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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A3301 it is the complementary color #D5CCFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A3301. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A3301 shade: #2F3300, #40450F, #515722, #626935 and #737B48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A3301. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A3301 shade: #2A3301, #192100, #080F00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A3301 shade: #293201, #322E01, #322001, #321301 and #320601

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A3301 shade: #293201, #1C3201, #0F3201, #023201 and #01320E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A3301 shade matches the following richer shades: #293201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A3301 shade: #293201, #272E05, #242A09, #21260D and #1F2112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A3301 shade: #322001, #322D01, #2A3201, #1D3201 and #103201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A3301 shade: #000000, #080A00, #293201, #4A5A02 and #6C8303

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A3301 shade: #2A3301, #013213 and #270132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A3301 shade: #2A3301, #012A32 and #32012A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A3301 shade: #2A3301, #013213, #090132 and #320120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A3301 shade: #2A3301, #013222, #090132 and #320111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 98 / 80

HEX #2A3301

RGB 42 51 1

HSL 70.8, 0.96%, 0.1%

LAB 19.48, -11.67, 26.9

 

Complementary color

CMYK 16 / 20 / 0 / 0

HEX #D5CCFE

RGB 213 204 254

HSL 250.8, 0.96%, 0.9%

LAB 84.22, 12.84, -23.34

 

CMYK 8 / 0 / 100 / 80

HEX #2F3300

RGB 47 51 0

HSL 64.71, 1%, 0.1%

LAB 19.93, -9.09, 27.94

 

CMYK 7 / 0 / 78 / 73

HEX #40450F

RGB 64 69 15

HSL 65.56, 0.64%, 0.16%

LAB 27.79, -10.21, 30.24

 

CMYK 7 / 0 / 61 / 66

HEX #515722

RGB 81 87 34

HSL 66.79, 0.44%, 0.24%

LAB 35.36, -10.91, 29.42

 

CMYK 7 / 0 / 50 / 59

HEX #626935

RGB 98 105 53

HSL 68.08, 0.33%, 0.31%

LAB 42.7, -11.35, 28.16

 

CMYK 7 / 0 / 41 / 52

HEX #737B48

RGB 115 123 72

HSL 69.41, 0.26%, 0.38%

LAB 49.83, -11.63, 26.86

 

CMYK 18 / 0 / 98 / 80

HEX #2A3301

RGB 42 51 1

HSL 70.8, 0.96%, 0.1%

LAB 19.48, -11.67, 26.9

 

CMYK 24 / 0 / 100 / 87

HEX #192100

RGB 25 33 0

HSL 74.55, 1%, 0.06%

LAB 11.24, -9.89, 16.51

 

CMYK 47 / 0 / 100 / 94

HEX #080F00

RGB 8 15 0

HSL 88, 1%, 0.03%

LAB 3.55, -4.21, 5.24

 

CMYK 18 / 0 / 98 / 80

HEX #293201

RGB 41 50 1

HSL 71.02, 0.96%, 0.1%

LAB 19.03, -11.59, 26.35

 

CMYK 0 / 8 / 98 / 80

HEX #322E01

RGB 50 46 1

HSL 55.1, 0.96%, 0.1%

LAB 18.52, -4.2, 25.97

 

CMYK 0 / 36 / 98 / 80

HEX #322001

RGB 50 32 1

HSL 37.96, 0.96%, 0.1%

LAB 13.9, 5.29, 20.22

 

CMYK 0 / 62 / 98 / 80

HEX #321301

RGB 50 19 1

HSL 22.04, 0.96%, 0.1%

LAB 10.15, 14.17, 15.1

 

CMYK 0 / 88 / 98 / 80

HEX #320601

RGB 50 6 1

HSL 6.12, 0.96%, 0.1%

LAB 7.32, 21.63, 11.02

 

CMYK 18 / 0 / 98 / 80

HEX #293201

RGB 41 50 1

HSL 71.02, 0.96%, 0.1%

LAB 19.03, -11.59, 26.35

 

CMYK 44 / 0 / 98 / 80

HEX #1C3201

RGB 28 50 1

HSL 86.94, 0.96%, 0.1%

LAB 18.05, -17.98, 24.96

 

CMYK 70 / 0 / 98 / 80

HEX #0F3201

RGB 15 50 1

HSL 102.86, 0.96%, 0.1%

LAB 17.39, -23.04, 24

 

CMYK 96 / 0 / 98 / 80

HEX #023201

RGB 2 50 1

HSL 118.78, 0.96%, 0.1%

LAB 16.97, -26.63, 23.39

 

CMYK 98 / 0 / 72 / 80

HEX #01320E

RGB 1 50 14

HSL 135.92, 0.96%, 0.1%

LAB 17.08, -25.13, 18.03

 

CMYK 18 / 0 / 98 / 80

HEX #293201

RGB 41 50 1

HSL 71.02, 0.96%, 0.1%

LAB 19.03, -11.59, 26.35

 

CMYK 18 / 0 / 98 / 80

HEX #293201

RGB 41 50 1

HSL 71.02, 0.96%, 0.1%

LAB 19.03, -11.59, 26.35

 

CMYK 15 / 0 / 89 / 82

HEX #272E05

RGB 39 46 5

HSL 70.24, 0.8%, 0.1%

LAB 17.44, -9.87, 22.79

 

