%, 0.46%

LAB 34.88, 44.03, -78.51

 

CMYK 81 / 64 / 0 / 9

HEX #2C54E8

RGB 44 84 232

HSL 227.23, 0.8%, 0.54%

LAB 42.31, 39.85, -78.27

 

CMYK 66 / 52 / 0 / 7

HEX #5172EC

RGB 81 114 236

HSL 227.23, 0.8%, 0.62%

LAB 51.66, 26.81, -65.23

 

CMYK 51 / 40 / 0 / 6

HEX #7690F0

RGB 118 144 240

HSL 227.21, 0.8%, 0.7%

LAB 61.73, 16.99, -51.21

 

CMYK 82 / 65 / 0 / 9

HEX #2A52E7

RGB 42 82 231

HSL 227.3, 0.8%, 0.54%

LAB 41.68, 40.59, -78.74

 

CMYK 2 / 81 / 0 / 9

HEX #E42CE8

RGB 228 44 232

HSL 298.72, 0.8%, 0.54%

LAB 56.21, 85.43, -54.84

 

CMYK 31 / 0 / 81 / 9

HEX #A0E82C

RGB 160 232 44

HSL 82.98, 0.8%, 0.54%

LAB 84.67, -47.71, 75.88

 

CMYK 82 / 65 / 0 / 9

HEX #2A52E7

RGB 42 82 231

HSL 227.3, 0.8%, 0.54%

LAB 41.68, 40.59, -78.74

 

CMYK 0 / 81 / 63 / 9

HEX #E82C55

RGB 232 44 85

HSL 346.91, 0.8%, 0.54%

LAB 51.4, 70.65, 24.51

 

CMYK 63 / 0 / 81 / 9

HEX #55E82C

RGB 85 232 44

HSL 106.91, 0.8%, 0.54%

LAB 81.74, -69.68, 72.14

 

CMYK 82 / 65 / 0 / 9

HEX #2A52E7

RGB 42 82 231

HSL 227.3, 0.8%, 0.54%

LAB 41.68, 40.59, -78.74

 

CMYK 2 / 81 / 0 / 9

HEX #E42CE8

RGB 228 44 232

HSL 298.72, 0.8%, 0.54%

LAB 56.21, 85.43, -54.84

 

CMYK 0 / 18 / 81 / 9

HEX #E8BF2C

RGB 232 191 44

HSL 46.91, 0.8%, 0.54%

LAB 78.81, 1.23, 72.75

 

CMYK 80 / 0 / 81 / 9

HEX #2FE82C

RGB 47 232 44

HSL 119.04, 0.8%, 0.54%

LAB 81.02, -75.92, 71.2

 

CMYK 82 / 65 / 0 / 9

HEX #2A52E7

RGB 42 82 231

HSL 227.3, 0.8%, 0.54%

LAB 41.68, 40.59, -78.74

 

CMYK 0 / 81 / 23 / 9

HEX #E82CB2

RGB 232 44 178

HSL 317.23, 0.8%, 0.54%

LAB 54.21, 78.86, -27.01

 

CMYK 0 / 18 / 81 / 9

HEX #E8BF2C

RGB 232 191 44

HSL 46.91, 0.8%, 0.54%

LAB 78.81, 1.23, 72.75

 

CMYK 81 / 0 / 58 / 9

HEX #2CE861

RGB 44 232 97

HSL 136.91, 0.8%, 0.54%

LAB 81.35, -71.6, 52.24

 

Description

Color code: HEX #2A52E7 | qconv.com Color code: HEX #2A52E7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 82 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 82 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 65 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 65% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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