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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A4790CE it is the complementary color #D5B86FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A4790CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A4790CE shade: #2F478BCE, #40599ECE, #516BB1CE, #627DC4CE and #738FD7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A4790CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A4790CE shade: #2A4790CE, #19357DCE, #08236ACE, #001157CE and #000044CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A4790CE shade: #29468E, #292B8E, #43298E, #5E298E and #7A298E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A4790CE shade: #29468E, #292B8E and #29298E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A4790CE shade matches the following richer shades: #29468E, #1A409D and #0C39AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A4790CE shade: #29468E, #384C7F, #475371, #565962 and #656053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A4790CE shade: #297D8E, #29638E, #29488E, #292D8E and #41298E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A4790CE shade: #17274E, #20366E, #29468E, #3356AE and #4268C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A4790CE shade: #2A4790, #84298E and #708E29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A4790CE shade: #2A4790, #8E2948 and #488E29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A4790CE shade: #2A4790, #84298E, #8E7029 and #338E29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A4790CE shade: #2A4790, #8E297A, #8E7029 and #298E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 41 / 0 / 35

HEX #2A4790CE

RGBA 42 71 144 0.81

HSLA 222.94, 0.55%, 0.36%, 0.81

LABA 31.83, 15.13, -43.65, 0.81

 

Complementary color

CMYK 0 / 11 / 39 / 13

HEX #D5B86FCE

RGBA 213 184 111 0.81

HSLA 42.94, 0.55%, 0.64%, 0.81

LABA 75.81, 0.92, 40.74, 0.81

 

CMYK 54 / 40 / 0 / 37

HEX #2F478BCE

RGBA 47 71 139 0.81

HSLA 224.35, 0.49%, 0.36%, 0.81

LABA 31.75, 14.08, -40.7, 0.81

 

CMYK 48 / 35 / 0 / 31

HEX #40599ECE

RGBA 64 89 158 0.81

HSLA 224.04, 0.42%, 0.44%, 0.81

LABA 39.08, 12.44, -40.45, 0.81

 

CMYK 44 / 32 / 0 / 25

HEX #516BB1CE

RGBA 81 107 177 0.81

HSLA 223.75, 0.38%, 0.51%, 0.81

LABA 46.23, 11.18, -40.23, 0.81

 

CMYK 41 / 29 / 0 / 19

HEX #627DC4CE

RGBA 98 125 196 0.81

HSLA 223.47, 0.45%, 0.58%, 0.81

LABA 53.22, 10.17, -40.08, 0.81

 

CMYK 38 / 27 / 0 / 13

HEX #738FD7CE

RGBA 115 143 215 0.81

HSLA 223.2, 0.56%, 0.65%, 0.81

LABA 60.07, 9.35, -39.97, 0.81

 

CMYK 57 / 41 / 0 / 35

HEX #2A4790CE

RGBA 42 71 144 0.81

HSLA 222.94, 0.55%, 0.36%, 0.81

LABA 31.83, 15.13, -43.65, 0.81

 

CMYK 65 / 47 / 0 / 41

HEX #19357DCE

RGBA 25 53 125 0.81

HSLA 223.2, 0.67%, 0.29%, 0.81

LABA 24.43, 17.66, -43.86, 0.81

 

CMYK 75 / 54 / 0 / 47

HEX #08236ACE

RGBA 8 35 106 0.81

HSLA 223.47, 0.86%, 0.22%, 0.81

LABA 16.96, 21.08, -43.88, 0.81

 

CMYK 81 / 65 / 0 / 53

HEX #001157CE

RGBA 0 17 87 0.81

HSLA 228.28, 1%, 0.17%, 0.81

LABA 9.71, 25.36, -43.19, 0.81

 

CMYK 81 / 81 / 0 / 59

HEX #000044CE

RGBA 0 0 68 0.81

HSLA 240, 1%, 0.13%, 0.81

LABA 3.77, 25.91, -39.82, 0.81

 

