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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29DA34 it is the complementary color #D625CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29DA34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29DA34 shade: #2EDA2F, #3FEC42, #50FE55, #61FF68 and #72FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29DA34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29DA34 shade: #29DA34, #18C821, #07B60E, #00A400 and #009200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29DA34 shade: #29DB34, #4EDB29, #7EDB29, #AEDB29 and #DBD829

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29DA34 shade: #29DB34, #29DB64, #29DB94, #29DBC4 and #29C2DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29DA34 shade matches the following richer shades: #29DB34 and #15EF23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29DA34 shade: #29DB34, #3EC746, #52B258, #669E69 and #7A8A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29DA34 shade: #7FDB29, #50DB29, #29DB32, #29DB62 and #29DB91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29DA34 shade: #1A9822, #20BB29, #29DB34, #4DE156 and #70E777

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29DA34 shade: #29DA34, #29AEDB and #DB2967

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29DA34 shade: #29DA34, #3229DB and #DB3229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29DA34 shade: #29DA34, #29AEDB, #DB29D2 and #DB5629

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29DA34 shade: #29DA34, #2979DB, #DB29D2 and #DB8B29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 76 / 15

HEX #29DA34

RGB 41 218 52

HSL 123.73, 0.71%, 0.51%

LAB 76.6, -72.04, 64.66

 

Complementary color

CMYK 0 / 83 / 5 / 16

HEX #D625CB

RGB 214 37 203

HSL 303.73, 0.71%, 0.49%

LAB 51.76, 80.03, -45.56

 

CMYK 79 / 0 / 78 / 15

HEX #2EDA2F

RGB 46 218 47

HSL 120.35, 0.7%, 0.52%

LAB 76.64, -71.78, 66.25

 

CMYK 73 / 0 / 72 / 7

HEX #3FEC42

RGB 63 236 66

HSL 121.04, 0.82%, 0.59%

LAB 82.62, -73.54, 66.11

 

CMYK 69 / 0 / 67 / 0

HEX #50FE55

RGB 80 254 85

HSL 121.72, 0.99%, 0.65%

LAB 88.56, -74.8, 65.46

 

CMYK 62 / 0 / 59 / 0

HEX #61FF68

RGB 97 255 104

HSL 122.66, 1%, 0.69%

LAB 89.42, -70.01, 58.79

 

CMYK 55 / 0 / 52 / 0

HEX #72FF7B

RGB 114 255 123

HSL 123.83, 1%, 0.72%

LAB 90.1, -64, 51.26

 

CMYK 81 / 0 / 76 / 15

HEX #29DA34

RGB 41 218 52

HSL 123.73, 0.71%, 0.51%

LAB 76.6, -72.04, 64.66

 

CMYK 88 / 0 / 84 / 22

HEX #18C821

RGB 24 200 33

HSL 123.07, 0.79%, 0.44%

LAB 70.6, -69.56, 64.35

 

CMYK 96 / 0 / 92 / 29

HEX #07B60E

RGB 7 182 14

HSL 122.4, 0.93%, 0.37%

LAB 64.59, -66.24, 62.85

 

CMYK 100 / 0 / 100 / 36

HEX #00A400

RGB 0 164 0

HSL 120, 1%, 0.32%

LAB 58.56, -61.94, 59.78

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 81 / 0 / 76 / 14

HEX #29DB34

RGB 41 219 52

HSL 123.71, 0.71%, 0.51%

LAB 76.91, -72.34, 64.97

 

CMYK 64 / 0 / 81 / 14

HEX #4EDB29

RGB 78 219 41

HSL 107.53, 0.71%, 0.51%

LAB 77.54, -67.09, 69

 

CMYK 42 / 0 / 81 / 14

HEX #7EDB29

RGB 126 219 41

HSL 91.35, 0.71%, 0.51%

LAB 79.19, -54.2, 71.1

 

CMYK 21 / 0 / 81 / 14

HEX #AEDB29

RGB 174 219 41

HSL 75.17, 0.71%, 0.51%

LAB 81.74, -36.91, 74.34

 

CMYK 0 / 1 / 81 / 14

HEX #DBD829

RGB 219 216 41

HSL 58.99, 0.71%, 0.51%

LAB 84.14, -17.08, 77.68

 

CMYK 81 / 0 / 76 / 14

HEX #29DB34

RGB 41 219 52

HSL 123.71, 0.71%, 0.51%

LAB 76.91, -72.34, 64.97

 

CMYK 81 / 0 / 54 / 14

HEX #29DB64

RGB 41 219 100

HSL 139.89, 0.71%, 0.51%

LAB 77.31, -67.37, 46.07

 

CMYK 81 / 0 / 32 / 14

HEX #29DB94

RGB 41 219 148

HSL 156.07, 0.71%, 0.51%

LAB 78.04, -58.98, 23.03

 

CMYK 81 / 0 / 11 / 14

HEX #29DBC4

RGB 41 219 196

HSL 172.25, 0.71%, 0.51%

LAB 79.11, -47.49, -0.85

 

CMYK 81 / 11 / 0 / 14

HEX #29C2DB

RGB 41 194 219

HSL 188.43, 0.71%, 0.51%

LAB 72.34, -29.39, -23.37

 

CMYK 81 / 0 / 76 / 14

HEX #29DB34

RGB 41 219 52

HSL 123.71, 0.71%, 0.51%

LAB 76.91, -72.34, 64.97

 

CMYK 91 / 0 / 85 / 6

HEX #15EF23

RGB 21 239 35

HSL 123.85, 0.87%, 0.51%

LAB 82.92, -80.44, 74.93

 

