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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29D717 it is the complementary color #D628E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29D717. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29D717 shade: #2ED712, #3FE925, #50FB38, #61FF4B and #72FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29D717. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29D717 shade: #29D717, #18C504, #07B300, #00A100 and #008F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29D717 shade: #29D917, #5DD917, #92D917, #C6D917 and #D9B717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29D717 shade: #29D917, #17D939, #17D96D, #17D9A2 and #17D9D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29D717 shade matches the following richer shades: #29D917 and #19EC03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29D717 shade: #29D917, #39C62A, #48B23E, #589F51 and #688B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29D717 shade: #92D917, #5ED917, #2AD917, #17D937 and #17D96B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29D717 shade: #1B8E0F, #22B413, #29D917, #41E930 and #63ED55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29D717 shade: #29D717, #17C6D9 and #D91778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29D717 shade: #29D717, #172AD9 and #D9172A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29D717 shade: #29D717, #17C6D9, #C617D9 and #D92A17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29D717 shade: #29D717, #178BD9, #C617D9 and #D96417

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 89 / 16

HEX #29D717

RGB 41 215 23

HSL 114.38, 0.81%, 0.47%

LAB 75.53, -72.62, 70.84

 

Complementary color

CMYK 8 / 83 / 0 / 9

HEX #D628E8

RGB 214 40 232

HSL 294.38, 0.81%, 0.53%

LAB 53.64, 83.82, -59.07

 

CMYK 79 / 0 / 92 / 16

HEX #2ED712

RGB 46 215 18

HSL 111.47, 0.85%, 0.46%

LAB 75.59, -72.16, 71.68

 

CMYK 73 / 0 / 84 / 9

HEX #3FE925

RGB 63 233 37

HSL 112.04, 0.82%, 0.53%

LAB 81.55, -74.37, 73.46

 

CMYK 68 / 0 / 78 / 2

HEX #50FB38

RGB 80 251 56

HSL 112.62, 0.96%, 0.6%

LAB 87.48, -76.01, 74.18

 

CMYK 62 / 0 / 71 / 0

HEX #61FF4B

RGB 97 255 75

HSL 112.67, 1%, 0.65%

LAB 89.19, -72.69, 69.92

 

CMYK 55 / 0 / 63 / 0

HEX #72FF5E

RGB 114 255 94

HSL 112.55, 1%, 0.68%

LAB 89.82, -67.21, 63.53

 

CMYK 81 / 0 / 89 / 16

HEX #29D717

RGB 41 215 23

HSL 114.38, 0.81%, 0.47%

LAB 75.53, -72.62, 70.84

 

CMYK 88 / 0 / 98 / 23

HEX #18C504

RGB 24 197 4

HSL 113.78, 0.96%, 0.39%

LAB 69.57, -69.63, 68.22

 

CMYK 96 / 0 / 100 / 30

HEX #07B300

RGB 7 179 0

HSL 117.65, 1%, 0.35%

LAB 63.58, -65.74, 63.82

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 81 / 0 / 89 / 15

HEX #29D917

RGB 41 217 23

HSL 114.43, 0.81%, 0.47%

LAB 76.17, -73.19, 71.38

 

CMYK 57 / 0 / 89 / 15

HEX #5DD917

RGB 93 217 23

HSL 98.35, 0.81%, 0.47%

LAB 77.29, -63.65, 72.78

 

CMYK 33 / 0 / 89 / 15

HEX #92D917

RGB 146 217 23

HSL 81.96, 0.81%, 0.47%

LAB 79.5, -47.14, 75.51

 

CMYK 9 / 0 / 89 / 15

HEX #C6D917

RGB 198 217 23

HSL 65.88, 0.81%, 0.47%

LAB 82.75, -26.77, 79.5

 

CMYK 0 / 16 / 89 / 15

HEX #D9B717

RGB 217 183 23

HSL 49.48, 0.81%, 0.47%

LAB 75.25, -1.61, 74.28

 

CMYK 81 / 0 / 89 / 15

HEX #29D917

RGB 41 217 23

HSL 114.43, 0.81%, 0.47%

LAB 76.17, -73.19, 71.38

 

CMYK 89 / 0 / 74 / 15

HEX #17D939

RGB 23 217 57

HSL 130.52, 0.81%, 0.47%

LAB 76.13, -72.95, 62.49

 

CMYK 89 / 0 / 50 / 15

HEX #17D96D

RGB 23 217 109

HSL 146.6, 0.81%, 0.47%

LAB 76.63, -66.85, 40.89

 

CMYK 89 / 0 / 25 / 15

HEX #17D9A2

RGB 23 217 162

HSL 162.99, 0.81%, 0.47%

LAB 77.53, -56.44, 14.95

 

CMYK 89 / 0 / 1 / 15

HEX #17D9D6

RGB 23 217 214

HSL 179.07, 0.81%, 0.47%

LAB 78.85, -42.74, -10.88

 

CMYK 81 / 0 / 89 / 15

HEX #29D917

RGB 41 217 23

HSL 114.43, 0.81%, 0.47%

LAB 76.17, -73.19, 71.38

 

CMYK 89 / 0 / 99 / 7

HEX #19EC03

RGB 25 236 3

HSL 114.33, 0.97%, 0.47%

LAB 81.95, -80.21, 78.33

 

CMYK 81 / 0 / 89 / 15

HEX #29D917

RGB 41 217 23

HSL 114.43, 0.81%, 0.47%

LAB 76.17, -73.19, 71.38

 

