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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29F0F1 it is the complementary color #D60F0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29F0F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29F0F1 shade: #2EF0EC, #3FFFFF, #50FFFF, #61FFFF and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29F0F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29F0F1 shade: #29F0F1, #18DEDE, #07CCCB, #00BAB8 and #00A8A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29F0F1 shade: #27F0F1, #27BAF1, #2783F1, #274DF1 and #3827F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29F0F1 shade: #27F0F1, #27BAF1, #2783F1, #274DF1 and #2727F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29F0F1 shade matches the following richer shades: #27F0F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29F0F1 shade: #27F0F1, #3ADEDF, #4CCBCC, #5FB9BA and #72A7A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29F0F1 shade: #27F186, #27F1BB, #27F1F1, #27BBF1 and #2786F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29F0F1 shade: #0CB9BA, #0EE0E1, #27F0F1, #4EF3F4 and #75F6F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29F0F1 shade: #29F0F1, #5027F1 and #F1A027

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29F0F1 shade: #29F0F1, #F127F1 and #F1F127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29F0F1 shade: #29F0F1, #5027F1, #F12727 and #C9F127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29F0F1 shade: #29F0F1, #8C27F1, #F12727 and #8CF127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 0 / 5

HEX #29F0F1

RGB 41 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.57, -44.09, -13.61

 

Complementary color

CMYK 0 / 93 / 93 / 16

HEX #D60F0E

RGB 214 15 14

HSL 0.3, 0.88%, 0.45%

LAB 45.18, 68.92, 54.79

 

CMYK 81 / 0 / 2 / 6

HEX #2EF0EC

RGB 46 240 236

HSL 178.76, 0.87%, 0.56%

LAB 86.48, -45.15, -11.12

 

CMYK 75 / 0 / 0 / 0

HEX #3FFFFF

RGB 63 255 255

HSL 180, 1%, 0.62%

LAB 91.59, -44.95, -13.38

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 83 / 0 / 0 / 5

HEX #29F0F1

RGB 41 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.57, -44.09, -13.61

 

CMYK 89 / 0 / 0 / 13

HEX #18DEDE

RGB 24 222 222

HSL 180, 0.8%, 0.48%

LAB 80.58, -42.58, -12.56

 

CMYK 97 / 0 / 0 / 20

HEX #07CCCB

RGB 7 204 203

HSL 179.7, 0.93%, 0.41%

LAB 74.54, -40.75, -11.41

 

CMYK 100 / 0 / 1 / 27

HEX #00BAB8

RGB 0 186 184

HSL 179.35, 1%, 0.36%

LAB 68.44, -38.54, -10.15

 

CMYK 100 / 0 / 2 / 34

HEX #00A8A5

RGB 0 168 165

HSL 178.93, 1%, 0.33%

LAB 62.27, -36.1, -8.8

 

CMYK 84 / 0 / 0 / 5

HEX #27F0F1

RGB 39 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.55, -44.22, -13.64

 

CMYK 84 / 23 / 0 / 5

HEX #27BAF1

RGB 39 186 241

HSL 196.34, 0.88%, 0.55%

LAB 70.8, -18.26, -37.69

 

CMYK 84 / 46 / 0 / 5

HEX #2783F1

RGB 39 131 241

HSL 212.67, 0.88%, 0.55%

LAB 55.09, 13.22, -62.56

 

CMYK 84 / 68 / 0 / 5

HEX #274DF1

RGB 39 77 241

HSL 228.71, 0.88%, 0.55%

LAB 41.36, 46.99, -84.92

 

CMYK 77 / 84 / 0 / 5

HEX #3827F1

RGB 56 39 241

HSL 245.05, 0.88%, 0.55%

LAB 35.29, 67.3, -94.95

 

CMYK 84 / 0 / 0 / 5

HEX #27F0F1

RGB 39 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.55, -44.22, -13.64

 

CMYK 84 / 23 / 0 / 5

HEX #27BAF1

RGB 39 186 241

HSL 196.34, 0.88%, 0.55%

LAB 70.8, -18.26, -37.69

 

CMYK 84 / 46 / 0 / 5

HEX #2783F1

RGB 39 131 241

HSL 212.67, 0.88%, 0.55%

LAB 55.09, 13.22, -62.56

 

CMYK 84 / 68 / 0 / 5

HEX #274DF1

RGB 39 77 241

HSL 228.71, 0.88%, 0.55%

LAB 41.36, 46.99, -84.92

 

CMYK 84 / 84 / 0 / 5

HEX #2727F1

RGB 39 39 241

HSL 240, 0.88%, 0.55%

LAB 34.46, 66.6, -96.34

 

CMYK 84 / 0 / 0 / 5

HEX #27F0F1

RGB 39 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.55, -44.22, -13.64

 

CMYK 84 / 0 / 0 / 5

HEX #27F0F1

RGB 39 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.55, -44.22, -13.64

 

CMYK 74 / 0 / 0 / 13

HEX #3ADEDF

RGB 58 222 223

HSL 180.36, 0.72%, 0.55%

LAB 81, -39.74, -12.42

 

