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Color name
HEX #29EF75

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29EF75 it is the complementary color #D6108A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29EF75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29EF75 shade: #2EEF70, #3FFF83, #50FF96, #61FFA9 and #72FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29EF75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29EF75 shade: #29EF75, #18DD62, #07CB4F, #00B93C and #00A729

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29EF75 shade: #2AEF75, #2AEF40, #48EF2A, #7DEF2A and #B3EF2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29EF75 shade: #2AEF75, #2AEFAB, #2AEFE0, #2AC9EF and #2A94EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29EF75 shade matches the following richer shades: #2AEF75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29EF75 shade: #2AEF75, #3CDC7A, #4FCA7E, #61B782 and #74A587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29EF75 shade: #47EF2A, #2AEF41, #2AEF75, #2AEFAA and #2AEFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29EF75 shade: #0EB84F, #11DE60, #2AEF75, #50F28E and #76F5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29EF75 shade: #29EF75, #2A7CEF and #EF2A2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29EF75 shade: #29EF75, #752AEF and #EF752A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29EF75 shade: #29EF75, #2A7CEF, #EF2AA3 and #EF9D2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29EF75 shade: #29EF75, #2A41EF, #EF2AA3 and #EFD82A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 51 / 6

HEX #29EF75

RGB 41 239 117

HSL 143.03, 0.86%, 0.55%

LAB 83.7, -71.38, 45.87

 

Complementary color

CMYK 0 / 93 / 36 / 16

HEX #D6108A

RGB 214 16 138

HSL 323.03, 0.86%, 0.45%

LAB 47.63, 75.4, -13.61

 

CMYK 81 / 0 / 53 / 6

HEX #2EEF70

RGB 46 239 112

HSL 140.52, 0.86%, 0.56%

LAB 83.7, -71.62, 48.22

 

CMYK 75 / 0 / 49 / 0

HEX #3FFF83

RGB 63 255 131

HSL 141.25, 1%, 0.62%

LAB 89.02, -72.13, 45.94

 

CMYK 69 / 0 / 41 / 0

HEX #50FF96

RGB 80 255 150

HSL 144, 1%, 0.66%

LAB 89.59, -66.68, 37.56

 

CMYK 62 / 0 / 34 / 0

HEX #61FFA9

RGB 97 255 169

HSL 147.34, 1%, 0.69%

LAB 90.29, -60.38, 29.1

 

CMYK 55 / 0 / 26 / 0

HEX #72FFBC

RGB 114 255 188

HSL 151.49, 1%, 0.72%

LAB 91.11, -53.33, 20.67

 

CMYK 83 / 0 / 51 / 6

HEX #29EF75

RGB 41 239 117

HSL 143.03, 0.86%, 0.55%

LAB 83.7, -71.38, 45.87

 

CMYK 89 / 0 / 56 / 13

HEX #18DD62

RGB 24 221 98

HSL 142.54, 0.8%, 0.48%

LAB 77.75, -69.68, 47.49

 

CMYK 97 / 0 / 61 / 20

HEX #07CB4F

RGB 7 203 79

HSL 142.04, 0.93%, 0.41%

LAB 71.77, -67.41, 49.07

 

CMYK 100 / 0 / 68 / 27

HEX #00B93C

RGB 0 185 60

HSL 139.46, 1%, 0.36%

LAB 65.77, -64.44, 50.51

 

CMYK 100 / 0 / 75 / 35

HEX #00A729

RGB 0 167 41

HSL 134.73, 1%, 0.33%

LAB 59.71, -60.89, 51.51

 

CMYK 82 / 0 / 51 / 6

HEX #2AEF75

RGB 42 239 117

HSL 142.84, 0.86%, 0.55%

LAB 83.71, -71.29, 45.89

 

CMYK 82 / 0 / 73 / 6

HEX #2AEF40

RGB 42 239 64

HSL 126.7, 0.86%, 0.55%

LAB 83.23, -77.19, 67.32

 

