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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29DC3B it is the complementary color #D623C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29DC3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29DC3B shade: #2EDC36, #3FEE49, #50FF5C, #61FF6F and #72FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29DC3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29DC3B shade: #29DC3B, #18CA28, #07B815, #00A602 and #009400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29DC3B shade: #28DC3A, #47DC28, #77DC28, #A8DC28 and #D8DC28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29DC3B shade: #28DC3A, #28DC6B, #28DC9B, #28DCCC and #28BCDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29DC3B shade matches the following richer shades: #28DC3A and #14F02A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29DC3B shade: #28DC3A, #3CC84A, #51B45A, #659F6B and #798B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29DC3B shade: #76DC28, #46DC28, #28DC3A, #28DC6A and #28DC9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29DC3B shade: #199926, #1FBC2E, #28DC3A, #4CE25B and #6FE87B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29DC3B shade: #29DC3B, #28A6DC and #DC285E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29DC3B shade: #29DC3B, #3A28DC and #DC3A28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29DC3B shade: #29DC3B, #28A6DC, #DC28CA and #DC5E28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29DC3B shade: #29DC3B, #2870DC, #DC28CA and #DC9428

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 73 / 14

HEX #29DC3B

RGB 41 220 59

HSL 126.03, 0.72%, 0.51%

LAB 77.27, -72.12, 63

 

Complementary color

CMYK 0 / 84 / 8 / 16

HEX #D623C4

RGB 214 35 196

HSL 306.03, 0.72%, 0.49%

LAB 51.25, 79.43, -42.33

 

CMYK 79 / 0 / 75 / 14

HEX #2EDC36

RGB 46 220 54

HSL 122.76, 0.71%, 0.52%

LAB 77.3, -71.92, 64.73

 

CMYK 74 / 0 / 69 / 7

HEX #3FEE49

RGB 63 238 73

HSL 123.43, 0.84%, 0.59%

LAB 83.28, -73.59, 64.28

 

CMYK 69 / 0 / 64 / 0

HEX #50FF5C

RGB 80 255 92

HSL 124.11, 1%, 0.66%

LAB 88.92, -74.46, 63.1

 

CMYK 62 / 0 / 56 / 0

HEX #61FF6F

RGB 97 255 111

HSL 125.32, 1%, 0.69%

LAB 89.49, -69.21, 55.83

 

CMYK 55 / 0 / 49 / 0

HEX #72FF82

RGB 114 255 130

HSL 126.81, 1%, 0.72%

LAB 90.19, -63.08, 48.11

 

CMYK 81 / 0 / 73 / 14

HEX #29DC3B

RGB 41 220 59

HSL 126.03, 0.72%, 0.51%

LAB 77.27, -72.12, 63

 

CMYK 88 / 0 / 80 / 21

HEX #18CA28

RGB 24 202 40

HSL 125.39, 0.79%, 0.44%

LAB 71.27, -69.75, 63.11

 

CMYK 96 / 0 / 89 / 28

HEX #07B815

RGB 7 184 21

HSL 124.75, 0.93%, 0.37%

LAB 65.26, -66.57, 62.22

 

CMYK 100 / 0 / 99 / 35

HEX #00A602

RGB 0 166 2

HSL 120.72, 1%, 0.33%

LAB 59.23, -62.44, 60.03

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 68 / 0 / 82 / 14

HEX #47DC28

RGB 71 220 40

HSL 109.67, 0.72%, 0.51%

LAB 77.69, -68.86, 69.32

 

CMYK 46 / 0 / 82 / 14

HEX #77DC28

RGB 119 220 40

HSL 93.67, 0.72%, 0.51%

LAB 79.19, -56.83, 71.25

 

CMYK 24 / 0 / 82 / 14

HEX #A8DC28

RGB 168 220 40

HSL 77.33, 0.72%, 0.51%

LAB 81.66, -39.71, 74.37

 

CMYK 2 / 0 / 82 / 14

HEX #D8DC28

RGB 216 220 40

HSL 61.33, 0.72%, 0.51%

LAB 84.97, -20.33, 78.53

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 82 / 0 / 51 / 14

HEX #28DC6B

RGB 40 220 107

HSL 142.33, 0.72%, 0.51%

LAB 77.7, -66.79, 43.22

 

CMYK 82 / 0 / 30 / 14

HEX #28DC9B

RGB 40 220 155

HSL 158.33, 0.72%, 0.51%

LAB 78.46, -57.95, 19.96

 

CMYK 82 / 0 / 7 / 14

HEX #28DCCC

RGB 40 220 204

HSL 174.67, 0.72%, 0.51%

LAB 79.61, -45.83, -4.38

 

CMYK 82 / 15 / 0 / 14

HEX #28BCDC

RGB 40 188 220

HSL 190.67, 0.72%, 0.51%

LAB 70.58, -26.18, -26.61

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 92 / 0 / 83 / 6

HEX #14F02A

RGB 20 240 42

HSL 126, 0.88%, 0.51%

LAB 83.25, -80.45, 73.66

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 70 / 0 / 63 / 22

HEX #3CC84A

RGB 60 200 74

HSL 126, 0.56%, 0.51%

LAB 71.39, -61.75, 51

 

