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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29E16F it is the complementary color #D61E90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29E16F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29E16F shade: #2EE16A, #3FF37D, #50FF90, #61FFA3 and #72FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29E16F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29E16F shade: #29E16F, #18CF5C, #07BD49, #00AB36 and #009923

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29E16F shade: #29E06F, #29E03D, #46E029, #77E029 and #A9E029

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29E16F shade: #29E06F, #29E0A0, #29E0D2, #29BEE0 and #298CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29E16F shade matches the following richer shades: #29E06F and #15F46A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29E16F shade: #29E06F, #3DCD73, #50B978, #64A57D and #789182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29E16F shade: #47E029, #29E03B, #29E06C, #29E09D and #29E0CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29E16F shade: #17A04B, #1CC45C, #29E06F, #4DE687 and #71EB9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29E16F shade: #29E16F, #2978E0 and #E0292F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29E16F shade: #29E16F, #6C29E0 and #E06C29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29E16F shade: #29E16F, #2978E0, #E0299D and #E09129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29E16F shade: #29E16F, #2941E0, #E0299D and #E0C829

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 51 / 12

HEX #29E16F

RGB 41 225 111

HSL 142.83, 0.75%, 0.52%

LAB 79.31, -67.73, 43.3

 

Complementary color

CMYK 0 / 86 / 33 / 16

HEX #D61E90

RGB 214 30 144

HSL 322.83, 0.75%, 0.48%

LAB 48.56, 73.96, -15.82

 

CMYK 80 / 0 / 53 / 12

HEX #2EE16A

RGB 46 225 106

HSL 140.11, 0.75%, 0.53%

LAB 79.31, -67.94, 45.69

 

CMYK 74 / 0 / 49 / 5

HEX #3FF37D

RGB 63 243 125

HSL 140.67, 0.88%, 0.6%

LAB 85.32, -69.03, 44.16

 

CMYK 69 / 0 / 44 / 0

HEX #50FF90

RGB 80 255 144

HSL 141.94, 1%, 0.66%

LAB 89.5, -67.67, 40.38

 

CMYK 62 / 0 / 36 / 0

HEX #61FFA3

RGB 97 255 163

HSL 145.06, 1%, 0.69%

LAB 90.19, -61.47, 31.97

 

CMYK 55 / 0 / 29 / 0

HEX #72FFB6

RGB 114 255 182

HSL 148.94, 1%, 0.72%

LAB 91, -54.51, 23.56

 

CMYK 82 / 0 / 51 / 12

HEX #29E16F

RGB 41 225 111

HSL 142.83, 0.75%, 0.52%

LAB 79.31, -67.73, 43.3

 

CMYK 88 / 0 / 56 / 19

HEX #18CF5C

RGB 24 207 92

HSL 142.3, 0.79%, 0.45%

LAB 73.28, -66.1, 44.93

 

CMYK 96 / 0 / 61 / 26

HEX #07BD49

RGB 7 189 73

HSL 141.76, 0.93%, 0.38%

LAB 67.22, -63.86, 46.53

 

CMYK 100 / 0 / 68 / 33

HEX #00AB36

RGB 0 171 54

HSL 138.95, 1%, 0.34%

LAB 61.13, -60.87, 47.97

 

CMYK 100 / 0 / 77 / 40

HEX #009923

RGB 0 153 35

HSL 133.73, 1%, 0.3%

LAB 54.97, -57.23, 48.91

 

CMYK 82 / 0 / 50 / 12

HEX #29E06F

RGB 41 224 111

HSL 142.95, 0.75%, 0.52%

LAB 79, -67.4, 42.92

 

CMYK 82 / 0 / 73 / 12

HEX #29E03D

RGB 41 224 61

HSL 126.56, 0.75%, 0.52%

LAB 78.53, -73.15, 63.59

 

CMYK 69 / 0 / 82 / 12

HEX #46E029

RGB 70 224 41

HSL 110.49, 0.75%, 0.52%

LAB 78.91, -70.25, 70.18

 

CMYK 47 / 0 / 82 / 12

HEX #77E029

RGB 119 224 41

HSL 94.43, 0.75%, 0.52%

LAB 80.4, -58.29, 72.08

 

CMYK 25 / 0 / 82 / 12

HEX #A9E029

RGB 169 224 41

HSL 78.03, 0.75%, 0.52%

LAB 82.86, -41.06, 75.21

 

CMYK 82 / 0 / 50 / 12

HEX #29E06F

RGB 41 224 111

HSL 142.95, 0.75%, 0.52%

LAB 79, -67.4, 42.92

 

CMYK 82 / 0 / 29 / 12

HEX #29E0A0

RGB 41 224 160

HSL 159.02, 0.75%, 0.52%

LAB 79.8, -58.27, 19.18

 

CMYK 82 / 0 / 6 / 12

HEX #29E0D2

RGB 41 224 210

HSL 175.41, 0.75%, 0.52%

LAB 80.98, -45.83, -5.56

 

CMYK 82 / 15 / 0 / 12

HEX #29BEE0

RGB 41 190 224

HSL 191.15, 0.75%, 0.52%

LAB 71.34, -25.81, -27.63

 

CMYK 82 / 38 / 0 / 12

HEX #298CE0

RGB 41 140 224

HSL 207.54, 0.75%, 0.52%

LAB 56.69, 1.58, -50.52

 

CMYK 82 / 0 / 50 / 12

HEX #29E06F

RGB 41 224 111

HSL 142.95, 0.75%, 0.52%

LAB 79, -67.4, 42.92

 

CMYK 91 / 0 / 57 / 4

HEX #15F46A

RGB 21 244 106

HSL 142.87, 0.91%, 0.52%

LAB 84.95, -75.84, 52.4

 