CMYK 70 / 0 / 82 / 6

HEX #48EF2A

RGB 72 239 42

HSL 110.86, 0.86%, 0.55%

LAB 83.59, -74.47, 74.2

 

CMYK 48 / 0 / 82 / 6

HEX #7DEF2A

RGB 125 239 42

HSL 94.72, 0.86%, 0.55%

LAB 85.13, -62.01, 76.17

 

CMYK 25 / 0 / 82 / 6

HEX #B3EF2A

RGB 179 239 42

HSL 78.27, 0.86%, 0.55%

LAB 87.72, -43.78, 79.44

 

CMYK 82 / 0 / 51 / 6

HEX #2AEF75

RGB 42 239 117

HSL 142.84, 0.86%, 0.55%

LAB 83.71, -71.29, 45.89

 

CMYK 82 / 0 / 28 / 6

HEX #2AEFAB

RGB 42 239 171

HSL 159.29, 0.86%, 0.55%

LAB 84.57, -61.4, 20.09

 

CMYK 82 / 0 / 6 / 6

HEX #2AEFE0

RGB 42 239 224

HSL 175.43, 0.86%, 0.55%

LAB 85.81, -48.34, -5.82

 

CMYK 82 / 16 / 0 / 6

HEX #2AC9EF

RGB 42 201 239

HSL 191.57, 0.86%, 0.55%

LAB 75.14, -26.37, -29.9

 

CMYK 82 / 38 / 0 / 6

HEX #2A94EF

RGB 42 148 239

HSL 207.72, 0.86%, 0.55%

LAB 59.8, 2.46, -53.91

 

CMYK 82 / 0 / 51 / 6

HEX #2AEF75

RGB 42 239 117

HSL 142.84, 0.86%, 0.55%

LAB 83.71, -71.29, 45.89

 

CMYK 82 / 0 / 51 / 6

HEX #2AEF75

RGB 42 239 117

HSL 142.84, 0.86%, 0.55%

LAB 83.71, -71.29, 45.89

 

CMYK 73 / 0 / 45 / 14

HEX #3CDC7A

RGB 60 220 122

HSL 143.25, 0.7%, 0.55%

LAB 78.2, -61.97, 36.58

 

CMYK 61 / 0 / 38 / 21

HEX #4FCA7E

RGB 79 202 126

HSL 142.93, 0.54%, 0.55%

LAB 73.16, -51.18, 28.04

 

CMYK 47 / 0 / 29 / 28

HEX #61B782

RGB 97 183 130

HSL 143.02, 0.37%, 0.55%

LAB 68.04, -38.09, 19.09

 

CMYK 30 / 0 / 18 / 35

HEX #74A587

RGB 116 165 135

HSL 143.27, 0.21%, 0.55%

LAB 63.65, -22.83, 10.37

 

CMYK 70 / 0 / 82 / 6

HEX #47EF2A

RGB 71 239 42

HSL 111.17, 0.86%, 0.55%

LAB 83.57, -74.65, 74.18

 

CMYK 82 / 0 / 73 / 6

HEX #2AEF41

RGB 42 239 65

HSL 127.01, 0.86%, 0.55%

LAB 83.24, -77.11, 66.99

 

CMYK 82 / 0 / 51 / 6

HEX #2AEF75

RGB 42 239 117

HSL 142.84, 0.86%, 0.55%

LAB 83.71, -71.29, 45.89

 

CMYK 82 / 0 / 29 / 6

HEX #2AEFAA

RGB 42 239 170

HSL 158.98, 0.86%, 0.55%

LAB 84.55, -61.61, 20.58

 

CMYK 82 / 0 / 7 / 6

HEX #2AEFDE

RGB 42 239 222

HSL 174.82, 0.86%, 0.55%

LAB 85.76, -48.89, -4.85

 

