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Color name
HEX #29E147

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29E147 it is the complementary color #D61EB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29E147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29E147 shade: #2EE142, #3FF355, #50FF68, #61FF7B and #72FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29E147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29E147 shade: #29E147, #18CF34, #07BD21, #00AB0E and #009900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29E147 shade: #29E047, #3CE029, #6EE029, #9FE029 and #D1E029

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29E147 shade: #29E047, #29E078, #29E0AA, #29E0DB and #29B4E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29E147 shade matches the following richer shades: #29E047 and #15F439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29E147 shade: #29E047, #3DCD54, #50B961, #64A56F and #78917C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29E147 shade: #6FE029, #3EE029, #29E044, #29E075 and #29E0A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29E147 shade: #17A02D, #1CC437, #29E047, #4DE666 and #71EB85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29E147 shade: #29E147, #29A0E0 and #E02957

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29E147 shade: #29E147, #4429E0 and #E04429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29E147 shade: #29E147, #29A0E0, #E029C5 and #E06929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29E147 shade: #29E147, #2969E0, #E029C5 and #E0A029

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 68 / 12

HEX #29E147

RGB 41 225 71

HSL 129.78, 0.75%, 0.52%

LAB 78.91, -72.59, 60.33

 

Complementary color

CMYK 0 / 86 / 14 / 16

HEX #D61EB8

RGB 214 30 184

HSL 309.78, 0.75%, 0.48%

LAB 50.32, 78.73, -36.82

 

CMYK 80 / 0 / 71 / 12

HEX #2EE142

RGB 46 225 66

HSL 126.7, 0.75%, 0.53%

LAB 78.94, -72.48, 62.25

 

CMYK 74 / 0 / 65 / 5

HEX #3FF355

RGB 63 243 85

HSL 127.33, 0.88%, 0.6%

LAB 84.9, -74.03, 61.4

 

CMYK 69 / 0 / 59 / 0

HEX #50FF68

RGB 80 255 104

HSL 128.23, 1%, 0.66%

LAB 89.03, -73.19, 58.24

 

CMYK 62 / 0 / 52 / 0

HEX #61FF7B

RGB 97 255 123

HSL 129.87, 1%, 0.69%

LAB 89.62, -67.71, 50.57

 

CMYK 55 / 0 / 44 / 0

HEX #72FF8E

RGB 114 255 142

HSL 131.91, 1%, 0.72%

LAB 90.34, -61.37, 42.6

 

CMYK 82 / 0 / 68 / 12

HEX #29E147

RGB 41 225 71

HSL 129.78, 0.75%, 0.52%

LAB 78.91, -72.59, 60.33

 

CMYK 88 / 0 / 75 / 19

HEX #18CF34

RGB 24 207 52

HSL 129.18, 0.79%, 0.45%

LAB 72.94, -70.38, 60.99

 

CMYK 96 / 0 / 83 / 26

HEX #07BD21

RGB 7 189 33

HSL 128.57, 0.93%, 0.38%

LAB 66.94, -67.41, 60.96

 

CMYK 100 / 0 / 92 / 33

HEX #00AB0E

RGB 0 171 14

HSL 124.91, 1%, 0.34%

LAB 60.92, -63.52, 59.73

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 82 / 0 / 68 / 12

HEX #29E047

RGB 41 224 71

HSL 129.84, 0.75%, 0.52%

LAB 78.6, -72.29, 60

 

CMYK 73 / 0 / 82 / 12

HEX #3CE029

RGB 60 224 41

HSL 113.77, 0.75%, 0.52%

LAB 78.71, -71.95, 69.92

 

CMYK 51 / 0 / 82 / 12

HEX #6EE029

RGB 110 224 41

HSL 97.38, 0.75%, 0.52%

LAB 80.06, -60.91, 71.65

 

CMYK 29 / 0 / 82 / 12

HEX #9FE029

RGB 159 224 41

HSL 81.31, 0.75%, 0.52%

LAB 82.29, -44.81, 74.49

 

CMYK 7 / 0 / 82 / 12

HEX #D1E029

RGB 209 224 41

HSL 64.92, 0.75%, 0.52%

LAB 85.52, -25.13, 78.55

 

CMYK 82 / 0 / 68 / 12

HEX #29E047

RGB 41 224 71

HSL 129.84, 0.75%, 0.52%

LAB 78.6, -72.29, 60

 

CMYK 82 / 0 / 46 / 12

HEX #29E078

RGB 41 224 120

HSL 145.9, 0.75%, 0.52%

LAB 79.12, -65.98, 38.69

 

CMYK 82 / 0 / 24 / 12

HEX #29E0AA

RGB 41 224 170

HSL 162.3, 0.75%, 0.52%

LAB 80, -56.02, 14.22

 

CMYK 82 / 0 / 2 / 12

HEX #29E0DB

RGB 41 224 219

HSL 178.36, 0.75%, 0.52%

LAB 81.24, -43.31, -9.97

 

CMYK 82 / 20 / 0 / 12

HEX #29B4E0

RGB 41 180 224

HSL 194.43, 0.75%, 0.52%

LAB 68.38, -20.7, -32.18

 

CMYK 82 / 0 / 68 / 12

HEX #29E047

RGB 41 224 71

HSL 129.84, 0.75%, 0.52%

LAB 78.6, -72.29, 60

 

CMYK 91 / 0 / 77 / 4

HEX #15F439

RGB 21 244 57

HSL 129.69, 0.91%, 0.52%

LAB 84.56, -80.64, 70.82

 

CMYK 82 / 0 / 68 / 12

HEX #29E047

RGB 41 224 71

HSL 129.84, 0.75%, 0.52%

LAB 78.6, -72.29, 60

 