CMYK 71 / 51 / 0 / 44

HEX #29468E

RGB 41 70 142

HSL 222.77, 0.55%, 0.36%

LAB 31.36, 14.87, -43.19

 

CMYK 71 / 70 / 0 / 44

HEX #292B8E

RGB 41 43 142

HSL 238.81, 0.55%, 0.36%

LAB 24.17, 33, -54.89

 

CMYK 53 / 71 / 0 / 44

HEX #43298E

RGB 67 41 142

HSL 255.45, 0.55%, 0.36%

LAB 25.96, 38.18, -51.87

 

CMYK 34 / 71 / 0 / 44

HEX #5E298E

RGB 94 41 142

HSL 271.49, 0.55%, 0.36%

LAB 29.21, 43.46, -46.44

 

CMYK 14 / 71 / 0 / 44

HEX #7A298E

RGB 122 41 142

HSL 288.12, 0.55%, 0.36%

LAB 33.3, 49.67, -39.64

 

CMYK 71 / 51 / 0 / 44

HEX #29468E

RGB 41 70 142

HSL 222.77, 0.55%, 0.36%

LAB 31.36, 14.87, -43.19

 

CMYK 71 / 70 / 0 / 44

HEX #292B8E

RGB 41 43 142

HSL 238.81, 0.55%, 0.36%

LAB 24.17, 33, -54.89

 

CMYK 71 / 71 / 0 / 44

HEX #29298E

RGB 41 41 142

HSL 240, 0.55%, 0.36%

LAB 23.71, 34.26, -55.65

 

CMYK 71 / 51 / 0 / 44

HEX #29468E

RGB 41 70 142

HSL 222.77, 0.55%, 0.36%

LAB 31.36, 14.87, -43.19

 

CMYK 83 / 59 / 0 / 38

HEX #1A409D

RGB 26 64 157

HSL 222.6, 0.72%, 0.36%

LAB 30.21, 23.06, -54.24

 

CMYK 93 / 67 / 0 / 33

HEX #0C39AC

RGB 12 57 172

HSL 223.13, 0.87%, 0.36%

LAB 29.37, 32.85, -64.67

 

CMYK 71 / 51 / 0 / 44

HEX #29468E

RGB 41 70 142

HSL 222.77, 0.55%, 0.36%

LAB 31.36, 14.87, -43.19

 

CMYK 56 / 40 / 0 / 50

HEX #384C7F

RGB 56 76 127

HSL 223.1, 0.39%, 0.36%

LAB 33.01, 8.29, -31.26

 

CMYK 37 / 27 / 0 / 56

HEX #475371

RGB 71 83 113

HSL 222.86, 0.23%, 0.36%

LAB 35.44, 3.39, -18.69

 

CMYK 12 / 9 / 0 / 62

HEX #565962

RGB 86 89 98

HSL 225, 0.07%, 0.36%

LAB 37.85, 0.85, -5.58

 

CMYK 0 / 5 / 18 / 60

HEX #656053

RGB 101 96 83

HSL 43.33, 0.1%, 0.36%

LAB 40.83, -0.47, 8.14

 

CMYK 71 / 12 / 0 / 44

HEX #297D8E

RGB 41 125 142

HSL 190.1, 0.55%, 0.36%

LAB 48.38, -19, -16.49

 

CMYK 71 / 30 / 0 / 44

HEX #29638E

RGB 41 99 142

HSL 205.54, 0.55%, 0.36%

LAB 40.16, -4.01, -29.19

 

CMYK 71 / 49 / 0 / 44

HEX #29488E

RGB 41 72 142

HSL 221.58, 0.55%, 0.36%

LAB 31.94, 13.52, -42.25

 

CMYK 71 / 68 / 0 / 44

HEX #292D8E

RGB 41 45 142

HSL 237.62, 0.55%, 0.36%

LAB 24.64, 31.72, -54.11

 

