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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29DB5B it is the complementary color #D624A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29DB5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29DB5B shade: #2EDB56, #3FED69, #50FF7C, #61FF8F and #72FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29DB5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29DB5B shade: #29DB5B, #18C948, #07B735, #00A522 and #00930F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29DB5B shade: #29DB5B, #29DB2B, #57DB29, #87DB29 and #B7DB29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29DB5B shade: #29DB5B, #29DB8B, #29DBBB, #29CBDB and #299BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29DB5B shade matches the following richer shades: #29DB5B and #15EF52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29DB5B shade: #29DB5B, #3EC764, #52B26D, #669E76 and #7A8A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29DB5B shade: #59DB29, #29DB29, #29DB59, #29DB88 and #29DBB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29DB5B shade: #1A983D, #20BB4B, #29DB5B, #4DE176 and #70E791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29DB5B shade: #29DB5B, #2988DB and #DB2941

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29DB5B shade: #29DB5B, #5929DB and #DB5929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29DB5B shade: #29DB5B, #2988DB, #DB29AB and #DB7C29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29DB5B shade: #29DB5B, #2953DB, #DB29AB and #DBB129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

Complementary color

CMYK 0 / 83 / 23 / 16

HEX #D624A4

RGB 214 36 164

HSL 316.85, 0.71%, 0.49%

LAB 49.78, 75.05, -25.89

 

CMYK 79 / 0 / 61 / 14

HEX #2EDB56

RGB 46 219 86

HSL 133.87, 0.71%, 0.52%

LAB 77.23, -68.62, 52.33

 

CMYK 73 / 0 / 56 / 7

HEX #3FED69

RGB 63 237 105

HSL 134.48, 0.83%, 0.59%

LAB 83.26, -69.84, 50.96

 

CMYK 69 / 0 / 51 / 0

HEX #50FF7C

RGB 80 255 124

HSL 135.09, 1%, 0.66%

LAB 89.24, -70.67, 49.55

 

CMYK 62 / 0 / 44 / 0

HEX #61FF8F

RGB 97 255 143

HSL 137.47, 1%, 0.69%

LAB 89.88, -64.82, 41.42

 

CMYK 55 / 0 / 36 / 0

HEX #72FFA2

RGB 114 255 162

HSL 140.43, 1%, 0.72%

LAB 90.65, -58.16, 33.17

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 88 / 0 / 64 / 21

HEX #18C948

RGB 24 201 72

HSL 136.27, 0.79%, 0.44%

LAB 71.17, -66.74, 51.46

 

CMYK 96 / 0 / 71 / 28

HEX #07B735

RGB 7 183 53

HSL 135.68, 0.93%, 0.37%

LAB 65.1, -64.22, 52.6

 

CMYK 100 / 0 / 79 / 35

HEX #00A522

RGB 0 165 34

HSL 132.36, 1%, 0.32%

LAB 59, -60.83, 53.18

 

CMYK 100 / 0 / 90 / 42

HEX #00930F

RGB 0 147 15

HSL 126.12, 1%, 0.29%

LAB 52.84, -56.67, 52.59

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 81 / 0 / 80 / 14

HEX #29DB2B

RGB 41 219 43

HSL 120.67, 0.71%, 0.51%

LAB 76.87, -72.89, 67.58

 

CMYK 60 / 0 / 81 / 14

HEX #57DB29

RGB 87 219 41

HSL 104.49, 0.71%, 0.51%

LAB 77.79, -65.1, 69.3

 

CMYK 38 / 0 / 81 / 14

HEX #87DB29

RGB 135 219 41

HSL 88.31, 0.71%, 0.51%

LAB 79.6, -51.23, 71.62

 

CMYK 16 / 0 / 81 / 14

HEX #B7DB29

RGB 183 219 41

HSL 72.13, 0.71%, 0.51%

LAB 82.32, -33.34, 75.07

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 81 / 0 / 37 / 14

HEX #29DB8B

RGB 41 219 139

HSL 153.03, 0.71%, 0.51%

LAB 77.87, -60.8, 27.47

 

CMYK 81 / 0 / 15 / 14

HEX #29DBBB

RGB 41 219 187

HSL 169.21, 0.71%, 0.51%

LAB 78.88, -49.85, 3.61

 

CMYK 81 / 7 / 0 / 14

HEX #29CBDB

RGB 41 203 219

HSL 185.39, 0.71%, 0.51%

LAB 75.01, -33.72, -19.31

 

CMYK 81 / 29 / 0 / 14

HEX #299BDB

RGB 41 155 219

HSL 201.57, 0.71%, 0.51%

LAB 60.81, -8.91, -41.24

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 91 / 0 / 66 / 6

HEX #15EF52

RGB 21 239 82

HSL 136.79, 0.87%, 0.51%

LAB 83.18, -77.15, 60.58

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 69 / 0 / 50 / 22

HEX #3EC764

RGB 62 199 100

HSL 136.64, 0.55%, 0.51%

LAB 71.41, -57.66, 38.92

 