CMYK 63 / 0 / 0 / 20

HEX #4CCBCC

RGB 76 203 204

HSL 180.47, 0.56%, 0.55%

LAB 75.21, -33.95, -10.85

 

CMYK 49 / 1 / 0 / 27

HEX #5FB9BA

RGB 95 185 186

HSL 180.66, 0.4%, 0.55%

LAB 69.95, -26.55, -8.82

 

CMYK 32 / 0 / 0 / 35

HEX #72A7A7

RGB 114 167 167

HSL 180, 0.23%, 0.55%

LAB 64.97, -17.36, -5.6

 

CMYK 84 / 0 / 44 / 5

HEX #27F186

RGB 39 241 134

HSL 148.22, 0.88%, 0.55%

LAB 84.52, -69.51, 38.71

 

CMYK 84 / 0 / 22 / 5

HEX #27F1BB

RGB 39 241 187

HSL 163.96, 0.88%, 0.55%

LAB 85.47, -58.77, 13.05

 

CMYK 84 / 0 / 0 / 5

HEX #27F1F1

RGB 39 241 241

HSL 180, 0.88%, 0.55%

LAB 86.85, -44.66, -13.21

 

CMYK 84 / 22 / 0 / 5

HEX #27BBF1

RGB 39 187 241

HSL 196.04, 0.88%, 0.55%

LAB 71.09, -18.79, -37.24

 

CMYK 84 / 44 / 0 / 5

HEX #2786F1

RGB 39 134 241

HSL 211.78, 0.88%, 0.55%

LAB 55.92, 11.38, -61.22

 

CMYK 94 / 1 / 0 / 27

HEX #0CB9BA

RGB 12 185 186

HSL 180.34, 0.88%, 0.39%

LAB 68.26, -37.09, -11.52

 

CMYK 94 / 0 / 0 / 12

HEX #0EE0E1

RGB 14 224 225

HSL 180.28, 0.88%, 0.47%

LAB 81.2, -42.96, -13.22

 

CMYK 84 / 0 / 0 / 5

HEX #27F0F1

RGB 39 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.55, -44.22, -13.64

 

CMYK 68 / 0 / 0 / 4

HEX #4EF3F4

RGB 78 243 244

HSL 180.36, 0.88%, 0.63%

LAB 88.09, -40.98, -12.86

 

CMYK 52 / 0 / 0 / 4

HEX #75F6F6

RGB 117 246 246

HSL 180, 0.88%, 0.71%

LAB 90.02, -35.52, -10.91

 

CMYK 83 / 0 / 0 / 5

HEX #29F0F1

RGB 41 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.57, -44.09, -13.61

 

CMYK 67 / 84 / 0 / 5

HEX #5027F1

RGB 80 39 241

HSL 252.18, 0.88%, 0.55%

LAB 36.94, 68.75, -92.15

 

CMYK 0 / 34 / 84 / 5

HEX #F1A027

RGB 241 160 39

HSL 35.94, 0.88%, 0.55%

LAB 72.22, 21.23, 68.98

 

CMYK 83 / 0 / 0 / 5

HEX #29F0F1

RGB 41 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.57, -44.09, -13.61

 

CMYK 0 / 84 / 0 / 5

HEX #F127F1

RGB 241 39 241

HSL 300, 0.88%, 0.55%

LAB 58.51, 90.06, -56.08

 

CMYK 0 / 0 / 84 / 5

HEX #F1F127

RGB 241 241 39

HSL 60, 0.88%, 0.55%

LAB 92.47, -20.13, 85.8

 

CMYK 83 / 0 / 0 / 5

HEX #29F0F1

RGB 41 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.57, -44.09, -13.61

 

CMYK 67 / 84 / 0 / 5

HEX #5027F1

RGB 80 39 241

HSL 252.18, 0.88%, 0.55%

LAB 36.94, 68.75, -92.15

 

CMYK 0 / 84 / 84 / 5

HEX #F12727

RGB 241 39 39

HSL 0, 0.88%, 0.55%

LAB 52.17, 72.44, 51.79

 

CMYK 17 / 0 / 84 / 5

HEX #C9F127

RGB 201 241 39

HSL 71.88, 0.88%, 0.55%

LAB 89.61, -36.3, 82.27

 

CMYK 83 / 0 / 0 / 5

HEX #29F0F1

RGB 41 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.57, -44.09, -13.61

 

CMYK 42 / 84 / 0 / 5

HEX #8C27F1

RGB 140 39 241

HSL 270, 0.88%, 0.55%

LAB 43.33, 74.65, -81.4

 

CMYK 0 / 84 / 84 / 5

HEX #F12727

RGB 241 39 39

HSL 0, 0.88%, 0.55%

LAB 52.17, 72.44, 51.79

 

CMYK 42 / 0 / 84 / 5

HEX #8CF127

RGB 140 241 39

HSL 90, 0.88%, 0.55%

LAB 86.32, -58.29, 78.14

 

Description

Color code: HEX #29F0F1 | qconv.com Color code: HEX #29F0F1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 240 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 240 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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