CMYK 14 / 0 / 79 / 84

HEX #242A09

RGB 36 42 9

HSL 70.91, 0.65%, 0.1%

LAB 15.75, -8.59, 19.01

 

CMYK 13 / 0 / 66 / 85

HEX #21260D

RGB 33 38 13

HSL 72, 0.49%, 0.1%

LAB 14.05, -7.17, 15.03

 

CMYK 6 / 0 / 45 / 87

HEX #1F2112

RGB 31 33 18

HSL 68, 0.29%, 0.1%

LAB 12.11, -4.15, 9.68

 

CMYK 0 / 36 / 98 / 80

HEX #322001

RGB 50 32 1

HSL 37.96, 0.96%, 0.1%

LAB 13.9, 5.29, 20.22

 

CMYK 0 / 10 / 98 / 80

HEX #322D01

RGB 50 45 1

HSL 53.88, 0.96%, 0.1%

LAB 18.17, -3.54, 25.57

 

CMYK 16 / 0 / 98 / 80

HEX #2A3201

RGB 42 50 1

HSL 69.8, 0.96%, 0.1%

LAB 19.12, -11.07, 26.48

 

CMYK 42 / 0 / 98 / 80

HEX #1D3201

RGB 29 50 1

HSL 85.71, 0.96%, 0.1%

LAB 18.12, -17.53, 25.05

 

CMYK 68 / 0 / 98 / 80

HEX #103201

RGB 16 50 1

HSL 101.63, 0.96%, 0.1%

LAB 17.43, -22.72, 24.06

 

CMYK 20 / 0 / 100 / 96

HEX #080A00

RGB 8 10 0

HSL 72, 1%, 0.02%

LAB 2.43, -1.91, 3.6

 

CMYK 18 / 0 / 98 / 80

HEX #293201

RGB 41 50 1

HSL 71.02, 0.96%, 0.1%

LAB 19.03, -11.59, 26.35

 

CMYK 18 / 0 / 98 / 65

HEX #4A5A02

RGB 74 90 2

HSL 70.91, 0.96%, 0.18%

LAB 35.54, -17.79, 41.92

 

CMYK 18 / 0 / 98 / 49

HEX #6C8303

RGB 108 131 3

HSL 70.78, 0.96%, 0.26%

LAB 51.18, -23.55, 54.89

 

CMYK 18 / 0 / 98 / 80

HEX #2A3301

RGB 42 51 1

HSL 70.8, 0.96%, 0.1%

LAB 19.48, -11.67, 26.9

 

CMYK 98 / 0 / 62 / 80

HEX #013213

RGB 1 50 19

HSL 142.04, 0.96%, 0.1%

LAB 17.15, -24.24, 15.28

 

CMYK 22 / 98 / 0 / 80

HEX #270132

RGB 39 1 50

HSL 286.53, 0.96%, 0.1%

LAB 6.17, 27.67, -22.67

 

CMYK 18 / 0 / 98 / 80

HEX #2A3301

RGB 42 51 1

HSL 70.8, 0.96%, 0.1%

LAB 19.48, -11.67, 26.9

 

CMYK 98 / 16 / 0 / 80

HEX #012A32

RGB 1 42 50

HSL 189.8, 0.96%, 0.1%

LAB 14.91, -10.21, -9.11

 

CMYK 0 / 98 / 16 / 80

HEX #32012A

RGB 50 1 42

HSL 309.8, 0.96%, 0.1%

LAB 7.83, 29.16, -13.92

 

CMYK 18 / 0 / 98 / 80

HEX #2A3301

RGB 42 51 1

HSL 70.8, 0.96%, 0.1%

LAB 19.48, -11.67, 26.9

 

CMYK 98 / 0 / 62 / 80

HEX #013213

RGB 1 50 19

HSL 142.04, 0.96%, 0.1%

LAB 17.15, -24.24, 15.28

 

CMYK 82 / 98 / 0 / 80

HEX #090132

RGB 9 1 50

HSL 249.8, 0.96%, 0.1%

LAB 2.8, 16.57, -28.26

 

CMYK 0 / 98 / 36 / 80

HEX #320120

RGB 50 1 32

HSL 322.04, 0.96%, 0.1%

LAB 7.26, 27.52, -7.17

 

CMYK 18 / 0 / 98 / 80

HEX #2A3301

RGB 42 51 1

HSL 70.8, 0.96%, 0.1%

LAB 19.48, -11.67, 26.9

 

CMYK 98 / 0 / 32 / 80

HEX #013222

RGB 1 50 34

HSL 160.41, 0.96%, 0.1%

LAB 17.47, -20.51, 5.83

 

CMYK 82 / 98 / 0 / 80

HEX #090132

RGB 9 1 50

HSL 249.8, 0.96%, 0.1%

LAB 2.8, 16.57, -28.26

 

CMYK 0 / 98 / 66 / 80

HEX #320111

RGB 50 1 17

HSL 340.41, 0.96%, 0.1%

LAB 6.69, 25.57, 2.98

 

Description

Color code: HEX #2A3301 | qconv.com Color code: HEX #2A3301 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 51 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 51 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 98 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 98% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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