CMYK 71 / 0 / 79 / 22

HEX #39C62A

RGB 57 198 42

HSL 114.23, 0.65%, 0.47%

LAB 70.47, -64.35, 61.93

 

CMYK 60 / 0 / 65 / 30

HEX #48B23E

RGB 72 178 62

HSL 114.83, 0.48%, 0.47%

LAB 64.62, -52.78, 48.73

 

CMYK 45 / 0 / 49 / 38

HEX #589F51

RGB 88 159 81

HSL 114.62, 0.33%, 0.47%

LAB 59.4, -38.37, 33.74

 

CMYK 25 / 0 / 28 / 45

HEX #688B64

RGB 104 139 100

HSL 113.85, 0.16%, 0.47%

LAB 54.37, -20.29, 17

 

CMYK 33 / 0 / 89 / 15

HEX #92D917

RGB 146 217 23

HSL 81.96, 0.81%, 0.47%

LAB 79.5, -47.14, 75.51

 

CMYK 57 / 0 / 89 / 15

HEX #5ED917

RGB 94 217 23

HSL 98.04, 0.81%, 0.47%

LAB 77.32, -63.4, 72.82

 

CMYK 81 / 0 / 89 / 15

HEX #2AD917

RGB 42 217 23

HSL 114.12, 0.81%, 0.47%

LAB 76.18, -73.07, 71.39

 

CMYK 89 / 0 / 75 / 15

HEX #17D937

RGB 23 217 55

HSL 129.9, 0.81%, 0.47%

LAB 76.12, -73.1, 63.16

 

CMYK 89 / 0 / 51 / 15

HEX #17D96B

RGB 23 217 107

HSL 145.98, 0.81%, 0.47%

LAB 76.6, -67.16, 41.83

 

CMYK 81 / 0 / 89 / 44

HEX #1B8E0F

RGB 27 142 15

HSL 114.33, 0.81%, 0.31%

LAB 51.4, -52.81, 51.42

 

CMYK 81 / 0 / 89 / 29

HEX #22B413

RGB 34 180 19

HSL 114.41, 0.81%, 0.39%

LAB 64.18, -63.37, 61.76

 

CMYK 81 / 0 / 89 / 15

HEX #29D917

RGB 41 217 23

HSL 114.43, 0.81%, 0.47%

LAB 76.17, -73.19, 71.38

 

CMYK 72 / 0 / 79 / 9

HEX #41E930

RGB 65 233 48

HSL 114.49, 0.81%, 0.55%

LAB 81.63, -73.51, 70.8

 

CMYK 58 / 0 / 64 / 7

HEX #63ED55

RGB 99 237 85

HSL 114.47, 0.81%, 0.63%

LAB 83.9, -65.3, 60.54

 

CMYK 81 / 0 / 89 / 16

HEX #29D717

RGB 41 215 23

HSL 114.38, 0.81%, 0.47%

LAB 75.53, -72.62, 70.84

 

CMYK 89 / 9 / 0 / 15

HEX #17C6D9

RGB 23 198 217

HSL 185.88, 0.81%, 0.47%

LAB 73.27, -33.12, -20.89

 

CMYK 0 / 89 / 45 / 15

HEX #D91778

RGB 217 23 120

HSL 330, 0.81%, 0.47%

LAB 47.91, 73.5, -2.15

 

CMYK 81 / 0 / 89 / 16

HEX #29D717

RGB 41 215 23

HSL 114.38, 0.81%, 0.47%

LAB 75.53, -72.62, 70.84

 

CMYK 89 / 81 / 0 / 15

HEX #172AD9

RGB 23 42 217

HSL 234.12, 0.81%, 0.47%

LAB 31.46, 57.63, -87.65

 

CMYK 0 / 89 / 81 / 15

HEX #D9172A

RGB 217 23 42

HSL 354.12, 0.81%, 0.47%

LAB 46.35, 69.15, 43.07

 

CMYK 81 / 0 / 89 / 16

HEX #29D717

RGB 41 215 23

HSL 114.38, 0.81%, 0.47%

LAB 75.53, -72.62, 70.84

 

CMYK 89 / 9 / 0 / 15

HEX #17C6D9

RGB 23 198 217

HSL 185.88, 0.81%, 0.47%

LAB 73.27, -33.12, -20.89

 

CMYK 9 / 89 / 0 / 15

HEX #C617D9

RGB 198 23 217

HSL 294.12, 0.81%, 0.47%

LAB 49.04, 81.81, -58.09

 

CMYK 0 / 81 / 89 / 15

HEX #D92A17

RGB 217 42 23

HSL 5.88, 0.81%, 0.47%

LAB 47.58, 64.83, 53.32

 

CMYK 81 / 0 / 89 / 16

HEX #29D717

RGB 41 215 23

HSL 114.38, 0.81%, 0.47%

LAB 75.53, -72.62, 70.84

 

CMYK 89 / 36 / 0 / 15

HEX #178BD9

RGB 23 139 217

HSL 204.12, 0.81%, 0.47%

LAB 55.74, -1.73, -48.13

 

CMYK 9 / 89 / 0 / 15

HEX #C617D9

RGB 198 23 217

HSL 294.12, 0.81%, 0.47%

LAB 49.04, 81.81, -58.09

 

CMYK 0 / 54 / 89 / 15

HEX #D96417

RGB 217 100 23

HSL 23.81, 0.81%, 0.47%

LAB 56.02, 42.17, 59.54

 

Description

Color code: HEX #29D717 | qconv.com Color code: HEX #29D717 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 215 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 215 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 89% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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