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Color name
HEX #29E52B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29E52B it is the complementary color #D61AD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29E52B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29E52B shade: #2EE526, #3FF739, #50FF4C, #61FF5F and #72FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29E52B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29E52B shade: #29E52B, #18D318, #07C105, #00AF00 and #009D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29E52B shade: #2AE52C, #5AE52A, #8DE52A, #BFE52A and #E5D82A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29E52B shade: #2AE52C, #2AE55E, #2AE590, #2AE5C3 and #2AD4E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29E52B shade matches the following richer shades: #2AE52C and #16F819

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29E52B shade: #2AE52C, #3DD13F, #50BE52, #64AA65 and #779778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29E52B shade: #8DE52A, #5CE52A, #2AE52A, #2AE55C and #2AE58D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29E52B shade: #15A716, #19CC1B, #2AE52C, #4EE950 and #73EE74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29E52B shade: #29E52B, #2ABFE5 and #E52A74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29E52B shade: #29E52B, #2A2AE5 and #E52A2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29E52B shade: #29E52B, #2ABFE5, #E52AE5 and #E54F2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29E52B shade: #29E52B, #2A87E5, #E52AE5 and #E5872A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 81 / 10

HEX #29E52B

RGB 41 229 43

HSL 120.64, 0.78%, 0.53%

LAB 80, -75.77, 70.49

 

Complementary color

CMYK 0 / 88 / 1 / 16

HEX #D61AD4

RGB 214 26 212

HSL 300.64, 0.78%, 0.47%

LAB 51.6, 83.28, -50.99

 

CMYK 80 / 0 / 83 / 10

HEX #2EE526

RGB 46 229 38

HSL 117.49, 0.79%, 0.52%

LAB 80.04, -75.47, 71.79

 

CMYK 74 / 0 / 77 / 3

HEX #3FF739

RGB 63 247 57

HSL 118.11, 0.92%, 0.6%

LAB 85.94, -77.48, 72.31

 

CMYK 69 / 0 / 70 / 0

HEX #50FF4C

RGB 80 255 76

HSL 118.66, 1%, 0.65%

LAB 88.8, -75.88, 69.04

 

CMYK 62 / 0 / 63 / 0

HEX #61FF5F

RGB 97 255 95

HSL 119.25, 1%, 0.69%

LAB 89.34, -70.95, 62.46

 

CMYK 55 / 0 / 55 / 0

HEX #72FF72

RGB 114 255 114

HSL 120, 1%, 0.72%

LAB 90, -65.1, 55.22

 

CMYK 82 / 0 / 81 / 10

HEX #29E52B

RGB 41 229 43

HSL 120.64, 0.78%, 0.53%

LAB 80, -75.77, 70.49

 

CMYK 89 / 0 / 89 / 17

HEX #18D318

RGB 24 211 24

HSL 120, 0.8%, 0.46%

LAB 74.09, -73.02, 69.35

 

CMYK 96 / 0 / 97 / 24

HEX #07C105

RGB 7 193 5

HSL 119.36, 0.95%, 0.39%

LAB 68.16, -69.48, 66.93

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 82 / 0 / 81 / 10

HEX #2AE52C

RGB 42 229 44

HSL 120.64, 0.78%, 0.53%

LAB 80.02, -75.61, 70.25

 

CMYK 61 / 0 / 82 / 10

HEX #5AE52A

RGB 90 229 42

HSL 104.6, 0.78%, 0.53%

LAB 80.95, -67.7, 71.97

 

CMYK 38 / 0 / 82 / 10

HEX #8DE52A

RGB 141 229 42

HSL 88.24, 0.78%, 0.53%

LAB 82.84, -53.17, 74.39

 

CMYK 17 / 0 / 82 / 10

HEX #BFE52A

RGB 191 229 42

HSL 72.19, 0.78%, 0.53%

LAB 85.65, -34.71, 77.93

 

CMYK 0 / 6 / 82 / 10

HEX #E5D82A

RGB 229 216 42

HSL 55.83, 0.78%, 0.53%

LAB 84.96, -12.84, 78.46

 

CMYK 82 / 0 / 81 / 10

HEX #2AE52C

RGB 42 229 44

HSL 120.64, 0.78%, 0.53%

LAB 80.02, -75.61, 70.25

 

CMYK 82 / 0 / 59 / 10

HEX #2AE55E

RGB 42 229 94

HSL 136.68, 0.78%, 0.53%

LAB 80.37, -71.23, 52.42

 

CMYK 82 / 0 / 37 / 10

HEX #2AE590

RGB 42 229 144

HSL 152.73, 0.78%, 0.53%

LAB 81.04, -63.31, 29.15

 

CMYK 82 / 0 / 15 / 10

HEX #2AE5C3

RGB 42 229 195

HSL 169.09, 0.78%, 0.53%

LAB 82.09, -51.83, 4.02

 

CMYK 82 / 7 / 0 / 10

HEX #2AD4E5

RGB 42 212 229

HSL 185.45, 0.78%, 0.53%

LAB 78.01, -34.83, -20.14

 

CMYK 82 / 0 / 81 / 10

HEX #2AE52C

RGB 42 229 44

HSL 120.64, 0.78%, 0.53%

LAB 80.02, -75.61, 70.25

 

CMYK 91 / 0 / 90 / 3

HEX #16F819

RGB 22 248 25

HSL 120.8, 0.94%, 0.53%

LAB 85.69, -83.14, 79.1

 

CMYK 82 / 0 / 81 / 10

HEX #2AE52C

RGB 42 229 44

HSL 120.64, 0.78%, 0.53%

LAB 80.02, -75.61, 70.25

 