CMYK 55 / 0 / 50 / 29

HEX #51B45A

RGB 81 180 90

HSL 125.45, 0.4%, 0.51%

LAB 65.85, -47.87, 37.1

 

CMYK 36 / 0 / 33 / 38

HEX #659F6B

RGB 101 159 107

HSL 126.21, 0.23%, 0.51%

LAB 60.45, -30.06, 21.32

 

CMYK 13 / 0 / 12 / 45

HEX #798B7B

RGB 121 139 123

HSL 126.67, 0.07%, 0.51%

LAB 56.05, -9.76, 6.38

 

CMYK 46 / 0 / 82 / 14

HEX #76DC28

RGB 118 220 40

HSL 94, 0.72%, 0.51%

LAB 79.15, -57.13, 71.2

 

CMYK 68 / 0 / 82 / 14

HEX #46DC28

RGB 70 220 40

HSL 110, 0.72%, 0.51%

LAB 77.66, -69.05, 69.29

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 82 / 0 / 52 / 14

HEX #28DC6A

RGB 40 220 106

HSL 142, 0.72%, 0.51%

LAB 77.68, -66.94, 43.69

 

CMYK 82 / 0 / 30 / 14

HEX #28DC9A

RGB 40 220 154

HSL 158, 0.72%, 0.51%

LAB 78.44, -58.17, 20.45

 

CMYK 84 / 0 / 75 / 40

HEX #199926

RGB 25 153 38

HSL 126.09, 0.72%, 0.35%

LAB 55.21, -55.1, 48.13

 

CMYK 84 / 0 / 76 / 26

HEX #1FBC2E

RGB 31 188 46

HSL 125.73, 0.72%, 0.43%

LAB 66.87, -64.62, 57

 

CMYK 82 / 0 / 74 / 14

HEX #28DC3A

RGB 40 220 58

HSL 126, 0.72%, 0.51%

LAB 77.25, -72.3, 63.32

 

CMYK 66 / 0 / 60 / 11

HEX #4CE25B

RGB 76 226 91

HSL 126, 0.72%, 0.59%

LAB 80, -65.73, 53.47

 

CMYK 52 / 0 / 47 / 9

HEX #6FE87B

RGB 111 232 123

HSL 125.95, 0.72%, 0.67%

LAB 83.19, -56.04, 42.71

 

CMYK 81 / 0 / 73 / 14

HEX #29DC3B

RGB 41 220 59

HSL 126.03, 0.72%, 0.51%

LAB 77.27, -72.12, 63

 

CMYK 82 / 25 / 0 / 14

HEX #28A6DC

RGB 40 166 220

HSL 198, 0.72%, 0.51%

LAB 64.07, -14.72, -36.68

 

CMYK 0 / 82 / 57 / 14

HEX #DC285E

RGB 220 40 94

HSL 342, 0.72%, 0.51%

LAB 48.94, 69.01, 15.34

 

CMYK 81 / 0 / 73 / 14

HEX #29DC3B

RGB 41 220 59

HSL 126.03, 0.72%, 0.51%

LAB 77.27, -72.12, 63

 

CMYK 74 / 82 / 0 / 14

HEX #3A28DC

RGB 58 40 220

HSL 246, 0.72%, 0.51%

LAB 33.1, 61.07, -86.6

 

CMYK 0 / 74 / 82 / 14

HEX #DC3A28

RGB 220 58 40

HSL 6, 0.72%, 0.51%

LAB 49.97, 61.33, 47.8

 

CMYK 81 / 0 / 73 / 14

HEX #29DC3B

RGB 41 220 59

HSL 126.03, 0.72%, 0.51%

LAB 77.27, -72.12, 63

 

CMYK 82 / 25 / 0 / 14

HEX #28A6DC

RGB 40 166 220

HSL 198, 0.72%, 0.51%

LAB 64.07, -14.72, -36.68

 

CMYK 0 / 82 / 8 / 14

HEX #DC28CA

RGB 220 40 202

HSL 306, 0.72%, 0.51%

LAB 52.95, 80.41, -43.04

 

CMYK 0 / 57 / 82 / 14

HEX #DC5E28

RGB 220 94 40

HSL 18, 0.72%, 0.51%

LAB 55.46, 46.59, 52.88

 

CMYK 81 / 0 / 73 / 14

HEX #29DC3B

RGB 41 220 59

HSL 126.03, 0.72%, 0.51%

LAB 77.27, -72.12, 63

 

CMYK 82 / 49 / 0 / 14

HEX #2870DC

RGB 40 112 220

HSL 216, 0.72%, 0.51%

LAB 48.52, 17.24, -61.37

 

CMYK 0 / 82 / 8 / 14

HEX #DC28CA

RGB 220 40 202

HSL 306, 0.72%, 0.51%

LAB 52.95, 80.41, -43.04

 

CMYK 0 / 33 / 82 / 14

HEX #DC9428

RGB 220 148 40

HSL 36, 0.72%, 0.51%

LAB 66.94, 18.73, 63.15

 

Description

Color code: HEX #29DC3B | qconv.com Color code: HEX #29DC3B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 220 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 220 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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