CMYK 54 / 0 / 39 / 30

HEX #52B26D

RGB 82 178 109

HSL 136.88, 0.38%, 0.51%

LAB 65.54, -43.75, 26.9

 

CMYK 35 / 0 / 25 / 38

HEX #669E76

RGB 102 158 118

HSL 137.14, 0.22%, 0.51%

LAB 60.41, -27.22, 15.19

 

CMYK 12 / 0 / 8 / 46

HEX #7A8A7F

RGB 122 138 127

HSL 138.75, 0.06%, 0.51%

LAB 55.93, -8.05, 3.92

 

CMYK 59 / 0 / 81 / 14

HEX #59DB29

RGB 89 219 41

HSL 103.82, 0.71%, 0.51%

LAB 77.84, -64.63, 69.38

 

CMYK 81 / 0 / 81 / 14

HEX #29DB29

RGB 41 219 41

HSL 120, 0.71%, 0.51%

LAB 76.86, -73, 68.11

 

CMYK 81 / 0 / 59 / 14

HEX #29DB59

RGB 41 219 89

HSL 136.18, 0.71%, 0.51%

LAB 77.19, -68.81, 50.95

 

CMYK 81 / 0 / 38 / 14

HEX #29DB88

RGB 41 219 136

HSL 152.02, 0.71%, 0.51%

LAB 77.82, -61.39, 28.95

 

CMYK 81 / 0 / 16 / 14

HEX #29DBB7

RGB 41 219 183

HSL 167.87, 0.71%, 0.51%

LAB 78.78, -50.87, 5.6

 

CMYK 83 / 0 / 60 / 40

HEX #1A983D

RGB 26 152 61

HSL 136.67, 0.71%, 0.35%

LAB 55.09, -52.16, 38.11

 

CMYK 83 / 0 / 60 / 27

HEX #20BB4B

RGB 32 187 75

HSL 136.65, 0.71%, 0.43%

LAB 66.79, -61.28, 45.18

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 66 / 0 / 48 / 12

HEX #4DE176

RGB 77 225 118

HSL 136.62, 0.71%, 0.59%

LAB 80.03, -61.6, 40.96

 

CMYK 52 / 0 / 37 / 9

HEX #70E791

RGB 112 231 145

HSL 136.64, 0.71%, 0.67%

LAB 83.25, -51.97, 31.87

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 81 / 38 / 0 / 14

HEX #2988DB

RGB 41 136 219

HSL 207.98, 0.71%, 0.51%

LAB 55.27, 2.12, -49.98

 

CMYK 0 / 81 / 70 / 14

HEX #DB2941

RGB 219 41 65

HSL 351.91, 0.71%, 0.51%

LAB 48.29, 66.89, 32.07

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 59 / 81 / 0 / 14

HEX #5929DB

RGB 89 41 219

HSL 256.18, 0.71%, 0.51%

LAB 35.64, 62.92, -81.74

 

CMYK 0 / 59 / 81 / 14

HEX #DB5929

RGB 219 89 41

HSL 16.18, 0.71%, 0.51%

LAB 54.41, 48.58, 51.41

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 81 / 38 / 0 / 14

HEX #2988DB

RGB 41 136 219

HSL 207.98, 0.71%, 0.51%

LAB 55.27, 2.12, -49.98

 

CMYK 0 / 81 / 22 / 14

HEX #DB29AB

RGB 219 41 171

HSL 316.18, 0.71%, 0.51%

LAB 51.37, 75.88, -27.5

 

CMYK 0 / 43 / 81 / 14

HEX #DB7C29

RGB 219 124 41

HSL 27.98, 0.71%, 0.51%

LAB 61.34, 31.14, 57.76

 

CMYK 81 / 0 / 58 / 14

HEX #29DB5B

RGB 41 219 91

HSL 136.85, 0.71%, 0.51%

LAB 77.21, -68.56, 50.08

 

CMYK 81 / 62 / 0 / 14

HEX #2953DB

RGB 41 83 219

HSL 225.84, 0.71%, 0.51%

LAB 40.85, 35.52, -73.27

 

CMYK 0 / 81 / 22 / 14

HEX #DB29AB

RGB 219 41 171

HSL 316.18, 0.71%, 0.51%

LAB 51.37, 75.88, -27.5

 

CMYK 0 / 19 / 81 / 14

HEX #DBB129

RGB 219 177 41

HSL 45.84, 0.71%, 0.51%

LAB 73.97, 2.84, 68.94

 

Description

Color code: HEX #29DB5B | qconv.com Color code: HEX #29DB5B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 219 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 219 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 58 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 58% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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