CMYK 71 / 0 / 70 / 18

HEX #3DD13F

RGB 61 209 63

HSL 120.81, 0.62%, 0.53%

LAB 74.16, -65.62, 58.46

 

CMYK 58 / 0 / 57 / 25

HEX #50BE52

RGB 80 190 82

HSL 121.09, 0.46%, 0.53%

LAB 68.85, -53.07, 44.61

 

CMYK 41 / 0 / 41 / 33

HEX #64AA65

RGB 100 170 101

HSL 120.86, 0.29%, 0.53%

LAB 63.67, -36.51, 28.82

 

CMYK 21 / 0 / 21 / 41

HEX #779778

RGB 119 151 120

HSL 121.88, 0.13%, 0.53%

LAB 59.35, -17.5, 12.74

 

CMYK 38 / 0 / 82 / 10

HEX #8DE52A

RGB 141 229 42

HSL 88.24, 0.78%, 0.53%

LAB 82.84, -53.17, 74.39

 

CMYK 60 / 0 / 82 / 10

HEX #5CE52A

RGB 92 229 42

HSL 103.96, 0.78%, 0.53%

LAB 81.01, -67.24, 72.04

 

CMYK 82 / 0 / 82 / 10

HEX #2AE52A

RGB 42 229 42

HSL 120, 0.78%, 0.53%

LAB 80.01, -75.72, 70.76

 

CMYK 82 / 0 / 60 / 10

HEX #2AE55C

RGB 42 229 92

HSL 136.04, 0.78%, 0.53%

LAB 80.35, -71.48, 53.28

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58D

RGB 42 229 141

HSL 151.76, 0.78%, 0.53%

LAB 80.99, -63.89, 30.61

 

CMYK 87 / 0 / 87 / 35

HEX #15A716

RGB 21 167 22

HSL 120.41, 0.78%, 0.37%

LAB 59.76, -60.78, 57.21

 

CMYK 88 / 0 / 87 / 20

HEX #19CC1B

RGB 25 204 27

HSL 120.67, 0.78%, 0.45%

LAB 71.87, -70.88, 66.85

 

CMYK 82 / 0 / 81 / 10

HEX #2AE52C

RGB 42 229 44

HSL 120.64, 0.78%, 0.53%

LAB 80.02, -75.61, 70.25

 

CMYK 67 / 0 / 66 / 9

HEX #4EE950

RGB 78 233 80

HSL 120.77, 0.78%, 0.61%

LAB 82.1, -68.84, 60.42

 

CMYK 52 / 0 / 51 / 7

HEX #73EE74

RGB 115 238 116

HSL 120.49, 0.78%, 0.69%

LAB 85.02, -58.28, 48.34

 

CMYK 82 / 0 / 81 / 10

HEX #29E52B

RGB 41 229 43

HSL 120.64, 0.78%, 0.53%

LAB 80, -75.77, 70.49

 

CMYK 82 / 17 / 0 / 10

HEX #2ABFE5

RGB 42 191 229

HSL 192.19, 0.78%, 0.53%

LAB 71.83, -24.6, -29.58

 

CMYK 0 / 82 / 49 / 10

HEX #E52A74

RGB 229 42 116

HSL 336.26, 0.78%, 0.53%

LAB 51.35, 72.43, 5.58

 

CMYK 82 / 0 / 81 / 10

HEX #29E52B

RGB 41 229 43

HSL 120.64, 0.78%, 0.53%

LAB 80, -75.77, 70.49

 

CMYK 82 / 82 / 0 / 10

HEX #2A2AE5

RGB 42 42 229

HSL 240, 0.78%, 0.53%

LAB 33.57, 61.97, -91

 

CMYK 0 / 82 / 82 / 10

HEX #E52A2A

RGB 229 42 42

HSL 0, 0.78%, 0.53%

LAB 50.07, 68.59, 47.5

 

CMYK 82 / 0 / 81 / 10

HEX #29E52B

RGB 41 229 43

HSL 120.64, 0.78%, 0.53%

LAB 80, -75.77, 70.49

 

CMYK 82 / 17 / 0 / 10

HEX #2ABFE5

RGB 42 191 229

HSL 192.19, 0.78%, 0.53%

LAB 71.83, -24.6, -29.58

 

CMYK 0 / 82 / 0 / 10

HEX #E52AE5

RGB 229 42 229

HSL 300, 0.78%, 0.53%

LAB 56.06, 85.58, -53.38

 

CMYK 0 / 66 / 82 / 10

HEX #E54F2A

RGB 229 79 42

HSL 11.87, 0.78%, 0.53%

LAB 54.47, 56.44, 51.61

 

CMYK 82 / 0 / 81 / 10

HEX #29E52B

RGB 41 229 43

HSL 120.64, 0.78%, 0.53%

LAB 80, -75.77, 70.49

 

CMYK 82 / 41 / 0 / 10

HEX #2A87E5

RGB 42 135 229

HSL 210.16, 0.78%, 0.53%

LAB 55.56, 6.53, -55.12

 

CMYK 0 / 82 / 0 / 10

HEX #E52AE5

RGB 229 42 229

HSL 300, 0.78%, 0.53%

LAB 56.06, 85.58, -53.38

 

CMYK 0 / 41 / 82 / 10

HEX #E5872A

RGB 229 135 42

HSL 29.84, 0.78%, 0.53%

LAB 65.08, 29.5, 61.23

 

Description

Color code: HEX #29E52B | qconv.com Color code: HEX #29E52B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 229 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 229 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 81 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 81% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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