CMYK 70 / 0 / 59 / 20

HEX #3DCD54

RGB 61 205 84

HSL 129.58, 0.59%, 0.52%

LAB 73.09, -62.12, 48.51

 

CMYK 57 / 0 / 48 / 27

HEX #50B961

RGB 80 185 97

HSL 129.71, 0.43%, 0.52%

LAB 67.48, -49.07, 35.6

 

CMYK 39 / 0 / 33 / 35

HEX #64A56F

RGB 100 165 111

HSL 130.15, 0.27%, 0.52%

LAB 62.31, -32.52, 21.63

 

CMYK 17 / 0 / 14 / 43

HEX #78917C

RGB 120 145 124

HSL 129.6, 0.1%, 0.52%

LAB 57.75, -13.19, 8.23

 

CMYK 50 / 0 / 82 / 12

HEX #6FE029

RGB 111 224 41

HSL 97.05, 0.75%, 0.52%

LAB 80.1, -60.63, 71.7

 

CMYK 72 / 0 / 82 / 12

HEX #3EE029

RGB 62 224 41

HSL 113.11, 0.75%, 0.52%

LAB 78.75, -71.63, 69.97

 

CMYK 82 / 0 / 70 / 12

HEX #29E044

RGB 41 224 68

HSL 128.85, 0.75%, 0.52%

LAB 78.58, -72.56, 61.12

 

CMYK 82 / 0 / 48 / 12

HEX #29E075

RGB 41 224 117

HSL 144.92, 0.75%, 0.52%

LAB 79.08, -66.47, 40.11

 

CMYK 82 / 0 / 26 / 12

HEX #29E0A6

RGB 41 224 166

HSL 160.98, 0.75%, 0.52%

LAB 79.92, -56.93, 16.21

 

CMYK 86 / 0 / 72 / 37

HEX #17A02D

RGB 23 160 45

HSL 129.64, 0.75%, 0.36%

LAB 57.57, -56.9, 47.89

 

CMYK 86 / 0 / 72 / 23

HEX #1CC437

RGB 28 196 55

HSL 129.64, 0.75%, 0.44%

LAB 69.47, -66.58, 56.43

 

CMYK 82 / 0 / 68 / 12

HEX #29E047

RGB 41 224 71

HSL 129.84, 0.75%, 0.52%

LAB 78.6, -72.29, 60

 

CMYK 67 / 0 / 56 / 10

HEX #4DE666

RGB 77 230 102

HSL 129.8, 0.75%, 0.6%

LAB 81.36, -65.59, 50.15

 

CMYK 52 / 0 / 43 / 8

HEX #71EB85

RGB 113 235 133

HSL 129.84, 0.75%, 0.68%

LAB 84.29, -55.25, 39.23

 

CMYK 82 / 0 / 68 / 12

HEX #29E147

RGB 41 225 71

HSL 129.78, 0.75%, 0.52%

LAB 78.91, -72.59, 60.33

 

CMYK 82 / 29 / 0 / 12

HEX #29A0E0

RGB 41 160 224

HSL 200.98, 0.75%, 0.52%

LAB 62.5, -9.94, -41.34

 

CMYK 0 / 82 / 61 / 12

HEX #E02957

RGB 224 41 87

HSL 344.92, 0.75%, 0.52%

LAB 49.64, 69.38, 20.71

 

CMYK 82 / 0 / 68 / 12

HEX #29E147

RGB 41 225 71

HSL 129.78, 0.75%, 0.52%

LAB 78.91, -72.59, 60.33

 

CMYK 70 / 82 / 0 / 12

HEX #4429E0

RGB 68 41 224

HSL 248.85, 0.75%, 0.52%

LAB 34.39, 62.47, -86.74

 

CMYK 0 / 70 / 82 / 12

HEX #E04429

RGB 224 68 41

HSL 8.85, 0.75%, 0.52%

LAB 52, 59.07, 49.47

 

CMYK 82 / 0 / 68 / 12

HEX #29E147

RGB 41 225 71

HSL 129.78, 0.75%, 0.52%

LAB 78.91, -72.59, 60.33

 

CMYK 82 / 29 / 0 / 12

HEX #29A0E0

RGB 41 160 224

HSL 200.98, 0.75%, 0.52%

LAB 62.5, -9.94, -41.34

 

CMYK 0 / 82 / 12 / 12

HEX #E029C5

RGB 224 41 197

HSL 308.85, 0.75%, 0.52%

LAB 53.45, 80.29, -39.31

 

CMYK 0 / 53 / 82 / 12

HEX #E06929

RGB 224 105 41

HSL 20.98, 0.75%, 0.52%

LAB 58.14, 42.83, 55.13

 

CMYK 82 / 0 / 68 / 12

HEX #29E147

RGB 41 225 71

HSL 129.78, 0.75%, 0.52%

LAB 78.91, -72.59, 60.33

 

CMYK 82 / 53 / 0 / 12

HEX #2969E0

RGB 41 105 224

HSL 219.02, 0.75%, 0.52%

LAB 46.92, 23.3, -66.23

 

CMYK 0 / 82 / 12 / 12

HEX #E029C5

RGB 224 41 197

HSL 308.85, 0.75%, 0.52%

LAB 53.45, 80.29, -39.31

 

CMYK 0 / 29 / 82 / 12

HEX #E0A029

RGB 224 160 41

HSL 39.02, 0.75%, 0.52%

LAB 70.28, 14.05, 65.92

 

Description

Color code: HEX #29E147 | qconv.com Color code: HEX #29E147 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 225 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 225 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 68 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 68% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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