CMYK 82 / 0 / 50 / 12

HEX #29E06F

RGB 41 224 111

HSL 142.95, 0.75%, 0.52%

LAB 79, -67.4, 42.92

 

CMYK 70 / 0 / 44 / 20

HEX #3DCD73

RGB 61 205 115

HSL 142.5, 0.59%, 0.52%

LAB 73.48, -57.6, 34.02

 

CMYK 57 / 0 / 35 / 27

HEX #50B978

RGB 80 185 120

HSL 142.86, 0.43%, 0.52%

LAB 67.84, -45.15, 24.1

 

CMYK 39 / 0 / 24 / 35

HEX #64A57D

RGB 100 165 125

HSL 143.08, 0.27%, 0.52%

LAB 62.59, -29.86, 14.32

 

CMYK 17 / 0 / 10 / 43

HEX #789182

RGB 120 145 130

HSL 144, 0.1%, 0.52%

LAB 57.9, -12, 5.02

 

CMYK 68 / 0 / 82 / 12

HEX #47E029

RGB 71 224 41

HSL 110.16, 0.75%, 0.52%

LAB 78.93, -70.07, 70.21

 

CMYK 82 / 0 / 74 / 12

HEX #29E03B

RGB 41 224 59

HSL 125.9, 0.75%, 0.52%

LAB 78.52, -73.3, 64.27

 

CMYK 82 / 0 / 52 / 12

HEX #29E06C

RGB 41 224 108

HSL 141.97, 0.75%, 0.52%

LAB 78.96, -67.85, 44.31

 

CMYK 82 / 0 / 30 / 12

HEX #29E09D

RGB 41 224 157

HSL 158.03, 0.75%, 0.52%

LAB 79.74, -58.93, 20.67

 

CMYK 82 / 0 / 8 / 12

HEX #29E0CE

RGB 41 224 206

HSL 174.1, 0.75%, 0.52%

LAB 80.87, -46.92, -3.59

 

CMYK 86 / 0 / 53 / 37

HEX #17A04B

RGB 23 160 75

HSL 142.77, 0.75%, 0.36%

LAB 57.88, -53.16, 34.52

 

CMYK 86 / 0 / 53 / 23

HEX #1CC45C

RGB 28 196 92

HSL 142.86, 0.75%, 0.44%

LAB 69.82, -62.24, 40.76

 

CMYK 82 / 0 / 50 / 12

HEX #29E06F

RGB 41 224 111

HSL 142.95, 0.75%, 0.52%

LAB 79, -67.4, 42.92

 

CMYK 67 / 0 / 41 / 10

HEX #4DE687

RGB 77 230 135

HSL 142.75, 0.75%, 0.6%

LAB 81.8, -60.67, 34.81

 

CMYK 52 / 0 / 32 / 8

HEX #71EB9F

RGB 113 235 159

HSL 142.62, 0.75%, 0.68%

LAB 84.71, -50.9, 26.7

 

CMYK 82 / 0 / 51 / 12

HEX #29E16F

RGB 41 225 111

HSL 142.83, 0.75%, 0.52%

LAB 79.31, -67.73, 43.3

 

CMYK 82 / 46 / 0 / 12

HEX #2978E0

RGB 41 120 224

HSL 214.1, 0.75%, 0.52%

LAB 51.02, 13.8, -59.6

 

CMYK 0 / 82 / 79 / 12

HEX #E0292F

RGB 224 41 47

HSL 358.03, 0.75%, 0.52%

LAB 49.05, 67.6, 43.51

 

CMYK 82 / 0 / 51 / 12

HEX #29E16F

RGB 41 225 111

HSL 142.83, 0.75%, 0.52%

LAB 79.31, -67.73, 43.3

 

CMYK 52 / 82 / 0 / 12

HEX #6C29E0

RGB 108 41 224

HSL 261.97, 0.75%, 0.52%

LAB 38.12, 66.24, -80.45

 

CMYK 0 / 52 / 82 / 12

HEX #E06C29

RGB 224 108 41

HSL 21.97, 0.75%, 0.52%

LAB 58.73, 41.35, 55.66

 

CMYK 82 / 0 / 51 / 12

HEX #29E16F

RGB 41 225 111

HSL 142.83, 0.75%, 0.52%

LAB 79.31, -67.73, 43.3

 

CMYK 82 / 46 / 0 / 12

HEX #2978E0

RGB 41 120 224

HSL 214.1, 0.75%, 0.52%

LAB 51.02, 13.8, -59.6

 

CMYK 0 / 82 / 30 / 12

HEX #E0299D

RGB 224 41 157

HSL 321.97, 0.75%, 0.52%

LAB 51.69, 75.35, -18.65

 

CMYK 0 / 35 / 82 / 12

HEX #E09129

RGB 224 145 41

HSL 34.1, 0.75%, 0.52%

LAB 66.72, 22.07, 62.8

 

CMYK 82 / 0 / 51 / 12

HEX #29E16F

RGB 41 225 111

HSL 142.83, 0.75%, 0.52%

LAB 79.31, -67.73, 43.3

 

CMYK 82 / 71 / 0 / 12

HEX #2941E0

RGB 41 65 224

HSL 232.13, 0.75%, 0.52%

LAB 37.18, 48.35, -82.17

 

CMYK 0 / 82 / 30 / 12

HEX #E0299D

RGB 224 41 157

HSL 321.97, 0.75%, 0.52%

LAB 51.69, 75.35, -18.65

 

CMYK 0 / 11 / 82 / 12

HEX #E0C829

RGB 224 200 41

HSL 52.13, 0.75%, 0.52%

LAB 80.36, -6.93, 74.62

 

Description

Color code: HEX #29E16F | qconv.com Color code: HEX #29E16F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 225 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 225 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 51 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 51% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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