CMYK 81 / 0 / 76 / 14

HEX #29DB34

RGB 41 219 52

HSL 123.71, 0.71%, 0.51%

LAB 76.91, -72.34, 64.97

 

CMYK 69 / 0 / 65 / 22

HEX #3EC746

RGB 62 199 70

HSL 123.5, 0.55%, 0.51%

LAB 71.09, -61.48, 52.37

 

CMYK 54 / 0 / 51 / 30

HEX #52B258

RGB 82 178 88

HSL 123.75, 0.38%, 0.51%

LAB 65.23, -47.09, 37.35

 

CMYK 35 / 0 / 34 / 38

HEX #669E69

RGB 102 158 105

HSL 123.21, 0.22%, 0.51%

LAB 60.16, -29.61, 22.03

 

CMYK 12 / 0 / 11 / 46

HEX #7A8A7B

RGB 122 138 123

HSL 123.75, 0.06%, 0.51%

LAB 55.83, -8.84, 6.08

 

CMYK 42 / 0 / 81 / 14

HEX #7FDB29

RGB 127 219 41

HSL 91.01, 0.71%, 0.51%

LAB 79.23, -53.88, 71.16

 

CMYK 63 / 0 / 81 / 14

HEX #50DB29

RGB 80 219 41

HSL 106.85, 0.71%, 0.51%

LAB 77.6, -66.67, 69.06

 

CMYK 81 / 0 / 77 / 14

HEX #29DB32

RGB 41 219 50

HSL 123.03, 0.71%, 0.51%

LAB 76.9, -72.47, 65.58

 

CMYK 81 / 0 / 55 / 14

HEX #29DB62

RGB 41 219 98

HSL 139.21, 0.71%, 0.51%

LAB 77.29, -67.65, 46.97

 

CMYK 81 / 0 / 34 / 14

HEX #29DB91

RGB 41 219 145

HSL 155.06, 0.71%, 0.51%

LAB 77.98, -59.6, 24.51

 

CMYK 83 / 0 / 78 / 40

HEX #1A9822

RGB 26 152 34

HSL 123.81, 0.71%, 0.35%

LAB 54.86, -54.98, 49.22

 

CMYK 83 / 0 / 78 / 27

HEX #20BB29

RGB 32 187 41

HSL 123.48, 0.71%, 0.43%

LAB 66.53, -64.57, 58.31

 

CMYK 81 / 0 / 76 / 14

HEX #29DB34

RGB 41 219 52

HSL 123.71, 0.71%, 0.51%

LAB 76.91, -72.34, 64.97

 

CMYK 66 / 0 / 62 / 12

HEX #4DE156

RGB 77 225 86

HSL 123.65, 0.71%, 0.59%

LAB 79.67, -65.75, 55.26

 

CMYK 52 / 0 / 48 / 9

HEX #70E777

RGB 112 231 119

HSL 123.53, 0.71%, 0.67%

LAB 82.88, -55.96, 44.25

 

CMYK 81 / 0 / 76 / 15

HEX #29DA34

RGB 41 218 52

HSL 123.73, 0.71%, 0.51%

LAB 76.6, -72.04, 64.66

 

CMYK 81 / 21 / 0 / 14

HEX #29AEDB

RGB 41 174 219

HSL 195.17, 0.71%, 0.51%

LAB 66.41, -19.25, -32.49

 

CMYK 0 / 81 / 53 / 14

HEX #DB2967

RGB 219 41 103

HSL 339.1, 0.71%, 0.51%

LAB 49.04, 69.14, 9.95

 

CMYK 81 / 0 / 76 / 15

HEX #29DA34

RGB 41 218 52

HSL 123.73, 0.71%, 0.51%

LAB 76.6, -72.04, 64.66

 

CMYK 77 / 81 / 0 / 14

HEX #3229DB

RGB 50 41 219

HSL 243.03, 0.71%, 0.51%

LAB 32.65, 59.85, -86.78

 

CMYK 0 / 77 / 81 / 14

HEX #DB3229

RGB 219 50 41

HSL 3.03, 0.71%, 0.51%

LAB 48.89, 63.58, 46.2

 

CMYK 81 / 0 / 76 / 15

HEX #29DA34

RGB 41 218 52

HSL 123.73, 0.71%, 0.51%

LAB 76.6, -72.04, 64.66

 

CMYK 81 / 21 / 0 / 14

HEX #29AEDB

RGB 41 174 219

HSL 195.17, 0.71%, 0.51%

LAB 66.41, -19.25, -32.49

 

CMYK 0 / 81 / 4 / 14

HEX #DB29D2

RGB 219 41 210

HSL 303.03, 0.71%, 0.51%

LAB 53.28, 81.14, -47.12

 

CMYK 0 / 61 / 81 / 14

HEX #DB5629

RGB 219 86 41

HSL 15.17, 0.71%, 0.51%

LAB 53.89, 49.94, 50.93

 

CMYK 81 / 0 / 76 / 15

HEX #29DA34

RGB 41 218 52

HSL 123.73, 0.71%, 0.51%

LAB 76.6, -72.04, 64.66

 

CMYK 81 / 45 / 0 / 14

HEX #2979DB

RGB 41 121 219

HSL 213.03, 0.71%, 0.51%

LAB 50.99, 11.29, -56.83

 

CMYK 0 / 81 / 4 / 14

HEX #DB29D2

RGB 219 41 210

HSL 303.03, 0.71%, 0.51%

LAB 53.28, 81.14, -47.12

 

CMYK 0 / 37 / 81 / 14

HEX #DB8B29

RGB 219 139 41

HSL 33.03, 0.71%, 0.51%

LAB 64.71, 23.16, 60.78

 

Description

Color code: HEX #29DA34 | qconv.com Color code: HEX #29DA34 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 218 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 218 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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