CMYK 54 / 71 / 0 / 44

HEX #41298E

RGB 65 41 142

HSL 254.26, 0.55%, 0.36%

LAB 25.75, 37.83, -52.22

 

CMYK 71 / 50 / 0 / 69

HEX #17274E

RGB 23 39 78

HSL 222.55, 0.54%, 0.2%

LAB 16.42, 8.03, -26.09

 

CMYK 71 / 51 / 0 / 57

HEX #20366E

RGB 32 54 110

HSL 223.08, 0.55%, 0.28%

LAB 23.91, 11.9, -35.15

 

CMYK 71 / 51 / 0 / 44

HEX #29468E

RGB 41 70 142

HSL 222.77, 0.55%, 0.36%

LAB 31.36, 14.87, -43.19

 

CMYK 71 / 51 / 0 / 32

HEX #3356AE

RGB 51 86 174

HSL 222.93, 0.55%, 0.44%

LAB 38.58, 17.88, -50.8

 

CMYK 67 / 48 / 0 / 22

HEX #4268C8

RGB 66 104 200

HSL 222.99, 0.55%, 0.52%

LAB 45.95, 18.1, -54.06

 

CMYK 71 / 51 / 0 / 44

HEX #2A4790

RGB 42 71 144

HSL 222.94, 0.55%, 0.36%

LAB 31.83, 15.13, -43.65

 

CMYK 7 / 71 / 0 / 44

HEX #84298E

RGB 132 41 142

HSL 294.06, 0.55%, 0.36%

LAB 34.89, 51.98, -37

 

CMYK 21 / 0 / 71 / 44

HEX #708E29

RGB 112 142 41

HSL 77.82, 0.55%, 0.36%

LAB 55.02, -25.77, 47.88

 

CMYK 71 / 51 / 0 / 44

HEX #2A4790

RGB 42 71 144

HSL 222.94, 0.55%, 0.36%

LAB 31.83, 15.13, -43.65

 

CMYK 0 / 71 / 49 / 44

HEX #8E2948

RGB 142 41 72

HSL 341.58, 0.55%, 0.36%

LAB 33.57, 44.72, 5.56

 

CMYK 49 / 0 / 71 / 44

HEX #488E29

RGB 72 142 41

HSL 101.58, 0.55%, 0.36%

LAB 52.82, -40.72, 44.92

 

CMYK 71 / 51 / 0 / 44

HEX #2A4790

RGB 42 71 144

HSL 222.94, 0.55%, 0.36%

LAB 31.83, 15.13, -43.65

 

CMYK 7 / 71 / 0 / 44

HEX #84298E

RGB 132 41 142

HSL 294.06, 0.55%, 0.36%

LAB 34.89, 51.98, -37

 

CMYK 0 / 21 / 71 / 44

HEX #8E7029

RGB 142 112 41

HSL 42.18, 0.55%, 0.36%

LAB 48.88, 3.96, 42.41

 

CMYK 64 / 0 / 71 / 44

HEX #338E29

RGB 51 142 41

HSL 114.06, 0.55%, 0.36%

LAB 52.07, -46.56, 43.91

 

CMYK 71 / 51 / 0 / 44

HEX #2A4790

RGB 42 71 144

HSL 222.94, 0.55%, 0.36%

LAB 31.83, 15.13, -43.65

 

CMYK 0 / 71 / 14 / 44

HEX #8E297A

RGB 142 41 122

HSL 311.88, 0.55%, 0.36%

LAB 35.48, 51.04, -23.56

 

CMYK 0 / 21 / 71 / 44

HEX #8E7029

RGB 142 112 41

HSL 42.18, 0.55%, 0.36%

LAB 48.88, 3.96, 42.41

 

CMYK 71 / 0 / 56 / 44

HEX #298E3E

RGB 41 142 62

HSL 132.48, 0.55%, 0.36%

LAB 52.02, -46.21, 34.06

 

Description

Color code: HEX #2A4790CE | qconv.com Color code: HEX #2A4790CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 71 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 71 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 41 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 41% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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