CMYK 92 / 0 / 57 / 28

HEX #0EB84F

RGB 14 184 79

HSL 142.94, 0.86%, 0.39%

LAB 65.7, -61.18, 42

 

CMYK 92 / 0 / 57 / 13

HEX #11DE60

RGB 17 222 96

HSL 143.12, 0.86%, 0.47%

LAB 78, -70.64, 48.69

 

CMYK 82 / 0 / 51 / 6

HEX #2AEF75

RGB 42 239 117

HSL 142.84, 0.86%, 0.55%

LAB 83.71, -71.29, 45.89

 

CMYK 67 / 0 / 41 / 5

HEX #50F28E

RGB 80 242 142

HSL 142.96, 0.86%, 0.63%

LAB 85.59, -63.35, 36.28

 

CMYK 52 / 0 / 32 / 4

HEX #76F5A7

RGB 118 245 167

HSL 143.15, 0.86%, 0.71%

LAB 87.94, -52.37, 27.03

 

CMYK 83 / 0 / 51 / 6

HEX #29EF75

RGB 41 239 117

HSL 143.03, 0.86%, 0.55%

LAB 83.7, -71.38, 45.87

 

CMYK 82 / 48 / 0 / 6

HEX #2A7CEF

RGB 42 124 239

HSL 215.03, 0.86%, 0.55%

LAB 53.1, 17.04, -64.64

 

CMYK 0 / 82 / 81 / 6

HEX #EF2A2D

RGB 239 42 45

HSL 359.09, 0.86%, 0.55%

LAB 52.06, 71.39, 48.52

 

CMYK 83 / 0 / 51 / 6

HEX #29EF75

RGB 41 239 117

HSL 143.03, 0.86%, 0.55%

LAB 83.7, -71.38, 45.87

 

CMYK 51 / 82 / 0 / 6

HEX #752AEF

RGB 117 42 239

HSL 262.84, 0.86%, 0.55%

LAB 40.69, 70.56, -84.72

 

CMYK 0 / 51 / 82 / 6

HEX #EF752A

RGB 239 117 42

HSL 22.84, 0.86%, 0.55%

LAB 62.71, 42.7, 59.65

 

CMYK 83 / 0 / 51 / 6

HEX #29EF75

RGB 41 239 117

HSL 143.03, 0.86%, 0.55%

LAB 83.7, -71.38, 45.87

 

CMYK 82 / 48 / 0 / 6

HEX #2A7CEF

RGB 42 124 239

HSL 215.03, 0.86%, 0.55%

LAB 53.1, 17.04, -64.64

 

CMYK 0 / 82 / 32 / 6

HEX #EF2AA3

RGB 239 42 163

HSL 323.15, 0.86%, 0.55%

LAB 54.71, 79.15, -17.34

 

CMYK 0 / 34 / 82 / 6

HEX #EF9D2A

RGB 239 157 42

HSL 35.03, 0.86%, 0.55%

LAB 71.3, 22.06, 67.16

 

CMYK 83 / 0 / 51 / 6

HEX #29EF75

RGB 41 239 117

HSL 143.03, 0.86%, 0.55%

LAB 83.7, -71.38, 45.87

 

CMYK 82 / 73 / 0 / 6

HEX #2A41EF

RGB 42 65 239

HSL 232.99, 0.86%, 0.55%

LAB 38.73, 53.45, -88.12

 

CMYK 0 / 82 / 32 / 6

HEX #EF2AA3

RGB 239 42 163

HSL 323.15, 0.86%, 0.55%

LAB 54.71, 79.15, -17.34

 

CMYK 0 / 10 / 82 / 6

HEX #EFD82A

RGB 239 216 42

HSL 52.99, 0.86%, 0.55%

LAB 85.82, -8.61, 79.53

 

Description

Color code: HEX #29EF75 | qconv.com Color code: HEX #29EF75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 239 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 239 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 51 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 51% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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